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World Image issue 17 February 2015

The Journal of the Peoples Photographic Society. Published on the 25th of each month, the latest edition is at: www.photosociety.net

The Journal of the Peoples Photographic Society. Published on the 25th of each month, the latest edition is at: www.photosociety.net

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The Magazine of the Peoples Photographic Society<br />

Issue Seventeen - <strong>February</strong> <strong>2015</strong><br />

Website = photosociety.net Page 1 email = magazine@photosociety.net


Society Management<br />

Management Committee:<br />

Gordon Longmead - England<br />

Peter Hogel - Tanzania<br />

Dave Walster - England<br />

Scott Hurd - Namibia<br />

Tom Coetzee - South Africa<br />

Paul Welch—Australia<br />

Steve Cook - USA<br />

Robert Murray - Scotland<br />

Regional Co-ordinators:<br />

Arusha, Tanzania - Peter Hogel<br />

Benton, Kentucky, USA - Jack Glisson<br />

East Herts UK - Gordon Longmead<br />

Lincoln UK - Dave Walster<br />

North Scotland, UK - Robert Murray<br />

Peak District, UK - Kev Sidford<br />

Yorkshire UK - Rodger Lee<br />

In this months <strong>issue</strong>:<br />

3 Chairman's Bit<br />

4 International Exhibition<br />

6 Golden Beach, Maharashtra by Michael Shmelev, Russia<br />

9 Shoot Without Boundaries - Canon Press Release<br />

10 England in the area of Westminster Bridge by Gordon Longmead, England<br />

13 Competitions<br />

14 Studio Practice - Working With Vinyl's by Gordon Longmead, England<br />

15 Product Review - Fotospeed Gloss Panorama Inkjet Paper<br />

16 A Jack of All Trades and Master of None by Kev Sidford, England<br />

18 Fort Portal, Uganda by Peter Hogel, Uganda<br />

23 The Monkey by Gordon<br />

24 Societies Convention Report<br />

27 Kyrgyzstan by Michal Shmelev, Russia<br />

28 South Africa - On Safari by Tom Coetzee, South Africa<br />

30 Abrolhos Islands by Paul Welch, Australia<br />

36 Mexico part One by Tina Andreasson, Sweden<br />

45 Wildlife - Garden Birds Part 1 by Gordon Longmead, England<br />

48 Exploring Patagonia The first part, about life upside down with Michal Shmelev, Russia<br />

© Please remember that all articles and images published in this magazine are copyright protected<br />

Cover Picture South African Sunset by Tom Coetzee<br />

Website = photosociety.net Page 2 email = magazine@photosociety.net


Chairmans Bit<br />

So here we are once again with the new <strong>issue</strong> of<br />

the magazine.<br />

The first thing I will mention is the new flickr<br />

group for those who wish to use it. Details are<br />

on the previous page.<br />

When we set up the website I included some<br />

basic analytics on the site, then promptly forgot<br />

about them. So it was with some surprise that<br />

when I was rummaging through the potential of<br />

the site that they were rediscovered.<br />

Even more surprising to me was the data it<br />

revealed about the website. Some of the data is<br />

for me irrelevant bordering on the meaningless,<br />

but there were some figures that really meant a<br />

great deal, at least to me.<br />

It showed that between 1st <strong>February</strong> 2014 and<br />

<strong>17</strong>th January <strong>2015</strong> the website had received<br />

16,582 visits, (that works out at over 21,000<br />

visits since we began). Those 16582 visits<br />

viewed 31,327 pages. You can do the math but<br />

there are only five pages on the website.<br />

Although in its infancy, even our blog site is<br />

being viewed 1232 times across 10 countries.<br />

I have been hinting that the magazine is going<br />

to go through a few changes this year, some of<br />

these changes will need your support, at least in<br />

the early stages.<br />

Other changes should occur by a natural<br />

development, especially if my recent<br />

discussions follow to their ultimate destination.<br />

Without venturing into details, those<br />

developments will benefit both the Society /<br />

Magazine and, indirectly, some of the<br />

members. More on this aspect will be revealed<br />

in later <strong>issue</strong>s.<br />

Firstly we are an international society and the<br />

magazine should be reflecting that concept of<br />

the society.<br />

In past <strong>issue</strong>s we have touched on areas such as<br />

South America and Africa, and in this <strong>issue</strong> we<br />

head back into Kyrgyzstan, but also include<br />

Patagonia, Uganda, India and Mexico.<br />

We intend that other countries should also be<br />

included, to that end we will soon (we hope) be<br />

starting a series from Russia. This starts with an<br />

article on Moscow by Michal Shmelev in <strong>issue</strong><br />

22. During the year Mike is also presenting<br />

articles on Bali and India.<br />

We can present articles on any country, but you<br />

need to write them, we can edit and format<br />

them, but we can not write them for you.<br />

In the Society, apart from the one thing we all<br />

have in common, photography, we have<br />

members with other prime interests. These<br />

include, but are not limited to, trekking, safaris<br />

and mountaineering.<br />

So we are looking at creating sections within<br />

the magazine dedicated to articles on those<br />

interests, but again, we can present the articles<br />

but you need to write them, we can edit and<br />

format them, but we can not write them for you.<br />

I have a busy year in <strong>2015</strong>, the next event is the<br />

Photography Show at the NEC in March,<br />

followed by the Competition in April, the<br />

Exhibition in June, Competition in September,<br />

with 12 <strong>issue</strong>s of the magazine to deliver in<br />

between.<br />

Please enjoy the magazine and the various<br />

groups, for it is that enjoyment that makes this<br />

project worth while.<br />

Gordon<br />

The planned changes that will need support<br />

from the members are to do with the layout and<br />

presentation of the magazine.<br />

Website = photosociety.net Page 3 email = magazine@photosociety.net


<strong>World</strong> <strong>Image</strong> Magazine and the Peoples Photographic Society<br />

International Exhibition of Photography<br />

20th and 21st June <strong>2015</strong><br />

The Peoples Photographic Society and the<br />

<strong>World</strong> <strong>Image</strong> Magazine are internet orientated<br />

and based in Welwyn in the UK.<br />

To continue the development of the PPS, we<br />

are to stage an International Exhibition and sale<br />

of Photography at the Welwyn Civic Centre on<br />

the 20th and 21st of June <strong>2015</strong>.<br />

The exhibition is supporting the village during<br />

opening weekend of its local festival, and will<br />

bring together some of the best photography the<br />

Society has to offer from the many countries of<br />

the world with which the Society and Magazine<br />

are associated through its members.<br />

Although this is not the first exhibition event<br />

staged at this venue, as a local Historian /<br />

photographer I have staged many others, it will<br />

be the first of its kind ever seen in Welwyn and<br />

possibly the county.<br />

Although I am unable as yet to confirm that all<br />

the funding will be available to the Society, we<br />

can confirm that application has been made for<br />

funding to cover most of the costs associated<br />

with the event and other avenues are being<br />

explored.<br />

The print / mount sizes will be decided to fit<br />

with the space available for display and layout<br />

of the exhibition.<br />

The exhibition will take place in the main hall<br />

which will also have the studio settings and<br />

similar presentations, also the sales tables<br />

where prints and other items will be available<br />

for purchase, and where people can order<br />

copies of the exhibition prints.<br />

The second hall will have the refreshments, and<br />

will also be the venue for the talks and<br />

presentations during the weekend. The two<br />

halls have sufficient wall space for posters for<br />

those members wishing to promote their<br />

businesses.<br />

Funding permitting, we intend to generate a<br />

exhibition guide for the event. This will contain<br />

the exhibition list, adverts, and society details.<br />

Those wishing to add copies of their pictures to<br />

the sales table will be required to pay for the<br />

printing and mounting in advance at cost.<br />

All pictures will be sold at a fixed price of<br />

£20.00 plus the photographers premium (if<br />

any). This is the minimum price you would<br />

want to receive from the sales. The £20 price is<br />

aimed at the local market.<br />

After the deduction of printing and mounting<br />

costs, 10% of profit will go to the Society with<br />

the remainder being returned to the<br />

photographer.<br />

The exhibits will be displayed by country, and<br />

will comprise mounted pictures from as many<br />

of the countries in which we are represented as<br />

possible. As a society we currently have<br />

members in 62 countries.<br />

Visitors to the exhibition will be invited to vote<br />

for their favourite ‘top three’ pictures during<br />

the event. Winning pictures being those with<br />

the most votes will be awarded Society<br />

Certificates and any other sponsored prizes we<br />

may be given.<br />

We will also be showing member videos and<br />

the past competition video slideshows. These<br />

high definition presentations will be run<br />

through out the weekend.<br />

There will be a portrait studio set up in the main<br />

hall and we will have some volunteer models<br />

and other subjects available for visitors<br />

to practice their photographic techniques upon.<br />

A number of the Societies members operate<br />

trekking and safari tours in various countries,<br />

including Nepal (Himalayas), Uganda,<br />

Tanzania, Zimbabwe and South Africa.<br />

Website = photosociety.net Page 4 email = magazine@photosociety.net


Others do guided tours of the mountain ranges.<br />

At the exhibition those who are interested will<br />

be able get information on these aspects of the<br />

Society.<br />

I am pleased to say that the Cat Survival Trust<br />

will be joining us at the event so visitors will<br />

have the opportunity to get to know them and<br />

their aims. They will also be able to take up<br />

membership of the trust during the weekend.<br />

To keep the younger visitors and their mums<br />

happy, we will have Teds Tombola. Why Teds?<br />

Well seeing is believing.<br />

There are more features in the process of<br />

planning, including guest speakers, all of which<br />

will enhance the event and make it a great day<br />

out.<br />

Refreshments (the most important bit) will be<br />

available in the hall, with tea, coffee and cake.<br />

Admission is free, although donations to<br />

support the Society will always be welcomed.<br />

Opening times:<br />

Saturday 20th June from 9.30am to 5pm<br />

Sunday 21st June from 9.30am to 4pm<br />

Refreshment stand will close one hour before<br />

these times.<br />

VIP Photographer Vanessa Champion<br />

to be a special guest at the Society Exhibition<br />

On Saturday the 20th June, the Exhibition will<br />

be visited by International Photographer,<br />

Vanessa Champion.<br />

Ness has been a photographer for over 20 years,<br />

and is known for her work covering performing<br />

arts and craftspeople in particular, plus her<br />

work with NGOs in Africa, India, Nepal and<br />

Europe.<br />

"I've been at this for a while, have been lucky<br />

enough to have shot Pavarotti, have work in the<br />

archives at Rolls Royce, Royal Opera House,<br />

etc. but the greatest thrill for me, is stepping off<br />

the plane coming home with a raft of stories in<br />

my little black box that swings on my arm.<br />

Everyone has a story, I'm lucky I get to meet<br />

and photograph some terrific people."<br />

Her own heritage in the theatre and the visual<br />

arts has given her a sensitivity and love for the<br />

performing and creative industries, whether that<br />

is an artisan blacksmith or stained glass maker<br />

or an opera troupe or stand up comic.<br />

Her portfolio includes Pavarotti, Rolls Royce,<br />

Corrigans Mayfair, lots of bands, actors,<br />

directors, producers, business professionals and<br />

corporate branding portfolio story-telling.<br />

In other areas Ness is also a writer, journalist<br />

and photographer, and do communications, all<br />

part of my creative agency, Dragonfly<br />

Communications.<br />

Please note, it has been decided that if sufficient funding is not made available for this event, it will be cancelled.<br />

Website = photosociety.net Page 5 email = magazine@photosociety.net


Golden Beach, Maharashtra, India<br />

By Michael Shmelev<br />

One of the most beautiful beaches that we met<br />

while travelling through the Indian state to Goa<br />

on a rented scooter, proved to Paradise Beach.<br />

Actually, it is not in Goa, since it is located to<br />

the north, in the neighbouring state of<br />

Maharashtra.<br />

This five-kilometre, nearly deserted (in<br />

November) beach, justifies its name by solitude<br />

and great views. Sea, palm trees coastal strip<br />

and small yellow-white sand has the effect of<br />

relaxing both mind and body. The location is<br />

definitely worthwhile, especially for lovers of<br />

freedom and privacy.<br />

The beach we found immediately. I had to ride<br />

through the northern part of Goa on the way to<br />

Arambol, periodically asking locals for<br />

directions. In one of the coastal straw cafes, an<br />

elderly couple of Englishmen tell us the exact<br />

route via the ferry, under Tiracol and follow the<br />

road past Lake Redi.<br />

Beach appeared before us, many kilometres of<br />

deserted oblique golden sand. Only the sea, sky<br />

and palm trees, the real space and privacy. On<br />

the whole, we could not have dreamed. We met<br />

Semir Bhagat. Semir - hotel manager of<br />

“Sumitra Resort”.<br />

Website = photosociety.net Page 6 email = magazine@photosociety.net


Of course, it's very loud, especially when you<br />

consider that one of the best "room" of the hotel<br />

is shown in a photo directly behind Shemer.<br />

Perhaps someone will confuse abundance of<br />

stars, but many tourists from the UK, Italy,<br />

Denmark and Russia, visited here, appreciate<br />

this place is not for the convenience of<br />

hospitality and culinary delights of the local<br />

chefs.<br />

Semir - a sociable, open and kind person, tells<br />

me that the people of his village for fourteen<br />

years have been fighting for their rights to the<br />

land.<br />

You can rent a house for 200 rupees a day. For<br />

lunch, you can order omelettes, fish and chips,<br />

and water. In my opinion, this is quite enough<br />

to not be distracted by worldly things, just<br />

enjoy the solitude in an unspoilt corner of<br />

nature.<br />

The Government, together with the Indian auto<br />

giant Tata would have long ago built up the<br />

five-kilometre beach with a braid of luxury<br />

hotels, if not for a handful of local residents<br />

who do not want to voluntarily leave their<br />

native land. Semir said that they are forbidden<br />

to carry out communication, build a cafe or<br />

have a travel services. Therefore, all he has to<br />

offer - straw bungalows with a clay floor and<br />

the food cooked in the kitchen in his village.<br />

Website = photosociety.net Page 7 email = magazine@photosociety.net


The villagers are hereditary fishermen. They<br />

are called “muchee walla”. Their old fishing<br />

boat, the main assistant in their difficult fishing<br />

deal, have the same name - “muchee walla.<br />

Vanity is not peculiar to the Indians, and it is<br />

more superfluous here in the desert with many<br />

kilometres of beaches, so distant from the<br />

rhythms of the city.<br />

This boat, the design of which has not changed<br />

for centuries, made from bent planks sewn<br />

ropes and coated in resin. The right side of the<br />

boat is equipped with a float, a fortified<br />

counterweight to improve stability in rough sea.<br />

Today is a good day to go to sea. Fishermen<br />

preparing - stack network. I wanted to write<br />

"fuss", but it is not.<br />

Maybe we need to escape from civilization and<br />

try to live like this people? Concrete boxes,<br />

cars, vanity, endless acquisition of useless<br />

things, senseless maintenance of these things.<br />

Maybe we should go back to basics, to calm<br />

down? Will there be enough courage and<br />

strength to take such a step? Maybe that's<br />

enough. And maybe not. These thoughts come<br />

to me in this calm place.<br />

In the evening we meet on the golden beaches.<br />

Time flies by. Breathe and thinking is very free<br />

and easy.<br />

Well, we wish this little authentic village a<br />

future of well-being and tranquillity. And we<br />

need to go back to where the noise of cars<br />

invades. I feel the serenity of this place, we will<br />

miss it.<br />

Michael Shmelev<br />

Website = photosociety.net Page 8 email = magazine@photosociety.net


Shoot without boundaries<br />

Canon launches new PowerShot and IXUS ranges<br />

In January Canon unveiled seven new additions<br />

to its PowerShot and IXUS camera ranges. The<br />

range is designed to provide the perfect solution<br />

whatever you’re shooting, whether it’s close up<br />

or from a distance with the three new<br />

superzoom PowerShots, on a night out with one<br />

of three new compact IXUS cameras, or being<br />

creative with the new PowerShot N2.<br />

Perfect for capturing moments from a distance,<br />

the new superzoom PowerShot SX530 HS,<br />

PowerShot SX710 HS and PowerShot SX610<br />

HS offer the ultimate flexibility, ensuring you<br />

can record everything, from family summer<br />

holidays to weekends away, in great quality.<br />

Canon’s latest bridge camera, the PowerShot<br />

SX530 HS, features an outstanding 50x optical<br />

zoom and 100x ZoomPlus, while the pocket<br />

sized PowerShot SX710 HS’s 30x optical zoom<br />

and the PowerShot SX610 HS’s 18x optical<br />

zoom help you get closer to those hard to reach<br />

subjects.<br />

For tackling tricky shots, the Auto Zoom<br />

function on all three models helps you keep<br />

your subject in the frame by automatically<br />

detecting the number of people and adjusting<br />

the zoom level to determine the optimal size.<br />

Meanwhile, Intelligent IS ensures each shot is<br />

crisp and clear. Once captured, you can start<br />

sharing your images and Full HD Movies to<br />

your smartphone and tablet with a single touch,<br />

using integrated Wi-Fi and Dynamic NFC.<br />

For capturing creative, spontaneous photos, the<br />

new PowerShot N2 gives you everything you<br />

need in the palm of your hand. The unique<br />

symmetrical square design features innovative<br />

zoom and shoot lens rings, so you can take<br />

pictures from a variety of angles.<br />

To impress your friends with unexpected<br />

creativity, the enhanced Creative Shot mode<br />

creates an array of different creative treatments<br />

with every picture taken; the intelligent<br />

technology analyses the subject and shoots fun,<br />

short movie clips with varying frame rates and<br />

effects.<br />

From nights out with friends, to exploring your<br />

home city, the IXUS 160, IXUS 165 and IXUS<br />

<strong>17</strong>0 make it simple to shoot your favourite<br />

moments in brilliant detail, whilst on the move.<br />

Easy to slip into your pocket, the new range are<br />

Canon’s smallest cameras to date, and with the<br />

IXUS <strong>17</strong>0 boasting a 12x optical zoom, and the<br />

IXUS 160 and IXUS 165 featuring 8x optical<br />

zooms, you can focus in on the action.<br />

Simple to use, with great results with every<br />

shutter release, all three cameras feature a 20.0<br />

MP sensor for detailed stills, while Smart Auto<br />

lets you take it easy as you shoot, controlling<br />

camera settings for you, and the fun Creative<br />

Filters provide instant creative results.<br />

Pricing:<br />

PowerShot SX530 HS - RSP of £329.99/<br />

€399.99<br />

PowerShot SX710 HS - RSP of £329.99/<br />

€399.99<br />

PowerShot SX610 HS - RSP of £229.99/<br />

€269.99<br />

PowerShot N2 - RSP of £289.99/€349.99<br />

IXUS <strong>17</strong>0 - RSP of £149.99/€189.99<br />

IXUS 165 - RSP of £129.99/€149.99<br />

IXUS 160 - RSP of £99.99/€129.99<br />

The PowerShot N2 also features a new<br />

touchscreen that tilts up 180 degrees, activating<br />

the dedicated selfie mode, helping you look<br />

picture perfect in front of your camera.<br />

Website = photosociety.net Page 9 email = magazine@photosociety.net


England<br />

In the area of Westminster Bridge by Gordon Longmead<br />

Those who have been reading the blogs may<br />

have noted one on writing for the magazine in<br />

which I showed how to get started on an article.<br />

I decided to take that as a start point and<br />

complete the article for the magazine.<br />

London is now a center for tourism and<br />

accommodation although the industry of<br />

business would have you believe that it is the<br />

centre of British business it really the only<br />

’important’ things that it houses are status<br />

symbols, government and the stock exchange.<br />

Most intelligent business has moved into other,<br />

much cheaper, locations away from the city.<br />

In the heart of southern England lay the city of<br />

London through which runs the river Thames.<br />

One of the famous landmarks is Westminster<br />

Bridge, completed in <strong>17</strong>50, it is an iron<br />

structure that spans the river beside the Houses<br />

of Parliament to the north, and the London Eye<br />

and Aquarium to the south.<br />

It is painted green to reflect the green seats of<br />

the House of Commons. On the other side of<br />

the Parliament building, Lambeth Bridge is<br />

Painted red to reflect the seat colour in the<br />

House of Lords.<br />

The fact that London was built in this location<br />

is because of the river. Its size and sheltered<br />

location making it ideal for the ancient mariner<br />

to trade from, and so making London one of the<br />

trading capitals of the world.<br />

That trading status was probably instrumental<br />

in making London the capital city of England<br />

and the British Empire.<br />

I think that most people are glad that the days<br />

of Empire are long past, and even the city has<br />

changed, no longer being the hub of British<br />

overseas trade.<br />

To the south of the river is the London Eye, or<br />

if you do not like it, the London Eyesore, based<br />

on the fairground ride it allows visitors to see<br />

over the rooftops of London.<br />

Personally this may have been the case a<br />

hundred years ago, but most of the tower blocks<br />

are higher than the wheel so that description is<br />

somewhat negated. Still if you visit London it is<br />

one of the ‘must do’ places.<br />

Website = photosociety.net Page 10 email = magazine@photosociety.net


You will need to get there early or book well in<br />

advance to travel on the wheel, every time I<br />

have been in the area there has been a long<br />

queue.<br />

Parliament is usually seen from the pavement<br />

alongside the building, but try walking across<br />

the square and it looks like a building from<br />

ancient times. I can almost imaging this with a<br />

thatched roof.<br />

Adjacent to the wheel is the National<br />

Aquarium. Or rather it was until it was sold into<br />

private ownership. This is another place that is<br />

on the must do list for visitors. I have resided in<br />

the UK for 60 years and still must do.<br />

Apart from what is inside, all four of the<br />

locations mentioned afford photographic<br />

opportunities. To the north of the river is<br />

Parliament Square with the Houses of<br />

Parliament, Westminster Abbey, and other<br />

impressive buildings.<br />

The abbey is full of interesting architecture, but<br />

how often do we take the view and ignore the<br />

detail? Looking at this picture I realised that I<br />

have never been to the front of the building.<br />

Perhaps next time.<br />

Although most of the London landmarks, such<br />

as Trafalgar Square and Buckingham Palace,<br />

are in walking distance, there is a great deal to<br />

see and photograph in those building around the<br />

square and bridge.<br />

As for articles for the magazine, this is a<br />

personal ramble, and has taken me half an hour<br />

to write. It is not the best writing I have ever<br />

done, but if you have reached this point, it has<br />

served its purpose, it has caught your interest.<br />

The pen is mightier, coupled with a camera it is<br />

unstoppable. I can not write about your town or<br />

adventures, I have never been there.<br />

Gordon<br />

http://www.kuyimba.com/<br />

Website = photosociety.net Page 11 email = magazine@photosociety.net


Email: tom@fstopsafaris.co.za<br />

Website = photosociety.net Page 12 email = magazine@photosociety.net


Competition<br />

April <strong>2015</strong> - Closing date for entries 30th April<br />

The International competitions are open to all<br />

members of the Society.<br />

Categories - Open (Colour and Greyscale)<br />

Each member may enter up to six pictures,<br />

three in colour and three in Greyscale.<br />

No identifiable marks or copyright statements<br />

are permitted on pictures, and submitted<br />

pictures should not be posted into FB until after<br />

the judging process is complete.<br />

Entries should be sent by wetransfer.com or<br />

emailed to lendasnow@hotmail.co.uk and be<br />

between 1mb and 5mb in size.<br />

Larger files received will be resized, smaller<br />

files will be inspected and rejected if they<br />

appear to be too small in size to provide proper<br />

quality.<br />

An email giving the file names and picture titles<br />

and categories, should be sent to the above<br />

address at the same time as submissions. This<br />

email may also contain a resume about the<br />

picture. All submissions will be acknowledged.<br />

Copyright remains always with the<br />

photographer but the society shall be permitted<br />

to display the pictures on its website were<br />

reasonable precautions are taken to prohibit<br />

unlawful downloads and coping.<br />

All competitions are judged 'blind', the names<br />

of judges and entrants will not be displayed or<br />

supplied until after the results have been<br />

ascertained for each event.<br />

A prize of a years membership to The<br />

Photographer Academy at pro level will be<br />

awarded to the winners in each category.<br />

In this case the entrant will be contacted to<br />

resubmit the image. Previously top three placed<br />

or similar pictures may not be resubmitted.<br />

New Flickr Group<br />

As from January the Society has a new group in<br />

Flickr. It is an invitation only group for the use<br />

and benefit of members of the Society.<br />

<strong>Image</strong>s can be viewed by the public but only<br />

members of the Society can post pictures. There<br />

is also a blog on the group so you may discuss<br />

topics and images.<br />

Those wishing to join the group should advise<br />

us of your Flickr name so you can receive an<br />

invitation. Those who do not belong to the<br />

Society will need to join us first.<br />

https://www.flickr.com/groups/pps_worldimage<br />

There are two administrator in the Flickr<br />

Group, myself and Kev Sidford. Kev has more<br />

experience of using flickr so if you get any<br />

problems he should be able to assist you.<br />

Website = photosociety.net Page 13 email = magazine@photosociety.net


Studio Practice<br />

Working with Vinyl's by Gordon Longmead<br />

In spite of the cold weather making for work in<br />

my new ‘studio’ a bit on the chilly side, there<br />

occasionally arises the opportunity to invite the<br />

odd visitor to take a seat in the studio.<br />

I do sometimes put the heating on, but only if I<br />

am going to work in there for any length of<br />

time. But for the passing visitor I rarely bother.<br />

For this article the subject of the exercise is the<br />

vinyl backgrounds currently available from<br />

China and the unwary visitor in the form of my<br />

good friend Micky Bowles.<br />

The sheet may only cost 99p but postage can be<br />

£16. Some offer at £12.50 post paid.<br />

All from China, the quality is good but the<br />

sheets come folded so the creases need to be<br />

stretched or ironed out, something I have not<br />

done on the sheet use … yet. Delivery is also<br />

very good, they quote up to 27 days, often only<br />

a week.<br />

So having got the sheet and clipped it to your<br />

backdrop stand, arranged for your model to sit<br />

or stand in pose, it is time to turn on the lights.<br />

For this test I used a snow scene background 5ft<br />

wide by 7ft high. This is the standard format of<br />

these sheets, but others are available. Also, you<br />

can send your own picture to them and they<br />

will print it for you.<br />

You can get these through ebay but you need to<br />

be aware of the pricing system they use.<br />

For this session I used two steady floods aimed<br />

into silver brolly reflectors. One was positioned<br />

to the right at 45 degrees to the front and above<br />

the subject at a distance of 2.5ft, about 6ft<br />

above the ground.<br />

The second was positioned to the left, 45<br />

degrees to the front of the subject at a distance<br />

of 2ft, about 3.5ft above the ground.<br />

Website = photosociety.net Page 14 email = magazine@photosociety.net


The angle between the lights vinyl and camera<br />

is fairly important to avoid possible reflections<br />

from the vinyl surface.<br />

If the angle is to shallow the light will bounce<br />

back at the lens. Camera mounted flash is not<br />

recommended. The angled lights also remove<br />

the subjects shadow from the background.<br />

The camera settings for these three images was<br />

40mm on an 18 - 55mm lens, and 320th at F5.<br />

Distance from camera to subject was about 5ft<br />

hand held.<br />

I have invested in a few more of these<br />

backdrops, mainly due to the price. But I like<br />

the quality of the images, and they serve my<br />

purpose.<br />

Gordon<br />

I still have a selection of other Fotospeed<br />

papers to review, but since I needed to test the<br />

quality of this paper and its potential for the<br />

exhibition prints I decided to start with the<br />

PFGloss270 Panoramic Inkjet Media.<br />

Fotospeed Inkjet Panoramic Paper.<br />

By Gordon Longmead<br />

Once this was overcome all was well. For this<br />

test I set up the picture in my old and trusted<br />

MS Publisher.<br />

The paper is designed to be printed on a<br />

standard A4 desktop printer being 594mm by<br />

210mm in size.<br />

It also comes with free custom ICC profiles for<br />

those who understand such things. I do not<br />

since I have never had problems with print<br />

quality.<br />

The printer I used is an Epsom Stylus SX235W<br />

set to Epsom Glossy media. This is a standard<br />

setting for me which also allows me to compare<br />

the Fotospeed print with earlier standards.<br />

The biggest problem I found was to get the<br />

printer to actually set the program to accept the<br />

user defined page size and the printer to do the<br />

same.<br />

The panorama used was of the centre of Padova<br />

in Italy. As you can see it is a long picture so<br />

when printed as a image on the selected paper<br />

size it is narrow. I have used the excess space<br />

for inclusion of a title.<br />

The printer accepted the paper first time and it<br />

travelled through with out any problems<br />

although it is advisable to stand ready to catch<br />

the print if needed.<br />

The result was excellent, The fine detail was all<br />

in evidence and the colour rendition was spot<br />

on. The paper has a good finish and a feel akin<br />

to quality photographic papers.<br />

Website = photosociety.net Page 15 email = magazine@photosociety.net


A JACK OF TRADES AND A MASTER OF NONE<br />

By Kev Sidford FRGS<br />

“Photography, as a powerful medium of<br />

expression and communication, offers an<br />

infinite variety of perception, interpretation,<br />

and execution.” — Ansel Adams<br />

Bruce Lee once said, “I am learning to<br />

understand rather than immediately judge or to<br />

be judged. I cannot blindly follow the crowd<br />

and accept their approach.”<br />

This to me, I interpreted as find out the hard<br />

way, make mistakes and learn from them.<br />

Equally, Bismark once said, “Only idiots, learn<br />

from experience; I learn from other people.”<br />

As I aspire to be something even close to being<br />

a photographer, coupled with my passion for<br />

introducing people to the untouched world or<br />

the different cultures that exist on this planet. I<br />

need a means to record such sites of beauty and<br />

wonderment.<br />

What camera and what lens or lenses should I<br />

take on my next trip? If, I fall into the category<br />

of Bruce Lee, then I may very well make a<br />

mistake and take entirely wrong kit. This would<br />

be a painful and costly mistake. However, if I<br />

take a long hard look at Bismark’s<br />

methodology, then I will be reliant on the<br />

advice and guidance of others. The problem<br />

comes when the advice given is not based on<br />

the exact same mission that is in front of me.<br />

No two people are the same so advice based on<br />

hard facts and tried and tested methods is hard<br />

to come by in this complex world.<br />

You have to find your own path and may be<br />

create your own destiny and ride on the crest of<br />

experience. So a funny blend of both Bruce<br />

Lee’s and Bismark’s thought processes.<br />

Armed with my trusty Canon EOS 7D and the<br />

pack <strong>issue</strong> EFS 18 – 135mm lens, I travelled to<br />

Morocco. Eagerly taking photographs for three<br />

weeks not realising that most of my work was<br />

suffering from Chromatic Aberration.<br />

It only dawned on me later in the trip that the<br />

reach for this lens was actually 29mm – 216mm<br />

when what I had in my minds eye was not of<br />

the angle that I required. Taking landscapes<br />

ideally I would like something with wider<br />

scope. So concentrating on less of a wide<br />

aspect, I got some reasonable shots.<br />

Oh what I would give to have a Full Frame for<br />

all the mega sand dunes that reach out as far as<br />

the eye could see. But, with limited tools what<br />

do you do?<br />

Website = photosociety.net Page 16 email = magazine@photosociety.net


Sometimes the only way to view the landscape<br />

is to get above it, I have realised that a 1.6 crop<br />

is very much like an arrowslit or balistraria.<br />

The higher you are the better your field of view.<br />

It is being adaptable to your surroundings. The<br />

first three photos were all taken in October as a<br />

group of charity trekkers walked 70kms over<br />

some of the harshest terrain in Morocco.<br />

During this trek I wanted to avoid taking<br />

photographs of individuals and groups putting<br />

in the effort. It becomes a pain having to sort<br />

out model release forms etcetera especially<br />

when you have the task of looking after their<br />

welfare.<br />

Merely taking landscapes is not the be all and<br />

end all of travel photography or what I call<br />

expedition photography. So what else is<br />

there??? There are opportunities for impromptu<br />

Portraits, Architecture, Flora and Fauna, Street<br />

Photography: Action/Adventure Photography<br />

the list is endless. My own personal philosophy<br />

is gain the skills in all these disciplines, be a<br />

Jack of all trades, and be a Master of none, well<br />

at least for the purposes of expeditions.<br />

Quite often you will have to be discreet or at a<br />

distance to avoid upsetting the indigenous<br />

population. There are times when in Morocco,<br />

the local children are happy to have their photo<br />

taken in return for a “Stylo” or Pen. In Ethiopia<br />

they speak very little English, in the remoter<br />

parts they do have two words well wired,<br />

“Money Photo”. As a photographer you have to<br />

balance the fine art of secrecy capturing the<br />

photo or managing the fine line between<br />

begging and inspirational commerce amongst<br />

the youngsters.<br />

Harsh reality poverty, mud and squalor<br />

As a photographer you are a tourist and a<br />

magnet for those that are less well off,<br />

brandishing a £2000 camera is not always a<br />

wise thing to do but you can do things to make<br />

your life a lot easier.<br />

Helping the local economy by buying some<br />

maize from the local market you are seen to be<br />

helping the community. A visit to the local<br />

market in any country is a magnificent site.<br />

Lalibella, Ethiopia<br />

The only problem is being absorbed in the<br />

moment and losing track of your group.<br />

Idyllic mountain village above Lalibela, Ethiopia<br />

So where am I standing, with my artillery of<br />

lenses and Cameras. I still have my trusty EOS<br />

7D but now armed with the Canon EF F4L ISM<br />

24–105mm lens with give me an effective reach<br />

of 38–168mm. Not exactly good for wide angle<br />

but through adaptive learning it does the job.<br />

Kev Sidford FRGS<br />

Website = photosociety.net Page <strong>17</strong> email = magazine@photosociety.net


Fort Portal, Uganda … the Portal to the Parks<br />

By Peter Hogel of Uganda Explorer<br />

The Photo collecting for Uganda Explorer<br />

continues and has taken me to Fort Portal<br />

four hours from Kampala and the place to<br />

start…where ever you want to go.<br />

I want you to remember when looking at these<br />

photos, this time I was actually here to connect<br />

with the lodges and hotels I didn’t even enter<br />

the parks we just passed by or through on the<br />

main road.<br />

Around these areas are parks like Kibale<br />

(chimps) Rwanzori mountains (climbing/<br />

walking) Semuliki, the hot springs and Queen<br />

Elisabeth NP, that one basically for whatever<br />

you want to do or see.<br />

Some of these parks can introduce you to 12<br />

species of primates, we saw 4 without even<br />

entering and of course numerous birds.<br />

Here we took the winding mountain road to<br />

Semuliki, you can see the hot springs here… I<br />

didn’t, didn’t enter the park… but stopped by,<br />

saw some black and white colobus monkeys,<br />

colobus, meaning mutilated.. they only have<br />

four fingers and continued on to visit the cocoa<br />

plantation.<br />

Website = photosociety.net Page 18 email = magazine@photosociety.net


I did get some cocoa seeds, that I roasted,<br />

peeled, turned into powder and made ..probably<br />

the best cup of hot chocolate I ever had.<br />

In the surrounding areas of Fort Portal , you can<br />

go hiking, cycling, visit the waterfalls, crater<br />

lakes and caves these are not even included in<br />

the parks.<br />

Now. Writing this story I had a problem,<br />

somewhere I went, to write about it or not, and<br />

I decided to write, because I can easily turn this<br />

trip to officially be about fun ´n games and<br />

adventures… but the truth is that there’s of<br />

course things that aren’t the way you’d like<br />

them to be, and this is one…<br />

Website = photosociety.net Page 19 email = magazine@photosociety.net


This community however ended up in a village<br />

of farmers, and without land there is not much<br />

they can do, trying to survive in a urban jungle<br />

they are slowly disappearing, diluted in the<br />

“modern” society and unfortunately not a<br />

shriving one.<br />

We are looking in to the possibility of getting<br />

these people a piece of land where they once<br />

again can be what they really are, a part of the<br />

rainforest.<br />

There´s a portrait here, of a man, actually a<br />

king, he is king of the Batwa tribe in Semuliki,<br />

there are some other communities of Batwa<br />

around these areas some more fortunate than<br />

these, the Batwa are the original pygmy tribe of<br />

Uganda.<br />

Next trip; we are now getting in to some serious<br />

safaris, upcoming is a 10 day tour through<br />

Queen Elisabeth NP , Hiking the Rwenzori and<br />

Murchison falls, waterfall safari and maybe a<br />

trip down the Nile river or the Murchison.<br />

Hunters, gatherers and fishermen, proud people<br />

of the rainforest, today this particular<br />

community of some 125 people have been<br />

forced out of the forest, since it is now a<br />

National Park, others have been offered a good<br />

land to live on and also a part of the culture<br />

tourism, selling music instruments, bows and<br />

arrows all made from what the rain forest could<br />

provide.<br />

Website = photosociety.net Page 20 email = magazine@photosociety.net


Website = photosociety.net Page 21 email = magazine@photosociety.net


Website = photosociety.net Page 22 email = magazine@photosociety.net


The Monkey<br />

by Gordon<br />

Website = photosociety.net Page 23 email = magazine@photosociety.net


The Societies’ <strong>2015</strong> Convention<br />

at the Hilton Metropole, London<br />

Visit Report by Gordon Longmead<br />

The date was the 16th January <strong>2015</strong>. The<br />

destination, The Hilton Metropole Hotel,<br />

Edgware Road, London. The purpose, the<br />

Societies <strong>2015</strong> Convention Show.<br />

The day started well, the alarm clock failed,<br />

then the car did not want to start (well it was a<br />

chilly morning), so is was a rush to get to the<br />

railway station in time to catch the 8.20 into<br />

Kings Cross, but I made it.<br />

On a nice day there is plenty to see and<br />

photograph, the streets are not paved in gold,<br />

but when the sun shines they are bright and<br />

bustling. On a wet day I just do not go to<br />

London, it is as drab and uninviting as any<br />

other big city.<br />

Being the rush hour it was standing room only<br />

all the way. The fare was £24.90 return from<br />

Welwyn to Edgware Road. Another shock as I<br />

normally travelled off peak at £12.50 return.<br />

I should have realised that there would be a<br />

problem since that line is one of the deepest in<br />

London and even the journey down was a long<br />

one.<br />

I love the span of the new bit to Kings Cross<br />

with the additional interest created by the<br />

changing colours in the roof space.<br />

At Kings Cross I transferred to the London<br />

Underground, my chosen route was the circle<br />

line to Bakers Street then the Bakerloo Line to<br />

the Edgware Road. My reason for this route<br />

was that the station was directly across from the<br />

Hotel.<br />

Undaunted, I ventured into the underground for<br />

the first time in 35 years. It is not that I do not<br />

like the underground, it is just that I have gotten<br />

into the habit of walking down to the river to<br />

see what is on offer for the camera.<br />

Once at Edgware Road you are confronted with<br />

a choice, take the 125 stairs or the lift. I decided<br />

that I needed the exercise and took the stairs, in<br />

future I will use the Circle Line.<br />

Once at the main door of the Hilton London<br />

Metropole Hotel, you enter a world of<br />

opulence, but there is still more walking to do<br />

through the hotel corridors to the west wing.<br />

As with most hotels they had the heating on and<br />

that may be good for relaxing in comfort, it was<br />

not so good when wearing a thermal coat even<br />

if it was sleeveless.<br />

But I was lucky, I found the baggage check and<br />

having put my coat in a bag, deposited it there<br />

for the day, even better it was free of charge. It<br />

appeared that I was the only show visitor to use<br />

the facility.<br />

Website = photosociety.net Page 24 email = magazine@photosociety.net


The first point of interest was the display of<br />

their Society competition pictures, they<br />

displayed the finalists and each received a<br />

silver rosette, the winners also received a gold<br />

rosette.<br />

The pictures were stunning, but, although I do<br />

not know the judging criteria, I would happily<br />

stack some of the images produced by our<br />

society members against those on display and<br />

they would certainly not have looked out of<br />

place.<br />

This display did give me an idea for our<br />

competitions and the exhibition which I will be<br />

looking into shortly.<br />

My first encounter was with the Societies book<br />

store with the offer of books at £5 each or three<br />

for £10. It enticed me in, but failed to keep me<br />

interested.<br />

There were many ‘tutorial’ books on Studio,<br />

wildlife and other aspects of lighting and<br />

photography, but they all appeared to be books<br />

showing the photographers work, but no real<br />

tutorial content.<br />

I could go through all of the companies I spoke<br />

to on the day, but that would be boring so<br />

suffice to say that I took 80 leaflets about the<br />

exhibition / society and all were given to<br />

relevant companies and I also handed out<br />

another 30 business cards.<br />

All who had these items showed great interest,<br />

but if past experience is anything to go by we<br />

will hear nothing further except countless<br />

advertising emails.<br />

There were some exceptions, ten of these<br />

companies saw a good opportunity in being<br />

associated with us.<br />

All being well, I should be in a better position<br />

to tell you all about these opportunities in the<br />

next <strong>issue</strong>s of the magazine.<br />

I had a chat with our friends at the Photo<br />

Academy who have confirmed that they will<br />

continue to sponsor our competitions for the<br />

foreseeable future.<br />

I stopped by the Creativity Backgrounds stand<br />

for their pricelist, ouch, but then they are 11<br />

meter paper rolls and they do have 51 colours<br />

plus a few specials. These are worth looking at<br />

if you have a studio or are thinking of setting<br />

one up. www.creativitybackgrounds.co.uk<br />

Upstairs from the lobby was the first of the two<br />

main halls, the Monarch Suite where I met with<br />

Daniel Smith the sales executive of Towergate<br />

Camerasure. If anyone wants to discuss liability<br />

or equipment insurance then Daniel is the man<br />

to see. www.towergatecamerasure.co.uk<br />

The next in line was Panasonic which, after<br />

some discussion relating to a previous<br />

encounter, proved to be a very good meeting.<br />

I did get to look at the new Lumix camera that<br />

produces good stills from video, and I will be<br />

talking to them again in the near future about<br />

aspects of support for the society.<br />

The prizes of free membership at pro level is<br />

worth having. It is one of those prizes where the<br />

more you use the facility the greater the<br />

intrinsic value and the more you can learn.<br />

I also managed to speak to our contact at the<br />

Photography Show in Birmingham. I am<br />

advised that the Society is at the top of his list<br />

to fill up any empty spaces at the show. I just<br />

want an empty wall where we can promote the<br />

Society and Magazine.<br />

There are a few companies that members may<br />

be interested in at a personal / business level, so<br />

here are a few of them.<br />

Website = photosociety.net Page 25 email = magazine@photosociety.net


For those who like urban photography you may<br />

like to check out www.cbreupoty.com . Their<br />

next competition opens in <strong>February</strong> <strong>2015</strong> and<br />

they have some good prizes (good sponsors),<br />

these include a photography trip of a lifetime<br />

and cameras. More importantly, it is FREE to<br />

enter.<br />

I finally managed to chat to the camera fixers at<br />

Canon regarding the softness of the images I<br />

was getting.<br />

For those who have gathered flash units from<br />

Canon, Nikon, Olympus, Panasonic and Pentax,<br />

(why would you?),then the Cactus may be of<br />

interest.<br />

This is not from the garden center but a remote<br />

flash trigger that can control all of these makes<br />

of flash at the same time. www.cactusimage.com<br />

In past <strong>issue</strong>s I have looked at Hahnamuhle and<br />

Permajet papers, both were at the show and I<br />

did say hi to them.<br />

This time I invested in a box of panoramic<br />

papers from Fotospeed. I already have a<br />

selection of their other papers so I feel another<br />

review in the pipeline.<br />

Another company I was impressed by was<br />

ProAm Imaging Ltd of Bradford. The price is<br />

good and the quality is excellent. If you reside<br />

in the area then you can collect and avoid the<br />

shipping costs, but they do ship to the USA and<br />

Australia amongst other places. More info,<br />

www.proamimaging.com<br />

If you really want to set the world ablaze with<br />

your quality pictures, check out ChromaLuxe<br />

products at www.chromaluxe.com .<br />

They do not sell directly to retail, but they do<br />

have outlets throughout the UK. Including<br />

Sim2000 in Hatfield, Loxley Colour in<br />

Cumbernauld, Ultimate Ltd in Wokingham and<br />

genesis Imaging Ltd in Fulham.<br />

At the NEC show, you probably will not get<br />

near their maintenance team, so if you do have<br />

a technical problem visit the Societies Trade<br />

Shows (in the UK), if they can resolve the<br />

problem they will.<br />

By the end of the day walking was becoming a<br />

serious problem so, duty done, I headed home. I<br />

returned via the circle line thus avoiding the<br />

stairs.<br />

As I mentioned earlier, I did have some very<br />

profitable conversations on the societies behalf<br />

and I will pass on the information if they pass<br />

into a reality.<br />

To close out this report, I would like to say that<br />

these reports from the shows are all UK based.<br />

There is some information that is relavent to<br />

those members in other countries, but not<br />

much.<br />

To overcome this, if there is a show near to<br />

where you live, you can visit the show and<br />

write a report on it. The Society membership is<br />

international, but I can not be or visit<br />

everywhere.<br />

How many printed pictures do you know of that<br />

you can set fire to and just wipe them clean?<br />

These images are printed on aluminium<br />

substrate and although they may cost a few<br />

hundred pounds to print, they sell for may<br />

hundreds, even thousands.<br />

Website = photosociety.net Page 26 email = magazine@photosociety.net


Kyrgyzstan, May 2014<br />

By Michael Shmelev<br />

Our May trip to Kyrgyzstan was very busy. For<br />

14 days we visited the most different corners of<br />

this small but vibrant and diverse country.<br />

In the mountains we covered with snow, and in<br />

the southern desert plateau unbearable<br />

scorching heat.<br />

We crossed the rocky fords, climbed alpine<br />

switchbacks, shaking on rough roads and drove<br />

broadband highways.<br />

Listened to the regular breathing pearl of Lake<br />

Issyk-Kul and watched as the first rays of the<br />

sun reflected off the white peaks of the Tien<br />

Shan mountain ranges. Met sunsets in the<br />

picturesque valleys and admire the starry sky,<br />

which can be found only in the mountains.<br />

No lived day was not like the other. Only one<br />

throughout our trip was a constant - always<br />

good, open and responsive people of this<br />

country.<br />

I am deeply convinced, that people is measured<br />

primarily wealth of any region. One result of<br />

our busy trip was the photo report, which I<br />

suggest you read it. So, in a way!<br />

The first few days it was decided to allocate to<br />

acclimatize for what we settled on the wild<br />

southern shore of Lake Issyk-Kul.<br />

For three days we met here dawn and see the<br />

setting sun.<br />

Finally fulfilled my dream - to see how the<br />

white mountains rise on the horizon above<br />

surface of the water, as the first rays of the sun<br />

strike tops, and as the sun disappears behind a<br />

giant wall of monumental Tien Shan.<br />

Michael Shmelev<br />

Website = photosociety.net Page 27 email = magazine@photosociety.net


On Safari – what does it mean?<br />

We’ve all heard people saying “we are going on<br />

a safari”? There is so much more than coming<br />

here to view wildlife.<br />

The beautiful coastline of South Africa, the<br />

Cape wine lands, the desert and dunes of<br />

Namibia, the wonder of the Delta in<br />

Botswana…and the list is endless!<br />

South Africa<br />

On Safari by Tom Coetzee<br />

So when you go on safari to come and view<br />

wildlife, whether this is the open plains of East<br />

Africa or the woodlands Southern Africa or the<br />

jungles of Rwanda, it’s all different.<br />

I know I’ve been doing this for 19 years and<br />

have to hear people say “we’re definitely<br />

coming back” all the time. And sure people do<br />

keep on coming back, keep on sending<br />

messages of wanting to come back and keep in<br />

contact…we will not be able to see our entire<br />

wonderful world, but we sure do meet all of it!<br />

I can probably do a trip around the globe and<br />

not have to stay in hotel!!!<br />

Visiting Africa is a journey, an eye opener to<br />

some Westerners and a life changing<br />

experience. Culture shock, beauty, diversity…<br />

“impactious” (that word does not exist, I just<br />

created it!)<br />

One trip can impact your life, like a virus…it<br />

grows in you and you will get withdrawal<br />

symptoms. Wanting to go back…not that many<br />

places will do this to you, but I can assure you a<br />

trip into the African wilderness very often does<br />

this to people.<br />

You would either have to hope for that<br />

unknown family member that will think of you<br />

in their will and leave you a great inheritance or<br />

get a good paying job, as you will want to come<br />

year after year.<br />

Website = photosociety.net Page 28 email = magazine@photosociety.net


Cape Town and it’s Winelands, the Garden<br />

route, Wildlife, Mountains and Kalahari…<br />

affordability with our currency against the big<br />

currencies.<br />

Where were we? Oh yes, going on Safari…<br />

maybe someone should write a song on this, but<br />

coming to mind is the well-known song of Toto<br />

“Africa”.<br />

Being South African I am obviously tending to<br />

promote my own country, but in all fairness<br />

you have to look at it logically. For many<br />

people a trip to Africa will be a lifer!<br />

Some may do one more after retirement…with<br />

some of our wildlife diminishing under the<br />

pressure of poaching; maybe it should be done<br />

sooner than later!<br />

The advantage South Africa will present is its<br />

accessibility, infra-structure and diversity.<br />

Being a hub into other countries of the<br />

continent also helps and it becomes easy to plan<br />

your trip from here.<br />

Come jump on a “Jeep” as everyone says and<br />

keep those cameras handy, the bush will always<br />

deliver a photographic opportunity as long as<br />

you are ready to shoot!<br />

The world is in turmoil, you might as well<br />

enjoy the ride, do it while you can and have a<br />

great time!<br />

I hope your taste buds have been awoken and<br />

have a great <strong>2015</strong>!<br />

Tom Coetzee<br />

Fstop Safaries<br />

Below left, Lioness protecting Fawn.<br />

Email: tom@fstopsafaris.co.za<br />

Website = photosociety.net Page 29 email = magazine@photosociety.net


In Photography, there are some destinations for<br />

scenery or destinations for Wildlife, even<br />

destinations for those that love to shoot under<br />

water, but about 60 kilometres off of the coast<br />

of Geraldton in Western Australia, there is a<br />

place which has everything for the<br />

Photographer... A DREAM destination.<br />

Abrolhos Island’s<br />

Paul Welch, Australia<br />

I will give you a small piece of the tour of this<br />

amazing place, the only thing is I don’t do<br />

under water shots (too many Toothy critters for<br />

my liking) but the fish come to you quite<br />

willingly.<br />

In my case, I took a boat ride out to the Islands<br />

and I have enjoyed the spirit of this amazing<br />

place a couple of times now. On this occasion I<br />

was invited by my good friend and colleague<br />

Paul Green, locally famous for being on some<br />

of the fishing TV shows here in WA, that I<br />

have filmed him in. On this occasion I went<br />

along on more of a fishing trip rather than a<br />

filming or photography trip, but I just can’t<br />

resist the temptation of taking my camera along<br />

as well as my fishing gear.<br />

Paul Green with a rather large Samson fish,<br />

but just a juvenile at 22kg<br />

We got there in good time... 5 hrs of driving,<br />

just up the road in Western Australia’s terms.<br />

Then get the boat in the water and head out to<br />

the Abrolhos Islands. Just another 2hr boat ride<br />

in steady seas.<br />

Once we got to our destination I could feel the<br />

excitement kicking in and seeing one of the<br />

locals on the first afternoon is just a bonus.<br />

On several occasions Paul Green and I have<br />

enjoyed bending a few fishing rods together<br />

and caught a wonderful array of fresh fish.<br />

Paul Green bending a light tackle rod on a feisty fish.<br />

Anyway, with rods and Camera in tow, we took<br />

off from Perth at about 8.45 am and headed for<br />

the Geraldton coast with Pauls boat.<br />

A Local<br />

Website = photosociety.net Page 30 email = magazine@photosociety.net


We went and found a spot suitable for some<br />

fishing before meeting up with some other<br />

boaties for the evening and moored up in the<br />

shelter of one of the many Islands.<br />

Once we were all settled for the evening I had<br />

to go for a wonder with my camera to meet<br />

some more of the locals here as well as the<br />

amazing rugged scenery this place has to offer.<br />

This turned out to be a bit of a challenge, as the<br />

only way onto the Island was with a Kayak. If<br />

anyone knows me, I ain’t too balanced on a<br />

kayak with camera.<br />

above and below : The reefs from the plane<br />

for those that love to snorkel.<br />

Thankfully I made it and the camera did too, so<br />

it was off on my travels to seek some Photo’s.<br />

While I love to Photograph places I also love to<br />

learn as much about them as I can.<br />

Home away from home, for the evening.<br />

On my last trip I got to fly over some of the<br />

Islands filming and taking some snaps so while<br />

I think of more to tell you about this trip, here’s<br />

just a few of the shots I came to get. Oh, I<br />

forgot to mention... one of the Islands has a<br />

small plane which can fly you from the main<br />

land if you want to visit.<br />

The Abrolhos Islands have a vast history with<br />

man and ships being wrecked since the Early<br />

1600s when the famous Batavia was wrecked<br />

here, following that was the Zeewijk wrecked<br />

in the early <strong>17</strong>00s.<br />

It has probably claimed others over time too but<br />

these are the most famous or known here in<br />

WA.<br />

Now these Islands have become a way of life<br />

for the Cray fisherman of Western Australia<br />

and many of the islands have homes built on<br />

them for the seasons of fishing.<br />

Website = photosociety.net Page 31 email = magazine@photosociety.net


Made up of 122 islands and associated coral<br />

reefs, now informally called the Abrolhos<br />

Islands was originally called Houtman<br />

Abrolhos.<br />

Apart from the seasonal Cray fisherman, it is<br />

home to many species of sea birds and is one of<br />

the world’s most important breeding sites. All<br />

of the Islands are made up of Coral beds also<br />

making them the southernmost true coral reef in<br />

the Indian Ocean, and one of the highest<br />

latitude reef systems in the world.<br />

Just remember that when or if you get to have<br />

the pleasure of getting to the Abrolhos islands,<br />

Make sure you go with someone who knows<br />

the Islands and has a place to stay... or you will<br />

be doing what we did and sleeping on the deck<br />

of the boat.<br />

This isn’t bad as they do have Public moorings<br />

around parts of the Islands which are quite well<br />

protected by the Islands from most elements.<br />

Be mindful of the weather when you get to<br />

places like this and protect your camera gear as<br />

much as possible.<br />

Seawater and cameras don’t mix too well... I<br />

know this as I have killed a few cameras from<br />

times on a boat filming/Photographing; it<br />

becomes expensive so a good bag is a great<br />

Idea.<br />

Cray Fishermans shacks... Home away from home.<br />

I bought myself a backpack style bag which is a<br />

Lowpro waterproof bag; it was in the $400+<br />

price range but so worth it as after several<br />

cameras I have exceeded the price of the bag by<br />

a long way. Now I can relax more on the boat.<br />

We had a 7 meter centre console boat with all<br />

the trimmings but even this beast won’t totally<br />

protect your gear.<br />

There are Charter boats which also go over to<br />

the Islands and have plenty of sleeping space; it<br />

just costs a bit more per person. So we had fun<br />

by ourselves.<br />

The wildlife on the Islands consisted mainly of<br />

birds, but the creatures you may come across<br />

turn up in the most unexpected places.<br />

Sunset at the shacks jetty getting grub ready.<br />

This little guy was very comfortable on this jetty at<br />

the spot we were resting up at.<br />

Website = photosociety.net Page 32 email = magazine@photosociety.net


I can only show some of what this beautiful<br />

part of the world has to show for the<br />

adventurous photographer. I you are like me<br />

and love to get into the guts of somewhere then<br />

you will love this place.<br />

At the dinner spot, with Catch of the day,<br />

Samson fish on the menu<br />

The evenings are spectacular for the<br />

Photographer to get your teeth into the night<br />

skies. Here at the Abrolhos you can get an array<br />

of spectacular star shots due to the fact there is<br />

no light pollution... unless you point your<br />

camera towards mainland for a long shutter<br />

speed shot, then you can see a spot of light<br />

pollution on the horizon.<br />

To top off the trip you would have to be a keen<br />

fishermen or diver to really see what this place<br />

has and with 122 Islands to pick from large and<br />

small with some of the most pristine aqua water<br />

colours ever, you just can’t go wrong. I know<br />

the next trip over I will be trying to get some<br />

shots of the White Sea eagles that inhabit some<br />

of the Islands<br />

Anyway I’m going to leave you with some of<br />

the shots a lot of people only dream of getting<br />

and be on my way to planning my next<br />

adventure for you.<br />

Waves of coral for beaches on the islands<br />

Even shooting stars that the naked eye doesn’t<br />

see show up on camera. While I was drifting off<br />

to sleep I could see the stars getting brighter as<br />

the night went on, but the dampness in the air<br />

stopped me from having the camera out for too<br />

long.<br />

The warmth of the morning sun soon dries<br />

everything and whiles the bacon and eggs were<br />

on the travel grill frying pan I wandered off to<br />

get a few more shots of the islands natural coral<br />

beaches... I have so much to show of the islands<br />

that it would probably take three articles to<br />

appreciate the way this part of the natural world<br />

is made.<br />

Plant life show the wear and tear of the weather around<br />

the outer rims of the islands with trees looking like<br />

bonsai shaped shrubs and their gnarly bark.<br />

Website = photosociety.net Page 33 email = magazine@photosociety.net


Shapes in the water leave nothing to the imagination<br />

of what life is under the water...<br />

Heading into the night. The slow shutter reveals the<br />

land light pollution.<br />

But I would much rather catch them... A horse of a<br />

spangled emperor, a worthy opponent.<br />

A close encounter with one of the residents... nose to<br />

nose we faced each other.<br />

The West Australian Dhue fish, a prise fish only<br />

found in West Australian waters.<br />

Playing with the macro lens, and an eye of this<br />

beautiful seal.<br />

One of the winged residents of some of the Islands...<br />

the Osprey<br />

Island totem pole with shooting stars.<br />

Website = photosociety.net Page 34 email = magazine@photosociety.net


Morning tides showing lots more ragged reef<br />

And finally some night life to show there are aliens<br />

on earth.<br />

Take care and enjoy the Abrolhos Islands.<br />

Written and photographed by Paul J Welch.<br />

Australia<br />

Life in the underwater light of the boat...<br />

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Website = photosociety.net Page 35 email = magazine@photosociety.net


Mexico - Part One<br />

Tina Andreasson, Sweden<br />

The time has come yet again for this curios cat<br />

to lose herself in another adventure. But the<br />

thing is I'm not a cat.<br />

If you followed my last journey you know that I<br />

intended to "Release the beast" as I could feel a<br />

change coming, and oh boy did it come...<br />

The beast is out. A long slow metamorphosis<br />

has taken place, but if I ever expected a<br />

butterfly to emerge I was wrong. It turns out<br />

I'm a moth... Anyway, moths are so much<br />

cooler...<br />

Expecting only to be immersed in various<br />

shades of grey, suddenly this place has showed<br />

me colours I've never seen here before. You<br />

know, like when you hold a stone in your hand<br />

and it looks just grey at first but when you turn<br />

it and it catches the light it suddenly shimmers<br />

like mother of pearl.<br />

This has been a summer of laughter and fun, of<br />

rain and sun, of old friends and new, of music,<br />

wine, and exploring, and it is with mixed<br />

feelings that I pack my bags for three months to<br />

dwell in sweet escapism and adventure.<br />

I'm starting off with a month in Mexico, to visit<br />

a friend who has taken over a dive shop on the<br />

west coast in the town of Zihuatanejo, to help<br />

him out if I can, maybe learn some diving, and<br />

hopefully also learn some stuff about the sea<br />

and marine-conservation.<br />

After that it is time to visit my old soul-mate<br />

Havanna, which has been the home of my heart<br />

since November 2011.<br />

Will I feel complete or am I only chasing<br />

rainbows? I'm heading out on another quest to<br />

find equilibrium, although I'm starting to<br />

understand that it may be intangible. But, it's<br />

the chase I'm enjoying, this is the adventure.<br />

Getting what you look for is more than often a<br />

disappointment anyway. So this beast is going<br />

to take pleasure in the hunt, because I'm afraid<br />

that a catch would simply result in a gruesome<br />

kill...<br />

Metamorphosis<br />

Part of my heart still remains in Havana, but<br />

despite the void in me I have had the best<br />

summer of my life so far here at home in<br />

Stockholm.<br />

I simply hunt for simple treasures. They are all<br />

around us if we just open our eyes. Perhaps<br />

they won't appear in the forms of silver or gold,<br />

but in moments, people, flavours... So I arm<br />

myself with my best treasure-detector - the<br />

camera, and off I go....<br />

Flying in over Mexico City was slightly<br />

different than I had imagined. I hadn’t quite<br />

expected it to be so green and wet, perhaps it is<br />

just the season. I had imagined it to be more dry<br />

and yellow..<br />

Website = photosociety.net Page 36 email = magazine@photosociety.net


I pictured descending over masses of giant<br />

cacti, desert balls rolling across the dirt to the<br />

whistling sound of a haunted breeze, an<br />

armadillo with a sombrero scuttling around<br />

leaving little trails from his feet and tail in the<br />

hot sand as the twang of a guitar lingered in the<br />

heat.<br />

I imagined a mariachi band slowly strolling off<br />

into the sunset – singing their little hearts out –<br />

as they faded away leaving only their fat/<br />

skinny/tall/short-silhouettes against the orange<br />

descending sun… Why wasn’t it like that,<br />

WHY???!!<br />

I had planned to tough it out and just sleep at<br />

the airport but after two hours the cool<br />

temperature had me shivering (despite warm<br />

clothes) I finally decided to give in and pay<br />

dear money for a night at the airport hotel.<br />

I try to choose my battles wisely, and freezing,<br />

not sleeping, possibly getting something stolen<br />

(in case of drifting off as I WAS indeed quite<br />

exhausted), seemed like a worse idea than<br />

paying for a room.<br />

Having 14hrs transit in Mexico City airport I<br />

wasn’t exactly looking forward to this night.<br />

14hrs for a one hour flight to the final<br />

destination had me tempted to just hop into my<br />

suitcase and paddle there myself, but it was<br />

raining so I decided against it.<br />

The Room<br />

And the night was priceless (well, 2240 pesos).<br />

A great room, a hot shower, resting my eyes<br />

from contact lenses, I crashed in the huge bed<br />

(there were two, I could hardly choose which<br />

one!!) in my normal position of an insect<br />

crushed against a windscreen of a speeding<br />

vehicle, face down.<br />

Warm, refreshed, safe (it’s just nice not having<br />

to keep an eye on things all the time, and I<br />

don’t mean because I’m in Mexico, I do it all<br />

the time), and happy, I drifted off to sweet<br />

dreams.<br />

I love waking up in a new place! And I don’t<br />

mean blinking painfully as the morning light<br />

reaches your eyes connected to a still<br />

intoxicated brain from the previous night…<br />

When your tongue feels like the bottom of a<br />

bird-cage and your skin is paper-dry from<br />

dehydration.<br />

Killing Time ...<br />

When the guy next to you is a man you<br />

wouldn’t touch sober even if you were wearing<br />

a space-suit and using a pair of pliers.<br />

Website = photosociety.net Page 37 email = magazine@photosociety.net


When your memory is a blur, but your gutfeeling<br />

clearly tells you that you wouldn’t<br />

recognize dignity if you bumped into it on the<br />

street…<br />

That MUST be terrible. It just must be… No,<br />

I’m talking about planned waking up in a new<br />

place.<br />

There’s so much anticipation, before that first<br />

walk of exploration. It’s like in a computergame,<br />

when you score really well and move on<br />

to the next level. And that level is a whole<br />

different world. As in many computer-games, I<br />

believe even in this life we can score “extralives”,<br />

to fortify your life-expectancy and give<br />

you better opportunities. Collecting extra points<br />

would be through building good friendships,<br />

treating yourself and others with respect,<br />

having fun and being kind, and so on and so<br />

forth. Quite simple really.<br />

And when you reach “game over”, is it really<br />

just the end or is there a heaven and a hell?<br />

Perhaps it would be like when you were little<br />

and you were allowed one go on a game, and<br />

when you reached “game over” it was time for<br />

home-work or chores, or on a more heavenly<br />

day, a bike-ride to the lake or losing yourself in<br />

a good fairytale.<br />

As an agnostic I believe it is impossible to<br />

know for sure, but very possible to believe, and<br />

as an imaginative person I can’t help conjuring<br />

up all sorts of possible and impossible<br />

scenarios .<br />

“Tell you where I’d go. Zihuatanejo.<br />

It’s in Mexico, a little place on the<br />

Pacific Ocean. Do you know what the<br />

Mexicans say about the Pacific? They<br />

say it has no memory. That’s where I<br />

want to live the rest of my life. A warm<br />

place with no memory.”<br />

This is how Zihuatanejo was described by a<br />

man in the epic movie “Shawshank<br />

Redemption”.<br />

And although my heart is filled with beautiful<br />

memories, it sure sounds good. I’m rid of all<br />

those corrosive thoughts that burn holes in your<br />

brain, leaving it with cavities like a Swiss<br />

cheese. I plan to fill those cavities by creating<br />

new memories, and I’ve already started. My<br />

brain is soon enough going to be solid and<br />

delicious like a Spanish Manchego!<br />

A Beautiful Morning<br />

As the plane descended for landing I could<br />

actually see butterflies outside the window.<br />

How is that for a welcome! Also finding Joao´s<br />

smiling face waiting for me made it even better.<br />

I first met Joao when I did some voluntary<br />

work (rainforest expedition) in Costa Rica. He<br />

was one of the staff members, and we’ve kept<br />

in touch ever since, and now he has tempted me<br />

to come here where he now lives and owns a<br />

dive-shop.<br />

A little less welcoming was the fact that my<br />

luggage was lost…<br />

A few hours after my arrival, Joao’s girlfriend<br />

Sonja returned after several months of absence,<br />

she too was a staff member in Costa Rica when<br />

I was there. As they’ve been apart for quite<br />

some time, I spend most of the time here by<br />

myself, as I figure they need some time to catch<br />

up.<br />

But as most of you already know, I wouldn’t<br />

have it any other way anyway, as I do prefer to<br />

dwell alone most of the time. And it’s never fun<br />

to be the third wheel. Or is it the fifth wheel?<br />

What vehicle are we actually talking about<br />

here?<br />

Website = photosociety.net Page 38 email = magazine@photosociety.net


Mind you, it is great to have the two of them<br />

here, as they are good people and I’m sure we<br />

will share many fun moments together the<br />

coming month!<br />

My second day here I headed out early, wearing<br />

shorts borrowed from Sonja, and a cheap tank<br />

top acquired the previous day. My thick warm<br />

black flight clothes just weren’t right in the heat<br />

and humidity of this coastal town. Immediately<br />

I also felt the warmth of the locals as I was<br />

greeted with many happy “Buenos dias”-es as<br />

people headed to work or wherever they were<br />

going.<br />

I spent the next five hours just walking the<br />

streets and along a couple of the beaches of this<br />

cute little town.<br />

My buddy by the Beach<br />

Later that evening I had a welcome party for<br />

my suitcase.<br />

It consisted of me cleaning its core. Various<br />

bottles had broken, and all the best ones too... I<br />

spent much time washing sun-block from<br />

various possessions and tossing away perfume<br />

soaked (and dried) tampons.<br />

I believe they must have been a safety hazard.<br />

Using them could possibly cause drunken<br />

dancing to Johnny Cash’s “Ring of fire” with<br />

perspiration with a hint of Ralph Lauren<br />

Sport… Damn it, why did I chuck them?!<br />

Coming back with fish<br />

What is it about the sea that makes it so<br />

magical? Why does it make men sing a little<br />

louder, children laugh with extra joy, dogs run<br />

with a bit more bounce, and women look just<br />

slightly more beautiful? Could the answer to<br />

the above simply be “inner peace”?<br />

The sea is humbling, and gives tranquillity.<br />

Sort of like Morgan Freeman.<br />

In the evening, Sonja and Joao took me out to<br />

try some weird drink<br />

It was a beer mixed with another spirit (can’t<br />

remember which one), chilli, Worcestershiresauce<br />

and Tabasco. Needless to say, it was<br />

revolting. But hey, I’m happy to try (almost)<br />

anything once.<br />

The super-glue had also leaked, luckily only on<br />

my head-torch, in a big lump only partly dried<br />

and I got frightening (and funny) images of me<br />

with the torch super-glued to my forehead for<br />

the rest of my trip.<br />

The following day I headed out at six am as I<br />

wanted to catch the fishermen before sunrise. I<br />

forgot sunrise wasn’t until after seven so I<br />

ended up sitting under a tree by a light, under a<br />

star-riddled heaven, the warm pacific winds<br />

caressing my skin, ever so soft now thanks to<br />

the humidity. How could one not be happy?!<br />

Soon enough the action started, a beautiful<br />

morning revealed itself and I photographed and<br />

talked a little to the locals. I had one extra long<br />

chat with a young fisherman by the name of<br />

Miguel, who couldn’t for anything in this world<br />

seem to understand why I don’t have children.<br />

Website = photosociety.net Page 39 email = magazine@photosociety.net


If someone asks again perhaps it’s easier just to<br />

say that I can’t rather than I don’t want, will it<br />

be “end of discussion” or will we start talking<br />

adoption I wonder…<br />

Strolling home I bumped into Napoleon, an old<br />

man who the previous day told me where I can<br />

buy art supplies. The friendly face in the<br />

grocery shop belongs to Umberto. The little bar<br />

in the corner belongs to Danny and his brother,<br />

they are from Mexico City. I am starting to<br />

settle in.<br />

When the smallest seed of emotion of any kind<br />

is planted in you, if you don’t watch out (and<br />

probably even if you do) it may grow and<br />

spread, and could even develop roots that are<br />

hard to pull up. Although it can make life<br />

difficult, it sometimes also is what makes life<br />

beautiful. So choose your seeds carefully and<br />

aim for a Garden of Eden.<br />

I have jungle and pine-forest and desert, but the<br />

worst was once when I was so frozen you<br />

couldn’t even stick half a seed into the ice. I<br />

have recently planted an apple-tree and it is<br />

starting to open its little flowers in an eternal<br />

summer.<br />

I’m not sure what makes most noise around<br />

here. The roosters in the morning, the<br />

perpetually barking dogs, or the humming of<br />

crappy old fridges, but I do know what makes<br />

the most interesting sound. It is the<br />

pronunciation of certain words by certain<br />

people.<br />

Part of my quest here is to find an easel and a<br />

lamp, so that I can do some painting whilst I’m<br />

enjoying the laid back and hot life of Zihua. But<br />

finding these items have proved quite the<br />

challenge and I am reminded how spoilt we are<br />

in some parts of the world.<br />

Returning from the sea<br />

So yes, my luggage was gone for a couple of<br />

days, and the worry it had going in me was<br />

ridiculous and grew way out of proportion. I<br />

had a strong feeling it was stolen and not lost,<br />

and wasn’t happy imagining spending time<br />

finding insulin, contact lenses, and all other<br />

necessities that one carefully packs. But it’s just<br />

so typical of me, when a small seed of an<br />

emotion is planted, it will grow like a weed and<br />

spread branches like it was fertilized with<br />

super-shit and the brain has no say in it<br />

whatsoever. It sure makes life interesting.<br />

Our biggest problem is which one to choose,<br />

here it is how to find whatever you’re looking<br />

for. And so again the saying becomes reality<br />

“necessity is the mother of invention”. If I can’t<br />

find these things, I will find a way. If McGyver<br />

can do it, so can I!<br />

Fruit Guy, my papaya provider!<br />

Website = photosociety.net Page 40 email = magazine@photosociety.net


I hear the next easel will be coming to town in a<br />

couple of weeks, and if they didn’t need the<br />

easels that they have down at the art-gallery for<br />

daily classes, I could have borrowed one, but<br />

they do…<br />

So easel schmeasel, I can understand there’s no<br />

huge demand for easels, but lamps, surely<br />

everyone needs light? And I mean more than a<br />

single bulb in the middle of the ceiling which<br />

seems to be the norm.<br />

As I was asking around and a little Mexican<br />

man was trying to help me, all of a sudden a<br />

HUGE Mexican man who had overheard our<br />

conversation turned around to suggest a place<br />

for me.<br />

It is all very hilly. Another hill, is on the other<br />

side of the pier. I’ve spent many hours losing<br />

myself in the beautifully paved and winding<br />

narrow roads there.<br />

They are surrounded by sweet smelling forest,<br />

providing beautiful sounds of a humble<br />

orchestra of birds and bugs, and many rustling<br />

sounds leaving me even more curious. I have<br />

hardly met a soul wandering these hills, and all<br />

the roads seem to lead to a dead end. It’s all<br />

very suspicious to me…<br />

He was so huge I hadn’t even noticed him at<br />

first, maybe it’s like a small dog not noticing a<br />

big horse until it moves, you know what I<br />

mean. Well, as I look up at this man, he tells me<br />

to look in “La casa de Tierra” and it is this<br />

sound I am talking about. The most interesting<br />

sound.<br />

He basically made the earth move under my<br />

feet, with his powerful and rolling R’s. I swear<br />

the ground shook! Coincidentally “Tierra”<br />

means earth. Quite stunned and surprised at the<br />

effect, I stood there blinking for a second, then<br />

asked him to please repeat it for me. As the<br />

gentle giant did, I secretly squeaked inside like<br />

a child on a rollercoaster, before I headed there<br />

in search of illumination…<br />

Besides this “search of the holy grail” I am<br />

enjoying the beautiful surroundings. So far, I<br />

have spent several hours just walking, every<br />

day.<br />

I walked over to the third beach from the pier<br />

the other day, Playa de Ropa (“ropa” meaning<br />

clothes), which got its name in the 18th century<br />

when a ship filled with clothing and oriental<br />

fabrics sank just offshore, and all the goods<br />

were washed onto the beach.<br />

This was HUGE!<br />

The first time I had to turn back due to extreme<br />

thirst. I didn’t know I was heading into<br />

nowhere when I had left. I was of course armed<br />

with sugary stuff in case of low blood-sugar,<br />

but was very disappointed that I was just a<br />

centimetre too short to reach those bananas<br />

growing on the side when my levels did fall!<br />

Website = photosociety.net Page 41 email = magazine@photosociety.net


What did this poor guy to deserve this..?<br />

I love walking there, accompanied by<br />

butterflies of spectacular colours, lizards and<br />

lost little crabs scuttling away as they see me<br />

Last time I went I found mimosa growing<br />

abundantly on the side of a track I’d found in<br />

the bush. I just had to stop and play with it for a<br />

while. I love the way the leaves close up swiftly<br />

as you touch them!<br />

Like a blushing child who turns its face, hiding<br />

it in the arms of its parent when you<br />

accidentally surprise it with a smile or an<br />

unexpected “hello”. Or like “Lady”, in “Lady<br />

and the Tramp”, when “Tramp” rolls her a<br />

meatball at Toni’s restaurant!<br />

After the challenging walk in the hills today I<br />

was very hungry so I decided to treat myself to<br />

a proper lunch of fresh fish by a little restaurant<br />

by the water. There I got chatting to Mike, an<br />

old man from the U.S. who has spent the last<br />

four years here, living the good life, I think he<br />

makes hats.<br />

I hope to bump into him again and find out<br />

more. We were sort of out-voiced by Mathew, a<br />

flight attendant from Seattle, who had had a<br />

few too many beers already at three in the<br />

afternoon, but was funny and friendly and<br />

surprised me with my first tequila since my<br />

arrival.<br />

The three of us shared some laughs, mostly<br />

drunk Mathew of course, and then I headed off<br />

to the lagoon nearby.<br />

Coconuts, warm in my hands<br />

I’d spoken to some of the fishermen who work<br />

there, earlier in the morning. There are<br />

crocodiles there and I really wanted to find<br />

them, but had been unable to so far. In the<br />

afternoon I returned as they had suggested, and<br />

was pleased to be greeted with smiles and them<br />

happily shouting my name.<br />

Then young Ronaldo offered to take me out on<br />

their boat, to see if we could spot some<br />

crocodiles. So, on I hopped, and we went for a<br />

ride, but all we saw today was fish jumping –<br />

shimmering above the surface to a panicky<br />

splashing – trying to escape the jaws of the<br />

beasts.<br />

I plan to return soon, it’s just near where I live,<br />

and sit and wait on one of the little jetties with<br />

my camera ready, pretending to be David<br />

Attenborough, or just stick a straw in my mouth<br />

and be Huckleberry Finn.<br />

Website = photosociety.net Page 42 email = magazine@photosociety.net


I am amazed how, even after a night of<br />

torrential rain, the dust arises with the morning<br />

traffic. People sweep and sweep, disappearing<br />

into clouds of yellow sand, leaving a layer of<br />

dirt on your sweaty skin.<br />

Young Ronaldo<br />

Huck and Dave - two of my favourite<br />

characters, one fictive, one fact. Anyone will<br />

do. The aim? To take a photo of a Croc<br />

catching a bird. Now there’s a challenge…<br />

Wish me luck! And patience…<br />

Also, I've found my "house". I'm going move<br />

into the lighthouse. I've always wanted to live<br />

in a lighthouse. It is going to smell of tar and<br />

paints and I'm going to have a dog by the name<br />

of Raol.<br />

Already early in the morning, the hustle and<br />

bustle begins. I suspect through what I can hear,<br />

the first ones up are the packs of stray dogs.<br />

Then it’s the roosters, and eventually some<br />

birds and cats, and then people.<br />

As you head down to the market you will be<br />

blasted with impressions of all sorts. Colours<br />

and smells and images, but what amazes me the<br />

most is the noise!<br />

Every two meters you hear a different sound.<br />

And they are all pretty intense. You could<br />

probably do a tour of the town allowing<br />

yourself only ONE sense at a time, and they<br />

would be equally fascinating!<br />

The Lighthouse<br />

I'm going to live alone, to become that "crazy<br />

old lady in the lighthouse", but the ones who<br />

really know me, will know that I am a kind<br />

person, a little naughty maybe, but kind.<br />

Maybe, just maybe, a surfer dude could come<br />

and stay sometimes... Or a man whose beard<br />

grows out fast. You know, the kind that's<br />

shaved in the morning but in the afternoon is all<br />

rough and wonderfully shaggy?<br />

Shy but handy. Young man working on my easel<br />

Website = photosociety.net Page 43 email = magazine@photosociety.net


A smell-tour, a visual-tour, and a sound-tour. I<br />

wouldn’t recommend touch or taste, hygiene<br />

first…<br />

I finally found my lamp now! Not thanks to the<br />

giant with the “tieRRRRRRRRRa”, he<br />

suggested a fancy shop. I have bought a useful<br />

lamp which still illuminates the flat with a<br />

warm and wonderful light.<br />

I even use it when I’m cooking or cleaning,<br />

which needless to say, has to be done with a<br />

scarf tied around the hair, the occasional one<br />

hand on hip whilst the other wipes the forehead<br />

accompanied by a sigh of “Ayayaaaayyy, que<br />

calor!” (sort of: Oh my oh my! It’s so hot). But<br />

best of all is that I’ve got myself an easel.<br />

After yet another pensive wander in and in the<br />

outskirts of town, I figured that if I can’t BUY<br />

one, I may as well just MAKE one!<br />

I swear, the mosquitoes that bit me that night<br />

didn't just get "sangre" (blood), they got<br />

"Sangría"!!!<br />

Today I finally saw my first crocodile in the<br />

lagoon! I spent ages just sitting on the jetty in<br />

the hot sun, waiting patiently. And there, all of<br />

a sudden, like he'd always been there, I could<br />

see his eyes and nostrils just above the surface.<br />

A small one, but a beautiful one. I was hoping<br />

he would catch one of the birds wading nearby,<br />

but after a loooong time ready with my camera,<br />

I gave up as my stomach started growling for<br />

food.<br />

There, by the lake, watching the animals and<br />

the fishermen, I feel totally calm and content.<br />

Inner peace, so hard to find, but so good when<br />

you get it.<br />

Tina Andreasson<br />

www.gallerytina.com<br />

Me playing, here as Frida (monobrow) Kahlo<br />

So off I went to the lumber-yard, explained<br />

what I needed wood and nails for, and got an<br />

offer I couldn’t resist as they proposed to make<br />

it for me for the humble price of 150 pesos!!<br />

Taken! And now I have myself a wonderful<br />

little easel that I hope will serve its purpose. I<br />

love it!<br />

I tried it out and it's perfect. As I was joining a<br />

party via Skype the same night I first tried my<br />

easel, I simply had to dress up as Frida Kahlo...<br />

It received many laughter's as I drank wine with<br />

my friends in Stockholm thanks to modern<br />

technology. Afternoon here, evening there.<br />

Web : magneflash.com<br />

Email: splash@magneflash.com<br />

Website = photosociety.net Page 44 email = magazine@photosociety.net


Wildlife - Garden Birds - Part 1<br />

Pictures by<br />

Gordon Longmead<br />

Coal Tit<br />

Parus ater<br />

Great Tit<br />

Parus major<br />

Nuthatch<br />

Sitta europaea<br />

Everyone who likes wildlife and has a garden<br />

tends to have bird feeders, unless you happen to<br />

reside in California, USA and a few other<br />

places, where the feeding of wildlife is<br />

prohibited. These feeders do attract many birds<br />

and other, occasionally unwonted, animals. So<br />

far we have been visited by foxes, muntjac<br />

deer, and of course Rats and Mice. The rats are<br />

gone the mice are persistent.<br />

We also get visits from Hedgehogs and due to<br />

the garden pond we get frogs and toads. Last<br />

year we evicted over 200 toads from the pond<br />

releasing them into a new home in the local<br />

river.<br />

The pond also attracts Dragonflies, wasps, bees<br />

and hornets., along with flies of various shapes<br />

and sizes, all of which bite, and all apparently<br />

like me very much.<br />

Blue Tit<br />

Parus caeruleus<br />

Robin<br />

Erithacus rubecula<br />

Greater Spotted Woodpecker<br />

Dendrocopus major<br />

Website = photosociety.net Page 45 email = magazine@photosociety.net


House Sparrow<br />

Passer domesticus (female)<br />

Chaffinch<br />

Fringilla coelebs<br />

Starling<br />

Sturnus vulgaris<br />

Two years ago we counted 42 varieties of bird<br />

visiting the garden including a Sparrow hawk,<br />

Buzzards and Red Kites fly overhead on a daily<br />

basis sometimes only a few feet from the<br />

ground.<br />

This tends to put the smaller birds in a state of<br />

considerable agitation, but so far we have only<br />

lost one Bluetit to the buzzard. We have had the<br />

Wren and the Bluetits nesting in the garden,<br />

and many of the other birds nest in the adjacent<br />

woodland.<br />

Due to the nature of some of these birds it may<br />

be noticed that some of the pictures are not<br />

taken in the garden.<br />

These are mainly the raptors but the heron is<br />

also included in that list. These were taken at<br />

other locations due to their habit of fast flying<br />

and Spartan visits, or their habit of staying in<br />

places where I just can not get close enough or<br />

the lighting is not available.<br />

I still keep trying, but meantime I fall back on<br />

the more accessible to illustrate the bird. Due<br />

to a rapid decline in numbers, over the last ten<br />

years we have not seen any sparrows, yet we<br />

once had them nesting here so I include some<br />

taken abroad, the day before this was written<br />

the garden played host to a pair of them, so<br />

perhaps they had decided to return to the area.<br />

Wren<br />

Troglodytes troglodytes<br />

Jackdaw<br />

Corvus monedula<br />

Barn Owl<br />

Tyto alba<br />

Website = photosociety.net Page 46 email = magazine@photosociety.net


Jay<br />

Garrulus glandarius<br />

Heron<br />

Ardea cinerea<br />

Black Cap<br />

Sylvia atricapilla<br />

One of our visitors that appeared in 2013 was<br />

the Coal Tit, as there was a pair we are hoping<br />

to see more of them this year. The Nuthatch<br />

pair have successfully raised broods over the<br />

last five years.<br />

The Greater Spotted Woodpecker was a<br />

welcome addition to the feeders, although this<br />

year they have tended to remain in the woods. I<br />

have seen them a few times during the winter<br />

and hear them on a daily basis.<br />

The Robin has been studying the other birds<br />

methods of getting at the seed in the feeders<br />

and usually succeeds.<br />

They were nesting in the back of a garden shed<br />

until necessity forced it to be removed, but they<br />

are still nesting nearby. We have two pairs<br />

feeding in the garden which produces some<br />

spats during the spring.<br />

The Jay is also an adept learner. We were<br />

amused to see the woodpecker pair teaching<br />

their young how to get on the bird feeder with<br />

the jay looking on from a nearby fence. After<br />

the woodpecker left, the Jay began trying the<br />

manoeuvre, and after a few attempts succeeding<br />

in landing there. We now have some very bent<br />

bird feeders.<br />

Chaffinch<br />

Fringilla coelebs<br />

MistleThrush<br />

Turdus viscivorus<br />

Buzzard<br />

Buteo buteo<br />

Website = photosociety.net Page 47 email = magazine@photosociety.net


Exploring Patagonia, Introduction, about life upside down<br />

By Michael Shmelev<br />

In our latitudes, winter comes into their<br />

possession, and on the opposite side of the<br />

equator, the opposite is true: here confidently<br />

striding summer.<br />

To verify this, just go not such a long way, a<br />

mere fifteen thousand kilometres. Thanks to<br />

regular air service, it is unlikely to take longer<br />

than a day or two.<br />

However, six hundred years ago such trips were<br />

beyond reality, and the spring landscape, coast,<br />

mountain, lake Argentino remained unopened<br />

except to the Indian Tehuelche .. enlightened<br />

Europe had no idea of the existence of these<br />

places.<br />

Stories about the dangers lurking in the<br />

"Southern Ocean" were able to cool the ardour<br />

of even the experienced seaman. At the time, it<br />

was assumed that the earth was flat, and the<br />

observation of seafarers, contrary to the official<br />

theory, broke on iron arguments pundits:<br />

"It can not be for people to live upside down<br />

and upside down, and all things are turned<br />

upside down and bottom have the upper hand,<br />

and the top has a bottom, trees grow in a<br />

different direction, and rain, hail and snow fall<br />

on the contrary. "<br />

Now, many tourists having no difficulty in<br />

places (so remote) only laugh at the<br />

backwardness of medieval scientific<br />

authorities ... But I will not! Still taking pictures<br />

upside down and upside down - not very<br />

convenient. I can not get used to it.<br />

Michael Shmelev<br />

Thus begins this wonderful series of short articles<br />

exploring the wonders of Patagonia. (ed).<br />

Website = photosociety.net Page 48 email = magazine@photosociety.net


Tour Operators<br />

Members who operate, or work on behalf of Tour Operators are invited to submit reports on their tours as a<br />

feature of the magazine. These can be a regular feature if desired and may include pictures to highlight<br />

aspects of the article. The first of these reports should be an introduction to the company area of operations<br />

and its tour guides and staff.<br />

Although the Society can not be held responsible for the conduct and safety of the tours, the tour operators<br />

that advertise on, or have links within, this site or provide reports within the societies magazine, do so on<br />

the understanding that they undertake to conduct the tours in a professional manner, be customer focused,<br />

with an emphasis on safety and value for money.<br />

As many of the tour operators and guides are members of the society, they are knowledgeable both on the<br />

areas they visit and on the subject of photography and will be willing to offer tips and guidance if required.<br />

Feedback about your tour is always welcomed and may appear in the society magazine.<br />

Magazine Submissions<br />

Members are welcome to submit Bio’s and other articles relating to expeditions and equipment<br />

reviews. Small file size pictures may be included. Recognised wildlife trust and Nature<br />

Conservation group adverts may be included free of charge per quarter page subject to approval.<br />

Any one who would like to write a feature article for the magazine, please do. I have no real limit<br />

on the magazine size but for ease I will find a comfortable limit depending on the method used for<br />

circulating it.<br />

Trade Adverts<br />

Adverts may be placed with the magazine at the editors discretion. A charge will be made in<br />

advance of publication towards the running costs of the society amounting to 10 GBP per quarter<br />

page per <strong>issue</strong>.<br />

Submissions should be emailed to magazine@photosociety.net please state ‘magazine article or<br />

advert’ in the subject line.<br />

The Photographer Academy is the largest European<br />

photography training company providing the award<br />

winning training to get inspired or instructed every day.<br />

http://thephotographeracademy.com<br />

The Cat Survival Trust was registered as a charity in<br />

1976. The Trust's on-site objective is to promote<br />

education regarding the conservation of wild cats and<br />

their habitat by housing an array of species in natural<br />

enclosures.<br />

http://www.catsurvivaltrust.org<br />

We hope you like the magazine, the size and content of future <strong>issue</strong>s depends on you.<br />

Submissions for the next <strong>issue</strong> are being accepted<br />

Website = photosociety.net Page 49 email = magazine@photosociety.net


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Website = photosociety.net Page 50 email = magazine@photosociety.net

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