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On the wall next to Denrpsey's por<strong>tr</strong>ait is a framed<br />

poemwhich Eileenwrote forhis funeral. The 6nal<br />

verse reads:'nVho knows whatwenton duringyour<br />

life's last ght? Butone thing's forsure we'llcontinue<br />

to fight. Your name won'tbe tarnished for long. Trust<br />

me son. we'll get to the filth and we'll seejustice done."<br />

It's clear, in hermind, that manyquestions remarn<br />

unanswered, notleastof them whether the unknown<br />

manshe claims was seen runningnear lhe scene of<br />

the incidentwas in any way connected to the events<br />

ofthat night. "There's something not right in his<br />

death," says Eileen, as she digs into her handbag and<br />

produces a cheapblue plastic wallet that was taken<br />

from Dempseyt body atthe morgue.Its contents are<br />

unremarkable: a video club membership;a laundry<br />

card; receipts fiom a May.fair club;three neatly<br />

folded (but inexplicably blood-stained) €20 notes<br />

and lotterytickets. As I inspectthe latter - 5,141218,<br />

25,44 - Eileengoes through halfa dozen possible<br />

explarations as to whatcould have happened to<br />

Dempsey, some more plausible thanothers<br />

"I mean,look at these lotterynumbers," she says.<br />

"He put those on the<br />

nightbefore he died, yet people think he was maybe suicidal orgoingdaft<br />

or crackingup that weekend he died- Not a chance. He was the same as he<br />

always was,"<br />

Eileen Dempsey's raft ling windows overlook a windswept communal<br />

garden in Glasgow's Maryhill dis<strong>tr</strong>ict, to the north ofthe cit'r It's a tough<br />

area. Those that make it out are fighters, survivors. "David was very much a<br />

productofhis environment and upbringing," says one local pal, "buthe<br />

disreg€rded it. I don'tthink he saw himselfas beingworkingclass. He didn't<br />

put himselfin any particular category"<br />

Glasgow gives reputations out grudgingly. Nowhere on earth will you<br />

6nd people harderto impress. Yet before David Dempseywas a successful<br />

chefhe'd already been<br />

'tlocked" as someone to watch - albeit for the \,i,rong<br />

reasons.<br />

"David Dempseypulled agun - orwhatiooked like a gun - on me<br />

when he was about IT or l8," claims a doorman fiom a club in the city's<br />

cen<strong>tr</strong>e. 'Yea$ later when I saw a TV programme about cooking, there was<br />

the same wee smilingface with cordonRamsay.I both couldn'tbutcould<br />

also wellbelieve it."<br />

THIS APPARENT CONTRADICTION MIGHT BE EXPLAII{ED BY THE PUBIIC'S<br />

CHANGING PERCEPflON OF CHEFS and the world in whichDempsey<br />

worked.Ifcordon Ramsay's ag$essive ravings - capnrred to perfection<br />

by a Channel 4 film crew in the infamous Boiling Pointseries killedthe<br />

m''th that cookingwas forsissies, then New York ChefAnthony<br />

Bourdain's best-sellingbook Kitchen Confrden<strong>tr</strong>hl epitomised the<br />

profession's new image, a sexy, ralish, spicy underworld of"mastercriminals,<br />

sexual athletes... highwayrnen, rogues, buccaneers, cut-throats"<br />

living "a life ofadventure, looting piilagingand rockingand rolling<br />

through life with a carefree disregard for allconventional morality".<br />

Yet the 2lst-century chef is more than a maverick bankrobber - he is<br />

also awhipsmartbusinessman. Jamie Oliver was credited with generating<br />

tl53m in profits forSainsbury's lastyear, and by the beginningofthis year<br />

the Naked Chefwas planning "world domination".<br />

"I've created an<br />

infias<strong>tr</strong>ucture that will grow naturally," he toid The Guadian,adding<br />

helpfu lly, "I'm also planningto getmore political."<br />

Behind the brio gnd the brand planning is an age-old buth: monet So<br />

who could blame a tough kid from Glasgow for taling his charces and<br />

claiminga piece of the action?<br />

"I think David always had high aspirations," says someone whoworked<br />

with Dempsey at Ra',rnond Blanc's Michelin two-star Le Manoir aux Quat'<br />

Saisons.'You could tellthat in the way he dressed. He would think nothing<br />

ofspendingafomrne on clothes, whether he had the money or not. He's<br />

drivinginto work and there's a carpark fullofPorsches and Ferraris and all<br />

the rest, and Dempseydid aspire to that. He wanted to be famous." Like<br />

116<br />

Mast€. of all he surveF DemFsay (centE) watclrcs over<br />

his tean drring ftis rilt|e a5 h€ad chef at Ama.ylli! in his<br />

homc town ol Glalsow in Ap?il 2OOl<br />

almostallofthe people I spoke tq this man insisted that I protecthis identity.<br />

The restauraitbusiness in the UK is a small and unforgiving community.<br />

Andrev/ Fairlig a Michelin-starred chefwho runs an epongnous<br />

restaurant inThe Gleneagles Hotel, was one ofthe few people who were<br />

prepared to go on record to talk about David Dempsey's professional<br />

beginnings. When Dempsey literally appeared on his backdoorstep about<br />

I0 years ago, Fairlie was immediately impressed by the young chef's ambition<br />

and his hunger to learn. "He was absolutely certain aboutwhere he wanted<br />

to go," he says.<br />

"There are very fewpeople that you come across like that."<br />

Dempse.ywanted the<br />

experience of beingaround<br />

elite cooks, and offered to<br />

' D.arr rJ f)omncpir<br />

\{ork at One Devonshire<br />

pLlilecr<br />

Gardens, Fairlie's restaurant at<br />

agun*or<br />

the time, on his only day off<br />

what looked llke<br />

fiom his other kitchen. Ifthere<br />

gun - on me when tg were wages forthis labour, it<br />

WASabout<br />

17 or 18, wouldbe abonus.<br />

It was a tactic that<br />

clarTns a doorman<br />

Dempsey was to use many<br />

f r.,rn z a 2c.on\^/ al rh<br />

'Years<br />

times. Later, vr'hen he was<br />

later when I workingl6-hour days at Le<br />

saw a TV programme Manoir, he would fly back to<br />

-f hn rf .nn[ Giasgow on his days offand go<br />

' no thorp!<br />

a ' r i r v<br />

s<strong>tr</strong>aight into One Devonshire<br />

was tne same wee Gardens to work for fiee.<br />

"I<br />

sm ling face wrth<br />

thought he was<br />

completelyberserk,"<br />

Gordon Ramsay"<br />

says<br />

Fairlie, shaking his head.<br />

"I said to him on a number of<br />

occasions,'Listen, forget it..."'<br />

Yet, as anothertop cheftells me,'You need to go through a painbarrier<br />

gettingto this level.There's no fast-<strong>tr</strong>ack - there's lots ofsacrifice involved<br />

and it's very disciplined. It's definitelyavocation." Or, as another indus<strong>tr</strong>y<br />

source putit, "It's the differencebetween drivinga Lada and a Ferrari."<br />

Dempsey wasn't simply a workaholic; he was setting himself the<br />

4<br />

toughestpossible targets in order to securchis objective: Gordon Ramsay.<br />

Hejoined the chef's London-based operation in 1992 after a day's <strong>tr</strong>ial at<br />

Ramsay's eponlmous flagship restaurant in Royal Hospital Road. It was an -<br />

experience he told his closestftiends had been'tompletely mind-blowing". =

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