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MarthaStewartLivingOctober2015

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132<br />

OCTOBER 2015<br />

Why We Love It<br />

This elegant Simon<br />

Pearce pendant lamp<br />

first caught our eye<br />

at the Woodstock Inn<br />

(in Woodstock, Vermont),<br />

where it illuminates<br />

the spa brilliantly.<br />

At 17 inches tall,<br />

it is at once dramatic<br />

and understated. Like<br />

the lamp, every glass<br />

or ceramic Simon<br />

Pearce piece is handmade,<br />

imparting it<br />

with an “organic,<br />

modern sensibility,”<br />

says James Murray,<br />

Simon Pearce’s VP of<br />

design. Woodstock<br />

pendant, $1,750, and<br />

Nantucket bowls,<br />

from $75 each,<br />

simonpearce.com.<br />

AMERICAN<br />

MADE<br />

Simon<br />

Pearce<br />

PHOTOGRAPH BY<br />

LENNART WEIBULL<br />

When glass-and-ceramics artist<br />

Simon Pearce moved his business<br />

from Ireland to the United States<br />

in 1981, he fell in love with a<br />

25,000-square-foot vacant mill<br />

on the Ottauquechee River, in<br />

Vermont. It wasn’t just the picturesque<br />

location that lured him but<br />

also its potential for hydropower.<br />

“I set up shop and quickly added<br />

a turbine to produce electricity,”<br />

says Pearce. “It made us selfsufficient<br />

and a little kinder to<br />

the planet.” The turbine powers<br />

the company’s flagship store–<br />

restaurant in Quechee—as well<br />

as, most important, its glassblowing<br />

furnaces. “Glass furnaces<br />

are usually powered by gas,<br />

but we use electricity,” he says.<br />

“It allows us to produce a very<br />

high-quality glass that has the<br />

same refractory index as crystal<br />

but without the lead.” Yet unlike<br />

special-occasion crystal, a<br />

Simon Pearce glass piece is made<br />

to be enjoyed every day.

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