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THE<br />

PEACTICAL<br />

GUIDE<br />

TO THE<br />

CITY OF YORK<br />

AND ITS<br />

CATHEDEAL.<br />

ILLUSTKATED.<br />

YOEK:<br />

PRINTED BT BEN JOHNSON AND COMPANY,<br />

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YOBK,


PEEFAOE-<br />

In the compilation of this book, the author has<br />

endeavoured, as far as possible, to furnish accurate<br />

information to the visitor of such places of interest<br />

as are herein described, and as they at present exist.<br />

The historical portion is derived from a perusal of<br />

the most reliable<br />

sources, and is offered as the result<br />

of much careful labour and diligent research.<br />

From the limited scope of this work, it<br />

was necessary<br />

to be concise on many points where amplification<br />

would have been much more pleasant ; still, it is<br />

to be hoped it will supply a want long felt, viz., a<br />

trustworthy modern guide and handbook to<br />

the City<br />

of York.<br />

B. J.


CONTENTS.<br />

PAGE<br />

History of the City of York 1<br />

History of the Cathedral 13<br />

York Minster—Description (Exterior) 18<br />

„ „ (Interior) 22<br />

Plan of the Cathedral 38<br />

Celebrated Archbishops 40<br />

Minster Yard, Deanery, &c 41<br />

The Walls and Bars 44<br />

The Museum, Gardens, St. Mary's Abbey, &c. ... 48<br />

The Mansion House 54<br />

TheGuHdhall 55<br />

Arms and Government of the City... 68<br />

The Castle 68<br />

Churches 72<br />

Chapels ,80<br />

Almshouses and Hospitals 83<br />

Medical


ILLUSTEATIONS.<br />

Key-Map of the City.<br />

York Minster— North West View.<br />

Do.<br />

Do.<br />

Do .<br />

Interior View.<br />

Plan of.<br />

York Castle.<br />

Chapter-House.<br />

Micklegate Bar.<br />

Walmgate Bar.<br />

BooTHAM Bar.<br />

MoNKGATE Bar.<br />

Lodge and Entrance Gates to Museum Grounds,<br />

St.<br />

Mary's Abbey.<br />

Lendal Bridge.<br />

Fine Art Institution.<br />

City Arms,<br />

Cap of Maintenance, and Sword and Mace.<br />

Arms of the See, with Archbishop's Mitre.


...<br />

INDEX.<br />

PAGE<br />

Acomb 114<br />

Agar's Hospital 83<br />

Aldborough 118<br />

All Saints', North Street ... 72<br />

All Saints', Pavement 72<br />

Almshouses and Hospitals 83<br />

Ampleforth 118<br />

Archbishop de la Zouch's Chapel ... 36<br />

Archbishop Holgate's School ... 88<br />

Archbishops, Celebrated ... 40<br />

Arms of the City, The 68<br />

Artillery Volunteers 96<br />

Assembly Eooms, The 99<br />

Banks 106<br />

Baptist Chapel 80<br />

Barracks 94<br />

Barnard Castle 118<br />

Barstow's Hospital ... 83<br />

Baths 105<br />

Bedem, The ... 43<br />

BeU Tower, The South-West or ... 36<br />

Bell Window 37<br />

BeUs, The Peal of, Minster... 16, 36<br />

Bishopthorpe 114<br />

Blue Bridge ..103<br />

Blue Coat Boys' School 89<br />

Bolton Abbey 118<br />

Bonding Warehouses, The ... 104<br />

Bootham 108<br />

Bootham Bar 47<br />

Bootham Stray 106<br />

Boroughbridge 118<br />

Bramham 118<br />

Branch War Office 95<br />

Bridges, Markets, and Fairs ... 102<br />

Burial Grounds . ... 107<br />

Burton Picture Gallery, The ... 117<br />

Butchers' Market 104<br />

Byland Abbey 118<br />

Canons' Residence, The 42<br />

Cap of Maintenance, The ..v 54<br />

Castle Howard 118<br />

Castle Mills Bridge 104<br />

Castle, The ... 68<br />

Catholic Apostolic Church ... 80<br />

Cattle Fair, The 105<br />

Cattle Market, The 104<br />

Cavalry Barracks, The 94<br />

Cemetery, The 107<br />

Centenary Chapel 82<br />

Central Tower 23<br />

Chapter House, The ... 20, 33<br />

Choir, The 20, 27<br />

Cholera Burial Ground 107<br />

Christ Church 73<br />

Chronology of York Minster ... 17<br />

PAGE<br />

Church of England Library, &c. ... 94<br />

Churches ... 72<br />

City Club ... 110<br />

Clifford's Tower 69, 71<br />

CUfton ... 115<br />

Clubs 110<br />

Colton's Hospital 83<br />

Coney Street 108<br />

Conservative Club ... 110<br />

Convent of the Sisters of Charity 81<br />

Com Exchange 96<br />

Com Market 104<br />

County Assize Courts 70<br />

County Hospital 85<br />

Cowthorpe ... 118<br />

Coxwold 118<br />

Crypt, The 33<br />

,<br />

Davygate 108<br />

Deanery, The ... 42<br />

De Grey Eooms 96<br />

Description of the Minster—Exterior 18<br />

„ „ „ Interior 22<br />

Dimensions luteraaUy 89<br />

Dispensary 85<br />

Doncaster 119<br />

DriU HaU, The 95<br />

Dringhouses ... 115<br />

Easby Abbey 119<br />

East Window, The Great ... 31<br />

Ebenezer Chapel 80<br />

Ecclesiastical Estabhshment ... 39<br />

English Presbyterian Chapel ... 83<br />

Escrick .. 115<br />

Esplanade, The ... ... 113<br />

- 108<br />

Fairs ... 105<br />

Festival Concert Eoom, The .. 99<br />

Finkle Street<br />

*'<br />

Five Sisters " Window, The ... 24<br />

Foss Bridge 104<br />

Fountains Abbey 119<br />

Friendly Societies' Hall 96<br />

Friends' Boys' School 93<br />

Friends' Burial Ground... 107<br />

Friends' Girls' School ... 93-<br />

Friends' or Quakers' Meeting House 80<br />

Fulford 115<br />

General Produce Market 104<br />

GiUygate 108<br />

Girls' High School 98<br />

Goodramgate 109<br />

Government of the City 68<br />

Government School of Design ... 92.<br />

Grey Coat Girls' School 90<br />

GuHdhall, The 55


Index,<br />

yii<br />

PAGE<br />

Harrison's Hospital ... 83<br />

Harrogate... ... 119<br />

Haughton's Charity School 92<br />

Hay Weighs ... 105<br />

Helmsley 119<br />

Heslington ... ... 116<br />

Heslington Eoad Chapel 80<br />

Hewley's Hospital 83<br />

Heworth 116<br />

History of the Cathedral 13<br />

History of the City 1<br />

Hob Moor ... 106<br />

Holy Trinity, Goodramgate ... 73<br />

Holy Trinity, Micklegate ... 73<br />

Homoeopathic Dispensary ... ... 85<br />

Horn of Ulphus, The 34<br />

Horse Fair 105<br />

Hospitals 83<br />

Hospitium, The ... 53<br />

Hotels, The .. 110<br />

miey ... 119<br />

Independent Chapels 80<br />

Indulgence Cup .. 35<br />

Industrial School for Boys .,. 92<br />

Industrial School for Girls 92<br />

Infantry Barracks 94<br />

Ingram's Hospital ... 83<br />

. ..<br />

Institute for Trained Nurses ... 85<br />

•<br />

Institute Library 94<br />

Institute of Popular Science, &c. 93<br />

Institution for Diseases of the Bye 85<br />

Interest, Places of 113<br />

Invalid Eitchen ,.. 85<br />

Jewbury » 109<br />

Jubbergate ... 109<br />

Judges' Lodgings 97<br />

Kirkdale Cave 119<br />

Kirkham Abbey 119<br />

Knaresbrough 119<br />

Knavesmire ... ... . 106, 109<br />

Lady Chapel, The .. 30<br />

Lantern Tower, The 21<br />

Layerthorpe Bridge 104<br />

Layerthorpe Chapel ... 80<br />

Lendal ... 109<br />

Lendal Bridge ... 102<br />

Lendal Chapel 80<br />

Libraries ,. 93<br />

Liberal Club 110<br />

Literary 88<br />

Low Moor ... 107<br />

Maison Dieu 84<br />

Mansion House, The 54<br />

Manufactures and Commerce ... 110<br />

Markets 104<br />

Marston 116<br />

Marygate Tower 53<br />

Masonic HaU, The .,<br />

97<br />

Mason's Hospital... 84<br />

Medical ... 85<br />

Melbourne Terrace Chapel ... 82<br />

PAGE<br />

Merchant Tailors' HaU 98<br />

Merchant Tailors' Hospital ... 84<br />

Merchants' Hall 98<br />

Micklegate 109<br />

Micklegate Bar 45<br />

Micklegate Stray 106<br />

Middleton's Hospital 83<br />

Military 94<br />

Military Hospital 95<br />

Mihtia Depot 95<br />

Minster Bells . ... 16, 36<br />

Minster Library, The 42, 93<br />

Minster Yard, The ... 41<br />

Miscellaneous 105<br />

Monk Bar ... 47<br />

Monk Bridge 104<br />

Monk Stray 107<br />

Multangular Tower 48<br />

Museum, The, and Gardens ... 48<br />

National Provincial Bank 106<br />

Nave of Cathedral ... ... 20,25<br />

Newburgh Park 119<br />

Newspapers<br />

Ill<br />

New Street Chapel 82<br />

New Walk, The 113<br />

North Transept 23<br />

Nunnery Lane Mission House... 80<br />

Observatory, The 53<br />

Ogleforth 109<br />

Organ, The Choir 27<br />

Organ, The Nave 26<br />

Organ Screen, The ... 26<br />

Osbaldwick 117<br />

Ouse Bridge 102<br />

Pauper Lunatic Asylum, The ... 87<br />

Peal of BeUs, The 36<br />

Penitentiary, or Refuge ... ... 85<br />

Penny Bank 106<br />

Pig Market 105<br />

Pilgrim Street Chapel 82<br />

Plan of the Cathedral 38<br />

Pleasure Boats 110<br />

Pleasure Fairs ... 105<br />

Plumpton ... 119<br />

Police Station 68<br />

Pontefract 119<br />

Poor Clare Abbey 81<br />

Poor Law Offices 99<br />

Population ... ... 107<br />

Postal Telegraph Office 99<br />

Post Office 98<br />

Potato Market ... 105<br />

Primitive Methodist Chapels ... 80<br />

Primitive Methodist College ... 93<br />

Probate Registry 42<br />

Promenades 113<br />

Public Buildings 96<br />

Pubho Baths 105<br />

Railway Library and News Room ... 94<br />

Railway Station, The 107<br />

Red Tower 44<br />

Reference to Plan 89<br />

Refuge, or Penitentiary, The ... 85


viii<br />

Index.<br />

PAGE<br />

Kegistry of tne Diocese<br />

... 87<br />

itetreai, xne ... ,,, ... 86<br />

Iliclimond ... ... ... 119<br />

Eievaulx Abbey<br />

. 119<br />

Eifle Volunteers 95<br />

Hipon ... ... .•• ... 119<br />

Koman Catholic Ohapels^ &c. ... 80<br />

xtoyai bcnooi oi ot. ireter, Tne 88<br />

baleni Cnapel ••• 80<br />

Savings Bank .,, ,., 99, 106<br />

Scarborougli ... ,.. ... 120<br />

Scarborough Railway Bridge ... 102<br />

Scarcroft , 106<br />

School of Design ... ..« 92<br />

Scholastic and Literal^ ... 88<br />

Selby ... ... 120<br />

.<br />

Services J<br />

The IMinster ... ••. 37<br />

Skeldergate ...<br />

109<br />

Skeldergate Bridge •*• ... ... lUo<br />

ojiejiuun ... ..• ,,. 11/<br />

O^U-LXXclgctiuc ftvkn inn c^fctik \ o ... ... («• ... luy<br />

Staitns, ine ... ..• 109<br />

Statute Hirings ... 105<br />

Stonegate 109<br />

Strays ... 106<br />

Steamers 111<br />

Streets—Names and Architecture 108<br />

St. Andrew's Church 79<br />

St. Anthony's HaU<br />

... 89<br />

St. Catherine's Hospital<br />

84<br />

St. Clement ... .. 73<br />

St. Crux 74<br />

St. Cuthbert ... 74<br />

St Dennis 74<br />

St. George's Chapel ... 81<br />

St. Helen 75<br />

St. John .. 75<br />

St. Lawrence ... 75<br />

St. Leonard's Hospital 48<br />

... ...<br />

St. Margaret ... ... 75<br />

St. Martin, Coney Street ... ... 76<br />

St. Martin-cum-Gregory 76<br />

St. Mary's Abbey .. 51<br />

St. Mary, Bishophill Junior ... 77<br />

St. Mary, Bishophill Senior ... 77<br />

St. Mary, Castlegate<br />

76<br />

St. Mary's Abbey<br />

.. 51<br />

St. Mary's Convent 81<br />

St. Maurice .. 78<br />

St. Michael-le-Belfrey 78<br />

St. Michael's Hospital .. 84<br />

St. Michael, Spurriergate 78<br />

St. Olave .. 78<br />

St. Paul 79<br />

St. Peter's School ... 88<br />

St. Sampson 79<br />

St. Saviour .. 79<br />

St. Thomas 79<br />

St. Thomas's Hospital .. 84<br />

St. Wilfrid's (pro-Cathedral) ... 80<br />

St. William's College .. 43<br />

Swedenborgian 82<br />

Swimming Baths .. 105<br />

Tadcaster ... ... •.• 120<br />

PAGE<br />

rr,<br />

Temperance Club<br />

no<br />

Theatre Royal ., *<br />

lOQ<br />

Third West York ArtilleryVolunteers 96<br />

Thompson's Hospital ... ... 84<br />

Towers, The ... 35<br />

Treasury, The 36<br />

Trinity Hospital • ... 84<br />

Ulphus, The Horn of ...<br />

.<br />

34<br />

Unitarian Chapel<br />

'<br />

. ...<br />

82<br />

United, or Plymouth Brethren ... 82<br />

Vestry, The (Minster) 34<br />

Vicinity and Places of Interest 113, 117<br />

Victoria Bar Chapel ... 80<br />

Victoria HaU<br />

lOQ<br />

Villages ..<br />

114<br />

Walls and Bars, The 44<br />

Wahngate 109<br />

Walmgate Bar 46<br />

Wahngate Stray 107<br />

War Office 95<br />

Watter's Hospital 84<br />

Wandesford's, Hospital ,.: ... 84<br />

Wesley Chapel 82<br />

Wesleyan Methodist Chapels ... 82<br />

Wesleyan Methodist Free Church 83<br />

Wesleyan New Connexion Chapel ... 83<br />

Western Front, The (Minster)... 19<br />

Whip-ma-whop-ma-gate 109<br />

Whitby 120<br />

Will Office 21<br />

Wilson's Charity School ... 92<br />

Wilson's Hospital 85<br />

WUton Street School Chapel ... 82<br />

Window, The Great East 31<br />

Winterscale's Hospital 85<br />

Wool Market 105<br />

Yearsley Bridge Baths ... 108<br />

York and East Riding Bank ... 106<br />

York City and County Bank ... 106<br />

York Club .. ... 110<br />

York Diocesan Training Institution 88<br />

York Gas Light Company .... ... 100<br />

"York Herald," The<br />

Ill<br />

York Law Library 94<br />

York Lunatic Asylum, The ... 86<br />

York Minster ... 18<br />

York New Vv'aterworks Company 100<br />

York Poor Law Union Workhouse... 100<br />

York Probate Registry ... 42<br />

York Races 106<br />

York Rifle Volunteers ... ... 95<br />

York Subscription Library 93<br />

York Union Bank 106<br />

Yorkshire Bank 106<br />

*'<br />

Yorksliire Chronicle," The ... 113<br />

Yorkshire Club 110<br />

" Yorkshire Gazette," The ... 112<br />

Yorkshire Hussars,Yeomanry Cavalry 96<br />

Yorkshire Fine Art Institution ... 101<br />

Yorkshire Insurance Company.... 100<br />

Yorkshire School for the Bhnd, The 90<br />

Yorkshire Philosophical Society ... 49<br />

Young Men's Christian Association 94<br />

Zouch Chapel 36


;<br />

YOEK:<br />

HISTOEY OF THE CITY.<br />

The City of York is one of the most ancient, if not the<br />

oldest city in Britain, and according to historians, was a<br />

flourishing place 2000 years ago. It stands in the centre of<br />

a rich agricultural district called the vale of York, through<br />

which the river Ouse, strengthened by numerous tributaries,<br />

winds it^ way towards the Humber, flowing through the<br />

middle of the city, and running nearly due south. It is the<br />

capital of the largest county in England ; the most celebrated<br />

city of the North ; and situated nearly midway (both on the<br />

ancient Eoman road and the modern iron-way) between the<br />

English and the Scotch capitals, being 198 miles from one<br />

and 201 from the other. Its early history is lost in obscurity<br />

before the Christian era, it seems to have been a stronghold<br />

of the aborigines of the district. It is the see of an<br />

Archbishop, whose palace is in the immediate vicinity, and<br />

boasts the possession of the finest complete Gothic Cathedral<br />

in the world.<br />

Learned men differ as to the derivation of the name<br />

York ; but the one generally agreed upon is, that by the<br />

Brigantes or ancient Britons, the place was known as Ka'er<br />

Ebraue, Caer-Efroc, Ever-Wic, Yure-Wic ; the Danes called<br />

it Jorvick, from which it would easily become the modern<br />

York ; after which also this great county takes its name. By<br />

the Romans it was called Eboracum, and in Doomsday Book<br />

it is written Euerwic.<br />

The site seems to have been selected by Agricola, between<br />

seventy and eighty years after Christ, and by him made a<br />

military station of immense value and strength, as well as the<br />

capital of the North. Here was established the head- quarters<br />

of the sixth or conquering legion ; and hence it became the<br />

fixed residence of a wealthy colony of Roman citizens, who<br />

B


2<br />

(it is thought from the remains of<br />

buildings, palaces, baths,<br />

tesselated pavements, ornaments, &c., that have been, and are<br />

continually being found, whenever excavations are made),<br />

lived in all the luxury and grandeur that marked the zenith<br />

of the Roman empire no less than its decline and fall. The<br />

legion occupied its northern quarters for about three hundred<br />

years.<br />

Septimus Severus, the Eoman emperor, visited this, the<br />

most northern capital of his dominions, and died here about<br />

207. Constantius Chlorus also ruled and resided in York,<br />

where he died about 306, and was succeeded by his more<br />

celebrated son, Constantine the Great, to 'whom has been<br />

awarded the honour of introducing Christianity into this country<br />

(or, perhaps, more probably permitting it to be introduced),<br />

which is said to have been first preached at York, on the<br />

very ground where the present cathedral stands.<br />

York is rich in historical associations from the Roman<br />

some of<br />

period to the present day, and has been the scene of<br />

the most important events which have occurred in the history<br />

of Britain. After its evacuation by the Romans, it was soon<br />

over-run by the Picts and Scots, then by the Saxons, and<br />

ultimately by the Northmen (or Danes). At this time the<br />

city suffered from repeated sieges ;<br />

buildings were neglected<br />

and allowed to fall to pieces ; and everything was thrown<br />

back into a state of barbarism.<br />

Ambrosius, ihe king of Britain, about 470, held a council<br />

of princes and nobles here, and ordered all the destroyed<br />

churches to be rebuilt. Here King Arthur (the Renowned)<br />

kept, it is said, the first Christmas (or mass of Christ)<br />

that was ever kept in Britain (521), and rebuilt all the fallen<br />

churches. After that, troublous times set in ; and it is on<br />

record that the then bishop Thudiocus fled to Wales in 587<br />

from the persecution of the Saxons.<br />

At the establishment of the Heptarchy, York was the<br />

capital of Northumbria, the largest of the seven kingdoms,<br />

and remained so after the division of that kingdom into two<br />

provinces. The southern and more important of these provinces<br />

was Deira. From this district, a number of youths<br />

being taken captive, and exposed for sale in the slave-market<br />

at Rome, attracted the attention of Pope Gregory the Great,<br />

and caused him to send the priest Augustine to reconvert the


city<br />

3<br />

beniglited people to the Christian faith. In 621, Edwin<br />

ascended the throne at York as King of Northumbria, and in<br />

627, on Easter-day, was publicly baptised by Paulinus, a<br />

Eoman missionary, who very soon after became the first<br />

Archbishop of York.<br />

The celebrated library connected with the Minster was<br />

founded by Archbishop Egbert (731 to 767), and became,<br />

under the famous and learned Alcuin (in the time of Archbishop<br />

Albert, 7 67-782), one of the most valuable in the world.<br />

About the year 810, Egbert, king of Wessex, after being<br />

engaged in a variety of struggles, and having surmounted<br />

many difficulties, succeeded in obtaining the supreme dominion,<br />

and uniting the seven kingdoms of the Heptarchy into one<br />

monarchy. The Northumbrians, however, being more remote<br />

from the influence of his successors, soon asserted their independence,<br />

and raised Osbert to the throne at York. The<br />

northern kingdom now suffered for many years from internal<br />

divisions and ravages of the Danes, who, in 867, defeated<br />

and killed Osbert in a battle near York, and committed<br />

frightful atrocities in the city. The Danes thus wrested Northumbria<br />

from the Saxons, after they had possessed it for about<br />

three hundred years ;<br />

but, in 910, Edward the Elder obtained<br />

a complete victory over them, killing two of their kings and<br />

several thousand soldiers.<br />

After many turbulent years of bloody revolutions, Northumbria<br />

was, in 951, reduced by Edred to an earldom,<br />

York still continuing its capital .<br />

;<br />

Osulf, an Angk>-<br />

Saxon, was the first earl. He was joined by Oslac in the<br />

following reign in the government ; but their authoritywas<br />

subsequently united in the person of Waltheof, th.3<br />

second earl. The principal earls of Northumbria were:<br />

Siward, a man of extraordinary strength and valour ;<br />

Tostig, brother of King Harold ;<br />

and Morcar, who was<br />

reigning earl at the Conquest. Siward died here in 1055,<br />

and was buried near the Minster, or, as some historians say,<br />

at Galmanho, now St. Olaves, in Marygate. It is related of<br />

him that, being brought to the last extremity by disease, he<br />

exclaimed : Oh, what a shame is it for me who have<br />

escaped death in so many battles, to die like a beast at last<br />

Put me on my coat of mail, gird on my sword, place on my<br />

helmet, give me my shield and axe ;<br />

thus, as a valiant soldier


4<br />

have I lived, even so will I die ! " His friends obeyed the<br />

injunction, and the gallant spirit of the old man passed<br />

away.<br />

After the death of Edward the Confessor (1066), the<br />

crown was seized by Harold<br />

;<br />

but, Hardrada Harfager, King<br />

of Norway, with Tostig,. Earl of Northumberland, soon<br />

appeared on the scene to dispute his claim. The invaders<br />

sailed up the Humber with a large fleet, landed at Riccal,<br />

and marched upon York, which they took by storm after the<br />

battle of Fulford ;<br />

but, a few days after, were themselves<br />

defeated and slain at the memorable battle of Stamford<br />

Bridge. Harold, whilst celebrating his success at York,<br />

heard of the landing of William of Normandy at Hastings, and<br />

was himself killed a few days after his northern victory, at the<br />

battle of Battle in Sussex ; and with him fell the power of the<br />

Anglo-Saxons. In 1068, William the Conqueror marched<br />

upon York, and, taking the city without any difficulty, he<br />

strengthened his power here by building the castle-keep,,<br />

known as Clifford's Tower, and also by the erection of a<br />

second fortress on Baile Hill, on the south side of the river.<br />

At this time, a desperate attempt was made by the inhabitants<br />

of Northumbria to dispute the Conqueror's power ;<br />

the city<br />

was set on fire, when the Cathedral with its famous library<br />

was completely destroyed.<br />

At the time of the Doomsday survey (1084-1086, twenty<br />

years after the Norman conquest), York contained about<br />

ten thousand inhabitants, at that time considered a large<br />

and populous city. During the reign of King Stephen, in<br />

1137, the Cathedral was again burnt to the ground, together<br />

with St. Mary's Abbey, the Hospital of St. Leonard, thirtynine<br />

parish churches, and the greater part of the city.<br />

In the following year (1138), David of Scotland devastated<br />

the country as far as York, but was himself defeated at<br />

the celebrated Battle of the Standard, near Northallerton,<br />

leaving ten thousand dead on the field. In the reign<br />

of Henry II., the first English parliament was held at York<br />

(about 1156), Henry at the same time receiving the homage<br />

of Malcolm of Scotland; and also in 1174 the parliament<br />

met again in this city.<br />

The dreadful massacre of the Jews took place here soon after<br />

the accession to the throne of Richard I., when nearly one<br />

thousand men, women, and children lost their lives by fire and


-<br />

sought<br />

5<br />

sword, throngli the blind rage of an infuriate mob, led on by<br />

a fanatical hermit, who called upon his listeners to exterminate<br />

the enemies of Christ. The Jews mostly lived in<br />

Jubbergate and Jewbury ; were large traders, and possessed of<br />

great wealth. One of the wealthiest and most influential members<br />

of this persecuted race, named Benet, had been recently<br />

killed in London. A body of armed men made an assault<br />

upon his house in York, which they plundered, murdering<br />

his wife and children. On the following day most of the<br />

Jewish inhabitants, with their families, their gold, precious<br />

stones, costly garments, and all their moveable valuables,<br />

refuge in the Castle, which was, by order of the<br />

warden and sheriffs, besieged by the excited populace. The<br />

siege was continued for several days ;<br />

but, on the day fixed<br />

for the final assault, the Jews, rather than be taken, and<br />

fearing a worse death, set fire to the Castle, first destroying<br />

all the wealth they could, then, with the exception of a few,<br />

killing each other. Those remaining offered to surrender<br />

and become Christians ; but were barbarously murdered by<br />

the victorious citizens on entering the Castle the following<br />

morning, who then went to the Minster, obtained the registers<br />

of money lent by the Jews to the leading men of the city and<br />

neighbourhood, and having made a bonfire in the nave,<br />

burnt the whole of the documents.<br />

King John, and also Henry III., frequently visited York<br />

;<br />

during their reigns, several parliaments assembled here.<br />

The latter-named monarch celebrated Christmas here with<br />

great splendour in 1251, when Margaret, his daughter, was<br />

married in the Cathedral to Alexander III., King of Scotland,<br />

neither bride nor bridegroom being quite eleven years old.<br />

Under Edward I. parliament was held twice in York ; and<br />

the courts of justice, Doomsday Book, and other valuable<br />

documents were removed to this city from London. In 1311,<br />

Edward II. kept Christmas here, and caused the city walls to<br />

be fortified. Edward III. often visited this ancient city. -In<br />

1327, he spent Christmas here ; and in the following January<br />

was married in the Cathedral to Philippa, aged fourteen,<br />

daughter of William of Hainault, Edward having attained the<br />

more mature age of sixteen years. The ceremony was celebrated<br />

with much pomp and splendour. The bride was<br />

accompanied by a large body of armed retainers from Hainault,<br />

and the King by his Council and the flower of the English


nobility, then in arms. A terrible quarrel between the<br />

foreigners assembled in York and the English broke out.<br />

They fought without Walmgate Bar, when 527 foreigners<br />

and 242 Enghsh lost their lives, after which peace was<br />

restored. Edward, being of a warlike disposition, had the<br />

city walls and towers thoroughly repaired, strengthened,<br />

and put in a complete state of defence. Twenty years later,<br />

Queen Philippa again entered the city, after the battle of<br />

Neville's Cross, with David Bruce, of Scotland, her prisoner.<br />

In 1389, the youthful Eang Richard II. visited York, to<br />

settle a dispute between the Archbishop and clergy on the<br />

one hand, and the mayor and citizens on the other. It was<br />

on this occasion that Richard took his sword from his side<br />

and presented it to William de Selby, then mayor, to be borne<br />

before him and his successors for ever, with the point<br />

erect, except in the presence of the crown, conferring, at the<br />

same time, the title of " Lord Mayor," which his successors<br />

have ever since retained<br />

"<br />

. My Lord is a Lord for a year and a day<br />

But my Lady's a Lady for ever and aye."<br />

A few years afterwards, Richard presented a mace to the<br />

liOrd Mayor,<br />

and a cap of maintenance to the sword-bearer.<br />

All these venerable insignia of office may be seen in the<br />

Mansion-house, the official residence of the chief magistrate,<br />

and are always used by him to the present day on public or<br />

state occasions. In 1392, the courts of chancery and king's<br />

bench were held in York, but only remained here about<br />

six months.<br />

Few English cities passed through more numerous and<br />

violent changes than did the City of York during the wars of<br />

the Roses. Through the influence of the noble houses of<br />

Neville, Percy, and Scrope, the citizens became involved in<br />

quarrels, opposed to the reigning monarch Henry IV., by whom<br />

a royal mandate was issued, forfeiting the municipal rights<br />

and liberties of the citizens, and by the same act the justly<br />

celebrated Scrope, Archbishop of York, lost his life. He<br />

was beheaded in a field near to Bishopthorpe, and his head,<br />

together with that of Thomas Mowbray, Earl Marshal of<br />

England, who suffered with him, was placed on a spear above<br />

the walls of the city. In a very short time the rights of the<br />

citizens were restored to them. The head of Richard Plan-


7<br />

tagenet, Duke of York, who was slain at the battle of Wakefield<br />

in 1460, was brought to York, covered with a paper crown,<br />

and stuck on a pole over Micklegate Bar with the face towards<br />

the city, that " York might overlook the town of<br />

York, " in company with that of the Earl of Salisbury, and<br />

many others of the Yorkist party. Whilst the dreadful battle<br />

of Towton Field was being fought, on the 29th March, 1461,<br />

Henry VI. and his Queen were staying in the northern capital,<br />

who, on hearing the disastrous news, instantly fled to Scotland.<br />

Eichard's son and heir, Edward Duke of York^ immediately<br />

marched upon the city; took down the Yorkist heads and<br />

replaced them with those of the Lancastrian Earls of Devon<br />

and Wiltshire. In 1464, Edward lY. was crowned with<br />

regal magnificence on the 4th May, in the Cathedral. In<br />

1483, Eichard III., of opprobious memory, marched to York<br />

with a numerous retinue on hearing of the death of the King,<br />

in order to establish his power more firmly in the north, and<br />

had a solemn requiem sung in the Minster for the soul of<br />

his dead brother. Under the Tudors, the city passed through<br />

many vicissitudes of fortune, especially during the attempted<br />

rebellion of Lambert Simnel and his co-conspirators. In<br />

1503, Margaret, daughter of Henry VII., passed through<br />

York in royal state on her northward journey to become the<br />

bride of James IV. of Scotland. About 1505-6, during the<br />

reign of Henry VIL, the first printing-press was erected here<br />

by Hugo Goez. In 1513, the body of James IV. of Scotland<br />

was brought to York after the battle of Flodden Field, where<br />

he and the flower of his nobility fell. In 1536, Henry VIIL<br />

inflicted a most severe blow on the wealth and property of the<br />

religious orders in this country by the suppression of the<br />

abbeys and monasteries, which was the cause of the rising of<br />

the people in rebellion known as the Pilgrimage of Grace,"<br />

led by one Eobert Aske, of Aughton, a few miles from York,<br />

who marched upon York and Hull with forty thousand men,<br />

and took both places. This insurrection was speedily suppressed,<br />

but was shortly succeeded by a second. Henry<br />

visited York in 1541, remaining twelve days ;<br />

he at this<br />

time established the famous council of the north, the first<br />

president of which was Thomas, Duke of Norfolk. The ofiice<br />

of this court was to hear and determine all causes on the north<br />

side of the Trent. It continued in force till the reign of


8<br />

Charles I. The Lord President resided in the Manor House,<br />

now the Wilberforce School for the Blind near to Bootham<br />

Bar ; the council held its sittings at the Guildhall. In 1572,<br />

the Earl of Northumberland was beheaded in the Pavement,<br />

and his head set on a pole on Micklegate Bar for the part he<br />

took in the last rebellious attempt made by the Roman<br />

Catholics to establish their power in England, which is called<br />

the Rising of the North." In 1608, James VI. of Scotland<br />

passed through the city on his way to London to receive the<br />

English crown ; he stayed three or four days, was lodged in<br />

the Manor House and attended the Minster services several<br />

times. In 1617, he again visited York, when he attended<br />

service at the Minster. In 1639, Charles I. stayed in York<br />

some three or four weeks on his way to meet the Covenanters<br />

of Scotland, spending the time in marshalling his army. The<br />

following year a great council of peers met, and held its<br />

meetings in the Deanery, under the presidency of the king.<br />

In 1641, the council of the north was abolished. Charles<br />

again came in 1642, fixing his residence at the Mansion<br />

House, then close to the Minster, and stayed five months in<br />

the city, during which time the state printing-press was<br />

brought from London and erected in St. William's College,<br />

near the Cathedral. In 1644, York was fully garrisoned,<br />

and put in a complete state of defence, guns being placed on<br />

the walls and gates under the command of the Marquis of<br />

Newcastle. Early in this year the Parliamentarian army, under<br />

the command of the Earl of Manchester, assisted by Scotch<br />

allies, lay siege to and completely invested the city, several<br />

batteries being erected so as to command it from different<br />

points, and placed under the orders of Sir Thomas Fairfax,<br />

Earl of Leven, Cromwell, and others. For twenty-two days<br />

the troops and citizens within the walls defended it with great<br />

spirit and valour. Charles, well knowing how important it<br />

was to retain possession of such a stronghold, sent Prince<br />

Rupert with twenty thousand men to its relief. On his<br />

approach, the Parliamentarian army withdrew to Marston<br />

Moor, where it was followed shortly after<br />

by Prince Rupert,<br />

and on July 2nd the deadly battle was fought, which<br />

brought ruin to the royalist cause, this being the last of<br />

many battles fought for the possession of the City of York.<br />

On the 16th July, 1644, it was formally surrendered to the


BOOTHAM BAR, YORK


9<br />

Tictorious army, whose generals immediately repaired to the<br />

Minster and offered up their thanksgivings for so great a<br />

success. The city suffered severely during the siege, many<br />

houses being laid in ruins, but the Cathedral escaped with<br />

very little damage. Markham, in his life of the great general,<br />

says, no Cathedral in England suffered less from the civil<br />

war than York Minster, and the immunity was due to the<br />

unceasing watchfulness of Sir Thomas Fairfax, to whom<br />

Yorkshire owes a debt of gratitude for his thoughtful care<br />

of her proudest monument." In 1650, Cromwell stayed one<br />

night in the city as a guest of the Lord Mayor. In 1660, on<br />

the 1 1th May, Charles II. was proclaimed by the Lord Mayor<br />

as King of England with great ceremony; bells were rung and<br />

cannon fired in royal salutes from Clifford's tower, the city<br />

being brilliantly illuminated at night. In 1665, the Duke of<br />

York, afterwards James II., resided here two months. In 1684,<br />

Charles deprived the Corporation of its Charter, and thereby<br />

engendered a feeling of enmity and discontent. Shortly after<br />

this the black Jefferies attended the assize at York as one of<br />

the judges, and informed the Lord Mayor and citizens that<br />

the king expected to have the government of the city at his<br />

own disposal. The Charter was finally restored in 1688 by<br />

the Prince of Orange. Clifford's tower was reduced to ruins<br />

b)y the explosion of the powder magazine in 1684, and does<br />

not seem to have been repaired since, otherwise than to keep<br />

the walls from falling. In 1688, the city was seized by the<br />

Earl of Danby on behalf of the Protestant succession, and<br />

early in the following year, William Prince of Orange and<br />

Mary his wife were proclaimed King and Queen of England<br />

by the Lord Mayor, in the presence of many thousands of<br />

spectators. During the subsequent winter, a large force of<br />

Danish soldiers in the service of England occupied York<br />

whilst on their way to join Wilham in Ireland.<br />

We now enter upon more peaceful times ; the military history<br />

of York may be said to end with the bloodless revolution<br />

of 1688. In the reign of Charles II., coaches were first run<br />

between York and London in four days, and also to Hull. In<br />

1727, Daniel Defoe visited York, and made it the birthplace<br />

of his most celebrated hero, ^' Eobinson Crusoe." In 1737,<br />

Drake published his "Eboracum," and speaks of York as "one<br />

of the pleasantest cities in England." In 1745, the year of


10<br />

the Young Pretender," the city showed its readiness to defend<br />

the established religion and Hanoverian government. In 1791 ^<br />

the first musical festival was held in the Minster.<br />

Nothing worthy of note occurred in the latter half of the<br />

18th century, beyond exciting political contests for the<br />

representation of the county. In 1820, the present Ouse<br />

Bridge was opened, the foundation stone having been<br />

laid in 1810. In 1822, the Yorkshire Philosophical Society<br />

was founded, of which the Eev. W. V. Harcourt, M.A.,<br />

F.E.S., was the first president, and in 1830, its handsome<br />

museum was opened to the public. In 1823, the second<br />

musical festival was held in the Cathedral, there being 465<br />

performers. The British Association for the Advancement<br />

of Science held its first meeting here in 1831, on<br />

the 27th Sept., when upwards of 350 of the most eminent<br />

men of the day from all parts of the kingdom assembled for<br />

the purpose of forming the above named institution. In<br />

1835, the last musical festival was held, when there were 618<br />

performers ; it was attended by the Duchess of Kent with her<br />

daughter, the Princess Victoria (our present Queen), then on<br />

a visit to the Archbishop at his palace at Bishopthorpe. The<br />

first passenger railway train ran into York on the 29th May,<br />

1839, and in 1841, the old railway station in Tanner Eow<br />

was opened.<br />

In 1846, July 21st, the Archaeological Institute of Great<br />

Britain and Ireland held its annual meeting here, under<br />

the presidency of Earl Fitzwilliam. In 1848, the Eoyal<br />

Agricultural Society's Show, on Bootham Stray, was visited<br />

by Prince Albert and other illustrious personages. In<br />

1850, a grand banquet was given in the Guildhall on<br />

the 26th October, by the Lord Mayor and Corporation,<br />

to Prince Albert, the Lord Mayor of London, and the<br />

Mayors of the different Corporations in England, in aid of<br />

the great Exhibition held in London the following year<br />

(1851), when the most fairy-like building in the world,<br />

the first Crystal Palace, was erected. This banquet was<br />

signalized by the preparation of one dish, which alone<br />

cost one hundred guineas. In 1866, the Prince and Princess<br />

of Wales visited York, to grace with their presence<br />

the Yorkshire Fine Art and Industrial Exhibition. The<br />

royal visitors were the guests of His Grace the Arch-


11<br />

bishop, at tlie Palace, Bishopthorpe. York gave a right royal<br />

greeting to their Eoyal Highnesses; the Ouse Bridge, most<br />

artistically decorated, was, together with the rest of the city^<br />

brilliantly illuminated in the evening. The illustrious visitors<br />

attended the Yorkshire Agricultural Society's Show, then being<br />

held on Knavesmire, and also a grand review of the whole of<br />

the Volunteers of Yorkshire on the Race- ground, when, it is<br />

said, more people came to York thaii was ever known to have<br />

visited it before in one day. The exhibition was held in a<br />

temporary building erected in Bootham Field, in front of the<br />

County Asylum. It was opened by the Archbishop of York,<br />

on the 24th July, and closed on the 2nd November, and<br />

was attended by 380,590 persons. The value of the exhibits<br />

was roughly calculated at £250,000. The total receipts were<br />

£13,800 ;<br />

and, after all expenses were paid, with some gratuities,<br />

a surplus of £2000 was left as the nucleus of a<br />

fund to be afterwards subscribed towards a permanent art<br />

gallery.<br />

On 25th September, 1873, a grand banquet was given in<br />

the Guildhall, by joint subscription of the provincial mayors<br />

and corporations of England, to the Lord Mayor of London,<br />

who attended in state, accompanied by the Sheriffs of London,<br />

en grande tenue, with coaches, trumpeters, and other paraphernalia;<br />

the whole of the provincial mayors and townclerks,<br />

two hundred and sixty in number, being dressed in<br />

their robes and decorated with the gold chains and insignia<br />

of office.<br />

The corner-stone of the new Exhibition building was laid<br />

by the Lord Mayor, on Easter Monday, 22nd April, 1878.<br />

The Exhibition was formally opened by His Grace the<br />

Archbishop of York, on the 7th of May, 1879, and continued<br />

until November 8th. During this period it was visited by<br />

550,000 persons, from whom the sum of £17,336 17s. 3d.<br />

was received, in addition to £1791 12s. Id. from other<br />

sources. It consisted of rare examples of old and modern<br />

masters (including the whole of the celebrated Feversham<br />

gallery), water-colours, statuary, articles of vertu, manufactures,<br />

machinery, &c.<br />

The building has now been establised as the Yorkshire Fine<br />

Art and Industrial Institution, with the object of encouraging<br />

art and industry.


12<br />

It is presumed, the visitor to York will arrive by railway,<br />

and that his thoughts and attention will first be turned<br />

to the Cathedral; if so, he will enter the city by the<br />

new railway arch in the walls near to the old Station Hotel,<br />

and taking the road to the left, cross the river by Lendal<br />

Bridge, a handsome structure of iron, continuing past the<br />

Yorkshire Club-house, a building in the Italian style, on the<br />

right and overlooking the river. Immediately adjoining,<br />

and at the corner of Lendal, are the York Club Chambers<br />

in the Elizabethan or mixed style. On the left, opposite<br />

the Club-house and close to the river, is Lendal Tower,<br />

one of the ancient fortifications of the city ;<br />

from this tower<br />

to that on the south side of the river, in ancient times, an<br />

iron chain used to be hung every night at dusk to prevent<br />

the citizens being surprised. From 1682 to 1850, Lendal<br />

Tower was used by the Water Works Company, whose<br />

offices are now close by. The city walls, it will be noticed,<br />

commence on this side very near the tower, and formerly<br />

joined it. Directly opposite the end of Lendal is the lodge<br />

and entrance gates to the grounds of the Yorkshire Philosophical<br />

Society. The Hospital of St. Leonard's will be seen<br />

through the iron palisades close to the gates. In Museum<br />

Street, on the opposite side of the road, is the entrance<br />

to the Festival Concert Eoom, a very magnificent hall, where,<br />

as its name indicates, concerts are held. A few yards beyond<br />

are the offices of the Poor-Law Guardians, and at the corner<br />

of Blake Street is the Subscription News-room. Crossing the<br />

end of Blake Street, there is an open space, fenced off with<br />

a neat iron railing, within which stands the Masonic Hall.<br />

Immediately opposite, on the left-hand side of Duncombestreet,<br />

is the Roman Catholic pro- Cathedral Church of St.<br />

Wilfrid, with its highly ornate door-way.<br />

The visitor will now have a splendid view of the glorious<br />

Minster. Approaching the south-west front through Duncombe-street,<br />

the imposing grandeur of the western towers,<br />

capped by the colossal size and great height of the central<br />

tower, flanked by the flying buttresses of the nave, strikes the<br />

eye of the beholder with the wonderful unanimity of style, the<br />

vast strength, the grand proportions, and enormous size of<br />

the sacred structure.


HISTORY OF THE CATHEDEAL.<br />

On the site of the present building, Christianity was revived<br />

in this northern Kingdom by Paulinus, who had been sent<br />

by Augustine, Archbishop of Canterbury, and succeeded in<br />

the conversion of Edwin, the King of Northumbria, to the new<br />

faith, who was publicly baptised on Easter Sunday, the 12th<br />

April, 627, in a little wooden oratory erected on this spot.<br />

Shortly after, Edwin commenced to buUd a larger church ot<br />

stone, dedicated to St. Peter, but which he di.d not live to see<br />

completed, being slain in a great battle agamst Pewcto, the<br />

pagan King of Mercia. The country was immediately<br />

overrun will pagans, and the church of Edwm destroyed<br />

Paulinus fled to the Christian kingdom of Kent, taking with<br />

him Ethelburga, widow of the king. The head of Edwin was<br />

afterwards recovered, and buried within the walls of the<br />

church which he founded, his body being deposited m the<br />

monastery at Whitby. About 636, Oswald succeeded in<br />

expelling the Mercians; resuscitated and firmly established<br />

Christianity; restored the Minster; but was himself soon after<br />

killed in another great battle with the invaders under Penda.<br />

This monarch detested the religion of Christ and the temples<br />

erected to His worship, and proceeded to demolish the<br />

Cathedral and churches. He was, however, shortly afterwards<br />

slain in battle (655), and the Minster completely<br />

restored by Oswy, brother of Oswald, who also founded<br />

twelve other churches in different parts of Northumbria.<br />

Shortly after this, Ulphus, a prince of Deira, the southern<br />

part of Northumbria (now the East Eiding of Yorkshire)<br />

gave all his lands, together with his horn, to the Cathedral<br />

Church of York. This horn can be seen in the vestry ot the<br />

Cathedral. In 669, the Minster was in an exceedingly<br />

dilapidated condition; but Archbishop Wilfrid put it into<br />

thorough repair, covered the roof with lead, and put glass m<br />

the windows—the first instance recorded of that material<br />

being used in this country. In 741, the Minster was nearly<br />

burnt to the ground. In 767, Albert, Archbishop of York<br />

(a native of the city), founded it anew, and assisted by the<br />

learned Alcuin rebuilt the Cathedral in the finest style of<br />

Saxon architecture; it was consecrated on the 8th JNov.,


14<br />

In 867, the kingdom of Northumbria was overthrown<br />

the by<br />

Danes who now ruled in East Angha. Guthrum,<br />

one ot the Danish kings, reigned at York from 822 to 896<br />

but having •<br />

been conquered by Alfred the Great, was baptized<br />

at Jork Minster, King Alfred acting as his sponsor and<br />

giving him the name of Athelstane. During one of the sieges<br />

at the time of the Norman conquest, the Cathedral was again<br />

burnt to the ground; it was, however, rebuilt about 1080 on<br />

a larger scale in the Norman style by Archbishop Thomas,<br />

who had been appointed to the see by the Conqueror. In the<br />

reign of Stephen (1137), it was again seriously damaged by<br />

hre, and for forty years little was done towards its restoration<br />

however, about 1171, Archbishop Roger rebuilt the choir in<br />

the Norman style to correspond with the rest of the building<br />

The present erection dates from 1215, when Walter de<br />

Grey ascended the archiepiscopal throne, who, being dissatished<br />

with the Cathedral as it then stood, determined to build<br />

one on a grander and more extensive scale. Accordingly he<br />

commenced with the present south transept, which he lived to<br />

see completed, about 1240. The north transept was built by<br />

John le Eomayne, treasurer to the Cathedra], about 1250,<br />

who also built a beU tower, now replaced by the great lantern<br />

tower. Archbishop le Eomayne, son of the treasurer, pulled<br />

down the old Norman nave, and laid the foundation-stone of<br />

the present one on 6th April, 1291, which, with the magnihcent<br />

west front, was completed by Archbishop Melton—<br />

the stone-work in 1345 and the roof in 1355. The great<br />

west window was fiUed with glass in 1338 at the expense of<br />

Archbishop Melton, who gave one hundred marks for the<br />

purpose. During the building of the nave, the present<br />

chapter-house was erected ; but the name of its founder or<br />

the exact dates are not known. From the florid or decorated<br />

style of its architecture, it is not likely that it would be completed<br />

before the middle of the fourteenth century ; and<br />

from the bear, which was a device of Francis Fitzurse, the<br />

treasurer, being used upon it as an ornament, it may be<br />

mferred that he took a prominent part in its erection. The<br />

Norman choir was next doomed; and in 1361, Archbishop<br />

Thoresby laid the foundation-stone of the present choir,<br />

beginning at the Lady chapel. This was finished prior to this<br />

prelate's death in 1373 ; the remainder of the choir was not


15<br />

completed till 1400. The present main or central lantern-tower<br />

was commenced about 1405, by recasing and enlarging the<br />

height of the bell-tower of John le Romayne. The bells were<br />

taken down, and lay idle thirty years. Being necessary to find<br />

another place for them, it was decided to build two towers at the<br />

west end. The south-west tower in which are the bells was<br />

commenced about 1432, by John de Bermyngham, treasurer.<br />

The north-west tower, in which the great bell "Peter" is<br />

hung, was completed about 1470. In 1472, the edifice as it<br />

now stands being finished was duly reconsecrated on the 8rd<br />

February, by Archbishop Neville. This day was afterwards<br />

observed as the feast of the dedication. The whole time<br />

occupied in the erection of the present building being about<br />

two hundred and forty-four years. From this period to the<br />

Eeformation there does not seem to have been much alteration<br />

;<br />

but, at the change in the form of worship in Henry<br />

VIII.'s time, most of the chantries (forty in number) and<br />

altars, with the shrine of St. William, were removed. Some<br />

of these were again restored in Queen Mary's time. During<br />

the Commonwealth it suffered comparatively little, though it<br />

is said that Cromwell quartered his cavalry in the Minster,<br />

the nave being turned into stables for the horses, at which<br />

time a great deal of the ancient glass was ruthlessly destroyed.<br />

In 1736, the present pavement was laid down under the<br />

direction of the Earl of Burlington.<br />

On September 23rd, 1828, a musical festival was held in<br />

the nave, for the benefit of the Hospital at York and the<br />

Infirmaries at Leeds, Sheffield, and Hull, when ^7200 was<br />

realised. There were two hundred and eighty-five vocal and<br />

one hundred and eighty instrumental performers. In September<br />

of 1825, a second festival was held ; and again, in the<br />

corresponding month of 1828, a third festival, at which two<br />

hundred instrumental and three hundred and sixty-three vocal<br />

performers discoursed sacred music from the oratorios.<br />

On February 2nd, 1829, the choir was set on fire by<br />

Jonathan Martin, who had concealed himself after evening<br />

service on the previous day (Sunday) behind Archbishop<br />

Grenefield's tomb, in the eastern aisle of the north transept.<br />

The choir was completely gutted ; the beautiful carved woodwork,<br />

stalls, pulpit, organ, archbishop's throne, roof, and a<br />

^reat quantity of the stonework being destroyed. The east


16<br />

window was saved with very great difficulty.<br />

Martin escaped<br />

by ropes taken from the belfry, through the far window in<br />

the north transept. He was shortly after taken at Hexham,<br />

tried at York assizes, acquitted on the plea of insanity, and<br />

died in New Bethlehem Hospital, London, in 1838.<br />

The building was restored by national subscription at a<br />

cost of £65,000, under the care of Sir Robert Smirke. The<br />

timber and lead were given by the Government, and the<br />

stone by Sir Edward Vavasour, from quarries on his<br />

estate near Tadcaster. A new organ was presented by the<br />

Earl of Scarborough, and the communion-plate by the Archbishop.<br />

On May 6th, 1832, the Cathedral was opened<br />

for public worship. On the 20th May, 1840, through the<br />

carelessness of a workman, the building again suffered from<br />

fire. The south-west bell-tower, together with the roof of the<br />

nave, were entirely destroyed. A second subscription was<br />

set on foot, and the damage repaired by Mr. Sidney Smirke,<br />

at a cost of £23,000. In 1843, through the liberal bequest<br />

of Dr. Beckwith, a new peal of bells costing £2000 was<br />

placed in the south-west tower. In 1845, a* monster bell,<br />

"Peter"—the largest but one in England—was purchased<br />

by public subscription, and placed in the north-west tower,<br />

which, it is said, is not strong enough to allow the bell to be<br />

rung in the usual way.<br />

In 1860, the organ on the screen was remodelled. In the<br />

following year, the building was warmed by patent stoves,<br />

the choir lighted with gas from the clerestory, and the chapterhouse<br />

restored externally, at the cost of Dean Duncombe.<br />

In 1863, the nave was fitted up with moveable benches,<br />

choir-seats, and organ, and also lighted with gas in a similar<br />

manner to the choir. In 1874, the south transept, the oldest<br />

part of the building, was completely restored internally by<br />

public subscription, costing £10,000.<br />

The fiddler was removed from his turret in 1879, and the<br />

whole of the facade of the south entrance renewed in<br />

accordance with the original design, being completed in 1880.<br />

The best exterior view of the Minster is to be had from the<br />

City Walls, between Victoria Bar and the south-east bastion,<br />

near Clementhorpe : the finest interior view is from the west<br />

entrance, about half-way up the nave.


17<br />

THE<br />

Chronology of the Erection of York Minster,<br />

ACCOEDING TO THE LATE Mr. BrOWNE.<br />

Section of Cathedral. Date. Archbishops. Kings. Architecture.<br />

Church of Stone com. .<br />

Greatly injured by Fire .<br />

A.D.<br />

627<br />

670<br />

741<br />

Paulinus<br />

Wilfrid<br />

Egbert<br />

Edwin<br />

Oswy<br />

Eadbert .<br />

Saxon.<br />

Saxon.<br />

Rebuilt (Nave, Transepts,<br />

&c.) .. )<br />

1080<br />

Thomas<br />

WiUiam I.<br />

Norman.<br />

Injured by Fire .<br />

1137<br />

Thurstan .<br />

Stephen .<br />

Rebuilt or repaired,<br />

Choir and Crypt<br />

j<br />

1170<br />

Eoger<br />

Henry II. .<br />

Late Norman.<br />

The Present Cathedral.<br />

So. Transept erected,about<br />

North Transept erected<br />

Chapter-house . .<br />

Vestibule to Chapter- {<br />

house . . . . (<br />

j<br />

j<br />

1220<br />

1250<br />

1270<br />

1280<br />

1340<br />

1335<br />

1350<br />

Walter de Grey<br />

Walter de Grey<br />

\<br />

Walter Giffard j<br />

William Wykewane<br />

William Melton .<br />

William Melton<br />

Wm. de la Zouch<br />

]<br />

j<br />

Henry III. .<br />

Henry III.<br />

Edward I..<br />

Ed. n.&iii.<br />

Edward HI.<br />

Early English.<br />

Early English.<br />

Decorated.<br />

Decorated.<br />

Decorated.<br />

Nave .. ..<br />

Choir, eastern portion<br />

Choir western portion<br />

Bell-tower, south-west<br />

j<br />

j<br />

j<br />

j<br />

1291<br />

1360<br />

1361<br />

1415<br />

1419<br />

1472<br />

1433<br />

1450<br />

John le Romayne 1<br />

John Thoresby<br />

j<br />

John Thoresby<br />

Henry Bowet<br />

Henry Bowet<br />

George NeviUe<br />

John Kempe<br />

Edward I..<br />

Edward II.<br />

Edward III.<br />

Edward ni.<br />

Henry V. .<br />

Henry V. .<br />

Edward IV.<br />

Henry VL .<br />

j- Decorated.<br />

Early Perpen.<br />

& Perpendicular<br />

Perpendicular<br />

Late Perpendicular.<br />

Bell-tower, north-west<br />

J<br />

1450<br />

1474<br />

John Kempe<br />

)<br />

William Booth<br />

[<br />

George NeviUe<br />

j<br />

Henry VI. .<br />

Edward IV.<br />

Late Perpendicular.<br />

Central-tower . .<br />

Organ-screen . .<br />

J<br />

|<br />

1460<br />

1472<br />

1476<br />

1518<br />

WiUiam Booth )<br />

George Neville )<br />

Lawrence Booth .<br />

Cardinal Wolsey .<br />

Edward IV.<br />

Edward IV.<br />

Henry VIII.<br />

Late Perpendicular.<br />

Late Perpendicular.<br />

c


18<br />

YORK MINSTER.<br />

It seems impossible to be disappointed in York Minster,<br />

however high may have been previous expectations.<br />

When you first gain a view of this mountain of ecclesiastical<br />

architecture, or at entering cast your eye through a vista of<br />

624 feet, or from the tesselated pavement gaze through<br />

column and arch up to the ribbed and fretted dome, 99 feet<br />

above you, or catch the light of a thousand wreathed and<br />

trembling rainbows, through gloriously refulgent windows,<br />

you are lost in wonder and astonishment. Its different<br />

parts, nave, transept, choir, chapter-house, and crypt,<br />

with the rich decorations of screen, statue, tracery, and<br />

monument, where sleep the illustrious dead, require many<br />

surveys, and repay all with the fulness of admiration. The<br />

original erection on this site is of great antiquity ;<br />

and the<br />

present edifice, though more than two hundred and fifty<br />

years in building, displays, amid variety of taste and style,<br />

great unity of design. It has loftily withstood the attacks<br />

of time and the depredations of war. * * The magnificent<br />

swell of the organ, and the majesty and sweetness of<br />

the chants, especially during Sabbath worship, seem unearthly.<br />

Twice on every week-day the service of prayer<br />

and praise ascends from this venerable Cathedral, and it is<br />

a touching thought, that its great heart of stone keeps<br />

alive that incense to Jehovah which too often grows dim<br />

and cold on the altar of the living soul." Mrs. Sigourney.<br />

DESCRIPTION.<br />

EXTERIOR.<br />

York Cathedral is built in the form of a cross. The length<br />

from the extreme of the buttresses east to west is 524 feet<br />

extreme breadth (z.e., length of transepts), north to south,<br />

250 feet. The Minster of York presents many styles of<br />

architecture, the crypt having some remains of Saxon together<br />

with early Norman at the west end. In the eastern<br />

portion of the building there is late Norman, early English in<br />

the north and south transepts, decorated in the nave and<br />

chapter-house, early perpendicular in the lady chapel, perpendicular<br />

in the choir, and late perpendicular in the central<br />

and two western towers. It is built of magnesian limestone from<br />

quarries near Tadcaster; from Huddleston, near Sherburn,<br />

Mil ford Junction ; and from Stapylton, near Pontefract. The<br />

stone when newly quarried is of a very soft nature, and<br />

consequently easily worked. For the late repairs of the south


19<br />

transept and clioir aisles, before being fixed each stone was<br />

steeped in boiled oil, cliemically prepared, by wbich means it<br />

is hoped the work will be preserved for ages : Time alone will<br />

tell. Approaching the Minster by way of Duncombe-street;,<br />

The Western Front first strikes the eye. It is thus described<br />

by Britton : ^'<br />

Two uniform towers, strengthened at<br />

their corners with buttresses which diminish at four divisions<br />

as they ascend, rise from the western ends of the aisles of the<br />

nave. Between these towers, the front of the middle aisle is<br />

carried up to the same height as its side walls, and an open<br />

battlement runs across the whole breadth, round the towers,<br />

and continues along sides of the nave. A number of niches,<br />

adorned with a beautiful variety and richness of sculpture,<br />

cover almost the whole front, and are wrought in each of the<br />

principal buttresses, as well as in the walls between them. The<br />

chief feature of the middle division is a grand window, an<br />

unrivalled specimen of the leafy tracery that marks the style<br />

of the middle of the fourteenth century. From the arch<br />

of this window rises an acute gable, or pediment, the point<br />

.of which, rising above the line of the battlement, is pierced<br />

on open tracery; behind which is seen the proper gable<br />

of the roof, adorned in front with tracery mouldings, similar<br />

to the window, and crowned at the top by battlements of<br />

open work raking on the sides, up to a tabernacle on<br />

the apex or summit. The principal door has a gable over its<br />

arch with strait sides, but not so highly pitched as that over<br />

the window. The doorway is divided by a slender pillar,<br />

composed of three clustered columns, with polished capitals,<br />

into two smaller arches, above which is a circular glazed<br />

compartment with tracery ; the whole is enclosed within<br />

a splendid recessed arch, the headway composed of various<br />

mouldings relieved by hollows. The mouldings round the<br />

doorway are ornamented with sculpture of exquisite delicacy<br />

and beauty, and exhibit the story of our first parents in the<br />

garden of Eden." The figure in the centre niche above the<br />

doorway is that of the Archbishop Melton, in whose time this<br />

front was completed, and the statues on either side represent<br />

a Percy on the north and a Yavasour on the south, each<br />

holding pieces of stone in their hands, with their arms and<br />

shields near, in commemoration of their having contributed<br />

the stone for the building.


20<br />

The Nave is divided on each side nortli and south into<br />

seven bays by buttresses ; on the north very plain and devoid<br />

of ornament ; those on the south are enriched with panels<br />

and recesses containing figures, and rise far above the<br />

aisle roof, having been once joined to it by light arches<br />

or flying buttresses. The buttresses are finished by tall<br />

pinnacles or spires. The north transept contains the light<br />

and chastely shaped window known as the **Five Sisters,'^<br />

above which are five smaller lancet-shaped windows. From<br />

the base springs an arcade of trefoil arches, the whole forming<br />

the most beautiful specimen of early EngHsh architecture<br />

in Great Britain. The aisles are divided into four bays by light<br />

buttresses, each of which contains a lancet-shaped window.<br />

The Chapter House is on the north side ; its plan is octagonal<br />

in design ; at each angle is a massive buttress ; between<br />

the buttresses there is a fine windoAV in the decorated style.<br />

The roof is covered with lead, and is pyramidal in shape.<br />

The Choir on both north and south sides is divided<br />

into two parts, by projections in the form of small transepts<br />

which rise above the aisles, and are pierced by long<br />

narrow windows on all three sides ; east and west of these<br />

projections both on the north and south are four large<br />

windows, above which are four lesser lights in the clerestory,<br />

being divided in each case with buttresses capped with<br />

delicately shaped finials ; the eight lights on the eastern end<br />

of the clerestory are guarded by a screen of stone of a light<br />

and elegant character—a feature unknown in any other<br />

building of a similar description. That wall of glass," the<br />

great east window, consists of nine lights, and occupies the<br />

east end of the choir. It is glazed on the outside with thick<br />

semi opaque glass to protect the coloured work within ; on<br />

each side are buttresses ornamented with panels and figures,<br />

being finished with crocketed octagonal small spires. Beneath<br />

the window is a row of heads, our Saviour in the centre, with,<br />

six of the apostles on each side, and other two figures. At<br />

the apex of the window is a figure supposed to represent Archbishop<br />

Thoresby holding a model of the Minster, he having<br />

built this part of the Cathedral. The south side is similar to<br />

the north, with the exception of some low buildings in the<br />

angle of the choir and south transept, which are used as<br />

yestry and record rooms, formerly part of the chantry chapel


21<br />

founded by Archbishop de la Zouch in the fourteenth<br />

century. These buildings are not in keeping with the<br />

Cathedral to which they are attached. The south transept<br />

is one of the oldest portions of the Minster ;<br />

the south front<br />

is divided by buttresses into three parts, the central compartment<br />

being occupied by a porch, which is approached by a<br />

broad and massive series of steps—the usual entrance to the<br />

Catliedral. On each side of the doorway is a running arcade<br />

of arches having clusters of columns with neatly carved<br />

capitals. In the tier over the entrance are eight lights ; above<br />

these, three lancet-shaped windows occupy the centre, the<br />

gable being filled with a magnificent oriel window 30 feet in<br />

diameter ; the whole is crowned with a crocketed pinnacle,<br />

on the point of which was formerly the figure of a man playing<br />

a violin—hence it was known as the fiddler's turret : " this has<br />

now been removed, and the pinnacle completed more in harmony<br />

with the building. Immediately contiguous to this<br />

transept on the western side, and impinging on the south<br />

aisle of the nave is the<br />

Will Office, a building not at all in harmony with the<br />

sacred edifice, and which it is hoped will soon be taken down.<br />

The great Lantern Tower rises from the centre of the<br />

. . height<br />

Cathedral to the height of 235 feet from the ground; it is the<br />

largest in England, being 65 feet in breadth; it dates from<br />

the fifteenth century. Each side is pierced with two perpendicular<br />

windows, the four corners of the tower being guarded<br />

by eight strong buttresses. From the top, round which runs<br />

a perforated battlement, a glorious view in clear weather may<br />

be obtained of the extensive vale of York. The sacred edifice<br />

is always being repaired, and large sums of money are annually<br />

expended upon materials and for the payment of wages of a<br />

staff of masons, who are constantly employed in the work.<br />

The dimensions externally are as follow :<br />

ft. in<br />

ft. in.<br />

Extreme length, east to<br />

Nave<br />

99 6<br />

west 524 0<br />

width 139 6<br />

Transepts, extreme<br />

Choir<br />

.. height 98 6<br />

length north to south 250 0<br />

width 129 0<br />

Width with aisles. 117 0 Great Tower . . height 235 0<br />

East end, width . . . . 129 0<br />

width 65 0<br />

West end, „ .. .. 140 0 West Towers .. height 201 0<br />

Chapter-house, height 67 10<br />

width 32 0<br />

width 99 0 Hose Window, circum. 80 0


22<br />

YORK MINSTER.<br />

" I stood within a Minster of old time,<br />

Ornate and mighty. Like a mount it reared<br />

Its massy front, with pinnacle and tower,<br />

Augustly beautiful. The morning sun<br />

Through noblest windows of refulgent stain,<br />

MuUioned, and wrought with leafy tracery,<br />

Threw o'er the pavement many a gorgeous group<br />

Of cherubim, and seraphim, and saint,<br />

And long-robed patriarch, kneeling low in prayer,<br />

While as his golden finger changed the ray,<br />

Fresh floods of brilliance poured on all around.<br />

O'er the long vista the delighted eye,<br />

Bewildered, roved—transept, and nave, and choir,<br />

And screen elaborate, and column proud,<br />

And vaulted roof that seemed another sky."<br />

Mrs. Sigourney.<br />

DESCRIPTION.—INTERIOR.<br />

We will now enter the Cathedral by the door in the south'<br />

transept. This consists like all the other main parts of the<br />

building of three divisions—a large central part and two side<br />

aisles, and is in that most chaste of architecture, the Early<br />

English. The southern end of this transept is pierced by<br />

several windows filled with beautifully painted glass ; the<br />

two on the left represent Abraham and Solomon, Moses and<br />

Peter are on the right. These were painted by Peckett,<br />

a self-taught artist resident in the city ; the one of St.<br />

Peter was erected in 1768, by the artist in his lifetime,<br />

the other in 1706, having been bequeathed at his death.<br />

The three windows above are representations of St. William<br />

on the east, St. Paul in the centre-light, and St. Wilfrid<br />

on the west. Above is the magnificent rose-window, filled<br />

with richly stained glass, being an object of remarkable<br />

symmetrical beauty. There are arcades of pointed arches running<br />

over the walls of the south end. The monotony of the<br />

pillars and clerestory is broken by slender shafts of black marble,<br />

which stand in bold relief to the lighter coloured columns and<br />

walls. This transept was completely restored in 1874 by<br />

public subscription, at a cost of £10,000. In the eastern<br />

aisle of this transept, is the richest monumental tomb in the<br />

Cathedral, and said to be. one of the finest known specimens


23<br />

of cianopied work—that of Archbishop Walter de Grey, the<br />

founder of this portion of the Cathedral. A model of this<br />

beautiful work was made a few years ago, and placed in the<br />

South Kensington Museum. It consists of two tiers of trefoil<br />

arches, supported by nine slender columns of black marble,<br />

eight feet high, with moulded bases and capitals covered with<br />

foliage, a similar ornament being on the spandrils ; these<br />

sustain a canopy of eight arches, with crocketed pediments,<br />

capped with most elaborate finials, each having representations<br />

of thrushes in full song, resting upon packs of wool.<br />

Perpetually lying in state, under this enriched canopy, rests<br />

the archbishop, dressed in the full canonicals of cope, tunic,<br />

dalmatic, and alb ;<br />

the middle fingers of the right-hand are<br />

raised as in the act of benediction, the left holds the pastoral<br />

staff, whilst the feet are trampHng on a dragon. The whole<br />

is enclosed in iron railing of similarly rich and elaborate workmanship.<br />

Beyond this, on the north, is a coffin-shaped<br />

tomb, under a canopy of trefoil arches, said to have been<br />

erected to the memory of Archbishop Godfrey de Ludham,<br />

who died in 1265. At the south corner of the western aisle,<br />

is the door-way through which the ascent to the top of the great<br />

central-tower is made. At the other end of this aisle is placed<br />

the font, of dark shell marble, under a heavy suspended cover<br />

of modern woodwork.<br />

The great Central Tower from floor to ceiling, which<br />

is covered with beautiful tracery, is 180 feet high. The<br />

four huge pillars, with their capitals adorned with sculptured<br />

foliage, together with the loftiness (109 feet) of<br />

the gigantic arches, form a very striking effect. In the<br />

spandrils of the arches are coats-of-arms : on the south, those<br />

of the Chapter of York and Walter Skirlaw, Bishop of Durham<br />

;<br />

on the west, of France, with England and Edward the<br />

Confessor ; on the north, of the Saxon kings Edwin and Edward,<br />

the martyr ; on the east, of the See of York and St. Wilfrid.<br />

Over the apex of the arches (inside) runs a projecting string<br />

course, with angle brackets, supporting a rich arcade with<br />

parapet, having a stone gallery, all of which go round the<br />

tower. The tower is lighted on each side with two lofty<br />

perpendicular windows, filled with plain cathedral glass.<br />

North Transept.—This is similar in design to the south<br />

transept, being Early English, but more advanced in style,


24<br />

and was built from 12*50 to 1270. The most notable object<br />

is the beautiful Early English window of five lights in the<br />

north end, called the " five sisters," from an ancient tradition<br />

that five nuns presented the window, each one having also<br />

designed and worked the pattern of one light of the glasswork<br />

in tapestry. The legend is alluded to by Charles Dickens<br />

in chapter vi. of Nicholas Nicklehy, The noble proportions<br />

and plain simplicity of this remarkable window at once<br />

arrest attention, as the visitor advances towards it from the<br />

south transept. Each light is fifty-three feet six inches high,<br />

and five feet one inch wide. Above are five small lancet-shaped<br />

windows, filling up the gable ;<br />

these are glazed with modern<br />

glass. Under the " Five Sisters" is an arcade of ten trefoiled<br />

arches, running the whole width of the transept. In the<br />

east aisle is the decorated door-way of the vestibule<br />

leading to the chapter-house. Close to this door-way is the<br />

beautiful modern altar-tomb, with marble recumbent efiigy,<br />

to the memory of the late Dr. Beckwith, who died in 1843,<br />

and left many munificent bequests to the charitable institutions<br />

of the city. The niches on the sides of the tomb are filled<br />

with an account of the various amounts—£46,000 in all. In<br />

this aisle is also the tomb of Archbishop Grenefield, who died<br />

in 1315. The tomb itself is of the ordinary altar shape, ornamented<br />

with panels and pointed arches, on the slab of which<br />

is an engraved brass plate representing the archbishop in his<br />

robes, and wearing a pall ; over it is a canopy enriched with<br />

crockets, the top terminating in a finial, with a small figure<br />

of the prelate bearing his pastoral staff, and raised hand as in<br />

the act of benediction. It presents a fine specimen of the style<br />

which prevailed in the reign of Henry YI. It was behind<br />

this tomb that Jonathan Martin, the incendiary, hid himself<br />

on the night he set fire to the Cathedral : the space is now<br />

boarded up. In the west aisle is the monument of John Haxby,<br />

treasurer to the Cathedral, who died in 1414. It is a stone<br />

figure within an iron grating, and represents a wasted corpse<br />

in a winding sheet. Following out the stipulations contained<br />

in certain ancient deeds of the Church, it is necessary that<br />

some of the Cathedral revenues should be paid on this tomb.<br />

In a line with Dr. Beckwith's monument, to the west, is<br />

one to the memory of Archbishop Harcourt (1847), with<br />

white marble figure, by Noble.


25<br />

The stained-glass window in the north end of the west<br />

aisle in this transept, is to the memory of Mr. Justice Wightman,<br />

who died suddenly at York in 1863.<br />

The plain glass window next to this is the one through<br />

which Jonathan Martin made his escape.<br />

The four windows to the south in the west aisle are in<br />

memory of the officers and privates of the 9th and 51st regiments,<br />

who died of cholera in India in 1861.<br />

The enriched capitals of this transept, with the foliated<br />

ornamentation, are particularly fine ; and the prevalence of<br />

the dog-tooth ornament should also be noticed.<br />

The Naye is 264 feet long, 103 feet 3 inches wide, and 96<br />

feet high ;<br />

with the exception of those of Ely and St. Paul's,<br />

it is the largest in England. The length is divided on each<br />

side into eight compartments, by seven clustered columns<br />

with plain bases, and capitals enriched with beautiful<br />

sculptured forms of foliage. The columns support pointed<br />

arches of the decorated period, above which runs a triforium,<br />

having an open screen in front; whilst in the clerestory are<br />

eight windows on each side filled with stained glass, the<br />

upper portion of those on the south side being of the Norman<br />

period. In the spandrils of the arches are shields with the<br />

heraldic achievements of the principal benefactors to the<br />

Cathedral. Projecting from the open screen over the fifth arch<br />

on the north side is the figure of a dragon, which originally<br />

held in its mouth a cord, by which the cover of the baptismal<br />

font formerly placed beneath it could be raised or lowered<br />

as required. Immediately opposite, on the other side, is a<br />

statue of St. George. The roof is of wood and plaster ; at<br />

the intersection of the beams are elaborately carved bosses,<br />

having representations of incidents named in Scripture. The<br />

west end contains the magnificent window of eight lights,<br />

54 feet high by 25 feet broad, and is said to be the finest<br />

example of the decorated in existence. In the lower part of<br />

the window are figures of eight archbishops ; in the row above<br />

are eight saints, including St. Peter, St. Paul, and St. James;<br />

above these are representations of the resurrection of our<br />

Lord, the coronation of the Virgin, &c. The date of the<br />

glass is 1330 to 1350. The side aisles are remarkable for<br />

their width. The windows in the aisles are of the decorated<br />

period, and contain some beautiful specimens of early


26<br />

coloured glass. Under them runs a decorated arcade with<br />

panels. When immediately under the great west window,<br />

the visitor's attention is particularly called to the glorious<br />

view looking eastward. Proceeding slowly down the centre<br />

of the nave, the wonderful and gigantic proportions of this<br />

grand building appeal to the beholder with overpowering<br />

solemnity.<br />

The Ohgan in the third arch of the north aisle of<br />

the nave was erected by Messrs. Hill and Son, from a<br />

specification prepared by Dr. Monk in 1863. It is intended<br />

to accompany choral services and large bodies of singers in<br />

this immense space, and has been designed with reference<br />

this special object.<br />

It has three manuals and pedal.<br />

Great CC to A3 11 stops<br />

]<br />

Swell 9 /<br />

—<br />

Pedal CCC to F .. 6 „ j<br />

with six couplers, four composition pedals and tremulant.<br />

The pedal board is radiating and concave.<br />

T^he Organ Screen is immediately under the central tower<br />

and separates the choir from the nave. It is of stone sculptured<br />

in the highest style of the perpendicular, divided into fifteen<br />

compartments, on each of which is placed on a pedestal a<br />

statue of one of the Kings of England arranged in<br />

chronological order from William I. to Henry YI. ; there are<br />

seven on the north and eight on the south side of the<br />

entrance to the choir, namely :<br />

to<br />

North.<br />

South.<br />

^ ^ w S w S<br />

Principal<br />

Entrance<br />

to the<br />

Choir.<br />

K i><br />

b b h<br />

f-i u<br />

Pi PI d<br />

Above these statues is another row of small niches filled<br />

playing on various musical<br />

with diminutive figures of angels<br />

instruments, and hence is called the " heavenly choir." It is<br />

enriched with elaborate carved work, niches with pointed<br />

arches, finials, crockets, grotesque figures, &c., &c., the whole<br />

being surmounted by a parapet. It is<br />

23J feet high, and


27<br />

nearly 60 feet long. In the entrance to the choir, underneath<br />

the organ, is a remarkable centre boss, representing<br />

the Assumption of the Virgin, surrounded by angels.<br />

The Organ, standing on the screen, and remarkable for<br />

its depth, richness, and beauty of tone, was given by the Earl<br />

of Scarborough in 1832. It was reconstructed and modernized<br />

by Messrs. Hill and Son, of London, under the direction<br />

of Dr. Monk, in 1859-60. It contains four manuals ; compass,<br />

CC to G.<br />

Great . . . . 24 stops. Solo . . . . 3 stops.<br />

Swell.. 14 „ Pedal(CCCtoF).. 19 „<br />

Choir . . . . 9 „ Couplers . . . . 7 „<br />

Total, 76 draw stops.<br />

There are eight composition pedals, and two tremulants.<br />

The pneumatic action is applied to great, swell, and pedal<br />

organs, which latter contains two 32 -feet stops. The tubas,<br />

altogether unique in their unexampled grandeur and power^<br />

are placed most effectively in horizontal position at the back<br />

of the organ, where their tone is free and unobstructed, and<br />

their appearance decidedly ornamental. The case is of<br />

carved oak, Gothic, and the outside pipes beautifully diapered,<br />

and was designed by Mackensie, under Sir E. Smirke.<br />

The Choir.—Entering by the doorway under the organ,<br />

the effect is exquisitely fine. The delicate carving of thestalls<br />

and beautifully chiselled capitals of the columns, the<br />

pointed arches and great height, the enriched corbels and<br />

perforated bosses, the brazen eagle and elevated altar<br />

bounded with the wondrous east window, constitute a<br />

picture of marvellous beauty, which cannot f^il to quicken<br />

in the beholder all the loftiest feelings of his nature, surrounded<br />

as he is by such monuments of solemnity and awe-^<br />

inspiring grandeur.<br />

Like the nave, it is divided into three parts, a centre and:<br />

side aisles ;<br />

separating the centre from each side are eight<br />

pillars having elaborately carved capitals ;<br />

these support nine<br />

lofty arches, above which is the triforium, with open passageway<br />

and clerestory, in which are four lights on each side of<br />

the choir transept windows. In the bays of the arches are<br />

shields having coats of arms of the various founders. The<br />

fifth arch on each side from the east end rises to the roof<br />

and forms the transepts of the choir, a notable peculiarity of


28<br />

this building. There are sixty-four richly canopied stalls<br />

for the dignitaries of the Cathedral, namely, six on either<br />

side of the entrance doorway, and twenty-six running up the<br />

length of the choir north and south. These are completed<br />

on the south by the Archbishop's throne, and on the opposite<br />

side by the pulpit. The whole is of oak most beautifully<br />

€arved, being finished off with crockets and enriched finials.<br />

At the foot of the steps rising to the altar, between the<br />

throne and pulpit, is the lectern or brazen eagle, from which<br />

the lessons are read. At the east end, the altar is reached<br />

by fifteen steps.<br />

Behind the altar table is an open stone screen, having<br />

mullions with transoms, tracery in the upper part, and an<br />

ornamented embattled parapet; the eight lights are filled with<br />

plate glass ;<br />

thus dividing the choir from the lady chapel. In<br />

front of this is a reredos of oak, with tryptich, containing an<br />

alto-relievo cast of the Crucifixion. The sides of the upper<br />

part of the choir are also glazed. In the aisles and lady chapel<br />

are a number of remarkable tombs and efi^igies. The south<br />

aisle contains several modern erections to the memory of<br />

soldiers and others, namely:<br />

A marble monument to Lieut. Henry Lees, 3rd Dragoon<br />

Guards, accidentally killed by a fall from his horse in Phoenix<br />

Park, Dublin, 30th September, 1876.<br />

A marble monument to the officers and 191 men of the 33rd<br />

Eegiment, who died whilst serving in India in 1857 to 1867.<br />

A monumental brass to Frederick Yyner who was murdered<br />

by Greek brigands on the 21st April, 1870.<br />

A monumental brass to the officers and men of the l9th<br />

Eegiment who fell in the Eussian war of 1854-5.<br />

A sculptured monument to the memory of the officers and<br />

men of the 51st or 2nd West Eiding Eegiment who fell in<br />

the war in Burmah in 1852-3.<br />

A monument to the officers and men of the 84th Eegiment<br />

who fell in the Indian mutiny, 1857-9.<br />

A monument to the officers and men of the 33rd Eegiment<br />

who fell in the Eussian war, 1854-6<br />

A monument to William Mason (1797), the poet, canon<br />

residentiary of York, and also of his nephew, William Henry<br />

Dixon (1854), joint authors of *'The Lives of the Archbishops<br />

of York."


29<br />

A monument to Major Oldfield, 5th Bengal Cavalry.<br />

A finely sculptured monument of marble in memory of Lieut.<br />

Col. Willoughby-Moore, seven non-commissioned officers and'<br />

ten men of the 6th Inniskilling Dragoons who perished in<br />

the burning of the " Europa" transport-ship in 1854.<br />

In this aisle are the entrances to the vestry and chapter<br />

clerk's office. Of the ancient monuments which commence<br />

here and are continued beyond the division of the aisle by<br />

iron raihngs, the most notable are the following<br />

A tablet to Jane Hodson, wife of a chancellor of the<br />

Cathedral, who died in 1636, in giving birth to her twentyfourth<br />

child, she being in her thirty- eighth year.<br />

A small monument to Archbishop Piers (1594), a favourite<br />

of Queen Elizabeth.<br />

A monument to Sir WilHam Gee, secretary of James I.<br />

(1611), with effigies of himself, his two wives, and six<br />

children, all in the attitude of prayer.<br />

A monument to Archbishop Hutton (1757), with effigy of<br />

himself in cope, rochet, and gown, and also of his three<br />

children.<br />

A monument to Archbishop Lamplugh (1691), a statue<br />

with mitre and crozier.<br />

The white marble monument is by Westmacott, to the<br />

memory of William Burgh, D.C.L. (1808)<br />

; it is an emblematical<br />

figure of religion.<br />

Against the south wall, towards the east end, is a marble<br />

monument, with Corinthian columns, in memory of William<br />

Wentworth, Earl of Strafford (1695), son of the famous earl^.<br />

on it are effigies of the earl and his countess, above are the<br />

arms of the family.<br />

At the east end is a life-sized statue in Eoman toga, &c.,,<br />

Thomas Watson Wentworth (1723), third son of Edward<br />

of<br />

Lord Rockingham.<br />

The massive tomb which fills the whole of the bay between<br />

the lady chapel and the south aisle of the first arch, from the<br />

east end, is that of Archbishop Bowet (1423) ; above the<br />

tomb is a lofty elliptical arch 30 feet high, in the form of a<br />

canopy, having beautiful tracery, capped with three lofty<br />

pinnacles, each containing a statue. This monument is a rich<br />

and elegant specimen of the fiorid style of Anglo Norman,<br />

architecture.


30<br />

In a line with the above, under the second arch, is<br />

an altar tomb with plain black marble slab to the memory<br />

of Archbishop Mathew, 1628 (whose effigy lies just under<br />

the great east window), celebrated in his day as a famous<br />

preacher and wit; he was a favourite of both EHzabeth<br />

and James I. : this is a modern erection, the original<br />

having been destroyed in the last great fire.<br />

Near the entrance to the crypt in this aisle is the altar<br />

tomb of Archbishop Dolben (1686), who was a stauncK<br />

royalist and standard bearer at the battle of Marston Moor ;<br />

on it is a recumbent figure in full episcopal vestments.<br />

The great window in the transept of this aisle is called<br />

St. Cuthbert's, because of its having illustrations of the life<br />

and miracles of that saint ; it contains 108 compartments, is<br />

72 feet high by 16 feet 6 inches wide. It was presented by<br />

the representatives of a bishop of Durham in 1437.<br />

The last window on the south side is a most beautiful<br />

specimen of colour work in glass. It represents the Annunciation<br />

after Sebastian del Piombo, and was presented by the<br />

Earl of Carlisle in 1804, who brought it from the church of<br />

St. Nicholas in Rouen.<br />

The Lady Chapel extends from the back of the altar<br />

screen to the great east window. This chapel contains<br />

the following monuments and tombs :<br />

Against the wall, immediately under the great window, one<br />

to Archbishop Sharp (1713) ;<br />

it consists of an altar supported<br />

by Corinthian columns, on which is a recumbent figure<br />

of the Archbishop ; this prelate was remarkable for his strong<br />

opposition to the Eomish predilections of James II.<br />

The flat stone with floriated cross is to the memory of<br />

Archbishop Sewal (1238).<br />

The mutilated effigy on the ground is one of Archbishop<br />

jVIathew, named previously.<br />

The altar tomb under the north corner of the east<br />

window is that of Cardinal Archbishop Rotherham (1500).<br />

He was Lord Chancellor in Edward lY.'s reign; the monument<br />

was restored in 1832 by Lincoln CoUege, Oxford, to<br />

which he was a great benefactor.<br />

Behind this tomb is a kneeling figure to the memory of<br />

Frances Mathew, wife of the Archbishop of that name ; she<br />

was the daughter of a bishop, married the son of an Arch-


31<br />

bishop of Canterbury for her first<br />

husband, the Archbishop<br />

of York for her second husband, and her four sisters<br />

married bishops.<br />

Against the wall is a Corinthian monument, with effigy<br />

in rochet and gown, to Archbishop Frewen (1664).<br />

Under the first arch from the east end on the north side of<br />

the Lady Chapel is the plain altar tomb of the fighting Archbishop<br />

Scrope, who was beheaded in a field near Bishopthorpe<br />

in 1405 for high treason. In such great estimation<br />

was this prelate held that his grave was visited by large numbers<br />

of the people, w^hen so many miracles were said to have<br />

been performed, that Henry IV. ordered it to be concealed<br />

with great logs of wood. (Scrope's rebellion forms one of<br />

the principal scenes in Shakespeare's Henry IV., parts 1<br />

and 2.)<br />

In a line with this monument, and under the second arch,<br />

is one to the memory of William Markham (1807), who for<br />

thirty years was Archbishop of York. It is of stone, richly<br />

carved, and bearing shields emblazoned with coats of arms,<br />

and is surrounded with a pavement of encaustic tiles. His<br />

remains lie in Westminster Abbey.<br />

The tomb of Archbishop Musgrave (1860) stands in the<br />

centre of the chapel : the effigy is by Noble.<br />

The great east window may be said to be a miracle of<br />

masonry and glazing. It is 76 feet 9 inches high, by 81<br />

feet 9 inches wide, and " is the largest window in the kingdom<br />

that retains its original glazing." It is divided into<br />

200 compartments, each filled with beautiful stained glass<br />

having figures about two feet high. The subjects in the<br />

upper part are taken from the Old Testament—the creation,<br />

the Tower of Babel, scenes from the lives of the patriarchs,<br />

of Moses, of David, and others. Those below the upper gallery<br />

are from the book of Eevelations, except in the lowest<br />

tier, which are representations of various saints, kings, and<br />

bishops. The glass work was by John Thornton, of Coventry<br />

(1408); who undertook to design and paint the various<br />

subjects for the sum of four shillings per week for his own<br />

work, and to complete the window in less than three years,<br />

at the end of each year to have five pounds extra, and when<br />

the work was completed ten pounds as a reward. The<br />

masonry consists of three stages, having three divisions, each


32<br />

liaving transoms, the two lower ones having open arches with<br />

passage ways. The upper portion is a beautiful specimen<br />

of tracery in the most chaste and pure style of the Perpendicular.<br />

The north aisle contains, amongst other monuments at the<br />

east end,<br />

A white marble mitred figure reclining on a pedestal,<br />

with his head on his hand, in memory of Archbishop Sterne<br />

(1683), great grandfather of the celebrated Lawrence Sterne.<br />

The drapery of the figure is finely chiselled. He was chap-<br />

Iain to the haughty Archbishop Laud, whom he attended on<br />

the scaffold.<br />

Under the second window is a white marble figure of Sir<br />

George Saville (1784) leaning against a pillar, having a scroll<br />

in his hand inscribed, " The petition of the freeholders of<br />

the county of York." He represented the county in five<br />

successive parliaments.<br />

The large monument with naval ornaments is to the<br />

memory of Vice-Admiral Henry Medley (1747).<br />

Past this, is one of very massive proportions, in black and<br />

white marble, to the memory of Charles, Earl of Carlisle<br />

(1707), erected by his daughter, Lady Mary Fenwick, which<br />

also commemorates the death of her husband in 1696, who<br />

was executed for high treason.<br />

One with two half-length figures to the first Sir William<br />

Ingram, D.C.L. (1623), and his wife; also to the second<br />

Sir William, LL.D. (1670).<br />

The monument with figure kneeling at a desk is to the<br />

memory of Henry Swinburne, LL.D. (1656).<br />

The massive monument with figures kneeling, over<br />

which is a canopy supported by three columns, is to the<br />

memory of Sir Henry and Lady Bellasis (1630). The<br />

inscription, which contains no date, states that he erected<br />

the monument himself, and it concludes with an admonition<br />

in Latin, thus translated : Death is certain, the day<br />

of it is uncertain ;<br />

there is no dependence on the care of<br />

those that follow us ;<br />

he is wise that prepares himself a tomb<br />

—the habitual remembrance of death and judgment is the<br />

best preservative from sin."<br />

Here iron railings cross the aisle.<br />

Near to an entrance to the crypt is the altar tomb of<br />

Archbishop Savage (1507), with mitred figure. Above is


I


33<br />

an arch with ornamented cornice, on which is an inscription<br />

and carved figures of angels bearing shields.<br />

The two triangular ancient chests were formerly used for<br />

holding the vestments of the priests.<br />

The transept window in this aisle is similar to the one<br />

in the south, and is called Saint William's, having representations<br />

of many of the events of his life.<br />

The last tomb is that of Prince William de Hatfield,<br />

son of Edward III., who died in York in 1343, when seven<br />

years old. It consists of a figure in a recumbent position,<br />

above which is an elaborate series of lofty canopies.<br />

The Crypt.—This is entered from door-ways in both aisles<br />

of the choir. It contains remains of the earliest structures,<br />

has four<br />

and is a mixture of Saxon and Norman architecture ;<br />

aisles running under nearly the whole of the choir, and a<br />

groined roof supported by arches erected since the last fire ;<br />

there are six massive Norman pillars, five feet six inches high<br />

there are also four clustered columns of Norman work<br />

curiously sculptured, and a portion of a door-jamb similarly<br />

worked. Some Saxon herring-bone work, in good preservation,<br />

may also be seen, supposed to date from about 770. In<br />

the crypt were formerly several chantries, one of which Torre<br />

informs us was called the Chantry of the Altar of St. Mary,<br />

zn Crf/ptis,^' and that her mass was daily celebrated there with<br />

note and organ. On special occasions it is illuminated with gas.<br />

The Chapter-house is approached through a vestibule,<br />

entered from the east aisle of the north transept,<br />

which is lighted by eight large richly coloured windows,<br />

the walls underneath being ornamented with tracery.<br />

Near the door-way is the following Latin couplet in<br />

Saxon characters:<br />

Wit : 'gom p^l0S : pl^Iomm<br />

$k tut: ^omn$ : btu: pomatum:''<br />

As the rose is the chief of flowers, so is this the house of<br />

houses.") The door-way is formed by two trefoiled arches,<br />

having a shaft down the centre, in which is a niche containing<br />

a mutilated figure of the Virgin and child. The house<br />

itself is octagonal in form, 63 feet in diameter by 67 feet 10<br />

inches high. Seven of the bays are occupied with large<br />

lancet-headed windows, 46 feet high by 17 feet 6 inches in<br />

D


34<br />

"breadth ; the tracery, which is of the richest kind, all filled<br />

with stained glass of the period of Edwards II. and III.,<br />

except the one opposite the entrance, which was restored a few<br />

years ago. The illustrations in the windows are events from<br />

sacred history or from the lives of the saints. The entrance<br />

doorway occupies the eighth side, above which is tracery,<br />

matching that of the windows, with a row of 13 niches<br />

formerly filled with figures, supposed to have been those of<br />

Christ and the twelve apostles. The vaulted roof is elaborate<br />

in design and workmanship, and contains on the various bosses<br />

and intersections of the groining a number of grotesque heads<br />

and figures, no two being alike; it is illuminated with stars<br />

of gold on a blae ground; the floor is of encaustic tiles. There<br />

are stalls for the clergy all round the building, and a gallery<br />

above, between the top of the stalls and the sills of the<br />

windows. The table is of great antiquity. It is in this justly<br />

celebrated and most beautiful of houses that convocation meets<br />

for the northern part of the kingdom, after which it adjourns<br />

to the Zouch Chapel.<br />

The Vestry —The entrance to this is in the south aisle of the<br />

choir; it is immediately adjacent to the chapel built by Archbishop<br />

de la Zouch, in which are several closets and receptacles<br />

for valuables and antiquities pertaining to the Cathedral.<br />

Of the antiquities, the most celebrated is the horn of<br />

Ulphus, made of an elephant's tusk 29 inches in length,,<br />

curiously carved, and was originally ornamented with gold<br />

mountings. It is a most valuable relic of ancient art,,<br />

and is the title by which the Dean and Chapter hold several<br />

of their estates. The circumstances of the gift are recorded<br />

as follows: Ulphus, son-in-law of Canute, was a Saxon<br />

prince of the western part of Deira. Finding that his two<br />

sons were likely to quarrel after his death about their<br />

inheritance, he resolved to make them both equal. Coming<br />

to York, he brought this horn, from which he was accustomed<br />

to drink, filled it with wine, and kneeling before the altar<br />

devoutly drank it off, thus dedicating all his lands and<br />

revenues to God and St. Peter for ever. After the reformation,<br />

the horn was stolen, the value of its ornament, no<br />

doulDt, being the temptation. It, however, ultimately fell<br />

into the hands of Sir Thomas Fairfax, the parliamentarian<br />

general, whose son, Henry Lord Fairfax, restored it to the


35<br />

Cathedral, denuded of its gold. In 1675, it was re-decorated<br />

with brass by order of the Dean and Chapter, who added an<br />

inscription plate, on which the above-named circumstances are<br />

recorded.<br />

The indulgence cup of Archbishop Scrope is a singular<br />

relic of the middle ages ; it consists of a bowl of wood on<br />

three cherubs' heads of silver as feet ; the rim is edged with<br />

silver gilt, on which is the following inscription :<br />

hxinkh of t^i^ cope f^ti iagi$ ta partron/' |lobrf §ohmn,<br />

best^ope mtm grant in mmz Immz afore- saxJr,<br />

f ITli bagi$ ta<br />

parbojt, llobrt Mxtmnllu.**<br />

It is generally supposed to have been given by Scrope to the<br />

guild of Corpus Christi held in York ; at the dissolution of<br />

this guild it passed into the possession of the Cordwainers'<br />

Company, by whom it was presented in 1808 to the Dean and<br />

Chapter.<br />

There exists here a curiously carved oak chest of the<br />

fourteenth century, about the time of Edward III., with<br />

representations of the story of St.<br />

George and the Dragon, in<br />

alto-relievo.<br />

An ancient coronation chair said to be as old as the<br />

Heptarchy.<br />

A silver crozier, about seven feet long, taken from the<br />

hands of the last Eoman Catholic archbishop designate of<br />

York in James II's. reign, as he was entering the Minster in<br />

solemn procession, 1687, by Lord Danby, who presented it to<br />

the Dean and Chapter.<br />

Signet rings of gold and rubies, belonging to several<br />

archbishops.<br />

Several antique silver chahces and patens taken from<br />

tho tombs of various archbishops.<br />

An old copy of the Bible (1611), with chain to secure it.<br />

Bible and Prayer Book, presented by Charles I. whilst<br />

residing in York.<br />

Bible in two volumes, presented by Charles II.<br />

Some curious ancient armour.<br />

Two figures of wood images of saints formerly fixed on<br />

the Minster clock, to strike the quarters.<br />

Candlesticks in silver gilt, 200 years old.


36<br />

Brass offertory dishes,<br />

about 500 years old.<br />

Old colours of the 65th and 84th Regiments of Infantry.<br />

Two small old chests (very curious), supposed to be<br />

Peter's pence boxes.<br />

Archbishop de la Zouch's Chapel (1351) is to the east<br />

of the vestry, and can be entered either from the choir<br />

aisle or from the vestry; it is now used as the chapter<br />

clerk's office. It contains the valuable fabric rolls which<br />

have so much enlightened us in the history of the erection<br />

of this venerable building. This room is also used<br />

for the sittings of convocation.<br />

The Treasury can also be entered from the vestry or from<br />

the east aisle of the south transept ; there is nothing remarkable<br />

in it except Peter's well, which is in the south-west<br />

corner. It is now used as the choristers' school-room.<br />

The Towers.—^The great central-tower is ascended through<br />

a smaU door-way in the western aisle of the south transept.<br />

The top is reached by an ascent of two hundred and seventythree<br />

steps, when, if the atmosphere be clear, a very extensive<br />

view of the Vale of York may be seen.<br />

The south-west or bell-tower is ascended through a small<br />

door-way in the south aisle of the west end of the nave, which<br />

leads to the bell-chamber; from this a gallery along the west<br />

front leads to the north-west tower, in which the monster<br />

bell, *'Big Peter," is installed in a room to himself.<br />

The Peal of Bells consists of twelve, of various dimensions,<br />

from 2i to 5i feet in height. The following are the<br />

particulars of weights and diameters<br />

No. Cwts. Qrs. Lbs. Ft. In.<br />

7 14 1 2 3 6<br />

8 17 3 18 3 9<br />

9 19 3 11 4 0<br />

10 25 1 10 4 3<br />

11 35 3 7 4 9<br />

12 ... 63 3 0 5 5<br />

No. Cwts. Qrs. Lbs. Ft. In.<br />

1 . 7 1 22 2 6<br />

2 7 1 U 2 7<br />

3 .804 2 8<br />

4 ... 8 1 12 2 11<br />

5 .... 9 2 15 3 0<br />

6 .. 13 0 8 3 21<br />

With the exception of "Big Ben " at the Houses of Parliament,<br />

'^Big Peter" is the largest bell in England. ^<br />

It is<br />

7 feet 2 inches high, diameter 8 feet 4 inches, and weighs 10<br />

tons 15 cwt.; the clapper weighs 4 cwt. 1 qr. 5 lbs., and the<br />

ironwork 13 cwt. 2 qrs. 19 lbs.; the thickness of the soundingcurve<br />

is 7 inches. It was cast by Messrs. Mears, of London,<br />

in 1845, at a cost of £2,000, which was raised by pubhc


37<br />

subscription. The bell is never rung, but tolled or struck on<br />

the outside line with a hammer fixed as a lever, the bell being<br />

stationary: the clapper is not used. The hour at noon<br />

(except Sundays; is daily struck upon this bell, and the last<br />

hour of every dying year. It is also tolled on the death of<br />

royal or illustrious personages.<br />

"In monkish mediaeval times church bells enjoyed peculiar<br />

esteem. They were treated in great measure as voices, and<br />

were inscribed with Latin ejaculations and prayers, such as<br />

' Hail, Mary, full of grace, pray for us<br />

;<br />

'<br />

'<br />

St. Peter, pray for us,*<br />

&c., &c. : their tones swung out into the air would ecstatically<br />

appear to give utterances to the supplications with which they<br />

were inscribed. ... In those old times, pious queens<br />

and gentlewomen threw into the mass of metal that was to be<br />

cast into a<br />

'<br />

bell their gold and silver ornaments. . . . One<br />

of the ancient windows on the north side of the nave of York<br />

Minster is filled with stained glass, which is divided into subjects<br />

representing the various processes of bell- casting, bellcleaning,<br />

and bell-tuning, and has for a border a series of bells,<br />

one below another; proving that the associations with which<br />

bells were regarded rendered them both ecclesiastical and pictorial<br />

in the eyes of the artists of old.'" Chambers's Booh<br />

of Days.<br />

The Bell-window named above is immediately behind the<br />

nave organ.<br />

The Services are<br />

Sundays 10-30 a.m. and 4-0 p.m. in Summer.<br />

10-30 a.m., 4-0 and 6-45 p.m. in Winter.<br />

Week-days... 10-0 a.m. and 4-30 p.m.<br />

Between 9 and 10 a.m. and from 11 a.m. to 4 p.m. visitors<br />

are conducted by one of the vergers through the choir and<br />

other places of interest, at a fixed fee of sixpence for each<br />

person. For the ascent to the central-tower, sixpence extra is<br />

charged.<br />

Registry of the Diocese.—The building in the angle<br />

of the nave and south transept, close to the entrance, is the<br />

Registry of the Diocese. Here are preserved ancient ecclesiastical<br />

documents and wills as far back as 1389; and a<br />

register is kept of all wills for the northern district of<br />

England since 1730, up to January 7th, 1858. A copy of<br />

any one can be read on payment of one shilling.


A—St. William's Tomb.<br />

B—Font.<br />

€—Entrance to Chapel of St.<br />

Mary and the Angels (now<br />

taken down)<br />

D—Archbishop Scrope's Tomb.<br />

E—Archbishop De La Zouch's<br />

Chapel.<br />

F—The Vestry.<br />

G—The Treasury (now Choristers'<br />

School-room).<br />

39<br />

REFERENCE.<br />

H—Archbishop Walter de Grey's<br />

Tomb.<br />

J—Archbishop Grenefield's<br />

Tomb.<br />

K—Altar (or Communion Table).<br />

L—Door-way leading to top of<br />

Central Tower.<br />

M—North Transept.<br />

N—South Transept.<br />

O—Will Office.<br />

P—South Entrance.<br />

DIMENSIONS<br />

ft. in.<br />

Extreme length 486 0<br />

length 264 0<br />

width 103 3<br />

height 96 0<br />

length 156 6<br />

width 52 0<br />

height 101 0<br />

Choir and Lady length 223 0<br />

Chapel j height 101 0<br />

width 52 9<br />

Lady Chapel. . length 66 6<br />

width 52 9<br />

North Transept.. .length 96 6<br />

height<br />

width 94 6<br />

South Transept. length 104 6<br />

INTERNALLY.<br />

ft. in.<br />

South Transept ..width 90 0<br />

Chapter House . . diam. 63 0<br />

height 67 10<br />

Great Tower ....diam. 44 9<br />

height 180 0<br />

Organ Screen .... length 60 0<br />

height 24 0<br />

East Window height 76 9<br />

width 32 0<br />

West Window .... height 54 6<br />

width 25 6<br />


40<br />

CELEBEATED AECHBISHOPS.<br />

Since the consecration of<br />

this See there have been eightysix<br />

Archbishops, amongst whom may be mentioned the<br />

following<br />

Paulinns (625), the Apostle of the Northumbrians and<br />

first Archbishop.<br />

Egbert (731), the friend of Alcuin and literature, and<br />

founder of the old Minster Library.<br />

St. William (1153), canonised 125 years after his death.<br />

Geoffrey Plantagenet (1190), natural son of Henry 11.<br />

and Fair Eosamond.<br />

Walter de Grey (1216), who purchased the manor of<br />

Thorpe, now called Bishopthorpe, and built the palace there.<br />

John Thoresby (1352). It was in this prelate's time that<br />

the constant disputes for precedence between the Sees of<br />

Canterbury and York were decided by the Pope, who made<br />

the Archbishop of the former, Primate of All England.<br />

Eichard Scrope (1398), betrayed and beheaded for rebellion.<br />

George Neville (1464) was brother to the celebrated<br />

Earl of Warwick, the king-maker.<br />

Thomas de Eotherham (1480), having died of the plague^<br />

was buried in effigy in the Cathedral.<br />

Thomas Wolsey (1514), the celebrated Cardinal.<br />

Nicholas Heath (1555), the last Eoman Catholic Archbishop,<br />

was patronised by Queen Mary.<br />

Thos. Young (1561), a most avaricious man, who took<br />

down the great hall in the palace at York for the sake of<br />

the lead that covered it.<br />

Acceptus Frewen (1660), appointed to the See after it<br />

had remained vacant for ten years ;<br />

he lived in a state of<br />

celibacy, and would not even have a female servant.<br />

John Dolben (1683) was a soldier in his younger days,<br />

and served as ensign at the battle of Marston Moor, where he<br />

was dangerously wounded by a musket ball.<br />

The Hon. Edward Vernon Harcourt (1808). His Grace<br />

was born in 1757, educated at Westminster School, and<br />

afterwards removed to Christ Church, Oxford. He was<br />

Chaplain to the King, and Prebendary of Gloucester. In<br />

1785 he was appointed Canon of Christ Church ;<br />

in 1791,


41<br />

Bishop of Carlisle ; and was translated to tlie See of York;<br />

in 1808. Perhaps no prelate in ancient or modern times<br />

was more universally respected for his candour, disinterestedness,<br />

and liberality. The labouring poor of the<br />

village where he resided frequently beheld his cheering presence<br />

on the threshold of their cottages<br />

;<br />

and, in the absence<br />

of other ministers, he has been known to visit the humblest<br />

families to perform the sacred offices of religion.<br />

The present, and eighty-sixth prelate, is William Thomson,<br />

D.D., formerly Bishop of Gloucester and Bristol, translated.<br />

1863.<br />

The Archbishop of York, being Primate and Metropolitan<br />

of England, has the privilege of crowning the Queen<br />

Consort, and also is her perpetual chaplain.<br />

MINSTER YAED, DEANERY, &c.<br />

The Minster Yard.—The space of ground surrounding<br />

the Cathedral is called the Minster Yard. Before 1825 the<br />

approaches to the Minster were extremely narrow, being<br />

almost choked up with houses and other buildings. In that,<br />

year an Act was passed enabhng the Dean and Chapter to<br />

take steps for their enlargement and improvement. In 1839<br />

Peter Prison, or Hall of Pleas for the Liberty of St. Peter,<br />

which stood near the west end, was taken away, and a number<br />

of houses adjoining the church of St. Michael-le-Belfrey were<br />

pulled down. On the north side, called Deanery Gardens,<br />

masses of rubbish and the meanest buildings were allowed to<br />

exist, to the great disfigurement of the locality. These were all<br />

thrown down, the site covered with turf, and ornamented by<br />

two fine houses, the Deanery and Canons' residence. During<br />

the progress of these improvements, which are due in a great<br />

measure to the taste of Dean Cockburn, part of the cloisters<br />

of the old Archbishop's Palace, built by Archbishop Thomas,<br />

the first of that name (1070), were discovered forming the<br />

wall of a stable. These Anglo-Norman arches, some of the<br />

most ancient remains in the city, may be seen covered with<br />

ivy on the further side of the gardens.


42<br />

The Minster Library is the only other portion of the<br />

palace existing ;<br />

it was the chapel, and is a most interesting specimen<br />

of Early English architecture. Since 1808 it has been<br />

restored, and now contains upwards of 8,000 volumes and<br />

MSS., formerly kept in a small building attached to the south<br />

-side of the Minster. This present collection, it must be understood,<br />

is of modern formation. The ancient one, which was<br />

established by Archbishop Egbert (731 to 767) was most valuable,<br />

and was entrusted to the care of the learned Alcuin, in<br />

whose time students came from afar to avail themselves of the<br />

treasures it contained. This was unfortunately consimied by<br />

fire in 1069. The nucleus of the present one was formed in<br />

the seventeenth century by the presentation of 3,000 volumes<br />

by the widow of Archbishop Mathew. It has since been<br />

enriched by gifts from Lord Fairfax and others, and by the<br />

library of Dr. Fothergill, the non-juring minister of Skipwith.<br />

It is a commodious room, lighted at the west end by<br />

five lancet windows, filled with stained glass.<br />

Amongst the antiquarian and literary treasures it contains<br />

are : a copy of the Second Edition of Erasmus' New Testament,<br />

in Greek and Latin, two folio volumes, printed on<br />

vellum, by Frobenius at Basle.<br />

A MS. copy of Wickliffe's New Testament, on vellum, with<br />

autograph of Queen Elizabeth.<br />

Three MS. copies of the Vulgate, on vellum, of the time<br />

of Henry III. and Edward I.<br />

Also a number of valuable books printed by Caxton,<br />

Wynkyn de Worde, and Pynson.<br />

It is open to visitors free, on Mondays and Wednesdays,<br />

from 11 a.m. to 1 p.m., and on Saturdays from 2 till<br />

4 p.m.<br />

Adjoining is the Deanery, a large and handsome house,<br />

in the Tudor style, built of stone in 1827. The old<br />

Deanery was on the south-east side of the Minster Yard,<br />

the site now occupied by the School of Design.<br />

To the north-west is The Canons' Eesidence, also in the<br />

Tudor style, and intended for the accommodation of the four<br />

residentiary Canons during their quarterly term of office.<br />

York Probate Kegistry of the High Court of Justice, a<br />

semi-Gothic building, nearly opposite the south entrance to<br />

the Minster. Here are kept all wills for the North and East


43<br />

Hidings since January, 1858, any one of whicli may be seen,<br />

daily on payment of the customary fee of one shilling.<br />

St. William's College is in College-street, close to the<br />

east end of the Minster. It is a square block of buildings,<br />

principally Jacobean in style, having a quadrangular courtyard,<br />

the entrance to which is a gateway of late Perpendicular^<br />

surmounted by a figure of Saint William, much defaced by<br />

time. It was originally intended for the honour of Saint<br />

William for the parsons and chantry priests of the Cathedral<br />

to reside in, letters patent for that purpose having been<br />

granted by Henry YI. and confirmed by Edward IV. In<br />

one of the apartments the Eoyal Printing Press was set up<br />

in 1642 by Charles I. during his residence in the city. The<br />

college is now let off in tenements to poor people.<br />

A few doors down the street, close to the archway,<br />

on the same side, is the house and shop occupied by<br />

George Hudson, the Eailway King, in the early part of<br />

his career.<br />

The Bedern, in Goodramgate, opposite the end of Collegestreet<br />

(derived from hede to pray, now obsolete, and erne a<br />

detached dwelling), was once the exclusive residence of the<br />

Yicars Choral of the Cathedral. They were thirty-six in<br />

number, and, besides their daily duty in the choir, had to<br />

perform the ofiices for the dead, day and night. The College<br />

of the Vicars Choral was founded by Archbishop Walter de<br />

'Grey (1252). It was once the site of the palace of the Roman<br />

Emperors ; but now nothing remains of its former grandeur,<br />

the houses, which are in the most dilapidated condition, are<br />

tenanted by the lowest class of the labouring population.<br />

There is a Chapel of Ease belonging to the Minster, and<br />

dedicated to the Holy Trinity, the Vii'gin Mary, and St.<br />

Catherine ; it is a small stone building of debased GotKic<br />

(1348). Although public worship has not been performed<br />

here for many years, christening of children and churching of<br />

women have been solemnized until very recently.<br />

is very damp and rapidly falling to decay<br />

The chapel


THE WALLS AND BAES.<br />

The City Walls' and Bars form one of the most characteristic<br />

features of York.<br />

The date of their first erection cannot<br />

be accurately fixed.<br />

It is thought that the walls existed<br />

in ancient British times prior to the Eoman invasion. It is<br />

however, certain that the Eomans invested the city with a<br />

wall, as portions of their work may still be seen. The walls<br />

were repaired by Edward I., and in the third Edward's reign<br />

the city was thoroughly fortified, when no doubt, some<br />

portions of the present walls were built. In 1644 the<br />

walls and bars suffered much through the siege made by the<br />

army under General Fairfax and other parliamentarian leaders.<br />

On the western side of the city they are perfect, and form<br />

one of the pleasantest walks, commanding fine views of the<br />

Minster, Castle, Churches, and the immediate surrounding<br />

country. On the east side they are also complete from the<br />

river Foss (Fishergate postern) to the Red Tower. Prior<br />

to 1878 the walls from Layerthorpe to Lendal ran through<br />

private grounds, and were not available to the public, but<br />

now we are happy to state that, as far as Monk Bar, they<br />

are thoroughly repaired and open for promenade. We<br />

recommend the visitor to make the tour, commencing at<br />

North-street postern from Lendal Bridge ; on the right he<br />

will have a good view of the Museum and grounds which lay<br />

on the opposite side of the river, beyond which the village of<br />

Clifton may be seen with the ings ; the Hambleton hills in<br />

the distance. Two openings have recently been made in the<br />

walls for the convenience of railway traffic. On our right is<br />

the palace-like hotel of the North Eastern Railway Company<br />

and the new station, and at the foot of the ramparts is the<br />

cholera burial ground (1832). Coming to the north-west<br />

bastion, the hill where the Roman Emperor Severus is<br />

supposed to be buried, may be seen. By some his body is<br />

said to have been burnt here, and the ashes sent in an urn of<br />

porphyry to Rome. A few miles further westward is the<br />

historic ground of Marston Moor. Continuing on, we come<br />

to the grand old Micklegate Bar.


MICKLEGATE<br />

BAR, YORK


45<br />

MICKLEGATE BAR<br />

consists of a square tower built over a single arch,<br />

with embattled turrets at the angles, each turret mounted<br />

with a stone figure of a warder. There are shields in<br />

the front of the bar bearing the arms of England and<br />

France quarterly, the arms of the city, each with a canopy<br />

above them; also those of Sir John Lister Kaye, Bart.,<br />

Lord Mayor in 1727, during whose year of office this bar was<br />

renovated. On the inside, the arms of England with Franc6<br />

are again sculptured. The side arches are modern, the<br />

chambers are at present inhabited. It was on this bar that<br />

the heads of many notorious traitors have been exposed.<br />

The date of its erection is about 1300 ;<br />

the chief arch<br />

on the outer side is supposed by many to be of Roman<br />

work. The barbican was removed in 1826, and the portcullis<br />

more recently.<br />

Continuing our walk on the walls, passing the Nunnery<br />

with its grounds on our right, Scarcroft and Knavesmire<br />

in the distance, we reach Victoria Bar, a modern<br />

opening. A little beyond this a grand view of the<br />

Minster is to be had, giving an idea of its noble<br />

proportions. At the south-west bastion we overlook the<br />

suburbs of Clementhorpe and the road leading to Bishopthorpe.<br />

Turning the angle we soon arrive at Skeldergate<br />

Postern, having Baile Hill on our left, on which, in ancient<br />

times, the Archbishops had a prison, and in more modern<br />

times, in the hollow, the city j air was built, but which is now<br />

taken down. At our feet is the river, beyond it the Castle<br />

and hoary Keep of Clifford's Tower ;<br />

to the right may be seen<br />

the New Walk, a very pleasant path along the left bank of the<br />

river leading to the pretty village of Fulford : the spire of the<br />

church may be discerned peeping out from among the trees.<br />

Descending the steps, let us cross the river by the new iron<br />

bridge; on our left are some remains of the old walls, running<br />

up to Tower Street; in front are new buildings attached<br />

to the Assize Courts, consisting of rooms and offices for the<br />

grand jury, barristers, and witnesses. Crossing Castle Mills<br />

Bridge over the river Foss, just beyond is the square tower<br />

or keep of Fishergate postern, an erection of the fifteenth<br />

century. Passing through the archway, we mount the walls


46<br />

again, and very shortly come to the old postern gate of<br />

George-street. On our right we pass the spacious Cattle<br />

Market, beyond which may be seen the new War Offices^,<br />

the campanile tower of Melbourne Street Wesleyan Chapel<br />

to the left the elevated ground whereon the besieging army<br />

was encamped in 1644, now occupied by the Retreat, an<br />

asylum for the insane, belonging to the Society of Friends^-<br />

We now arrive at<br />

WALMGATE BAE,<br />

*<br />

the most unique and only one in England with barbican complete.<br />

The bar itself consists of a square tower, with turretsat<br />

the angles, but not so lofty as any of the others, and<br />

barbican, which was rebuilt in 1648, after the siege. This<br />

bar was erected in the reign of Edward L, and the barbican<br />

in that of Edward III. Above the entrance on the inside,<br />

and partly supported on stone pillars, is a domestic building<br />

of timber and plaster of the time of Elizabeth. The old<br />

doors, wickets, and portcullis still exist in a state of good<br />

preservation. The arms of Henry Y., England and France,<br />

quarterly, ornament the front of the bar, and those of the<br />

city the front of the barbican, with the date of its restoration.<br />

The wall beyond the bar to the eastward is the oldest<br />

portion, and consists for some distance of a series of irregular<br />

arches of rude stonework of great antiquity, by some supposed<br />

to be the work of Eoman hands. A short distance<br />

further on is the Red Tower, so called from being built of brick,,<br />

with which the walls end on this side the city. From Walmgate<br />

Bar to this point they are in good repair, and are available<br />

as a promenade ; but being low, and the country very<br />

flat, no good views are to be had : the spire of Heworth Church<br />

is seen on the horizon. From the Red Tower to Layerthorpe<br />

Bridge the city was protected in ancient times by the river<br />

Foss, so that a wall was considered unnecessary. Crossing<br />

the Foss Islands, as this low, marshy piece of ground is called^<br />

to Layerthorpe, and over the bridge, we come to where<br />

formerly stood a tower or keep. Ascending the steps, we<br />

proceed onwards to Monk Bar, having on the outside of the<br />

walls Jewbury (in ancient times the Jews' quarter) and<br />

Barker Hill, with a view of the County Hospital, the Gas-<br />

Works, and the new church of St. Maurice close to the Bar.<br />

On the inside we see St. Cuthbert's Church, and overlook


47<br />

the Blue Coat Boys' School, with its play-ground and gardens,,<br />

and the Merchant Tailors' Hall, shortly arriving at<br />

MONK BAE,<br />

so called after General Monk, the hero of the Eestoration<br />

formerly Goodramgate Bar. It is the loftiest of the four, is<br />

Decorated in style, and is the most perfect specimen of its<br />

kind in the kingdom. It consists of a massive square tower,<br />

over an archway, having a groined roof of stone, with boldly<br />

corbelled and embattled turrets, at the angles of which are<br />

massive and grotesque figures in the act of hurling stones at<br />

an imaginary foe. The front of the bar is ornamented with<br />

the arms of England and France, quarterly, with a knight's<br />

helmet as crest, under a canopy, and the arms of the city on<br />

each side. The iron spikes at the bottom of the old portcullis<br />

still hang in threatening attitude above the ancient gateway.<br />

The interior is of two stories, with vaulted chambers, and<br />

was formerly used as a prison.<br />

Proceeding down Lord Mayor's Walk, the walls may be<br />

seen in very good condition, with here and there on the<br />

inside unsightly excrescences, in the shape of summer-houses<br />

and other similar buildings, impinged upon them ; but<br />

running through private property, are unfortunately not<br />

available to the public. From the corner of Gillygate to<br />

BOOTHAM BAE<br />

the walls are entirely hidden by houses. This bar is a square<br />

tower, similar in form to the others, built on a Norman arch<br />

has turrets at the corners, on which are figures of stone. It<br />

is supposed to have been erected about the fourteenth century,<br />

though some portions are of a later date. The front of the<br />

bar is ornamented with two shields, bearing the city arms,<br />

and one within a garter in a decayed condition. The portcullis<br />

may still be seen in its ancient position.<br />

From this point to the Multangular Tower, on to the entrance<br />

lodge of the Museum (with the exception of a few yards<br />

in front of the Exhibition building and at St. Leonard's Hospital)<br />

down to Lendal Tower, the walls exist in a good state of<br />

preservation. Portions of the boundary walls to the grounds,<br />

of St. Mary's Abbey are still in existence, running behind the<br />

houses on the south side of Bootham to the old tower or keep<br />

at the corner of Marygate. This was blown up during


48<br />

the last siege of the city, when many valuable documents<br />

were destroyed. At the bottom of the same street, close to<br />

the river, is another bastion, called St. Mary's Tower, where<br />

were outworks or guard-posts of observation. Having com-<br />

;pleted our survey of the walls, we will now visit The Museum.<br />

THE<br />

MUSEUM.<br />

MUSEUM GARDENS, EUINS OF ST. MARY'S ABBEY,<br />

ST. LEONARD'S HOSPITAL,<br />

MULTANGULAR TOWER, MUSEUM, AND<br />

HOSPITIUM.<br />

The above are situate on a plot of ground extending from<br />

Esplanade to the<br />

Museum Street to Marygate, and from the<br />

back of the School for the Blind, the entrance being in<br />

Museum Street. On passing through the gate and turning<br />

to the right, we enter the ruins of<br />

ST.<br />

LEONARD'S HOSPITAL,<br />

said to have been founded in 936 by Athelstane for the<br />

relief of sick and indigent poor. All that remains of this<br />

once large and wealthy establishment is the entrance passage<br />

leading to the ambulatory or covered cloisters of transition<br />

Norman^ at the east end of which is a small room. Above is<br />

the chapel, of Early English^ and the infirmary, so arranged<br />

as to give the sick the benefit and consolation of hearing<br />

divine service. Many privileges were granted by William<br />

the Conqueror, William Rufus, Henry I., and King Stephen.<br />

In the middle ages its revenues were enormous, but its former<br />

prosperity had sadly diminished at the time of the dissolution<br />

by Henry VIII. A few paces further on is the<br />

MULTANGULAR TOWER,<br />

with ten sides, forming nine obtuse angles, hence its name.<br />

It is undoubtedly Roman work, as is proved by inscriptions<br />

on stones discovered near the foundation. A few feet above<br />

the ground five rows of Roman tiles are built into the wall,<br />

the upper part being of mediseval date, and is of great<br />

interest to the antiquary. Both here and in the Hospital of<br />

St. Leonard's are a number of stone coffins. Passing the<br />

Curator's residence, we arrive at the


49<br />

MUSEUM OF THE YORKSHIRE PHILOSOPHICAL<br />

SOCIETY,<br />

ivith its Doric portico. It contains lecture hall or theatre,<br />

council room, library, offices, and a suite of rooms in which<br />

are arranged collections in every division of natural history,<br />

with objects of antiquarian interest and research. It was<br />

erected in 1827 from designs by W. Wilkins, R.A., and<br />

opened February 2nd, 1830, the first president being<br />

the Rev. William V. Harcourt, M.A., F.R.S. No detailed<br />

description of the contents can be given in a notice like the<br />

present, but some of the more remarkable objects may be<br />

alluded to. Hanging on the walls of the theatre are three<br />

large tapestry maps of different parts of England, executed<br />

in 1588. They are amongst the earliest products of the art<br />

in this coimtry, and were presented by Archbishop Harcourt<br />

in 1827. They were once the property of Horace Walpole.<br />

The room on the right contains a valuable collection of the<br />

skeletons of birds, made by Mr. AUis, of York, and purchased<br />

by the Council for £350 in 1838. In the centre cases are<br />

arranged British and foreign shells ; there are also a few<br />

skeletons of mammalia and reptiles of equal interest. The<br />

next room contains stuffed birds with brilliant plumage, and<br />

among them the apteryx or wingless bird from New Zealand.<br />

Adjoining this is that set apart for the display of mineralogical<br />

and geological specimens.<br />

There is also a perfect skeleton of the Dinorms Bobustus<br />

or Moa, from New Zealand, presented by J. H. Gibson, Esq.<br />

This bird is over eight feet high, its thigh bones are like<br />

those of an ox, and is the finest specimen of the genus<br />

known.<br />

In 1857 remains of the Ichthyosaurus were discovered at<br />

Whitby, and presented by the Rev. D. R. Roundell, which<br />

necessitated an enlargement of the premises. Three new<br />

rooms were added, the expense being defrayed by an appeal<br />

to the county, when upwards of ^^1,000 was obtained.<br />

There are also two Plesiosaurt, one contributed in 1854 by<br />

Col. Chomley, the other by the Earl of Zetland. These<br />

examples of Saurian monsters cannot fail to attract the<br />

attention of the visitor.<br />

In 1878 the trustees of the Museum received from<br />

William Reed, Esq., F.G.S., a citizen of York, one of the


50<br />

finest and most perfect geological collections ever formed^<br />

by an amateur geologist. We copy the following by permission<br />

from the report of the Yorkshire Philosophical Society<br />

(1878) "<br />

: The collection presented by Mr. Reed has been<br />

formed at a great cost over a period of many years, and has<br />

been well known to geologists as one of the most valuable<br />

private collections in the United Kingdom. The Council<br />

congratulate the Society' on its possession, and which when<br />

displayed in the Society's rooms will raise our Museum to<br />

the first rank among similar scientific institutions in this<br />

country. The arrangement of the collection will be a work<br />

of some time, and is now being actively and systematically<br />

carried out under the personal superintendence of Mr. Reed,<br />

aided by Dr. Purves, the recently appointed keeper of the<br />

Museum. The collection presented by Mr. Reed consists<br />

of : 1. A complete series of shells of the land, fresh water,<br />

and marine mollusca of Great Britain, comprising many fine<br />

specimens of the later species, and several of those forms<br />

first ascertained to be still living members of the British<br />

Fauna during the dredging expedition of the Lightning and<br />

Porcupine. 2. An extensive collection of mammalian remains<br />

from English post -tertiary deposits, remarkable among<br />

which, for their fine state of preservation, are the teeth and,<br />

bones of rhinoceros, horse hippopotamus, urus, megaceros.<br />

elephant, bear, lion, hyaena, beaver, &c. 3. A large series of<br />

shells of the same period, from fluviatite and marine deposits<br />

in various parts of England, Scotland, and Ireland. 4. A<br />

magnificent collection of fossils from the Norwich, Red and<br />

Coralline Crags. The suite of vertebrate remains, especially,<br />

are of great value. This is probably the finest private<br />

collection of crag fossils in England, and it is doubtful whether<br />

it can be equalled in any of our great public museums.<br />

5. A fine series of plant remains from the miocene beds<br />

of Bovey, Tracey and Antrim, which, with similar lacustrine<br />

deposits in Mull, are the only formations of mid-tertiary age<br />

in the British Isles. The animal life of the period is illustrated<br />

by a collection of shells from the neighbourhood of<br />

Bordeaux and Cannes in the South of France. 6. A large<br />

collection of eocene fossils in a beautiful state of preservation,,<br />

and in which the several sub-divisions of the deposits of that<br />

period in England are fully represented. 7. An extensive


51<br />

assemblage of fossils from the chalk, greensand, Gault,<br />

Neocomian and Wealden. Many of the siiicified forms are<br />

shown in beautifully polished sections. 8. A very large and<br />

valuable series of Jurassic forms. 9. All the British Palaeozoic<br />

formations are well represented, especially the, carboniferous<br />

limestone of Yorkshire in the neighbourhood of Settle, of<br />

whose fossils there is a fine collection (upwards of two<br />

hundred species). An invaluable feature from a scientific<br />

point of view in Mr. Eeed's collection is the great care which<br />

has been taken to indicate the exact locality from which the<br />

several specimens have been obtained, so that thorough<br />

reliance may be placed in them as geological data."<br />

There is also a large collection of Yorkshire fossils<br />

found in Elirkdale Cave— the gigantic fossil Irish elk, the<br />

"Rudston" collection of British birds, numerous Roman,<br />

Saxon, and other coins, an old mortar (1308), once belonging<br />

to the adjoining abbey, &c., &c., full catalogue of which may<br />

be obtained at the lodge.<br />

On the plot of ground occupied by this building, the residence<br />

of the Lords President of the North was erected in<br />

Henry VIII. 's time.<br />

At the further end of the grounds are the picturesque<br />

ruins of<br />

ST.<br />

MARY'S ABBEY,<br />

in a good state of preservation, though only small in extent.<br />

It was a Benedictine monastery, founded in 1078 by<br />

Stephen, a monk from Whitby, who having obtained,<br />

through the patronage of Alan, Earl of Richmond, the<br />

Church of St. Olave, with four acres of land, built thereon<br />

the Abbey of St. Mary's, which was partially destroyed by<br />

fire in the reign of King Stephen. In 1270, the building,<br />

of which the present ruins are the remains, was commenced,<br />

and completed in twenty-four years. The Mitred Abbot<br />

was one of the great dignitaries of the land, had a seat in<br />

Parliament, which entitled him to be addressed as My<br />

Lord," possessed several country houses, and a residence in<br />

London. His retinue when he travelled was always exceedingly<br />

numerous. At the dissolution this abbey was taken<br />

possession of by the Crown, condemned as useless, and was<br />

partially pulled down to furnish materials for the building


52<br />

of the King's Manor and the residence for the Lords President<br />

of the North.<br />

It was further desecrated and despoiled in order to repair<br />

the Church of St. Olave, the City Jail, the Castle, and Beverley<br />

Minster ;<br />

it is • even said that a kiln was erected to convert<br />

the stone into lime. Its destruction would have been<br />

complete, but for the timely intervention of the Yorkshire<br />

Philosophical Society, who obtained a grant of land from the<br />

Crown for their museum and ground which included the<br />

remains of this once splendid and venerable pile. The ruins<br />

now consist of the north wall of the nave, with a portion of<br />

the west front, the bases of several pillars, and of the four<br />

central piers that supported the tower. The wall has eight<br />

windows of the Decorated period, varied alternately in<br />

design, with indications of the beautiful tracery that once<br />

adorned them. A panelled arcade of pointed arches runs<br />

underneath the windows. The full length was 371 feet<br />

by 60 wide. The ruins are beautiful in their decay, and are<br />

most religiously cared for by the society which owns the<br />

ground.<br />

Walking towards the river, on the northern or Marygate<br />

side of the grounds, we find an old Norman arch, with<br />

building attached This seems to have been the principal<br />

entrance to the Abbey. The ground floor of this gatehouse<br />

was formerly used as a prison for debtors in the liberties of<br />

St. Mary's, the court being held by the Steward in the upper<br />

story. It was some years ago thoroughly restored and<br />

raade into a dwelling-house, Professor Phillips, late curator,<br />

being its first occupant.<br />

Here it may not be amiss to draw attention to the Abbey<br />

Walls and the history of their erection. In 1282 the monks<br />

and citizens appear to have not been on the best of terms<br />

with each other; for, in the Annals of the Convent, we read<br />

that, in consequence of sundry disputes, several of the<br />

inmates of the Abbey were slain and much property<br />

destroyed. The ill-feeling being only partly appeased, the<br />

monks obtained permission from the King to build walls on<br />

each unprotected side. The remains of these walls, which<br />

were constructed as regular fortifications, with towers at<br />

certain distances, may still be seen behind the houses from<br />

Bootham Bar to Marygate Tower, at the corner of that


53<br />

street, and thence down to the river, terminating in the<br />

west tower. In<br />

MAEYGATE TOWER<br />

were stored all the records of the Abbey, the ancient<br />

writings of all similar houses north of the Trent at the dissolution,<br />

as well as some of the royal records of Chancery.<br />

On Trinity Sunday, 1644, during the siege of York, this<br />

tower was blown up, many of the records destroyed, and<br />

numbers of people buried in the ruins. Nearer to the river is<br />

THE HOSPITIUM,<br />

the ground floor of which is supposed to have been the<br />

Refectory, the upper the Dormitory for the accommodation<br />

of such guests as could not be received in the main building<br />

of the Abbey. The lower part is of stone, the upper (a<br />

modern restoration) is of timber and plaster work, or<br />

"post and pane," as it is usually termed. It is now stored<br />

with British, Roman, and Saxon remains, Egyptian antiquities,<br />

and Samian ware. There are very perfect examples<br />

of tesselated pavement found in or near the city, and probably<br />

the most unique collection of ancient coffins in the<br />

world. In a glass case is also shewn a coil of hair from the<br />

head of a young Roman lady, fastened with jet pins, which<br />

was found preserved in a lead coffin enclosed within another<br />

of stone, and dating from about the year 200 after Christ.<br />

Adjoining the Hospitium, on the south, is a Norman arch,<br />

one of the entrances to the old Abbey grounds.<br />

The gardens are tastefully laid out, the green sward<br />

sloping down to the river always beautifully kept, and here<br />

and there are strewn about various objects of interest.<br />

THE OBSERVATORY,<br />

A small building in the centre, with circular roof by<br />

Smeaton, the great engineer, possesses a refracting telescope<br />

4J inches in diameter, presented the late by W. Gray, Esq.<br />

Occasionally during the summer season a selection of<br />

music is performed, the grounds affording a pleasant promenade<br />

much appreciated by the citizens.<br />

Admission : either by members' order or on pajrment of<br />

one shilling, except when music is performed, when the fee<br />

is only sixpence. Large parties of excursionists (if not less<br />

than twenty) are admitted at threepence each on showing


54<br />

tlieir railway tickets. The gates are open from ten a.m. till<br />

dusk, and on Sundays to subscribers only. The Museum is<br />

closed at six p.m. in summer and four in winter.<br />

THE MANSION HOUSE,<br />

The official residence of the Lord Mayor, is situate at<br />

the end of Coney Street, facing St. Helen's Square. It<br />

was erected in 1725, from designs by that noble architect,<br />

the Earl of Burlington, and is a plain brick building,<br />

with the city arms emblazoned on its pediment. At the<br />

entrance, to the right is the robing-room, in which are kept<br />

the official robes of the Lord Mayor and Aldermen, and<br />

the original Cap of Maintenance^ given by King Eichard II.<br />

That on the left is the dining or reception-room, where<br />

may be seen the Sword of State, given by the Emperor<br />

Sigismund, father-in-law of Eichard II. ; the Mace,<br />

very large, silver gilt, and richly adorned; also a smaller<br />

sword, given by Sir Martin Bowes, Lord Mayor of London,<br />

which is used on ordinary occasions. A portrait of Drake,<br />

the historian of the city, hangs over the mantel-piece.<br />

In a safe in the butler's pantry is deposited the plate, a most<br />

valuable collection, presented at various times by different<br />

members of the Corporate Body.<br />

Some of the more remarkable<br />

pieces are '<br />

The Lord Mayor's gold chain of office.<br />

The official chain belonging to the Lady Mayoress ;<br />

this<br />

is unique, being the only one in the kingdom.<br />

The loving cup of gold (1672).<br />

Six large silver tankards (1673).<br />

A massive silver gilt cup (1679).<br />

Ascending the staircase is a fine portrait of George<br />

Hudson, Esq., M.P., thrice Lord Mayor, and generally<br />

known as the '^Eailway King," painted by Sir Francis<br />

Grant, E.A., in 1848.<br />

Opposite is Lodovick Stewart, K.G., Duke of Lennox, Lord<br />

Chamberlain, to James L, presented in 1743 by John Mayer,<br />

Esq., Lord Mayor.<br />

The State-room is entered through folding doors, above<br />

which is the orchestra, and is 50 by 28 feet. In this room<br />

are several portraits.


55<br />

First, on the right, is George, Prince of Wales, in the<br />

Tobes of the Garter, presented to the city by H.R.H. in 1811,<br />

painted by HofFner.<br />

Second, Sir William M. Milner, Bart., M.P. for the city,<br />

Lord Mayor in 1787 and 1798, painted by Hoffner, at the<br />

expense of the Corporation, as a tribute of affection and<br />

regard.<br />

Third, Sir John Lister Kaye, Bart., M.P. for the city<br />

(1784), Lord Mayor in 1737.<br />

Over the fireplace is a representation of the Sword, Mace,<br />

Cap of Maintenance, and Arms of the City.<br />

Fourth, Robert Benson, Esq., Baron Bingley, M.P. for the<br />

city, 1705, and Lord Mayor, 1707.<br />

Fifth and sixth, King William III. and George II. These<br />

two portraits were painted by Anthony Highmore, and presented<br />

by the Marquis of Rockingham to the Rockingham<br />

Club at York in 1757; placed in this room in 1783.<br />

Over the fireplace are the Arms of England.<br />

Seventh, Lord Rockingham, painted by Sir<br />

Joshua Reynolds,<br />

presented to the Corporation by Lord Fitzwilliam,<br />

May, 1783.<br />

Eighth, the Right Hon. Lord Dundas, M.P. for York, and<br />

thrice Lord Mayor, 1822.<br />

The paintings are all full size, and elegantly framed.<br />

The room is lofty, and lighted with two rows of windows.<br />

It is ornamented with fluted columns, having composite<br />

capitals, and elaborately decorated.<br />

Strangers are only admitted by special permission of the<br />

Lord Mayor.<br />

THE GUILDHALL<br />

Is at the back of the Mansion House, and is approached<br />

through the wide archway under that building. It was<br />

erected in 1446 by the Mayor, Commonalty, and Members<br />

of the Guild of St. Christopher. It is a room of Perpendicular<br />

Gothic^ ninety-three feet by forty-three, and<br />

twenty-nine and a half feet high. The roof is of open<br />

timber work, supported by ten octagonal columns of oak in<br />

two rows, each column being cut out of a single tree, thus<br />

dividing the room into nave and two aisles. The bosses in<br />

the roof are very fine carvings in oak, some of them originally<br />

taken from St. Anthony's Hall. It is lighted by fourteen


56<br />

ivindows, nine of wliicli are filled with beautifully stained<br />

glass (the remaining five it is hoped will shortly be filled<br />

iilso), the whole fourteen illustrating different periods of the<br />

history of England, in which York has taken a prominent<br />

part—of which the following is a description<br />

First window on the left was given by Sir James Meek, Kt.,<br />

thrice Lord Mayor, in 1856, 1865, and 1867, and illustrates the<br />

Roman Period.<br />

In the upper compartments of the window are— 1st, the<br />

arms of the city of York, encircled by the Lord Mayor's<br />

chain, and above the shield the city cap of maintenance.<br />

2nd. The monogram (on a shield), crest, and motto of Sir<br />

James Meek, the shield encircled with the Lord Mayor's<br />

chain.<br />

In the centre of<br />

the window is represented the election of<br />

Constantine the Great, as Emperor at York, July a.d. 306.<br />

On the death of Constantius Chlorus, who expired at<br />

Eboracum (York) on the 25th July, 306, his son Constantine<br />

was immediately chosen by the Eoman and British soldiery^<br />

to succeed him in the empire of the west.<br />

The young Prince was at once invested in the palace with<br />

the imperial mantle of his father ; and though reluctant (it<br />

is said), was finally induced to accept the proffered dignity<br />

by the urgent persuasions of all present, but especially by<br />

the influence of Eroc, a German king, who had come to<br />

Britain as an auxiliary of Constantius.<br />

Constantine habited in a mourning cloak is represented as<br />

receiving the principal military and civil authorities (among<br />

the former of whom would be the commanders of the sixth<br />

or victorious legion so long stationed at York), who bring<br />

him the sceptre, the golden orb, the laurel crown, and the<br />

imperial mantle.<br />

The young Prince, hesitating at first to take upon himseK<br />

the burden of the empire, is beginning to yield to the persuasions<br />

of Eroc, who urges him to grasp the sceptre without<br />

further delay.<br />

The portrait of Constantine has been carefully studied<br />

from his coins in the British Museum.<br />

In the lower compartments are introduced on each side<br />

the Roman eagle ;<br />

and in the middle the monogram of our<br />

Saviour, which Constantine after his conversion adopted as a


57<br />

device for the imperial standard. This window is from a<br />

design by J. E. Doyle, Esq., author of "The Chronicles of<br />

England," and was manufactured by Messrs. John Hardman<br />

and Son, of Birmingham.<br />

The second window was the gift of Eobt. Farrer, Esq.^<br />

Sheriff of York in 1858—and illustrates the<br />

Anglo Saxon Period.<br />

King Edgar grants permission to the men of the north to<br />

make their own laws. In the upper compartments of the<br />

window are— 1st, the arms of the city of York surmounted by<br />

the cap of maintenance ; and 2nd, the arms, crest, and motto<br />

of the donor. In the centre of the window is King Edgar,<br />

who, standing before his throne and holding the sceptre,<br />

announces to the ecclesiastical and military chiefs of the<br />

north his grant to them of the privilege of making or<br />

choosing the laws for themselves. It is my will," he says,<br />

" that the temporal laws of the Danes shall be observed<br />

according to the best form which they can choose." .<br />

''And I have given this permission on account of your<br />

fidelity to me, in which you have promised always to continue.*'<br />

"<br />

. . . Let Earl Oslac, then, and all the host<br />

dwelling in this earldom take care that this be observed for<br />

the glory of God, the need of all our souls, and the tranquillity<br />

of the people."<br />

On the right of the king is his chancellor holding the<br />

charter recording the commission. Next the chancellor is<br />

Oskytel, Archbishop of York, and his attendants.<br />

On the opposite side is Oslac, Earl of Northumbria, who<br />

is called in the Saxon chronicle " the beloved hero," "hoary<br />

headed," "wise and wordskilled." With him are other<br />

northern chiefs, one of whom bears aloft the royal sword of<br />

state.<br />

Behind these chiefs is the dragon, the ensign of Wessex,<br />

Edgar's principal kingdom. As Edgar abstained during<br />

many years of his reign from wearing his crown, it has beert<br />

omitted in this representation of him.<br />

In the lower compartments of the window are introduced<br />

the dragon, the raven, and the white horse, the ensigns of<br />

Wessex, Northumbria, and Kent.<br />

This is from the design of J. E. Doyle, Esq., and was^<br />

made by Messrs. James Powell and Son, of London.


58<br />

The third window was given by Eichard Audns Clark,<br />

Esq., as a memorial of his father, Sir William Stephenson<br />

dark, Kt., Lord Mayor in 1840, and illustrates the<br />

Norman Period.<br />

In the upper compartment are the arms of the City of<br />

York, surmounted by the cap of maintenance, and encircled<br />

by the Lord Mayor s chain ;<br />

and in the corresponding<br />

division, a shield containing the monogram of the donor,<br />

over which is his crest. The subject commemorated in this window<br />

is the meeting of the northern barons at York, in August,<br />

1138, to concert measures for the defence of the country<br />

against the Scots, who, under King David I., were ab-eady<br />

in possession of the border counties. In the centre stands<br />

Thurstan, the archbishop, who in this emergency had been<br />

appointed lieutenant in the North by King Stephen, and who,<br />

in spite of his age and infirmities, had greatly exerted himself<br />

to animate the spirit of the barons and to encourage<br />

them to make a stout resistance. He holds in his right hand<br />

a banner (probably taken from the cathedral) which on this<br />

occasion he entrusted to their care. To his right (in a<br />

scarlet cloak) is William le Gros, Earl of Albemarle and<br />

Lord of Holderness, who, as the noble of highest rank present,<br />

is supposed to have had the nominal command of the<br />

forces assembled. With him appears Roger de Mowbray,<br />

who, though still a boy, had been brought to the army with<br />

the vassals of his great estates. Next to them is Bernard de<br />

Baliol, who commanded the small force which was all that<br />

Stephen could spare for the defence of his northern subjects.<br />

His hand presses the hilt of his sword as he promises his<br />

.<br />

best assistance. On the opposite side is Walter Espec, a<br />

baron of very extraordinary strength and stature, who from<br />

his long experience in the art of war, joined to a most<br />

amiable and venerable character, was revered as a father and<br />

obeyed as a general by the whole army." He is in the act<br />

of extending his right hand towards the standard, which he<br />

vows to defend. More to the front is Gilbert de Lacy of<br />

Pontefract, placing his sword at the service of the King's<br />

representative, and behind is William de Percy, with his<br />

sword upraised. In the compartments below are the arms of<br />

Albemarle, King Stephen, and De Lacy.


59<br />

It is the work of J. B. Capronnier, of Brussels, and is from<br />

the design of J. E. Doyle, Esq., of London, author of the<br />

Chronicles of England."<br />

The fourth window was given by Alderman Thomas<br />

Cabry, sheriff in 1861, and is illustrative of the<br />

Plantagenet Period (1298).<br />

In the upper part are, on one side, the arms of the City<br />

of York, surmounted by the cap of maintenance ;<br />

and, on<br />

the other, the monogram on a shield, the device and<br />

the motto of the donor. The event commemorated is the<br />

confirmation of the Great Charter in a parliament held at<br />

York, on January 15th, 1298, in the reign of King Edward<br />

the First. The English authority having been recently overthrown<br />

in Scotland, the king, who was abroad at the time,<br />

engaged in war with France, summoned a parliament to<br />

meet at York under the Earl of Surrey, his lieutenant in the<br />

North, in order to provide for the subjugation of the Scots.<br />

The Parliament met on the morrow of St Hilary, and immediately<br />

resolved that the confirmation of the Great and<br />

Forest Charters which had been, in the previous November,<br />

wrung from the king, should be ratified and published anew.<br />

Accordingly, the parliament having met in the Cathedral<br />

Church, the Bishop of Carlisle (the see of York being then<br />

vacant), standing in full pontificals between the Constable<br />

and Marshal of England, read to the assembly the Great<br />

Charter with the newly added articles (among which was<br />

the celebrated statute, De Tallagio non concedendo)^ and<br />

then pronounced sentence of excommunication against all<br />

those who should violate the same. It is the moment after<br />

the conclusion of this ceremony which furnishes the subject<br />

depicted in this window. On the left is John de Halton,<br />

Bishop of Carlisle, who, after having performed his solemn<br />

function, still holds in his hands the Charter, and looks to<br />

the representative of the king for his public assent to what<br />

has been done. Behind the bishop are Humphrey de Bohun,<br />

Earl of Hereford, the Constable, and Eichard Bigod, Earl of<br />

Norfolk, the Marshal of England, two noblemen who by<br />

their firmness at this period greatly aided in securing and<br />

extending the liberties of their country. In the centre is<br />

John de Warrenne, Earl of Surrey, guardian of Scotland,<br />

and lieutenant in the North, who, in the kings name,


60<br />

ratifies the confirmation of the Charters. To the right are<br />

the Earls of Gloucester and Arundel, with Henry de Percyrepresenting<br />

the barons. Behind them stand a serjeant-atlaw,<br />

and a serjeant-at-arms with his mace. In the lower<br />

compartments are the arms of Bigod (left) ; Warrenne<br />

(centre) ;<br />

and De Bohun (right). This window was designed<br />

by Mr. Doyle, and made by Mr. Wailes, of Newcastle-on-Tyne.<br />

The fifth window was presented by Mr. Alderman William<br />

Walker, Lord Mayor in 1872, and is also illustrative of the<br />

Plantagenet Period (1319),<br />

the description of which may be premised by the following<br />

short historical account:— ''In the autumn of the<br />

year 1319, King Edward the Second was engaged with<br />

the chief military forces of England in the attempt to<br />

recover the town of Berwick, which had lately been taken<br />

by Eobert Bruce. In order to draw the English off from<br />

their enterprise, an army of 15,000 Scots, under two<br />

of their best generals, Randolph and Douglas, made a dash<br />

by way of the western borders into Yorkshire, and ravaged<br />

the country without stint or mercy, up to the gates of York<br />

itself. In this emergency William de Melton, the Archbishop,<br />

and John de Hotham, Chancellor of England who was then<br />

in the city, summoned every available man to arms, and in a<br />

short time a considerable force, including some hundreds of<br />

ecclesiastics, came to unite with the citizens of York, who<br />

had arrayed themselves under the command of the Mayor.<br />

*<br />

The people of York,' says Walsingham, considering ' the<br />

enormities perpetrated by the Scots, and general indignation<br />

being excited, 10,000 Englishmen assembled and went forth<br />

to avenge the slaughter of their fellow-citizens and countrymen.'<br />

Nicholas Fleming, Mayor of York, seems to have been<br />

the chief layman in command of the whole force, but the<br />

Archbishop and Chancellor accompanied it ; and he, perhaps,<br />

carried away by the popular feeling of indignation, led his<br />

men out of the city, and marched straight in search of the<br />

enemy. Hurrying forward, however, without due military<br />

precautions, this brave but rash multitude was taken at every<br />

possible disadvantage by the veteran Scottish army, at Mittonon-the-Swale<br />

(now Myton), and completely defeated with<br />

great slaughter, the Mayor and 300 priests being among the<br />

victims of their patriotic ardour. Such was the historic event


61<br />

Avhich furnished the incident commemorated in this window,<br />

namely, the departure of Nicholas Fleming and his fellow<br />

citizens for the field.<br />

In the upper lights of the window are two shields, one<br />

containing the arms of the City of York; the other the<br />

monogram of William Walker, Esq., and each surrounded<br />

hy the Lord Mayor's chain. In the middle portion is<br />

seen Nicholas Fleming and the armed citizens ready to<br />

commence their march against the enemy. The Mayor holds<br />

in his right hand the baton of military command, while his<br />

left grasps the hilt of his sword. Behind him, to his right,<br />

is the banner bearer of the city, presumably a professional<br />

soldier of knightly rank, the Barons Fitzwalter having held<br />

the corresponding office in London. The banner itself has<br />

only the red cross of St. George, which represents the flag of<br />

England of that time. Behind the Mayor is a page carrying<br />

his shield, which is diapered only, and without heraldic<br />

bearings, though Fleming may very likely have been entitled<br />

to them. To his left is the alderman who has taken charge<br />

of the city for the time, and one of his brethren, who is<br />

too old for warfare ; both are wishing the Mayor God<br />

'<br />

speed ! ' To his right, and also behind the figures already<br />

mentioned, are the citizens, in full military equipment, waiting<br />

only for the word to march. In the lowest compartments<br />

are the shields of Sir Simon Warde, Sheriff of Yorkshire, King<br />

Edward II., and of England or St. George." It is the work<br />

of Capronnier, of Brussels, after a design by Mr. Doyle.<br />

The sixth window was erected by public subscription, in<br />

memory of William Fox Clark, Esq., twice lord mayor (1862<br />

and 1863), and is illustrative of a still later event of the<br />

Plantagenet Period (1328).<br />

" In the highest light of the window is introduced<br />

the White Swan, a favourite badge of King Edward<br />

III. In the compartment immediately below, to the left<br />

of the spectator, is the shield of the arms of the<br />

city of York, surmounted by the cap of maintenance ; as in<br />

the windows already placed on this side of the hall. In the<br />

corresponding compartment is the monogram on a shield,<br />

and the crest of Mr. Clark. The above and other lesser<br />

lights in the tracery are filled with a foliage of oak leaves.<br />

The subject commemorated in this window is the marriage


62<br />

of King Edward III. and Philippa of<br />

Hainault in the Cathedral<br />

at York, on the 24th of January, 1328. The subject<br />

occupies the principal portion of the four chief lights of the<br />

window. In the right centre stand the young king and his<br />

bride, to whom the archbishop, William de Melton, is giving<br />

the nuptial benediction. Behind the king is his mother, the<br />

Queen Dowager Isabel of France. About the archbishop<br />

appear some of his clergy and other attendants. In the<br />

compartment to the left is Nicholas de Langton, who in 1328<br />

was for the seventh time mayor of York. He bears a silver<br />

mace, and wears a red cloak lined with brown fur, over the<br />

parti- coloured robe which was characteristic of the time.<br />

Behind him are two of his brethren in office, his chaplain,<br />

and another of the clergy. In the right compartment the<br />

chief figure is that of Henry Earl of Lancaster and Leicester,<br />

the king's cousin and guardian, who was also president of<br />

the council. He bears the royal crown. Beyond him, with<br />

the sword of state, stands Eoger, Lord Mortimer of Wigmore,<br />

the absolute ruler for the time of England. The other<br />

persons are, the chief lady in waiting on the bride ; and the<br />

steward and chamberlain of the king's household, John de<br />

Eos and Gilbert Talbot. In the compartments below are<br />

the shields (commencing on the left) of De Melton, England,<br />

Hainault, and Sir John Darcy, the high sheriff of Yorkshire<br />

in 1328. In the corners are repeated another badge of King<br />

Edward III., the stock of a tree couped and ' eradicated,* an<br />

allusion to the royal manor of Woodstock." It is from the<br />

design of Mr. Doyle, and was made by Messrs. Hardman, of<br />

Birmingham.<br />

This completes the south side. The seventh window over<br />

the seat of justice, was erected by public subscription in<br />

memory of Mr. Alderman James Meek, three times Lord<br />

Mayor, in 1837, 1849, and 1851, and is also illustrative of the<br />

Plantagenet Period (1396),<br />

King Eichard 11. and William de Selby. The fact here<br />

prominently represented is the granting of the Charter<br />

by Eichard II. on the 18th May, 1396. His Majesty<br />

confirmed by this act all the former charters, rights, and<br />

privileges of the city, and formed it into a county by<br />

itself by the style of "the County of the City of<br />

York,'' gi^'ing the citizens the power to elect two sheriffs


63<br />

instead of three bailiffs, as was theretofore the case. The<br />

centre light contains a full length figure of Eichard II., his<br />

left-hand resting on the mace, and in his right, the sword which<br />

he is in the act of presenting. He is in armour, with a<br />

white surcoat and blue mantle lined with fawn, which were<br />

his colours proper. He has no beard, thus agreeing with<br />

the portraits that have been taken of him. On the king's<br />

right is William de Selby, first Lord Mayor, who has just received<br />

the sword. On his left is Sir William Frost, Kt.,<br />

Lord Mayor in 1396-7, when the Great Charter of the city<br />

was granted, which he holds in his hand. On the extreme<br />

right and left are John Moreton and Thomas Howden, the<br />

first two sheriffs of the city. All the figures are represented<br />

in the official costume of the period. In the tracery are the<br />

arms of Eichard 11. , with the crown, crest, cypher, cognisance,<br />

and supporters ; the arms of the city of York, backed<br />

by the sword and mace, and surmounted by the cap of<br />

maintenance ; and the city arms as before impaled with those<br />

of the late Alderman Meek as Lord Mayor. In the lower<br />

part of the window are the arms of Thomas Arundel, Archbishop<br />

of York, translated to Canterbury the same year<br />

John of Gaunt, Duke of Lancaster, third son of Edward III.<br />

Edward, fourth son of the same monarch, and first Duke of<br />

York ;<br />

Eichard, Earl of Arundel ; and Thomas de Mowbray,<br />

Earl of Nottingham, Marshal of England, afterwards Duke of<br />

Norfolk, five witnesses to the Great :— Charter. At the foot is<br />

placed the following inscription " This window, illustrative<br />

of the historic period when King Eichard II. gave to<br />

the mayoralty of York its dignity, and to the city its Great<br />

Charter, constituting it a county and creating its two sheriffs,<br />

was raised as a testmiony of the great worth of James Meek,<br />

Esq., a magistrate and alderman, and thrice Lord Mayor, who<br />

died on the 13th day of December, 1862, aged 72 years, and<br />

who was ever zealous in the maintenance of its ancient<br />

rights and municipal privileges." The window was designed<br />

by the late Mr. Frederick Bell, of this city, architect, and<br />

executed by Messrs. Hardman and Co., of Birmingham.<br />

The next two windows (north side) are at present filled<br />

with plain glass, but following out the proposed scheme it is<br />

intended that the eighth window should illustrate the


Lancastrian Period.<br />

King Henry V. and Ms bride Katherine of France received at<br />

York by the Lord Mayor, John de Bedale, and the citizens (1421).<br />

The ninth window the<br />

Yorkist Period.<br />

King Edward IV. assumes the badge of the house of Lancaster<br />

in order to induce the Lord Mayor, John de Gisbume, and citizens<br />

to allow him free passage through the city (1471).<br />

The tenth window, given by Mrs. Emma Walker, wife of<br />

Mr. Alderman William Walker, in memory of her late father,<br />

Mr. Alderman Weatherley, who was City Sheriff in 1864 and<br />

Lord Mayor in 1868, illustrates the<br />

Tudor Period.<br />

King Henry VII. Knights William Todd, Lord Mayor of<br />

York, and Alderman Eichard Yorke, M.P. for the City, in<br />

recognition of the loyalty of the citizens during the rebellion<br />

of Lambert Simnel (31st July, 1487).<br />

In the centre is the King, holding the sword, and calling<br />

on the Lord Mayor and the Alderman to come forward that<br />

they may receive the honour intended. He is supposed to<br />

have been previously expressing his thanks to the Corporation,<br />

which has waited upon him. Behind him are two pages, in<br />

the Tudor colours, white and green.<br />

To the King's right are the Lord Mayor, Alderman Yorke,<br />

and other Aldermen ; also John Vavasour, Esq., the Recorder<br />

(nearest to the throne, and head only seen). These are supposed<br />

to be the foremost of a numerous deputation.<br />

To the King's left are John Rotherham, the Archbishop,<br />

who had formerly been (1474-1488) Lord Chancellor, and<br />

who was probably Henry's host in July, 1487 ;<br />

Henry Percy,<br />

Earl of Northumberland, Lieutenant General of the North,<br />

who, in that capacity, would carry the sword of state before<br />

the King, which he is supposed to have just placed in the<br />

Sovereign's hand, but still holds in his own grasp the scabbard<br />

thereof ;<br />

and, behind him. Sir William Stanley, K.G., Chamberlain<br />

of the Household, the same who placed the crown on<br />

Henry's head after the battle of Bosworth.<br />

In the upper compartments are the shields of the City of<br />

York and of Alderman Weatherley, each encircled by the<br />

Lord Mayor's chain.


65<br />

In the lower compartments are the shields of— 1, Yorke ;<br />

:2, Henry VII.; and, 3, Percy.<br />

The eleventh window the<br />

Stuart Period.<br />

King James I., on Ms accession to the crown of England, welcomed<br />

at York by the Lord Mayor j Kobert Walter, and his brethren<br />

(April 16, 1603).<br />

The twelfth window was given by W. B. Eichardson, Esq.,<br />

in memory of his father, the late Mr. Alderman William<br />

Eichardson, Lord Mayor in 1846, and marks the<br />

Stuart Period.<br />

The subject illustrated in this window is the declaration<br />

made by King Charles the First to the peers and others assembled<br />

at York, on June 13th, 1642.<br />

The king said that " he would not require or exact any<br />

obedience from them but what should be warranted by the<br />

known law of the land ;" and finally, that " he would defend<br />

the lawful liberties of the subjects of England and just<br />

privileges of all the three estates of Parliament ; and would<br />

require no further obedience from them than as accordingly<br />

he should perform the same."<br />

This was the programme of Falkland, Hyde, and the constitutional<br />

royalists ; and no celebration of obsoleted princi •<br />

pies is here in question.<br />

The persons represented—commencing from the left-—<br />

are :<br />

1.—Edward Hyde, Esq., M.P., who was a chief adviser of<br />

the king at this time, though he had as yet declined<br />

office. He is best known by the title, which he obtained<br />

after the Eestoration, of Earl of Clarendon.<br />

2.—Edward, Lord Lyttleton, Lord Keeper of the Great Seal.<br />

3.—Lucius Carey, Viscount Falkland, Secretary of State.<br />

In the centre compartment is the King in his robes,<br />

holding in his hand the declaration.<br />

Behind him is the Prince of Wales, afterwards Charles IL<br />

In the right compartment, are :<br />

-1.—Eobert Bertie, Earl of Lindsay, K.G., Lord Great<br />

Chamberlain of England, soon afterwards made Commander-in-chief<br />

of the royal army. This veteran soldier<br />

represents the old-fashioned military element of the<br />

F


66<br />

king's party, and also tlie great feudal officials who<br />

naturally supported the monarchy. He holds the white<br />

rod of his office.<br />

2.—James Stuart, Duke of Richmond, K.G., Lord Steward<br />

of the Household, holding the sword of State. He<br />

once said that he did not want office or favour to make<br />

him loyal ; and he was one of the four noblemen who<br />

carried the King's body to the grave at Windsor. He<br />

is the type of the chivalrous, disinterested royalist of<br />

that time.<br />

3.—William Seymour, Marquis of Hertford, Knight of the<br />

Bath, Governor to the Prince of Wales, a religious,<br />

peaceful, scholarly man, another type of the best kind<br />

of royalist. He also helped to bear the King's body to<br />

the grave.<br />

4.—The face partially seen is that of Edward Sackville,<br />

Earl of Dorset, K.G., Chamberlain to the Queen. He<br />

represents the better kind of courtier and cavalier.<br />

In the upper compartments are the arms of York, and of<br />

Mr. Richardson, both surmounted with the Mayor's chain.<br />

In the lower spaces are the arms of Lord Clarendon, on<br />

the left, the King (centre), and Lord Falkland on the right.<br />

It is from a design by J. E. Doyle, Esq., and was manufactured<br />

by J. B. Capronnier, of<br />

Brussels.<br />

The thirteenth window is plain, but the scheme intends<br />

that this should illustrate the time of<br />

The Commonwealth.<br />

Thus—Oliver Cromwell, on his way to command the army in<br />

Scotland, entertained at York hy the Lord Mayor, William Taylor<br />

(July 5th, 1650).<br />

This completes the north side.<br />

The fourteenth window is over the entrance doorway, and<br />

was presented in 1866 by George Leeman, Esq., M.P. for the<br />

city, and thrice Lord Mayor in 1854, 1861, and 1871; it<br />

illustrates the House of Hanover, or<br />

Victorian Period.<br />

This window is one of five lights, and is commemorative of<br />

the meeting of mayors in the city in 1850, preliminary to<br />

the great Exhibition in London the following year. In the<br />

centre is the figure of Mr. Alderman Seymour, who was Lord<br />

Mayor of York at that time. On the right is a representation


67<br />

of the late Prince Consort standing in the act of addressing<br />

the assembled mayors at the great banquet at the Guildhall.<br />

The other figures in the window are those of Archbishop<br />

Musgrave, the Lord Mayor of London, Earl Eussell, the Earl<br />

of Carlisle, Earl Granville, the Lord Provost of Edinburgh,<br />

the Lord Mayor of Dublin, and the Mayors of Manchester and<br />

Cork, with the insignia of office, swords and maces. Below<br />

these figures are the arms of the Prince Consort, the cityarms,<br />

impaled with those of Mr. Seymour, the Lord Mayor,<br />

the arms of London, and those of eight of the most important<br />

places in England. In the tracery are the arms of the<br />

principal nations of the world which took part in the great<br />

Exhibition of 1851. It was furnished by Messrs. Hardman<br />

and Co., of Birmingham, in accordance with the design of J.<br />

E. Doyle, Esq., London.<br />

We may remark that the figures in the whole of these<br />

windows are accurate portraits, so far as could possibly be<br />

obtained, and are also correct delineations of the style of<br />

dress of the different eras. The handling of some of the<br />

subjects is most artistic, particularly the third window, and<br />

reflects alike the highest credit upon the ability of the<br />

designer and the skill of the manufacturer.<br />

The large bell, hung on the north side, was taken at the<br />

storming of Rangoon, in 1852, by the 51st Light Infantry,<br />

and by that regiment presented to the city. It is composed<br />

of three-parts silver, weighs six cwt., and is valued at about<br />

£2,800.<br />

The field- piece belongs to the Volunteer Artillery, who<br />

meet here for drill in the winter season.<br />

The hall is used for meetings of the citizens, the City<br />

Assizes, Quarter Sessions, County Court, and other public<br />

business.<br />

At the back of the hall, and overlooking the river, is the<br />

Magistrates' -room, wherein is arranged on the walls about<br />

three hundred flint-lock muskets. It was in this room that<br />

the Great Council for the North held its sittings, and it was<br />

here also that the £200,000 was paid to the Scots for their<br />

assistance against Charles I. Beyond this, to the left, is the<br />

City Surveyor's Office, wherein is a valuable collection of<br />

Blue-books and patent specifications. Above is the Council<br />

Chamber of the City.


68<br />

In the Muniment-room are kept the City Archives and<br />

Charters, the most ancient dating from 1155, in which<br />

reference is made to a former Charter granted by Henry I.,<br />

but which has not been found. The Great Charter, conferring<br />

the rights and liberties of the citizens, given at<br />

Westminster, is dated the 18th day of May, 1396, and is<br />

still in existence.<br />

ARMS AND GOVERNMENT.<br />

The Arms of the city are Argent—a cross of St. George,<br />

gules, five lioncels of England passant guardant. The great seal<br />

of the city has this coat of arms between two ostrich feathers<br />

scrolled. It is said that the five lions were added by William<br />

the Conqueror in memory of the five commanders who<br />

defended the city so resolutely against him.<br />

The Government of the city is vested in the Corporation,<br />

which consists of the Lord Mayor, twelve Aldermen,<br />

and thirty-six Councillors. There is also a Recorder,<br />

SheriflP, Town Clerk, and other officers. The Councillors<br />

are elected by the citizens of the six different wards into<br />

which the city is divided, and have the power of selecting<br />

Aldermen, from amongst whom the Lord Mayor is chosen.<br />

Within his own jurisdiction he takes precedence of all<br />

persons, except the Sovereign and heir presumptive, and<br />

on all State occasions wears a scarlet robe and massive<br />

gold chain. The Recorder has precedence next after the<br />

Lord Mayor; his appointment is vested in the Crown.<br />

York returns two members to Parliament.<br />

The Police Station is in the Fish Market, High Jubbergate,<br />

approached from Church Street and Parliament Street.<br />

The fire engines and escape are under the control and<br />

management of the Chief Constable.<br />

THE CASTLE.<br />

In Tower Street is the entrance to York Castle, a term<br />

at present comprising the Assize Courts, Debtors' and<br />

Convicts' Prison, Governor's house, and Clifford's Tower.<br />

With the exception of the last-mentioned, the different<br />

parts are, comparatively speaking, of modern erection.<br />

It is probable that the Romans had a magazine here for<br />

the storage of grain. In 937 the fortress was razed


69<br />

to tlie ground by Athelstane, lest it should be any more a<br />

nursery of rebellion.<br />

The part now known as Clifford's Tower (called<br />

after its first governor) was probably the keep of the<br />

Castle, and was built and garrisoned by William the<br />

Conqueror in order to overawe his rebellious subjects in the<br />

North. It remained the property of the Crown, was the<br />

official residence of the high sheriff of the county, and during<br />

Norman and early Plantagenet times sustained many<br />

assaults ;<br />

it was also the scene of the massacre of the Jews<br />

in the time of Richard I. "When at the summit of its<br />

greatness it was surrounded by the river Foss, and could<br />

only be entered by two drawbridges. In the time of<br />

Eichard III., being much out of order, it was repaired and<br />

in part rebuilt ; but at the time of Henry VIII. was again<br />

in a most ruinous condition, as is described by Leland. At<br />

the beginning of the civil war (1642) it was repaired and<br />

fortified by the Earl of Cumberland, whom Charles I. had<br />

appointed lieutenant- general of the royal forces in the North.<br />

He also placed above the gate the royal arms, and underneath<br />

those of the Clifford family, sculptured in stone, with<br />

the motto Desormais," all of which may still be seen. On<br />

the top of the Tower a platform was constructed, upon<br />

which were placed two culverins and a saker. It suffered<br />

severely during the siege, and upon the surrender of the<br />

royalists in 1644 the Castle was dismantled of its garrison<br />

excepting Clifford's Tower, in which there still remained 60<br />

Foot and several pieces of ordnance. In 1683 Sir John<br />

Eeresby was made Governor by Charles II., and in the following<br />

year, April 23rd, St. George's Day, a fire occurred,<br />

in which the powder magazine was blown up and the interior<br />

of the Tower burnt to ashes, leaving the walls only<br />

standing, and in this condition it has remained ever since.<br />

In 1825 it was purchased by the county magistrates, who<br />

were at that time effecting improvements in the Castle ;<br />

it is<br />

now preserved with great care, the ground upon which it<br />

stands being strengthened and supported by a strong wall<br />

built round it. There is little in the interior suggestive of<br />

the stormy times through which it has passed, the space<br />

being taken up with neatly-arranged beds of flowers. In<br />

the centre rises the enormous flagstaff, and in one corner is


70<br />

the well, now dry, which formerly supplied the garrison<br />

with water, and into which the bodies of the massacred<br />

Jews were cast. A walnut tree, said to have been planted<br />

by George Fox, the founder of the Quakers, whilst incarcerated<br />

in the Castle, once grew here, but a few years ago was<br />

struck by lightning and thrown down. A room with an<br />

arcade of pointed arches, supposed to have been the chapel,<br />

still exists. There are two flights of stairs leading to the<br />

summit of the Tower, from which an extensive view may be<br />

obtained. The cavities in the wall where the beams rested<br />

which supported the first storey are still distinctly visible.<br />

In 1 708 the other towers of the Castle, which had been used<br />

as a county prison, were taken down, and the pile of buildings<br />

at the further end of the yard erected, the stone required<br />

for the purpose being taken from the ruins of St.<br />

Mary's Abbey. This is now called the Dkbtors' Prison.<br />

On our right are the County Assize Courts, erected<br />

in 1673, but rebuilt in 1777. The entrance is through<br />

a portico with Ionic columns 30 feet in height, surmounted<br />

by the royal arms, a statue of Justice, and other<br />

emblematic figures. The Hall is divided into Nisi Prius and<br />

Crown Courts, each thirty feet in diameter, with other<br />

rooms for juries, counsel, and attendants. The assizes for<br />

the North and East Ridings are held here in spring and<br />

summer, and the Winter Gaol Delivery occasionally in December.<br />

On the opposite side of the Castle yard is a similar<br />

building set apart for female debtors and female prisoners on<br />

criminal charges, in the centre of which is the chapel. Here<br />

also, in the north-east corner, is the condemned cell, scaffold,<br />

and graveyard for the burial of those who are executed.<br />

Close to, and commanding a full view of all the different<br />

parts of the prison, is the Governor's house, a neat stone<br />

erection built in 1833. Behind this, and radiating in a<br />

semi-circle, are the convict wards, begun in 1826, which<br />

consist of four double buildings and eight yards attached,<br />

with arrangements for the airing and secuiity of the prisoners.<br />

In a small room are still preserved many morbid<br />

curiosities, including casts of the heads of criminals executed<br />

during the past 150 years, branding irons, thumb screws,<br />

and Dick Turpin's leg irons and waist belt. The central<br />

space or area enclosed by these buildings is the castle yard


71<br />

in it the debtors are allowed to take exercise, and it is also<br />

used as the place of nomination for the members of the<br />

North Eiding, at which times many exciting scenes have been<br />

witnessed. It is said to be capable of holding 40,000 persons.<br />

Anciently the river Foss flowed quite round the<br />

Castle walls, as well as round the keep ;<br />

but in 1805, drawbridge,<br />

gate towers, and rulley post were removed, and the<br />

moat on the south side filled up. In subsequent years the<br />

entire Castle was repaired, prison arrangements remodelled,<br />

and the whole area surrounded by the lofty stone wall which<br />

now exists. These improvements occupied twelve years, and<br />

cost the county £203,530. In the Entrance Lodge are an<br />

indictment room and record room, and every Saturday the<br />

magistrates meet here to examine those accused of smaU<br />

offences from the Ainsty. It is now a Government prison,<br />

and permission to see through is only granted upon application<br />

to the Prison Commissioners, the Home Office, who<br />

must be satisfied that the applicant has some useful object in<br />

view, or else that he is connected with prisons or interested<br />

in prison discipline.<br />

Clifford's Tovter can only be seen over by the written<br />

introduction of a member of the Visiting Committee of<br />

Magistrates of York Castle (for the time being), or the<br />

former Chairman of the Visiting Justices, or of the Lord<br />

Mayor of York. It is advisable to give 24 hours' notice,<br />

when the Governor will forward an order fixing the hour<br />

at which visitors will least interfere with prison duties.<br />

Strangers having no time to wait an answer, are recommended<br />

to apply at the gates of the Castle, between noon<br />

and 1 p.m., when the Governor will meet their wishes, if<br />

he can do so without breach of duty to public interests.


72<br />

CHUEGHES.<br />

All Saints, North-street, is of great antiquity, and was<br />

erected at various periods and in different styles. Its plan is a<br />

narrow nave, with chancel, north and south aisles to both, the<br />

roofs of which are nearly of equal height; south porch,<br />

sacristy, and tower surmounted by a lofty spire. The arches<br />

on the north side of the chancel, with the beautiful arcade<br />

and outer piers of the east wall are Early English (1220).<br />

The nave, arches, and south doorway are of the time of<br />

Henry III. (1260). The east window and aisles belong to<br />

the Decorated i^Qviodi (1300). The chancel window (recently<br />

restored) about 1360. The tower and elegant spire, 120 feet<br />

high, and perhaps the north and south walls were erected<br />

about 1420. The stained glass (14th and 15th centuries) is<br />

considered to be of matchless beauty and interest, particularly<br />

the figures of St. Ann and St. Christopher in the east window,<br />

and other figures in the windows of the south aisle are said<br />

to be unrivalled for their exquisite grace and devotion, as<br />

well as for purity and harmony of colouring. The glass in<br />

the east window of the north aisle dates from about 1300.<br />

In the churchyard are several stone coffins. As a whole,<br />

this is one of the oldest and most interesting churches in the<br />

city. The pulpit is about 250 years old, and has carved upon<br />

it the text— ''How shall they preach except they be sent."<br />

It was completely restored in 1870. There are two large<br />

bells and one sanctus bell.<br />

All Saints, Pavement, corner of High Ousegate, is built<br />

on a very ancient foundation; the present erection dates<br />

from the fifteenth century, and was restored in 1835.<br />

Perpendicular^—consists of nave, with clerestory lights, aisles,<br />

vestry, and tower, surmounted by an octagonal lantern of<br />

great beauty. History tells us that a lighted lamp was<br />

formerly hung in this lantern every night, to guide the<br />

traveller on his way through the immense forest of Galtres<br />

towards the city. The pulpit is of oak, remarkable for<br />

its quaintness and rich carving, and seems to have been<br />

erected in 1634. The tower contains three large bells, and<br />

one small prayer bell.


73<br />

Christ Church, CoUiergate and Kings-square, formerly<br />

called Holy Trinity, King's court, was entirely rebuilt in<br />

1862. Decorated with portions of Perpendicular^—consists of<br />

nave, with aisles, vestry, and tower, in which is a lighted<br />

clock and six bells. The church is very small, and contains<br />

observation.<br />

nothing particularly worthy of<br />

Holy Trinity, Goodramgate, appears to be of great<br />

antiquity. Perpendicular, with Debased windows, three of<br />

which have some stained glass,—consists of nave with aisles,<br />

porch, vestry, and antiquated pews, which carry the mind<br />

back at least a century. It has a low, picturesque-looking<br />

tower, containing three old bells. There is a chapel, opening<br />

from the south aisle, in which is a piscina, and also, so far<br />

as we are aware, the only example in York of<br />

a hagioscope<br />

or oblique opening in the walls, to enable persons outside to<br />

see the Elevation of the Host.<br />

Holy Trinity, Micklegate, not far from the bar, formerly<br />

attached to Trinity Priory, now destroyed. Mixed^— Early<br />

Englishj Decorated^ and Perpendicular^—it consists of nave,<br />

south aisle, western gallery, and tower, in which are two<br />

bells. From Priory- street a south-west view of the tower,<br />

with its Norman belfry windows, strong buttress, and pointed<br />

arches, can be obtained. It is exceedingly picturesque, and<br />

well worthy of notice. It is across the east window of this<br />

church that a ghost is wont to flit, the story of which is told<br />

by the Eev. Baring Gould, in his " Yorkshire Oddities."<br />

St. Clement, in Clementhorpe, is a modern church in the<br />

new district of St. Mary, Bishophill. It is a brick building<br />

of Early Gothic design, erected in 1874, consisting of nave<br />

and apsidal chancel, having lofty clerestory lights and open<br />

timber roof. The capitals of the pillars are finely sculptured.<br />

The east window is a good specimen of modern stained glass^<br />

by Capronnier, of Brussels. There is a small turret with<br />

one bell. The church will accommodate six hundred persons.<br />

Across the nave and chancel, from the apices of the arches,,<br />

wires of galvanized copper are stretched in order to prevent<br />

the unpleasant effects produced by the echoing sound when<br />

the church is partially filled, an experiment which has here<br />

proved quite successful. This is the first attempt in York to<br />

produce a well-proportioned church capable of holding a


74<br />

large congregation at a very moderate cost, viz., £3,500, or<br />

above £5 15s. per sitting.<br />

St. Crux, Pavement, corner of the Shambles : Perpendicular^<br />

with Decorated pillars ; has nave with lofty clerestory<br />

windows and aisles. The tower of brick, in the Italian style,<br />

was surmounted by a cupola, which, in the year 1872, was<br />

taken down on account of its dangerous condition. The<br />

helmet, sword, and gauntlet of the Earl of Northumberland<br />

hang in the north-east corner of the church. He was<br />

beheaded in 1572 on the Pavement, close to the building,<br />

for sedition. At the east end of the south aisle is a quaint<br />

monument to the memory of Eobert Watter, Knt., twice<br />

Lord Mayor of this city, dated 1610. Attached to an old<br />

wooden lectern by an iron chain is a black letter controversial<br />

book, dated 1566, supposed by many to be an old Bible.<br />

There is one large bell, and a small prayer bell. This<br />

church is now closed, as it is considered to be in an unsafe<br />

condition and unfit for public worship.<br />

St. Cuthbert, Peaseholme-green, is said to be a very<br />

ancient church, and to have been in existence at the time of<br />

the Conquest. There is little, however, in its present appearance<br />

to bear out that supposition. Late Perpendicular^ with<br />

Debased; has nave, with timber roof of one span, western<br />

gallery, and tower, containing two bells. In the windows<br />

are a few specimens of early stained glass.<br />

St. Dennis, Walmgate, consists of chancel only, with side<br />

aisles ; the nave, together with the west end of the church<br />

and spire, having been taken down in 1798. Mixture of<br />

Decorated with Perpendicular^ and a Norman doorway on the<br />

south side. The old painted glass is particularly fine, dating<br />

from the fourteenth and fifteenth centuries. In the east<br />

window may be seen the patron saint of the church holding<br />

his head in his hands. In the easternmost window of the<br />

south aisle is an organ, blown by a monk with hand bellows.<br />

Henry Percy, Earl of Northumberland, who fell at Towton<br />

field, is interred here. There is a tradition that this church<br />

was originally a Jewish synagogue, or tabernacle. The<br />

tower was taken down and rebuilt, and the fabric repaired<br />

in 1847. More recently still (18T7), an illuminated clock<br />

has been inserted. There are three large bells, one of which<br />

'<br />

is cracked.


St. Helen, in St. Helen's-square, opposite the Mansion<br />

House, built upon the site of a Roman temple, dedicated to<br />

Diana. Decorated. The church consists of nave, aisles,<br />

chancel, and vestry. It has but few examples of ancient<br />

glass. There is a Norman font, with curiously sculptured<br />

sides, dating from the eleventh century. Peculiarly placed<br />

on an arch over the western entrance, rising above an embattled<br />

parapet, is a small octagonal lantern, of chaste and<br />

elegant design. There are two bells.<br />

St. John, Micklegate, corner of North Street, Decorated^<br />

the windows being Perpendicular^ with a few good specimens<br />

of old stained glass. It has nave with aisles and tower,<br />

having small turret built of timber, filled in with brick<br />

and plaster, in which are hung six bells (three of these were<br />

brought from the church of St. Nicholas when destroyed at<br />

the time of the Reformation) and one sanctus bell. This<br />

church formerly had a steeple, which was blown down in the<br />

16th century, and has not been rebuilt.<br />

St. Lawrence, without Walmgate Bar, has nave and<br />

chancel with tower in dilapidated condition ;<br />

Mixed^ chiefly<br />

Norman^ with some windows of the Decorated period. The<br />

north porch is a splendid specimen of a Norman doorway,<br />

with deeply recessed mouldings. On the opposite side is a<br />

plainer example of the same style. During the siege of York,<br />

in 1644, this church was nearly destroyed, but was rebuilt<br />

from the old materials in l(j6y. Just within the churchyard<br />

are the remains of the stocks, a relic of the past, and the only<br />

example in York. One bell. This church had, perhaps, the<br />

most picturesque appearance of any in the city. It is now<br />

taken down, and will shortly be replaced by one more suited<br />

to the increasing population of the parish.<br />

St. Margaret, Walmgate, on the north side behind some<br />

houses nearly opposite Margaret Street, is justly celebrated<br />

for its Norman porch, which, according to Drake, was brought<br />

from the hospital of St. Nicholas, without Walmgate Bar, at<br />

the dissolution of the religious houses. This remarkable porch<br />

consists of four recessed circular arches, the outer one showing<br />

the signs of the zodiac, with an additional one agreeing with<br />

the thirteen months of the Anglo-Saxon calendar. Between<br />

the signs are figures emblematic of the months. The inner<br />

arches are also enriched with grotesque and elaborate carvings.


76<br />

The pillars supporting the arch are covered with figures. The<br />

doorway has also a carved arch. The church consists of nave,<br />

north aisle, with open timber roof, porch, vestry, and brick<br />

tower, rebuilt in 1684, in which are three large bells, and<br />

on« sanctus bell. The style is Debased,<br />

St. Martin, Coney-street. Late Perpendicular ; consists<br />

of nave, with eleven clerestory windows, side aisles, porch,<br />

and tower, in which is a peal of eight bells. The windows<br />

contain some rare specimens of stained glass of the fifteenth<br />

century ; the west window illustrating the life of the saint to<br />

whom the church is dedicated. The ancient glass of the east<br />

window was taken out about a century ago and inserted in<br />

the Minster, the vacancy being filled with plain, which in<br />

1872 was replaced by the present beautiful stained glass, the<br />

gift of the Oldfields, a much-respected York family. The<br />

design illustrates the life of the Saviour in nine compartments.<br />

The church was thoroughly restored in 1872, and<br />

ornamented with an elaborately carved reredos, showing the<br />

Lord's Supper. At the east end, projecting over the pathway<br />

in Coney Street, is a clock, with large illuminated dials, fixed<br />

on a splendid iron spandril, erected in 1668. On it is the<br />

figure of a man taking a solar observation with a quadrant.<br />

The gurgoyles are particularly quaint. Next to the Minster,<br />

this possesses the best peal of bells in the city.<br />

St. Martin-cum-Gregory, Micklegate, opposite the end<br />

of Eailway- street. Early English, with Perpendicular^ having<br />

six clerestory windows ;<br />

contains nave, side aisles, large<br />

chancel, with aisles, vestry, porch, and tower, in which are<br />

three large bells and one small prayer bell, also a clock with<br />

illuminated dial. We find here some old stained glass in an<br />

excellent state of preservation. The reredos and communion<br />

rails are Renaissance in design. The pulpit is a quaint<br />

specimen of woodwork, on which is carved the text, Preach<br />

the Word in season and out of season," as well as an appropriate<br />

one on the sounding board. On the west side of the<br />

tower, near the ground, is a Eoman funeral sculptured tablet.<br />

The foundation is also supposed to be Roman work.<br />

nave, having clerestory,<br />

St. Mart, Castlegate, consists of<br />

with north and south aisles, chancel, with north aisle or chapel,<br />

and tower, surmounted by a lofty spire of 154 feet, the<br />

highest in the city. The prevailing style is Perpendicular


77<br />

but internally portions of Norman and Early English work<br />

xemain. It is of very early foundation, and is mentioned<br />

thus in Doomsday Book— " Wil de Perci hath the church<br />

of St. Mary." Drake, the historian, says that it is an<br />

ancient rectory of Medieties, belonging to the Earls of<br />

JsTorthumberland and the priory of Kirkham, till both were<br />

consolidated into one rectory about 1400. Underneath<br />

the west window in the north aisle of the nave is a squareheaded<br />

window composed of five lights ; also a blocked-up<br />

doorway, probably leading to the cell of an Anchorite.<br />

In the chancel is a sedilia of three recesses and piscina,<br />

^Iso a stone reredos. In 1870, by the munificence of Dean<br />

Duncombe, this church was thoroughly renovated, repewed,<br />

and newly decorated; the parishioners and others, as an<br />

abiding .testimony of their gratitude, put in the beautiful<br />

east window, representing the nativity of our Blessed Lord.<br />

The grounds surrounding the church, which is daily open<br />

from sunrise to sunset, are tastefully laid out, and furnished<br />

with seats. In the tower are three large bells and one mass<br />

bell. The dedication stone, or a part of it, was discovered<br />

during the restoration, and is now carefully preserved in a<br />

glass case placed against a pillar on the north side of the<br />

chancel aisle. It is now, perhaps, the finest and most<br />

complete parish church in the city. The foundations of the<br />

sacristy still remain on the south side of the chancel, in<br />

which is a doorway formerly leading thereto, but which is<br />

now blocked up.<br />

St. Mary, Bishophill Junior, is near the junction of<br />

Trinity, St. Martin's, and Fetter Lanes. Norman^ with<br />

portions of Decorated. Consists of nave with aisles, chancel<br />

with north aisle, porch, and low tower. The latter is of very<br />

great antiquity, the lower part probably Eoman masonry,<br />

shewing in the upper portions herring-bone work, with undoubtedly<br />

Saxon windows. It is well known to archaeologists<br />

and students of architecture. There are two ancient<br />

bells.<br />

St. Mary, Bishophill Senior, not far from the church<br />

above mentioned, is a very ancient structure. Early English<br />

and Decorated. It has nave, north aisle, porch, and<br />

low tower built partly of brick in 1639, containing a peal of<br />

six bells.


78<br />

St. Maurice, just without Monk Bar, at the foot of Lord<br />

Mayor's Walk, is built on the site of a very old church, has<br />

accommodation for over 600 persons, and was opened in 1878.<br />

It consists of nave, aisles, chancel, south transept, and lofty<br />

tower, containing two bells. Early English in style, with<br />

portions of Decorated. There is a large quantity of carving<br />

on the capitals of the columns, bosses, pulpit, &c., and also<br />

an elaborate reredos. An alms dish and altar cloth of the<br />

time of Queen Mary may be seen in the vestry.<br />

St. Michael-le-Belfry, High Petergate, close to the<br />

south side of the Minster, derives its name from its contiguity<br />

to the belfry of the Cathedral. Florid^ or Late Perpendicular^<br />

of which it is a good example, erected 1545 : the west<br />

front is well worth noticing. The church consists of nave,<br />

with clerestory lights, aisles, vestry, and small octagonal<br />

turret, containing one bell. The baptismal register of the<br />

notorious ^'Guye Fauxe, 16 April, 1570" (as it is written in<br />

Old English characters), is preserved here. On the wall at<br />

the east end is a tablet to the memory of Thomas Gent, the<br />

eccentric historian and printer, who is buried in this church.<br />

The windows contain some rare specimens of .stained glass,<br />

mostly of the time of Henry VIII. The reredos and communion<br />

rails are very massive. Renaissance in design. A<br />

sermon is preached annually in this church on Good Friday,<br />

for the benefit of the Blue Coat Boys' and Grey Coat Girls^<br />

Charity Schools.<br />

St. Michael, corner of Spurriergate and Low Ousegate.<br />

Early Perpendicular ; consists of nave, aisles, and tower, with<br />

six bells. Some of the windows contain good specimens of<br />

old stained glass. The reredos and communion rails are of<br />

massive Renaissance design. This is one of the very few<br />

churches in the kingdom in which the curfew bell is still<br />

tolled (8 p.m.) daily; a bell is also rung at six o'clock every<br />

morning in the week, except Sunday, immediately after<br />

which another bell chimes the number of the day of the<br />

month.<br />

St. Olave, in Marygate, close to one of the entrances of<br />

the Museum grounds. Florid, or Late Perpendicular ; has<br />

nave, aisles, and tower, in which are six bells. This church<br />

during the siege of York in 1644, the<br />

was nearly destroyed<br />

Parliamentarians having placed a battery of guns on the roof.


79<br />

It was afterwards rebuilt with stone taken from the ruins of<br />

St. Mary's Abbey. Siward, Earl of Northumberland, tha<br />

founder of the church, was iDuried here in 1055. The tomb<br />

of Etty, the artist, may be seen in the churchyard. The<br />

windows contain some fragments of old stained glass,<br />

St. Paul, in Holgate Koad, close to the railway bridge,<br />

was erected in 1851, has nave with side aisles, and is in the<br />

Early English style ; has one bell.<br />

St. Sampson, Church Street, is the only church in England<br />

dedicated to this saint. Mostly Perpendicular;—consists<br />

of nave with aisles, modern chancel, vestry, and low towers<br />

containing one large and one small bell. During the siege of<br />

the city in 1644 the tower was so shattered by cannon shots<br />

of the Parliamentarian army that it was soon after reduced<br />

to its present height, and has not since been restored.<br />

St. Saviour, in St. Saviourgate, corner of Hungate, consists<br />

of nave, with aisles, vestry, and low tower; contains<br />

one large and one sanctus bell. Mostly Perpendicular^ with<br />

Debased windows, that in the east containing old stained<br />

glass. In this church are buried Sir John and Lady Hewley,<br />

founders of the alms-houses adjoining the churchyard, and<br />

well known for other acts of liberality.<br />

St. Thomas, Lowther-street, The Groves. Early English;<br />

was built in 1854; contains nave, transepts, and chancel,<br />

with open timber roof and small turret, having two bells.<br />

St. Andrews, between St. Andrewgate and Spen-lane.<br />

During the past century and a half this barn-like building<br />

has been entirely disused as a place of worship, and, according<br />

to Drake, was used partly as a stable and dwelling-house<br />

in his time. In more recent years it has been used as schoolroom,<br />

meeting-room, and for various other local purposes.<br />

Bedern Chapel. (See page 43).


80<br />

CHAPELS-<br />

BAPTIST CHAPEL, in Priory Street, is a Gothic buHding,<br />

with tower ; was erected in 1868 at a cost of about £6,000,<br />

and will seat 700.<br />

CATHOLIC APOSTOLIC CHURCH Mission Eoom is in<br />

Aldwark, immediately at the back of Salem Chapel.<br />

INDEPENDENT.—Lendal Chapel, in Lendal, a plain<br />

brick building, erected in 1816; will seat 1,300. It was here<br />

the Eev. James Parsons commenced his pastorate in York.<br />

Salem Chapel, at the end of St. Saviourgate, a large<br />

square building having a bold front facing the same street.<br />

It has a fine elevated portico, with Ionic pillars of stone and<br />

pediment; was erected in 1839 for the Eev. James Parsons,<br />

who officiated here for over thirty years. It will hold about<br />

1,600 persons.<br />

PEIMITIYE METHODIST. — Ebenezer Chapel, in<br />

Little Stonegate, was erected in 1851 ; will seat about 700.<br />

Nunnery Lane Mission House, erected in 1864; will<br />

seat near 400.<br />

Heslington Eoad Chapel, in Apollo Street, erected in<br />

1868; will seat nearly 300.<br />

Layerthorpe Chapel, in Duke of York Street; will<br />

seat 250.<br />

Victoria Bar Chapel, Bishophill. Eenaissance in style<br />

of red and wliite brick, was erected in 1879 at a cost of<br />

£2,700 ;<br />

will seat 900 persons.<br />

FEIENDS' OE QUAKEES' MEETING HOUSE, in<br />

Friargate, Castlegate ; consists of two buildings ; the first<br />

was erected in 1673 and the latter in 1816, and will seat<br />

1000 persons.<br />

EOMAN CATHOLIC—St. Wilfrid, pro-Cathedral<br />

Church in Duncombe Street, built in 1864. Early English;<br />

—consists of nave, aisles, chancel with apse, side chapels, and<br />

ornamental tower. The principal entrance is through a very<br />

ornate doorway, above which is a figure of the patron saint. In<br />

the chancel is some elaborate carving, including nine heads of<br />

the patriarchs, life size. On the front of the altar is a representation<br />

of The Entombment of Our Saviour. Some of the<br />

windows contain good specimens of modern stained glass.


81<br />

In the sanctuary are three large pictures, representing The<br />

Crucifixion, Eesurrection, and Ascension, from the Munich<br />

School of Painting.<br />

St. George's Chapel, in George Street, Walmgate,<br />

Decorated, consists of nave, aisles, chancel and side chapels,<br />

was erected in 1850. In the rear are large schools attached<br />

to the chapel.<br />

St. Mary's Convent, of the Institute of the Blessed<br />

Virgin Mary, was established in the reign of Charles<br />

II., 1680, for the education of young ladies, and has<br />

carried on the work of upper education from that time until<br />

the present day. The house is situated outside Micklegate<br />

Bar, in one of the most salubrious and genteel suburbs of the<br />

city. From the spacious grounds attached there is easy access<br />

to the country. The old convent has gradually given place<br />

to a more modern and very extensive building, which has<br />

been much improved of late by valuable additions in the<br />

school department. There is also a day school in connection<br />

with this establishment.<br />

Convent of the Sisters of Charity of St. Paul's<br />

at No 2, St. John Street, Lord Mayor's Walk, consists of<br />

nuns who are trained and skilled in the art of teaching,<br />

and who devote their lives to that service in the public<br />

schools connected with their religion.<br />

Poor Clare Abbey (commonly miscalled the Poor Clares<br />

Convent) stands on the right hand side of Lawrence Street,<br />

about a quarter of a mile from Walmgate Bar. It is an<br />

extensive and massive building, erected 1872-78, in the<br />

severe Gothic style of architecture. The plan is a quadrangle,<br />

one side being formed by the chapel and choir ; the<br />

front chiefly by parlours, the other two sides by chapter and<br />

workrooms, novitiate, refectory, infirmary, &c. Connected<br />

with the main building by a corridor is the residence of the<br />

Lay Sisters. It is further intended to build a chaplain's<br />

house close to the present entrance gates. The community<br />

of Poor Clare Abbey belongs to one of the strictest contemplative<br />

orders, that of the Poor Clares Colettines. On their<br />

first arrival in York, 1865, they took up their residence in<br />

Plantation House, Hull Eoad, from which they removed to<br />

their present house in 1872. There are fifteen choir<br />

sisters, including the Lady Abbess, and five lay sisters. The<br />

Q


'<br />

Pilgrim<br />

82<br />

choir sisters are entirely shut out from the outer world by<br />

what is termed the Inclosure. They are never allowed to go<br />

out, nor is anybody allowed to go amongst them ; all communications<br />

are held through an iron grating in the parlour.<br />

The services in the chapel are public ; Mass every morning<br />

at 7 ;<br />

Benediction on Sunday and Wednesday afternoons at<br />

4.30. Visitors are admitted to the parlour from 9 to 12,<br />

and from 1 to 3, Sundays and holidays excepted.<br />

SWEDENBOEGIAN, OR MEMBERS OF THE CHURCH<br />

OF NEW JERUSALEM.—Meeting Room in a yard 13,<br />

St.<br />

Saviourgate, next the Institute.<br />

UNITARIAN CHAPEL, in St. Saviourgate, is an<br />

exceedingly plain and unpretending building, and is<br />

cruciform in plan. It was erected in 1692, and wiU seat<br />

2 5 persons. The Rev. Charles Wellbeloved, a celebrated<br />

antiquary and historian, was minister here for over fifty<br />

years. A schoolroom in connection with the above was<br />

erected in 1878, and is in Spen Lane, immediately behind<br />

the chapel.<br />

UNITED, OR PLYMOUTH BRETHREN. — Small<br />

Meeting House in Webster's Passage, St. Saviourgate, opposite<br />

the church.<br />

WESLEYAN METHODIST CHAPELS.—New Street<br />

Chapkl, the oldest in the city, a very plain square brick<br />

building, erected in 1805 ; will hold 800 persons.<br />

Centenary Chapel, in St. Saviourgate, a large building<br />

of brick, with stone portico ; the pediment is supported on<br />

Ionic ])illars. It was opened in 1840 to commemorate the<br />

€entennry of Wesleyan Methodism; and has seats for 1,500.<br />

Wesley Chapel, Priory Street, is a handsome building of<br />

brick .':nd stone in the Italian style of architecture, erected<br />

in ISTrd at a cost of nearly £10,500; will seat 1,250.<br />

. BOURNE Terrace Chapel, Fishergate, is a building<br />

Me I<br />

similar to the above (Italian), with a campanile tower, in<br />

-which is a lighted clock ; was erected in 1877 at a cost of<br />

£8,300 ;<br />

will seat 850.<br />

Street Chapel, The Groves, a small plain<br />

buildiiig, erected in 1868 ; will hold 400 persons.<br />

Wilton Street School Chapel, Holgate Eoad, erected<br />

in 187:-' ;<br />

will seat 200 ; is used both as a school-room<br />

and pu'ce of worship.


83<br />

WESLEYAN METHODIST FEEE CHURCH, Goodramgate,<br />

near Monk Bar (called Monk Bar Chapel), is a substantial<br />

brick building with stone facings, erected in 1859.<br />

Will seat 800.<br />

WESLEYAN NEW CONNEXION CHAPEL in Peckitt<br />

Street, is of brick, slightly Moorish in style. Was erected in<br />

1856 ;<br />

and will seat 700.<br />

ENGLISH PEESBYTEEIAN, in Priory Street, was erected<br />

in 1880 ; is of white brick finished with stone dressings, has<br />

a low campanile tower. The design is classic. It cost about<br />

.£5,000, and will seat over 500 persons.<br />

ALMSHOUSES AND HOSPITALS.<br />

Agar's Hospital, Monkgate, founded by Alderman<br />

"Thomas Agar,' 1631, for six poor widows.<br />

Barstow's Hospital, Caroline Street, Nunnery Lane, for<br />

six poor people of either sex. Of its origin and history<br />

nothing definite is known. Eebuilt 1859.<br />

Colton's Hospital, in Eougier Street, Tanner Row, for<br />

•eight poor men, was founded by Dr. Colton and his wife in<br />

1717.<br />

Harrison's Hospital, Penley Grove Street, is a neat<br />

stone building in the Tudor style, with chapel in the centre,<br />

and was founded in 1845 by Mrs. Harrison for eight poor<br />

widows.<br />

Hewley's Hospital, St. Saviourgate, was founded by<br />

Dame Sarah, widow of Sir John Hewley, in 1700, for ten<br />

old women. It formerly stood in Tanner Row, but on the<br />

building of the old Railway Station (1840) was taken down,<br />

and the present site obtained. It consists of ten small houses,<br />

in the Elizabethan style, situate behind the church in this<br />

street.<br />

Ingram's Hospital, Bootham, consists of ten brick cottages,<br />

in the centre of which is a chapel, with curious Norman<br />

doorway and square tower. It was founded for the maintenance<br />

of ten poor widows by Sir Arthur Ingram, 1604.<br />

Middleton's Hospital, Skeldergate, founded in 1659 by<br />

Mrs. Anne Middleton for twenty poor freemen's widows.<br />

Over the entrance door is a full-length statue of the<br />

foundress.


84<br />

Mason's Hospital, CoUiergate, for six poor women, is a<br />

small almshouse, founded by Margaret Mason, 1732.<br />

Maison Dieu, in St. Dennis Church Lane, Walmgate,.<br />

rebuilt 1811. Much uncertainty exists as to its original<br />

founders, but it is devoted to the use of four poor shoemakers.<br />

Merchant Tailors' Hospital was built in 1730 by the<br />

Merchant Tailors' Company, for the use of four poor brethren<br />

or sisters. It is situate in Aldwark, adjoining the Company's<br />

HaU.<br />

St. Catherine's Hospital, Holgate Road, is of very<br />

ancient origin, and intended for the entertainment of poor<br />

travellers who could not pay for lodgings in the city. It is<br />

now used for the maintenance of four poor widows, a certain<br />

bequest being made for that purpose by Mrs, Frances<br />

Nicholson in 1709.<br />

St. Michael's (Spurriergate), Hospital, in Friargate, for<br />

four poor people.<br />

St. Thomas's Hospital, Victoria Bar, Nunnery-lane, is a<br />

handsome building, for twelve poor widows. It was founded<br />

by Mr. Luntley, who bequeathed £1,000 in 1791. It<br />

formerly belonged to the Guild of Corpus Christi, and is<br />

dedicated to the memory of St. Thomas a Beckett. The<br />

present erection dates 1862.<br />

Thompson's Hospital, Castlegate, founded in 1700 by<br />

Sir Henry Thompson, for the relief of six poor men.<br />

Trinity Hospital, Merchants' Hall, Fossgate, for five<br />

poor men and five poor women, is under the management o£<br />

the Merchants' Company. It is situate on the site of a<br />

hospital founded in 1373.<br />

Watter's Hospital, Chapel-row, George-street, Walmgate,<br />

was founded by Sir Robert Watter in 1612; consists of.<br />

seven cottages for as many poor women, and was rebuilt in<br />

1844.<br />

Wandesford's, or, as it is generally termed, "The Old<br />

Maids' " Hospital, Bootham, was founded by Mrs. Mary<br />

Wandesford for ten single gentlewomen, 1725. The build-^<br />

ing is of brick, and is separated from the street by a small<br />

grass plot. There is a chapel on the ground floor, in which<br />

service is held every Wednesday and Friday.


85<br />

Wilson's Hospital, Fossbridge, for ten poor women, was<br />

founded and endowed by Mrs. Dorothy Wilson, 1717. The<br />

j)roperty, having lately much increased in value, now affords<br />

relief to sixteen alms-women and eight blind pensioners (nonresident).<br />

Wintersoale's Hospital, Walmgate, founded by Mr.<br />

Percival Winterscale in 1705, for six poor women of St.<br />

Margaret's Parish.<br />

Penitentiary, or Eefuge, is on Bishophill; Was first<br />

established in 1822, and its funds liberally increased by a<br />

.l3equest of £5,000 made by Dr. Beckwith in 1843.<br />

MEDICAL.<br />

COUNTY HOSPITAL,<br />

"Monkgate, is a large and handsome structure of brick,<br />

with stone dressings, consisting of four stories, having an<br />

Italian elevation ;<br />

was erected in 1850. The charity was<br />

founded originally by Lady Elizabeth Hastings in 1740, who<br />

left a legacy of i;500 " for the relief of the diseased<br />

poor of the city and county of York." It is supported by<br />

donations and annual subscriptions. There are 110 beds for<br />

patients. The daily average number of in-patients is at prersent<br />

77. The number of out-patients during the year is<br />

about 4000.<br />

DISPENSAEY,<br />

New Street, was founded in 1788, and removed to its<br />

present situation in 1828, at a cost of about £2000. The<br />

number of patients attended to yearly is over 9,000.<br />

INSTITUTION FOR DISEASES OF THE EYE,<br />

Held in a room in Merchant Tailors' Hall, Aldwark, was<br />

founded in 1831.<br />

HOMOEOPATHIC DISPENSARY,<br />

Victoria Hall, Goodramgate, was established 1851 ;<br />

open on<br />

Tuesdays and Saturdays.<br />

INVALID KITCHEN, Blake Street.<br />

INSTITUTION FOR TRAINED NURSES, No. 7, Bootham.


86<br />

THE EETEEAT,<br />

Heslington Eoad, was establislied 1796 for tlie use of tlie<br />

insane members of the Society of Friends, and others in<br />

profession with them. It stands in the midst of gardens<br />

and pleasure grounds, on an elevated site commanding extensive<br />

views. Since its foundation it has, on several occasions,<br />

been enlarged, and now occupies twenty- eight acres of<br />

land. The founders of this institution, amongst whom the<br />

name of Samuel Tuke stands prominent, were sensible that<br />

great abuses existed in many houses devoted to the treatment<br />

of the insane, fear being at that time considered the great<br />

principle by which these afflicted creatures were to be<br />

governed. George Jepson, the first permanent superintendent,<br />

doubting the wisdom of such a course, abandoned the<br />

system of terror, and endeavoured during thirty years to<br />

influence the patients through the kindly affection of the<br />

heart, and that, too, with great success. This was the first<br />

institution in the country in which the mild system of treatment<br />

was adopted. The number of inmates at present is<br />

about 150. Three-fourths of the income is derived from<br />

payments by the patients, the remainder from annual subscriptions,<br />

donations, legacies, and annuities.<br />

Adjoining is the burial ground for the Society of Friends.<br />

THE YOEK LUNATIC ASYLUM,<br />

In Bootham, was erected by subscription, in 1777, for<br />

the relief of the indigent poor suffering from mental<br />

derangement, and was calculated to accommodate fiftyfour<br />

patients, a limited number of the higher class being<br />

subsequently admitted for the benefit of the institution.<br />

The approach is through an avenue of lime trees nearly<br />

a quarter of a mile in length. The front has a handsome<br />

appearance, four pillars supporting a Doric pediment,<br />

and on the roof is a cylindrical bell tower, surrounded<br />

with small columns, and surmounted with cupola and vane.<br />

The discipline for many years appears to have been of the<br />

most rigorous kind; proper attention was not paid to the<br />

comfort of the inmates, who were exposed to the most cruel<br />

treatment at the hands of the keepers. In consequence of<br />

the violent controversy caused by the publication of Samuel<br />

Tuke's description of The Retreat, a strict investigation into


87<br />

the government of the asylum took place, which resulted in<br />

the dismissal of every servant and officer engaged, and the<br />

resignation of the physician. The rules were revised, and<br />

the whole establishment thoroughly reorganised, since which<br />

time a more humane and gentle regime has been adopted.<br />

Whilst the investigation was in progress a fire occurred<br />

which destroyed one wing of the building, four of the<br />

patients perishing in the flames. The institution has been<br />

considerably enlarged, and has now room for two hundred<br />

patients.<br />

In the grounds is a handsome church, erected in 1865, which<br />

the more convalescent patients are allowed to attend.<br />

The management is vested in a committee of gentlemen<br />

selected from the governors of the institution, who hold quarterly<br />

and annual courts. A donation of £20 constitutes the<br />

giver a life governor. In October, 1877, was celebrated the<br />

centenary of its existence.<br />

THE PAUPER LUNATIC ASYLUM<br />

For the North Eiding of Yorkshire, is at Clifton, about two<br />

miles from York. It is a very extensive pile of buildings, principally<br />

in the Elizabethan style of architecture, and consists of<br />

two wings, running right and left, with the Medical Superintendent's<br />

house in the centre. It was opened in 1847, and<br />

originally designed to accommodate 150 patients; but in 1851<br />

and 1856 such additions were made to it that it is now capable<br />

of domiciling between 500 and 600 patients. The buildings,<br />

with pleasure grounds and shrubberies, occupy about fifteen<br />

acres of land ; the garden and orchard comprise about<br />

forty-five acres. Attached to the establishment is a farm of<br />

about 140 acres, arable and pasture, which is worked by the<br />

patients. There is an embankment 1,000 yards long, 30<br />

feet wide at base, and 12 feet high, near the river, to protect<br />

the grounds from floods. Since the opening there have<br />

been admitted about 2,000 of each sex; the average weekly<br />

cost for each year it has been in existence, per patient for<br />

maintenance, including officers' salaries, attendants, nurses,<br />

servants' wages, together with board and washing, has been<br />

8s. 4d. The average number of patients under care during<br />

the year is between 600 and 700. There is a church<br />

within the grounds capable of seating 320 persons.


88<br />

SCHOLASTIC AND LITEEAEY.<br />

THE EOYAL SCHOOL OF ST.<br />

PETER<br />

Is the school of the Cathedral Church of York, founded 1557<br />

by Queen Mary, who entrusted to the Dean and Chapter certain<br />

lands for its endowment. It is situate in Clifton,<br />

about half a mile from Bootham Bar. The present buildings,<br />

in the Perpendicular style, were purchased by the Dean in 1844<br />

from a Collegiate School started in 1838. There is a chapel<br />

attached {Decorated) built by subscription in 1862. The<br />

residence of the principal is adjoining the school. The<br />

course of education is the same as in all first grade public<br />

schools, and there is also a civil and military department, in<br />

which boys can be prepared for the army, the medical and<br />

legal professions, or business. There are two foundation<br />

scholarships and two free scholarships elected annually.<br />

One exhibitioner is elected annually, who is at liberty to<br />

proceed to any of the University Colleges—value of the<br />

exhibition is £50 a year. This school is one of those to<br />

which the Lady Hastings Exhibitions at Oxford are appropriated.<br />

AECHBISHOP HOLGATE'S SCHOOL,<br />

A collegiate-looking building near the Gillygate end of Lord<br />

Mayor's Walk, was founded by Archbishop Holgate in<br />

1546 as a Free Grammar School ; the original building<br />

was situate in Ogleforth. In 1858, upon a new scheme<br />

of management being drawn up with special reference to<br />

the wants of the middle classes, the present building<br />

(then the Yeoman School) was purchased by the trustees.<br />

It has accommodation for about 100 boarders ;<br />

day boys<br />

are also admitted. The fees are very moderate, and the<br />

Archbishop of York is patron by virtue of his office.<br />

YORK DIOCESAN TRAINING INSTITUTION,<br />

A larger building of a similar character adjoining the above<br />

School, was established (1846) for the preparation of masters<br />

for parochial schools, and is under Government inspection.<br />

There are dormitories for 70 students, who are instructed in


89<br />

?tlie art of teaching under tlie master of the Model and<br />

Practising School which is in connection with this college.<br />

On certain conditions students are admitted on the small<br />

annual payment of £5, others at £35. There is a private*<br />

chapel attached.<br />

BLUE COAT BOYS' SCHOOL.<br />

-St. Anthony's Hall, formerly St. Anthony's Hospital,<br />

Peaseholme Green, was founded by a number of citizens,<br />

without distinction of sex, who formed themselves into<br />

a guild (1446) dedicated to the Blessed Mary and St.<br />

Martin the Confessor, and erected upon a site given by<br />

Sir John Langton about 1450, for the reception of aged<br />

,and impotent poor. This Sir John was grandson of<br />

Sir John de Langton, nine times Mayor of York, who<br />

lived about a century earlier. Although the building<br />

and guild were dedicated as above mentioned the members<br />

persisted in claiming St. Anthony as their patron, and named<br />

their guild after him, notwithstanding the strong prohibition<br />

against such a course contained in their charter. At the<br />

dissolution of religious houses by Henry VIII. this institution<br />

managed to escape, and continued through various<br />

fortunes until 1627, when it was abolished by order of the<br />

Corporation. During the latter 80 or 35 years of the 16th<br />

century it was used partly as a work-house^ partly as a poorhouse,<br />

and partly as a house of correction for the confinement<br />

and punishment of rogues and vagabonds (1586). In<br />

the troublous times of Charles L, this building was offered<br />

to the Council of the North as a magazine for arms, and<br />

stored no doubt with piles of muskets and barrels of gunj)owder.<br />

After the battle of Marston Moor (1644) it was<br />

converted into a hospital for sick and wounded soldiers, and<br />

again in 1655 it became the house of correction—the only<br />

one in the city.<br />

In 1705 all the parts of the building not required for<br />

jail purposes, including the great hall, were appropriated<br />

for the accommodation of a newly formed charitable institution<br />

called the Blue Coat Boys' School, and a century<br />

later another prison being built the whole of the building<br />

was devoted to the same charity. In it 70 poor boys<br />

are now clothed, boarded, and educated, the cost being


90<br />

defrayed by donations and public subscription. The lower<br />

part of the building is of stone, the upper of brick, and on<br />

the ground floor are the committee room, dining hall, kitchen<br />

and other offices. Up stairs is the great hall (81ft. by 27ft. and<br />

40 feet high), dormitories, &c. The open timber roof is of<br />

bold design, and is supported upon arches springing from<br />

pillars, each consisting of the trunk of a tree. It is ornamented<br />

with corbels of angels bearing shields and richly<br />

carved bosses of various devices. A fine organ was erected<br />

on one side in 1858 by Messrs. Forster and Andrews, of Hull.<br />

In this room is also a very valuable collection of English<br />

birds, bequeathed in 1878 by Mr. G. Wright of this city, an<br />

amateur taxidermist of some skill.<br />

In glancing over the history of this building from its<br />

foundation (1450) to the present time, one cannot help being<br />

struck by its eventful career. There is scarcely any purpose<br />

to which it has not been applied. Eobert Davies, the antiquary,<br />

says—<br />

^'<br />

It was originally a house of religion and a<br />

house of charity—a house of festivity and a house of business.<br />

Thus it flourished for nearly a century and a quarter, when<br />

it became a work-house and a poor-house ;<br />

occasionally, a<br />

play-house ; for many years a school of archery, and still<br />

longer a prison-house. In time of war it was a place of<br />

deposit for engines and materials of battle and bloodshed<br />

and then it was converted into a house of refuge and repose<br />

for the sick and wounded. At length, after having borne the<br />

wear and tear, the buffets and the neglect of nearly three<br />

centuries, this venerable structure of mediaeval times became<br />

a house of Christian education, order, and discipline."<br />

GEEY COAT GIELS' SCHOOL,<br />

Monkgate, a simple, unpretending building, erected on the<br />

site of the old school in 1869, at a cost of over £2,000,<br />

where forty-four girls are clothed, boarded, and educated,<br />

to fit them for domestic service. This institution was established<br />

in 1705, and is part of the same charity, under a<br />

committee of ladies, as the Blue Coat Boys' School.<br />

THE YOEKSHIEE SCHOOL FOE THE BLIND,<br />

Situate in Bootham, close to the Bar, was established in 1833<br />

as a memorial to William Wilberforce, statesman and philanthropist,<br />

who represented the county in Parliament for thirty


91<br />

years. The building is of quaint Jacobean arcliitecture, in<br />

tlie form of a quadrangle, overgrown with ivy. Above the<br />

entrance are the arms and cypher of James I. ; and in<br />

the dormitories are sculptured coats of arms of the Earls<br />

of Huntington and Warwick, of Queen Elizabeth's time.<br />

Its object is to enable blind children of both sexes to earn<br />

their own livelihood, by giving them such instruction as shall<br />

best tend to that end. They are taught basket, mat, and<br />

brushmaking ; and a number of articles made by them are<br />

always on sale. Such as have talent for music are carefully<br />

taught, and many of them become church organists and<br />

teachers in their turn. They are also well grounded in the<br />

ordinary branches of an English education.<br />

The building and its surroundings teem with memories<br />

of olden times. It stands on the site of the house of<br />

the Abbot of St. Mary's, and here he dispensed his princely<br />

hospitality centuries ago. The only vestige of this palace now<br />

remaining is the wide and heavy staircase. After the dissolution,<br />

the Abbey was claimed by the Crown, and a splendid palace<br />

for King Henry YHL, called the King's Manor, was erected.<br />

Here James YI. of Scotland and his Consort were received<br />

by Lord Burleigh, on his accession to the Crown of<br />

England in 1603. In the time of Charles I. the Earl<br />

of Strafford resided here for several years, and the King<br />

himself remained one month, on his journey to the North,<br />

and also held Parliaments here. It was a garrison for the<br />

Eoyalist soldiers during the siege of 1644, and in the<br />

time of the Commonwealth was tenanted by Colonel Lilburne,<br />

one of the judges at the trial of the King. In the reign of<br />

James II. it was very nearly becoming a Eoman Catholic<br />

College, his Majesty having granted the use of it for thirty<br />

years to Father Lawson, who was prevented from carrying<br />

out his desire by the enraged citizens. It became a Eoyal<br />

Mint in 1696-7, gold and silver coins being struck. In 1723<br />

it passed to the De Grey family, in whose hands it remained<br />

until 1833, when a lease was obtained by the Committee for<br />

its present purposes.<br />

Visitors are admitted free on every day, except Sundays.<br />

On Thursday afternoons, at 2-30, a concert (admission sixpence)<br />

is given by the pupils in the Music-room, which in<br />

1878 was greatly enlarged. A fine organ is placed at one end.


92<br />

INDUSTRIAL SCHOOL FOR BOYS,<br />

Occupies part of the site of the old workhouse in Marygate,<br />

established in 1848 (certified as an Industrial School<br />

July, 1858). The present premises were built in 1875-6.<br />

There are 120 scholars, who daily receive sound elementary<br />

instruction and a knowledge of some handicraft. All of<br />

them receive three meals daily, and some reside in the school.<br />

INDUSTRIAL SCHOOL FOR GIRLS<br />

Is at 28, Monkgate ; was originally conducted as a part of<br />

the Certified Industrial Schools in Marygate. It was established<br />

in the present premises on the 1st July, 1877. There<br />

is accommodation for upwards of 30 girls, who are lodged<br />

and fed ;<br />

they are also carefully and thoroughly instructed<br />

in household work, and subject to certain regulations.<br />

HAUGHTON'S CHARITY SCHOOL<br />

Was founded by William Haughton, originally a dancing<br />

master in York, who retired to Coldbath Fields, Middlesex,<br />

where he died. He left by will, proved 1773, the sum of<br />

£1,300 to the parish of St. Crux for the edu\3ation of 20 poor<br />

children of that parish. The school is in St. Saviourgate.<br />

WILSON'S CHARITY SCHOOL,<br />

On Fossbridge, was founded by Dorothy Wilson, a maiden<br />

lady, in 1717, for the clothing and education of 50 poor boys<br />

and 20 girls.<br />

GOVERNMENT SCHOOL OF DESIGN,<br />

Minster Yard (formerly St. Peter's School), stands on the site<br />

occupied by the old Deanery, is a branch of the Department<br />

of Practical Art, South Kensington, and was established about<br />

1850. It is a small ecclesiastical-looking building in the Tudor<br />

style, and possesses a good collection of casts of ornaments and<br />

figures from the antique ;<br />

classes are held thrice daily. It is<br />

supported by a Government grant, the fees paid by students,<br />

and local subscriptions, which latter are most disproportionate<br />

to the requirements. The large oil painting, by Marsden,<br />

of " Paul before Agrippa," formerly hung in the Guildhall,<br />

was taken down in order to make room for Alderman<br />

Leeman's window, and presented to the committee of this<br />

institution by the Corporation. On the plot of ground in<br />

iront are three guns used by the Artillery Volunteers for<br />

drill.


93<br />

FEIENDS' BOYS' SCHOOL<br />

Is the very commodious building No. 20, Bootham.<br />

FEIENDS' GIELS' SCHOOL<br />

Is the lofty erection in the street leading from the Mount tO'<br />

Holgate Eoad railway bridge.<br />

GTELS' HIGH SCHOOL<br />

Fishergate House, Fishergate, an establishment for the higher<br />

education of girls of the middle class.<br />

INSTITUTE OF POPULAE SCIENCE & LITEEATUEE,<br />

St. Saviourgate, nearly opposite the church, was established in<br />

1827, and removed here in 1846. The Library (of 6000 vols.)<br />

is open from 7 to 9 p.m., and contains a good selection of<br />

standard works in scientific and general knowledge, as well<br />

as the lighter literature of the day. The reading-room is<br />

open from 8 a.m. till 10 p.m. daily, except Sundays; and is well<br />

supplied with the leading periodicals and daily papers. Lectures<br />

are delivered and entertainments given weekly (on<br />

Tuesdays, at 8 p.m.) during winter, and classes formed for<br />

the study of art, science, language, &c. The Institute is in<br />

union with the Society of Arts, London, and the Yorkshire<br />

Union of Mechanics' Institutes. The number of members<br />

averages 650.<br />

PEIMITIVE METHODIST COLLEGE,<br />

Elmfield, Malton Eoad, established 1864, enlarged in 1876.<br />

Intended for the education of youths of the above persuasion,<br />

and has accommodation for 110 pupils.<br />

LIBEAEIES.<br />

YOEK SUBSCEIPTION LIBEAEY,<br />

Founded in 1794 by the Eev. Charles Welbeloved as the<br />

York Book Society, was removed in 1836 to No. 1, St.,<br />

Leonard's Place ; consists of about 37,000 volumes of the best<br />

literature ;<br />

open from 10 a.m. to 6 p.m. The society is<br />

proprietary, consisting of about three hundred members.<br />

MINSTEE LIBEAEY,<br />

Open on Wednesdays from 11 a.m. to 1 p.m. ;<br />

Saturdays, 2:<br />

to 4 p.m. (See page 42.)


94<br />

INSTITUTE LIBEAEY,<br />

St. Saviourgate; open from 7 to 9 p.m. daily (except Sundays).<br />

EAILWAY LIBKARY AND NEWS-ROOM,<br />

Queen Street, near the new Railway Station<br />

;<br />

open from<br />

1 to 10 p.m., except Sundays ;<br />

contains 6,500 volumes.<br />

CHURCH OF ENGLAND LIBRARY & READING-ROOM,<br />

Friendly Societies' Hall, Castlegate<br />

;<br />

open from 9 a.m. to 10<br />

p.m. daily, except Sundays ; contains 1,000 volumes.<br />

YORK LAW LIBRARY,<br />

3, Spurriergate<br />

;<br />

open from 9 a.m. to 7 p.m.<br />

YOUNG MEN'S CHRISTIAN ASSOCIATION,<br />

Was established in 1870. The rooms are at 9, High Ousegate,<br />

where will be found a library containing about 600<br />

volumes ;<br />

also a reading-room, which is open daily from 9<br />

a.m. to 10 p.m. ;<br />

and on Sundays, from 1-30 to 5-30 p.m.,<br />

and from 7-80 to 9-30 p.m.<br />

MILITAEY.<br />

THE CAVALRY BARRACKS,<br />

Erected in 1726, enlarged 1861, are on the left hand side of<br />

the Fulford road, and lie within the city boundary. The<br />

buildings and grounds occupy about thirty acres. There is<br />

accommodation for one thousand men, with ample stable room<br />

for their horses. Commodious officers' quarters—in front of<br />

which is a well-kept grass plot—with large mess room, face<br />

the entrance gates. The buildings are set out on three sides<br />

of a quadrangle, the centre being set apart as an exercise<br />

ground for foot drill. There is a handsome Gothic Chapel<br />

of Ease within the grounds. A few yards further on are the<br />

INFANTRY BARRACKS,<br />

Occupying about thirty-four acres of ground. The massive<br />

looking building close to the road is the arsenal, and reminds<br />

one strongly of the feudal castles in the middle ages. It is of<br />

brick with stone dressings and towers, the whole capped by<br />

a stone battlement, and is capable of holding six thousand<br />

stand of arms and clothing for the same number of soldiers.<br />

The barracks, a series of brick buildings running east and<br />

west and facing each other, between which is the spacious


95<br />

drill ground, afford accommodation for over eleven hundred<br />

men, with quarters for the officers and their families. The<br />

total cost of the buildings was about £150,000. On the<br />

opposite side of the road, facing the cavalry barracks, is the<br />

MILITAEY HOSPITAL,<br />

Which has recently been considerably enlarged in order to<br />

meet the possible requirements of both sections of the service.<br />

If necessary, one hundred and fifty patients can be received ;<br />

but we sincerely hope that its capabilities will never be so far<br />

tested. The hospital and grounds cover nearly six acres. The<br />

BRANCH WAR OFFICE<br />

For the Northern district, necessitated by the formation of a<br />

military centre at York, is situate at th^ angle of Melbourne<br />

Street and Fishergate, leading towards Fulford. It is a neat<br />

looking building of brick, in the Elizabethan style of architecture,<br />

ornamented with stone ;<br />

has a lofty tower and clock<br />

with two dials. It is intended solely for military purposes,<br />

and is furnished with suites of offices for the Assistant<br />

Quarter-Master-General, Assistant Adjutant-General, Commanding<br />

Officer of Royal Engineers, Medical Officer, Commanding<br />

Officer and Adjutant of Royal Artillery, Ordnance<br />

Committee, Commissariat Department, and various other<br />

•officials.<br />

MILITIA DEPOT<br />

Of the 2nd West York Light Infantry, is in Lowther Street, The<br />

Groves—a residence for the Adjutant, and rooms for storing<br />

the arms of the regiment, which is about one thousand<br />

strong, and is called up annually for driU. This regiment<br />

was raised in York in 1759.<br />

THE DRILL HALL,<br />

St. Andrewgate, belonging to the Rifle Volunteers, is an<br />

ornamental brick building with stone facings, 90 by 60 feet,<br />

with balcony at one end. It was erected in 1872, and is also<br />

used for public meetings.<br />

On the outside is the motto of the<br />

corps: Pro arts et focis.^^<br />

YORK RIFLE VOLUNTEERS<br />

Consists of 364 men and fifteen officers. The armoury is<br />

attached to the Victoria Drill Hall, St. Andrewgate. The<br />

York corps was raised in 1859, and subsequently incorporated<br />

with the 16th W,. R. (Harrogate), 17th W. R. (Knares-


96<br />

borough), 27tli W. R. (Ripon), 31st W. R. (Tadcaster), and<br />

38th W. R. (Selby) Corps of<br />

Rifle Volunteers, and the whole<br />

became the 1st Administrative Battalion of West Riding<br />

Rifle Volunteers, York being the head quarters.<br />

THIRD WEST YORK ARTILLERY VOLUNTEERS<br />

Were raised in 1861. They are divided into two batteries,<br />

with four guns, and consist of 150 men with five oflScers.<br />

They meet for drill in the Guildhall, and on a plot of ground<br />

in front of the School of Design. The armoury is at 49,<br />

Clarence Street.<br />

YORKSHIRE HUSSARS—YEOMANRY CAVALRY<br />

Consists of eight troops of fifty men each, with twenty-six:<br />

officers, who are called up for seven days' drill in May every<br />

year. The regiment was raised about the year 1800. The<br />

armoury and depot is in Bishopthorp e Road, but during the<br />

week of service head quarters are at the De Grey Rooms, St.<br />

Leonard's Place.<br />

PUBLIC BUILDINGS.<br />

CORN EXCHANGE,<br />

In King Street, is a large room, where the Corn Market is<br />

held on Saturdays. It is also used for meetings, concerts,<br />

and entertainments; will seat from 700 to 1,000 persons.<br />

DE GREY ROOMS,<br />

St. Leonard's Place, near Bootham Bar, were erected in<br />

1841, for the Mess of the Officers of the Yorkshire Yeomanry<br />

Cavalry, and named after their colonel. Earl De<br />

Grey, whose portrait hangs in the principal room. This<br />

room is about 60 by 30 feet, with an orchestra, and is<br />

suitable for balls, concerts, entertainments, &c. It is also<br />

used as an ordinary for the barristers frequenting the<br />

Northern Circuit, and as a Mess-room for the Officers of<br />

the Militia.<br />

FRIENDLY SOCIETIES' HALL,<br />

Castlegate, is one of the old mansions formerly inhabited<br />

by the nobility when residing in the city. It consists of a<br />

number of rooms—the largest will seat 600—and is owned<br />

by a "limited" company of shareholders.


97<br />

JUDGES' LODGINGS,<br />

Xendal, is a large, plain building of brick ; stands back<br />

from the street, has a double flight of steps in front, and<br />

is used by the Judges as a residence when presiding at the<br />

:^k.ssizes<br />

THE MASONIC HALL,<br />

Within the enclosure in Duncombe Street, opposite the<br />

Eoman Catholic Pro- Cathedral of St. Wilfrid, is a stone<br />

building with Grecian portico and entablature, bearing<br />

the motto Audi^ vide^ tace^'' and is used by the brethren<br />

of the York Lodge of Freemasons, No. 236 on the roll of<br />

the Grand Lodge of England-—the Zetland Chapter, No.<br />

236— and the Ancient Ebor Preceptory of the Knights<br />

Templars, No. 101, of York. As the early history of<br />

Masonry in this country is so closely identified with the<br />

city of York, we add a few notes which may prove interesting<br />

to the general reader.<br />

It was here that the first Grand Lodge of All England was<br />

held (about 600 or 627 a.d.) under Edwin, the first Christian<br />

King of Northumbria, who presided as Grand Master, and laid<br />

the foundation of the Cathedral. This tradition, supported as<br />

it is by valuable independent testimony, acknowledges York<br />

to be, if not the birthplace, at least the primitive authoritative<br />

seat of Masonry in England. A guild charter was also g:^anted<br />

to the craft by King Athelstane in 926, during whose reign it<br />

is more than probable that another general assembly of<br />

Masons was held in the city. The fortunes and influence of<br />

the Order varied through successive years with the cha^nging<br />

character of the times—occasionally languishing from<br />

neglect, then again reviving under more propitious days---<br />

but always acknowledging allegiance to the seat of Masonic<br />

government, the Grand Lodge at York,<br />

To this Order we owe such architectural monuments as the<br />

Abbey of Westminster, the Tower of London, the Temple,<br />

York Minster, several of our cathedrals, and other structures.<br />

Until the reign of Queen Elizabeth the members of the<br />

Masonic body consisted almost entirely of operatives, but about<br />

this time many noblemen and gentlemen seeking admission<br />

were initiated and enrolled as speculative participators in the<br />

customs and usages of the Order, which now embraces in its<br />

jranks all classes of men, from the crowned heads of civilised


98<br />

Europe to the benighted savage in the wildest wastes of<br />

Africa. This Grand Lodge of All England, after flourishing<br />

several hundred years, gradually declined, and held its last<br />

meeting August 23, 1792, its functions being taken over by<br />

the Grand Lodge of England (London). From this latter<br />

the present Lodge, No. 236, received its warrant of constitution<br />

in July, 1777 ; it is now in a flourishing condition,,<br />

with upwards of 150 subscribing members, and celebrated'<br />

its centenary in 1877. The hall contains several objects of<br />

great Masonic interest. The meetings are held at 7 p.m. on<br />

the first and third Monday in each month from October to<br />

March inclusive, and on the third Monday in each month<br />

from April to September inclusive.<br />

MERCHANTS' HALL,<br />

In Fossgate, is of great antiquity. Over the entrance<br />

gateway are the arms of the company, sculptured in stone,,<br />

with their motto, " Dieu nous donne bonne adventure,''^<br />

The hall itself is approached by an ascent of steps from<br />

the court-yard, and consists of two rooms (formerly one),<br />

each 65 by 25 feet. The inner room contains numerous<br />

portraits of former Governors of the Company, and is<br />

used for guild meetings. The first entered room is used<br />

for a Sunday School. By permission of the Governor,,<br />

these rooms are occasionally let for religious assemblies. The<br />

small room on the right is used by the York Penny Bank.<br />

On opening a large trap-door, at the end of the first large<br />

room, steps are discovered leading to a chapel, in which<br />

service is performed only once a year, generally in April,<br />

when the members of the company are expected to attend<br />

in guild dress ; the chapel has but this one singular entrance.<br />

MERCHANT TAILORS' HALL<br />

Is a building of brick at the bottom of a court in Aldwark<br />

is now used as a mixed National School and for the Eye<br />

Institution. The guild formerly numbered amongst its<br />

members kings, dukes, and earls, and still continues to hold<br />

its meetings in one of the small rooms of the building.<br />

POST OFFICE,<br />

Lendal, a plain substantial stone building, erected in 1840,,<br />

recently enlarged and improved.


99<br />

POSTAL TELEGKAPH OFFICE<br />

Is in Micklegate, opposite the end of<br />

Eailway Street.^ This<br />

is also a post and money order office.<br />

POOR-LAW OFFICES,<br />

Museum Street, a substantial 'building of stone where the<br />

Board of Guardians meet every Thursday, The ground-floor<br />

is used as<br />

a subscription news-room.<br />

SAVINGS BANK,<br />

Corner of St. Helen's Square and Blake Street, built of stone<br />

in the Italian style, and consists of suitable offices, with<br />

a large room on the first floor lent only for charitable and<br />

benevolent purposes, capable of seating about two hundred<br />

persons.<br />

THE ASSEMBLY ROOMS,<br />

Built after a design by the Earl of Burlington, in 1730, at a<br />

cost of £5,000, are entered through a portico with Corinthian<br />

columns in Blake Street, and are used for county and other<br />

balls. The principal room is the Egyptian Hall, 112<br />

feet long by 4jO broad, and 40 in height. There is a<br />

commodious orchestra on one side ; the roof is supported by<br />

54 massive Corinthian columns, the whole being neatly<br />

decorated. There is a smaller room about 60 by 20 feet,<br />

with ladies' and card room adjoining.<br />

. THE<br />

FESTIVAL CONCERT ROOM<br />

Is the largest public room in the city, and will accommodate<br />

about two thousand persons. It has a frontage in the<br />

Alhambra or Moorish style, and is entered from Museum<br />

Street, opposite St. Leonard's Hospital. It was built in 1824<br />

for the convenience of the audience at the evening concerts<br />

of the Yorkshire Musical Festivals, the Assembly Rooms not<br />

being large enough for the purpose. The cost of its erection<br />

was about J69,500. The interior is decorated in accordance<br />

with the principles of Greek art, having a frieze copied from<br />

the Elgin marbles. It is 95 by 60, and 45 feet high ; has a<br />

capacious orchestra, and in the winter season is used for<br />

meetings and musical entertainments. On extraordinary<br />

occasions the large folding doors between this and the<br />

Assembly Rooms are thrown open.


100<br />

THEATRE ROYAL,<br />

Corner of St. Leonard's Place and Buncombe Street, was<br />

erected in 1765, by Tate Wilkinson, an eccentric actor of<br />

his day. The new frontage in St. Leonard's Place, a<br />

handsome Gothic structure •of stone, was built in 1879.<br />

Underneath is a vault or crypt, consisting of a series of<br />

arches, with short Norman pillars, partly hidden by modern<br />

brickwork. This is doubtless a portion of the remains of St.<br />

Peter's Church destroyed by fire in 1137.<br />

VICTORIA HALL,<br />

Goodramgate, formerly the Temperance Lecture Hall, belongs<br />

to the trustees of the Temperance Society. It will accommodate<br />

about one thousand persons ; is prettily decorated, and is<br />

used for entertainments, religious meetings, &c.<br />

YORK GASLIGHT COMPANY'S<br />

Premises in Monkgate were erected in 1823. The principal<br />

object of interest is the elegant chimney, built in the same<br />

proportions as the column in the forum of Trajan at Rome,<br />

and which can be seen for miles on the east side of the city.<br />

YORK POOR-LAW UNION WORKHOUSE<br />

Is a large and commodious building on the Huntington Road.<br />

The Union includes all the parishes (25) of the city, and 44<br />

of the surrounding districts.<br />

YORK NEW WATERWORKS COMPANY.<br />

The head offices are adjoining Lendal Tower. The<br />

pumping engines and reservoirs are on the banks of the<br />

river Ouse about a mile north of the city. The high service<br />

reservoir is on the top of Severus' Hill. This company<br />

was established in 1850, the earliest mention of waterworks<br />

in York dating from 1677, when Lendal Tower was leased<br />

to a London merchant named Richard Whistler for 500 years<br />

at the annual rent of a peppercorn.<br />

YORKSHIRE FIRE AND LIFE INSURANCE<br />

COMPANY'S<br />

Head offices (established 1824), with an Italian front, are<br />

situate at the corner of Lendal and St. Helen's Square,<br />

looking down Coney Street ;<br />

they were built in 1848.<br />

The fire engines and escape are in charge of the police.


101<br />

YORKSHIRE FINE ART AND INDUSTRIAL<br />

INSTITUTION.<br />

This building, wliicli is classic in design, has a frontage of<br />

104 feet, and stands on a plot of ground known as Bearpark's<br />

Gardens, close to the Wilberforce School for the Blind.<br />

The elevation is seen admirably from Bootham Bar and the<br />

De Grey Rooms, being in a line with that end of St. Leonard's<br />

Place. The sides are of white brick, with slight stone dressings.<br />

The front is entirely of stone, and is graced by an<br />

open arcaded portico of five arches, and one in each return.<br />

This portion of the building will be further ornamented by<br />

the addition of statuary and mosaics as soon as there are sufficient<br />

funds in hand to meet the necessary expense. Under<br />

and on each side of the portico, which covers a space of 54 by IS<br />

feet, are several doorways ;<br />

passing through any one of which<br />

we step into the entrance hall (39 by 27 feet), having secretary's<br />

ofiice, lavatories, and other rooms on each side. This<br />

leads immediately into the central lecture or concert hall (87<br />

by 39 feet and 50 feet high), with curved open roof. Flanking<br />

this on either side, and forming continuous galleries<br />

lighted from the top, are rooms for pictures. The one on<br />

the right measures 85 by 29 feet; that on the left, 102 by<br />

29 feet, their uniform height 26 feet. A permanent picture<br />

saloon, about the same size as the last-mentioned gallery, is<br />

over the front part of the building, and is approached by a<br />

wide staircase ; it is furnished with fire-proof floor, and<br />

lighted by double skylights. In addition to paintings, it<br />

is proposed to make also a permanent collection of other works<br />

of art, industry, and technical appliances. This, when complete,<br />

in association with the Museum of the Yorkshire<br />

^'<br />

Philosophical Society, in close proximity to St. Mary's Abbey,<br />

the occupation of the old palace buildings by the Wilberforce<br />

School for the Blind, the whole enclosed by the Abbey Walls,<br />

but yet opened out by a noble square, will form an object of<br />

interest perfectly unique and unsurpassed by anything in the<br />

kingdom."<br />

In this building there are periodic exhibitions of oil<br />

paintings and water colours, with other works of art. The<br />

grand saloon is admirably adapted for the exhibition of<br />

paintings from the clever management of the top lights.<br />

The large hall is occasionally used for lectures and concerts.


102<br />

BKIDGES, MAEKETS, AND FAIKS.<br />

LENDAL BRIDGE<br />

Is of iron, and was erected by the late Thos. Page, C.E., in<br />

1862, at a total cost—including the approaches—of £35,000.<br />

It is designed on the plan of that at Westminster by the<br />

same architect, and replaced an iron girder bridge which fell<br />

before completion, causing the death of six persons. The<br />

span of the single arch is 175ft. 2in., the width 37ft. 10 in.,<br />

with a clear height from the summer level of the river of 25<br />

feet. The ironwork, weighing 380 tons, is formed of six<br />

massive ribs, on which the carriage way is placed : it consists<br />

of strong iron plates overlaid with concrete, and paving<br />

of Mont-Sorrel granite covered with gravel.<br />

In the central portion of the open parapet are a series<br />

of quatrefoils 18 in. in diameter, upon which are fixed shields<br />

with the arms of England, the see of York, and also the<br />

white rose of York, all emblazoned. In the centre on<br />

each side is an ornamental gas standard of two lights, with<br />

devices of roses and fleur-de-lis. Beneath, on the outer sides,<br />

England.<br />

are angels supporting the Red Cross of<br />

From this graceful bridge fine views are obtained of the<br />

Cathedral, Museum grounds and St. Mary's Abbey, Guildhall,<br />

new Railway Hotel, and the windings of the river Ouse.<br />

A toll of one halfpenny is demanded at the lodge.<br />

SCARBOROUGH RAILWAY BRIDGE.<br />

Looking up the river is seen the Scarborough Railway<br />

Bridge—a neat structure of iron, built in 1845, across which<br />

the traflic with the East Riding is principally carried on.<br />

There is also a path for foot passengers.<br />

OUSE BRIDGE<br />

Is built of stone, and connects Micklegate with Ousegate.<br />

It consists of three elliptical arches, the span of the centre<br />

one being 75 feet, and was erected in 1810, the foundation<br />

stone being laid by the Lord Mayor, Geo. Peacock, Esq. It


103<br />

^as finisliecl in 1820, during tlie second mayoralty of Mr»<br />

Peacock, who, by a singular coincidence, laid the last stone<br />

on the 19th of August. There are large and substantial<br />

flights of steps on the south side at each end, which lead<br />

down to the Staiths on both sides of the river.<br />

A bridge has stood here from the earliest times ; and upon<br />

the entry into York of Archbishop William, its patron saint, in<br />

1154, the wooden erection, being crowded, gave way, precipitating<br />

many people into the river "<br />

: oweing to his prayers,<br />

however, none were drowned." The first stone bridge was<br />

built in 1235, and was destroyed by a terrible flood 1564.<br />

In 1268-—an affray occurring here between the citizens and<br />

a Scotch nobleman, which resulted in several deaths—<br />

chapel, dedicated to St. William, was built, in order that<br />

prayers might continually be said for their souls. After the<br />

Eeformation this chapel was successively converted into an<br />

exchange, a council chamber, record ofiice, and felons' prison.<br />

It was taken down in 1810, with the old structure to which<br />

it was attached, both having become very dangerous.<br />

SKELDEEGATE BEIDGE,<br />

Between Skeldergate postern and Tower Street, for the<br />

-convenience of the cattle trafiic, is of iron, from a<br />

design of the late Thos. Page, C.E., and erected under<br />

superintendence of his son, Mr. Geo. G. Page. It<br />

consists of five arches, three of which cross the river and<br />

two for the land traffic on each side the river. The<br />

centre arch has a span of 90 feet ; the other river spans are<br />

30 feet wide and the the land arches 24 feet. It is what is<br />

-called a bascule bridge, having a drawbridge to allow the<br />

passage of masted vessels. The machinery is worked by<br />

-hydraulic power. This is a pay bridge—toll, one halfpenny.<br />

There are five bridges over the Eiver Foss in York, the first<br />

of which is the<br />

BLUE BEIDGE,<br />

'Of wood, on the New Walk, for foot passengers only, and<br />

situate just at the confluence of this river with the Ouse.<br />

The two large guns, trophies from Sebastopol, were placed<br />

liere in 1858. A short distance away from this is the


104<br />

CASTLE MILLS BEIDGE,<br />

Of great antiquity, whicli some years ago was repaired and<br />

improved.<br />

FOSS BEIDGE,<br />

Whicli connects Walmgate with Fossgate, was rebuilt in<br />

1811, the old structure dating from the time of Henry IV.<br />

LAYERTHOEPE BEIDGE,<br />

Formerly very narrow, and guarded at the city end by a<br />

postern, was pulled down and the present one erected in its<br />

place in 1829.<br />

MONK BEIDGE<br />

Is quite modern, and forms the approach from Malton,<br />

Scarborough, and the north-east districts of the county.<br />

THE BONDING WAEEHOUSES<br />

Are of brick, with stone facings, situate at the foot of<br />

Skeldergate near the new iron bridge. They were erected<br />

some three or four years ago, and have proved a very<br />

lucrative investment for the city. We understand an additional<br />

warehouse is<br />

shortly to be built.<br />

MAKKETS.<br />

The Cattle Market is just without the city waUs^<br />

on the plot of ground lying between Walmgate Bar<br />

and George Street postern. It was laid out in 1853,<br />

extends over six and a half acres, and is divided into pens<br />

for sheep and cattle by iron railings. There are also<br />

covered sheds for the sale and storage of wool. The<br />

market is held on alternate Thursdays.<br />

Butchers' Market.—St. Sampson's Square ;<br />

Saturdays.<br />

Corn Market.—Corn Exchange, King Street ;<br />

Satur-<br />

-days, from 12 to 2 p.m.<br />

General Produce Market (Butter, Eggs, Fruit, Poultry, ,<br />

Vegetables, &c.)—Parliament Street ;<br />

Saturdays.


105<br />

Hay Weighs.— -At Cattle Market and on Peasehohne<br />

Green.<br />

Pig- Market.—^Walmgate, near Foss Bridge ; Wednes<br />

days, 8 a.m. till 1 p.m. ;<br />

Saturdays, 8 a.m. till 4 p.m.<br />

Potato Market.—Peaseholme Green ;<br />

Saturdays.<br />

Wool Market.—Is held in tlie sheds at the Cattle<br />

Market, weekly during the season, commencing about the<br />

last Thursday in May and is continued till the second week<br />

in September.<br />

FAIRS.<br />

A Cattle Fair is held in the Cattle Market every fortnight<br />

(Thursday), and on Whit Monday, Lammas, Soulmas,<br />

and Martinmas Days.<br />

Pleasure Fairs are held in Parliament Street at Whitsuntide<br />

and Martinmas.<br />

Statute Hirings are held in Parliament Street at Martinmas<br />

for the hire of agricultural servants.<br />

A Horse Fair is held in Blossom Street, without Micklegate<br />

Bar, the last whole week before Christmas.<br />

MISCELLANEOUS.<br />

BATHS.<br />

Swimming.—At the foot of Marygate ; the bath is 120<br />

by 80 feet. Summer season 1st May to 30th September;<br />

open daily (except Sundays) from 6 a.m. to 9 p.m. On<br />

Tuesdays and Thursdays the bath is reserved for ladies<br />

between 10 a.m. and 1 p.m.<br />

Public Baths, in St. George's Field, on the left bank of<br />

the river Foss, opened in 1880, are in the Italian style, of<br />

red and white brick. The two devoted to swimming are each<br />

70 feet by 25 feet; there are also slipper baths, with arrangements<br />

for hot and cold water. Open :—Summer season, Ist<br />

April ending 30th September ;<br />

week-days 6 a.m. to 9 p.m.<br />

Sundays 6 to 9 a.m. Winter season, 1st October ending 31st<br />

March; week-days, 7 a.m. to 8 p.m.; Sundays, in October and<br />

March only, 7 to 9 a.m. Charges :—First class, slipper bath<br />

(warm or cold) 6d., swimming 4d.; second class, slipper bath


106<br />

(warm or cold) Sd., swimming 2d. On Wednesdays in<br />

€very week the baths are reserved for the exclusive use of<br />

ladies at the same charges.<br />

Yearsley Bridge Baths, on the Foss, under the care<br />

and protection of the Corporation, for open bathing.<br />

BANKS.<br />

National Provincial Bank of England, 1, Market<br />

Street, corner of<br />

Spurriergate.<br />

York City and County Bank, 13, Parliament Street.<br />

York and East Kiding Bank (Beckett and Co.), 45,<br />

Coney Street.<br />

York Union Bank, 16,<br />

High Ousegate, at the corner of<br />

Parliament Street.<br />

Yorkshire Bank, 30, High Ousegate, at the corner of<br />

Nessgate.<br />

Savings Bank, St. Helen's Square.<br />

Penny Bank, Merchants' Hall, Fossgate.<br />

YOKK RACES.<br />

These sports take place on Knavesmire, where the committee<br />

have erected stands and every requisite for conducting<br />

the races in the first-rate style of turf affairs.<br />

The meetings are held in May and August. There are also<br />

steeple -chases in March, or early in April. Upwards of<br />

£3,000 are annually added to the stakes by the Race Committee<br />

from their receipts.<br />

This city and neighbourhood have long been famous for<br />

this kind of diversion, being alluded to by Camden (1590).<br />

The modern races were established in 1709, and were formerly<br />

run on Clifton Ings, but, owing to some dispute, were<br />

transferred to Knavesmire.<br />

STRAYS.<br />

The freemen have the exclusive right of depasturing their<br />

cattle on the different strays belonging to the four ancient<br />

wards of the city. They are large tracts of land on each<br />

side of the suburbs, viz.<br />

Micklegate Stray.—Scarcroft (19 acres), Knavesmire<br />

(348 acres), and Hob Moor (67 acres), outside Micklegate<br />

Bar ;<br />

total, 484 acres.<br />

BooTHAM Stray, without Bootham Bar, at the end of<br />

Clarence Street (128 acres).


107<br />

Monk Stray, without Monk Bar, on the Malton Eoad<br />

{134 acres).<br />

Walmgate Stray.—Low Moor, without Walmgate Bar,<br />

on the Heslington Eoad (81 acres).<br />

These common lands act as lungs to the city, and are much<br />

used by the people for recreation and amusement.<br />

POPULATION<br />

At the last census in 1881 was, within the municipal boundary,<br />

49,377, which, with the suburbs, 10,077, makes a<br />

total of 59,454.<br />

BUEIAL GEOUNDS.<br />

The Cemetery is situate on the east of the city, the entrance<br />

being in the road leading from the Cattle Market to<br />

Pulford Eoad, and was opened in 1837. It is the property<br />

of a joint stock company of shareholders. It occupies about<br />

twelve acres, is tastefully laid out with shrubs and trees, and<br />

has several fine monuments. There is one chapel, divided<br />

for church and dissenting services. The grounds are open<br />

daily (Sundays excepted), April to October, 8 a.m. to 7<br />

p.m. ; October to April, 8 a.m. to 5 p.m.<br />

Cholera Burial Ground is outside the city walls,<br />

nearly opposite the entrance to the New Station. It was set<br />

apart in 1882 for the interment of those who died of the<br />

terrible epidemic which visited this city<br />

in that year.<br />

The Society of Friends have two burial grounds, one in<br />

Jail Lane, now closed, the other behind the Eetreat, Heslington<br />

Eoad.<br />

THE EAILWAY STATION,<br />

Situate in Thief Lane, between Lendal Bridge and Micklegate<br />

Bar, outside the Walls. It was opened June, 1877: is said<br />

to be the handsomest station in England, and covers, with its<br />

appurtenances, including goods and mineral depots and<br />

sidings, 130 acres. Its appointments are of the highest<br />

class, and it is supplied with every modern scientific improvement.<br />

Attached is a splendid hotel, capable of accommodating<br />

120 visitors, and commanding beautiful views of the<br />

river. Museum Grounds, St. Mary's Abbey, Lendal Bridge,<br />

iand the Cathedral. The plot of ground in front is tastefully<br />

laid out with flower beds and shrubbery.


108<br />

STREETS.<br />

Names and Architecture.—^Many of tlie streets of<br />

York, notwithstanding considerable recent improvements,<br />

are still very narrow and irregular. Up to within the<br />

last forty or fifty years, numerous houses with overhanging<br />

stories, through whose topmost windows people living<br />

on opposite sides of the street could easily shake hands,<br />

might be found in several localities. Of these relics of<br />

the middle ages, built of timber and plaster, scarcely<br />

any now remain. Probably the quaintest and most<br />

interesting streets to the visitor are Stonegate, Fossgate,<br />

College Street, Goodramgate, Finkle Street, Water Lane,,<br />

Walmgate, and Petergate.<br />

In and about the city are a number of large mansions,<br />

once the town houses of the nobility, when York was a<br />

fashionable city, and the centre of attraction for the<br />

north of England. Occasionally a sedan chair may even yet<br />

be seen—and two or three examples of the extinguisher for<br />

the torches, carried by the link boys before the age of gas,<br />

remain affixed to certain old residences. Bootham, Monkgate,<br />

Parliament Street (in which fairs and markets are held), St.<br />

Leonard's Place and Museum Street (both containing very<br />

fine houses), are all broad open thoroughfares of modern<br />

construction.<br />

We append some of the old names which still survive,<br />

and their origin :<br />

Bootham.—Said by Drake to have derived its name from<br />

the booths annually set up during the fair kept by the Abbot<br />

of St. Mary's ; but probably it is of more ancient orgin,<br />

dating from the time of the Romans, who had their funeral<br />

piles here—the derivation from hoeth " to burn.<br />

Coney Street, from the Saxon word " Conyng '' a king,<br />

Davygate derives its name from David le Lardiner,<br />

Keeper of the King's Yenison in the forest of Galtres, time<br />

of Henry IIL He resided in a mansion called Davy Hall.<br />

Finkle Street (sometimes called " Mucky Peg Lane ")<br />

is derived from the Danish word " Fmc/e," an angle or<br />

corner.<br />

GiLLYGATE, SO called from the Church of St. Giles, which<br />

formerly stood there.


,<br />

JuBBERG-ATE,<br />

,<br />

Knavesmire<br />

,<br />

Spurriergate,<br />

:<br />

Staiths<br />

109<br />

GoODKAMGATE, named after Gutliram or Oodram, a<br />

Danish chief who resided there in Alfred the Great's time.<br />

Jewbury, so called from being used by the Jews as a<br />

burial place, dating from Henry II. 's time.<br />

the principal place of residence for the<br />

Jews in the middle ages, formerly called Jew-burgh-gate.''^<br />

is from the Anglo-Saxon Knave,' ^ a poor<br />

house-holder, and mire,^^ alluding to the watery situation—<br />

thus making it the poor man's field,<br />

Lendal, a supposed corruption of Leonardos Hill, from<br />

its nearness to the hospital of that name.<br />

Micklegate, from the Anglo-Saxon " Michel,^^ great, and<br />

" /z/^A," a port or gate, formerly called Michlelyth, the large<br />

•or spacious street.<br />

Ogleforth, formerly called Uggleforth, said by Dr.<br />

Langwith to be derived from the British word " wcAe/," denoting<br />

high, and "/)oriA," now written and pronounced<br />

"/or^/z," a gate, meaning high gate ; hence we may suppose<br />

that a principal gate or entrance to the Cathedral Close<br />

stood here.<br />

Skeldergate, from the old Dutch word Keller or<br />

Keldar,^^ a cellar or warehouse. In the busy days of York<br />

it was occupied by merchants for the purposes of trade.<br />

the street in which the makers of spurs<br />

resided.<br />

(The).—Staith is a provincial word signifying<br />

wharf. They are on each side of the river at Ouse Bridge.<br />

Stonegate, anciently called " Staynegate,^^ derived its<br />

name from the great quantity of stone carried through it<br />

during the various erections of the Cathedral.<br />

Walmgate, a corruption of Watling-gate, the name of<br />

the Roman street leading to the Humber and eastern<br />

seaports.<br />

Whip-ma-WHOP-MA-GATE, between Colliergate and Fossgate.<br />

The origin of this word is unknown, but it is<br />

supposed to have been a boundary for the public<br />

whipping of delinquents at the cart's tail from the House<br />

of Correction, then on Peaseholme Green. This name is<br />

liow discontinued.


110<br />

MANUFACTURES AND COMMERCE.<br />

The trade of York is but very limited as compared with<br />

the great centres of industry in the West Riding. It has<br />

various manufactures. Confectionery may be said to be itsstaple.<br />

Glass is largely made, as also combs, edge tools,<br />

optical and other instruments, saddlery, wire weaving.<br />

There are several large Iron Foundries, Breweries, Flour,<br />

and Saw Mills.<br />

The Railway Works employ a great number of men^<br />

Leather and drugs are largely dealt in. The city is ornamented<br />

with a good number of really handsome shops in<br />

every class of trade, which will compare very favourably<br />

with any other town in the county.<br />

THE HOTELS<br />

Of York are numerous, and sustain well the character of the<br />

city, being scrupulously clean, liberal, and most reasonable<br />

in their charges.<br />

CLUBS.<br />

Yorkshire (County Gentlemen) Club, Lendal Bridge.<br />

EstabHshed 1839; members, 400; proprietary.<br />

York Club (Professional City Gentlemen), Blake Street..<br />

Established about 1820 ;<br />

members, 75.<br />

City Club (City Tradesmen), Friendly Societies' Hall,<br />

Castlegate. Established 1877; members, 100.<br />

Temperance Club (Social), Feasegate. Established 1878;<br />

members, 100 ; limited company.<br />

Conservative Club (Political), Coney Street, behind<br />

Leak and Thorp's drapery warehouse. Established 1881<br />

members, 600; proprietary.<br />

Liberal Club (Political), Castlegate. Established 1879<br />

about 180 members ; limited company.<br />

PLEASURE BOATS.<br />

Amongst the recreations of the city there are pleasure<br />

boats of every description let out for hire by the hour, whick<br />

can be rowed either up or down the river ;<br />

and during the<br />

summer months vast numbers of visitors, excursionists,,<br />

The<br />

and citizens avail themselves of this enjoyable exercise.<br />

boats can be obtained at the landing places of Lendal, Eling's-<br />

Staith, and Clementhorpe.


Ill<br />

Steamers also, conveying pleasure parties, school children,,<br />

and workmen's anniversary trips, ply daily in summer between<br />

Lendal Bridge and Newton-upon-Ouse, calling at Poppleton,.<br />

Nun Monkton, &c. ; and between King's Staith and Naburn,<br />

calling at the charming village of Bishopthorp e.<br />

KEWSPAPEES.<br />

The " York Herald " is Liberal in politics, and was<br />

estabhshed in 1790, as a weekly paper, the first number<br />

appearing on Saturday, the 2nd of January, in that year.<br />

It was purchased by Mr. William Hargrove in 1813. The<br />

Herald originally consisted of four small pages, which from<br />

time to time were enlarged, till in March, 1843, it was issued<br />

as an eight-page paper. The York Couranty which was<br />

started in August, 1725, and purchased by Mr. Hargrove in<br />

1817, was incorporated with jthe Herald in 1848, after an.<br />

existence of 123 years. In 1855, Mr. Hargrove's two sons<br />

were admitted partners, and the paper was at once enlarged<br />

to twelve pages. Mr. Hargrove, sen., died in 1862, after<br />

a life devoted to the interests of the city. The Yorkshire<br />

Advertiser, another local paper of some years' existence, was<br />

purchased by Messrs. Hargrove in 1871, and incorporated<br />

with the Herald; and, in 1874, the Yorkshire Telegraphy<br />

which had been established in 1869, was also incorporated<br />

with the Herald, In consequence of the great increase in its^<br />

advertisements, the size of the Herald has subsequently<br />

expanded to sixteen pages, and, in 1870, the price wasreduced<br />

from 3d. to 2d., which resulted in a large augmentation<br />

of its circulation. At the close of 1873, Mr. A.<br />

Hargrove retired ;<br />

and Mr. W. W. Hargrove, in conjunction<br />

with some of the principal noblemen and gentlemen of the<br />

county, formed it into a Limited Liability Company, and, in<br />

January, 1874, it was issued as a daily paper. The Herald<br />

is edited with great abihty, whilst the strictest attention,<br />

is paid to commercial, agricultural, sporting, and district<br />

news. The arrangement for early foreign telegrams and the<br />

parliamentary debates are very complete. In short, the<br />

Herald is conducted with great enterprise, the object being<br />

to maintain its position in the foremost rank of the provincial<br />

daily press. As an advertising medium, it is unsurpassed<br />

and its circulation is one of the largest in the provinces,


112<br />

jfco provide for which it is printed on a Prestonian Web<br />

Printing Perfecting Machine, at the rate of 12,000 an hour.<br />

The price of the daily " Herald " is one penny, and the<br />

weekly edition twopence. The offices are at No. 9, Coney<br />

Street.<br />

The " Yorkshire Gazette " commenced its career on<br />

the 23rd of April, 1819. Its first editor was Mr. F. Sharp,<br />

and its publisher Mr. John Wolstenholme. Its proprietary<br />

has always comprised many influential gentlemen of the<br />

Conservative party, among them being several leading<br />

members of the legal profession. The paper was established<br />

to uphold and support constitutional principles in the city<br />

and county of York. Its first editor was soon removed, and<br />

was succeeded by Mr. Philip Francis Sydney, who afterwards<br />

became proprietor of the Yorkshire Observer. He was followed<br />

by Mr. William Cooke Stafford, who was editor from<br />

1821 to 1834, when he purchased and became proprietor of<br />

the York Chronicle. In the meantime, in 1828, Mr. Wolstenholme<br />

retired from the duties of publisher, and was<br />

succeeded by Mr, Henry Bellerby, who remained publisher<br />

until 1851. Mr. Christopher Kemplay was editor from<br />

1834 to 1839, when he became proprietor of the Leeds<br />

Intelligencer. Mr. J. L. Foster—who had been brought up<br />

in the office from 1823, and had acted as sub-editor and<br />

reporter—succeeded Mr. Kemplay as editor, and in 1851 he<br />

also became publisher and managing proprietor in succession<br />

to Mr. H. Bellerby. During its long and successful career<br />

the Yorkshire Gazette has been distinguished for its uniform<br />

and consistent course of policy. It has been the firm<br />

advocate of Conservative principles, possessing the confidence<br />

of its party, and having a large circulation throughout the<br />

county among the wealthier and more influential classes<br />

of society. It has always been in the front in defence of the<br />

EstabHshed Church, and is a valuable authority on Church<br />

matters. Its law reports have been distinguished for their<br />

accuracy. Agriculture has ever been an interest which<br />

claimed its advocacy ; and as a Yorkshire journal it has paid<br />

deserved attention to sporting events. It is published every<br />

Saturday, price 2d., and is the largest and most influential<br />

weekly Conservative paper in the north of England. The<br />

offices are at No. 15, High Ousegate.


113<br />

The "Yorkshire Chronicle," is a paper of independent<br />

Liberal principles, and has a very large circulation<br />

in the agricultural districts and in the city of York.<br />

It was established about thirty years ago by Mr. John<br />

Bell, as the EicJimond and Ripon Chronicle^ and though<br />

Tinder a different proprietary at present, it still holds its first<br />

position in the county. Some years ago it was brought to<br />

York for the advantage of a more convenient centre, and it<br />

has become a city as well as a country organ of opinion. It<br />

is pubhshed every Saturday, at Id. The office is at No. 4,,<br />

Castlegate.<br />

TICINITY, AND PLACES OF INTEREST.<br />

PEOMENADES.<br />

The Esplanade runs along the right margin of the river<br />

from Lendal Bridge to Clifton Scope, about one mile in<br />

length. It is in places planted with trees, has seats here<br />

and there, and forms a very pleasant promenade close<br />

to the city. A boat-house of one of the rowing societies<br />

is placed a short distance beyond the Scarborough railway<br />

bridge.<br />

The New Walk commences at St. George's Field, and<br />

crossing the Blue Bridge, continues along the left bank<br />

of the river, which is overshadowed by stately elms for<br />

almost a mile. The trees were planted in 1733-4 by the<br />

Corporation. Midway between the Blue Bridge and the<br />

end of the Walk is a spring well, remarkable for its<br />

clearness and certain medicinal properties. This is a<br />

charming avenue, and is certainly the pleasantest promenade<br />

the citizens possess. Proceeding onward across<br />

the fields, and past the old mortuary (formerly parish)<br />

church, we arri\^e at the village of Fulford.<br />

Within easy walking distance from the city are the<br />

following<br />

I


114<br />

VILLAGES.<br />

AC0MB, pleasantly situated, about two and a-lialf miles<br />

from York, is approached through Micklegate Bar and Holgate<br />

Lane, and is much frequented by invalids. On the way<br />

the pedestrian will pass on his left the house occupied by<br />

Lindley Murray, the grammarian ; to the right Severus' Hill<br />

and further .on to the left the ornamental nursery grounds of<br />

Messrs. Backhouse & Son, which are well worth a visit. They<br />

contain a remarkable piece of landscape gardening in the<br />

shape of an Alpine grotto, with ferneries, orchid house, and<br />

rare exotics of all descriptions.<br />

St. Stephen's Church is a plain semi- Gothic building of<br />

stone, erected in the early part of this<br />

century, consisting of<br />

nave, small chancel with open timbered roof, short transepts,<br />

and three galleries. There are two bells in the low tower,<br />

on which a somewhat stunted spire is built. The principal<br />

attraction of the church is its position; standing on high<br />

ground surrounded by trees, above which its spire rises and<br />

may be seen from a great distance. There are several monuments<br />

in the church, and two ancient carved chairs near the<br />

communion table.<br />

BISHOPTHORPE, about three miles south of the city,<br />

on the right bank of the Ouse, is the residence of the<br />

Archbishops of York. The palace is an irregular building,<br />

purchased originally by Archbishop Walter De Grey in the<br />

13th century, and approached through a gateway with<br />

crocketed turrets, erected by Archbishop Drummond about<br />

1770, out of stone taken from the ruins of Cawood Castle,<br />

another palace. Archbishop Drummond also erected the<br />

central block of buildings in the Debased Gothic of his time<br />

which now forms the most prominent feature of the house.<br />

There are several fine rooms, the principal being the dining<br />

room, on the walls of which are hung portraits of the<br />

prelates who have filled this see since the Reformation.<br />

The Chapel, a good specimen of Early English^ was built<br />

by Walter De Grey. Archbishop Scrope's mock trial took<br />

place here in 1405. A stately row of poplars lines the<br />

village street.


115<br />

St. Andrew's Church is a small building near the Palace<br />

Perpendicular, Has nave, two small transepts, chancel, and<br />

gallery. The east window of stained glass is said to have<br />

been brought from the old palace at Cawood. On the north<br />

side of the chancel is the Archbishop's throne. There is one<br />

bell.<br />

CLIFTON is about one mile distant from Bootham Bar.<br />

Overlooking the village green is the Church of St. Philip<br />

and St. James. It was erected in 1857 ;<br />

has nave, transepts,<br />

chancel, and tower, with belfry containing six bells. Early<br />

English in style, with open timber roof.<br />

About half a mile beyond is the North and East<br />

EiDiNGS Asylum for pauper lunatics, ^opened in 1847. It<br />

is a large, handsome building, in the Elizabethan style, and<br />

stands in a garden of thirty acres, attached to which is a<br />

grazing farm of upwards of fifty acres. The patients, about<br />

three hundred in number, are extensively employed in<br />

various handicrafts.<br />

There is a chapel connected with the establishment, where<br />

divine service is held on Sundays and Wednesdays. (See<br />

page 87.)<br />

DRINGHOUSES, about one mile and a half south of York,<br />

pleasantly situated beyond Knavesmire, with beautiful church<br />

dedicated to St. Edmund the Confessor. It has nave, chancel,<br />

and small bell turret containing two bells, open timber roof,<br />

oak furniture, handsome reredos and altar ;<br />

all the windows<br />

are of stained glass. Early English; will accommodate<br />

about 300.<br />

ESCRICK, a large village six miles to the south-east. The<br />

church is a gem of architectural work, and worth a<br />

lengthened inspection. Escrick Park, the seat of Lord<br />

Wenlock, is close to the village.<br />

FULFORD, about one and a half miles from York, near the<br />

Ouse. Here, in 1066, Earls Morcar and Edwin were defeated<br />

by the Norwegian chiefs, Harold, Hardrada, and Tosti.<br />

St. Oswald's Church was erected in 1866 at a cost of about<br />

d6 6000, raised by subscription. Early English in style and<br />

has nave, aisles, transepts, chancel, vestry, clock tower, with,<br />

vopen bell chamber, in which is hung one bell, the lights


116<br />

being ornamented, with slender shafts of red granite. This<br />

church was partially destroyed by fire on 13th February,<br />

1877. It has since been restored at a cost of £5079, and<br />

was re-opened in 1878 for public worship.<br />

The old parish church at the bottom of Church Lane near<br />

the river is a low unpretending building of stone with brick<br />

tower, and is only used for funeral purposes.<br />

HESLINGTON, a pretty village, about two miles from York.<br />

On passing the Ketreat a charming lane leads to the Hall, a<br />

mansion in the Elizabethan style, built on three sides of a<br />

quadrangle, with the Yarburgh arms over the entrance, and<br />

figure of Diana the lawn in front. On the south front is the<br />

following inscription!— This ancient mansion was originally<br />

erected by Thomas Eymes, Esq., one of Queen Elizabeth's<br />

Council for the northern part of England, and Secretary and<br />

Keeper of Her Majesty's Seal for the said Council, a.d. 1578 ;<br />

it was restored, altered, and enlarged by Yarburgh Yarburgh,<br />

Esq., 1854." At the restoration, the old banqueting hall<br />

was preserved intact and cased in the new building ; and in<br />

the windows are fine old specimens of stained glass. The<br />

Hall contains a good collection of oil paintings, to which<br />

strangers however aie not admitted. There is a Dutch<br />

garden on the west side filled with trees of box and yew cut<br />

into quaint and peculiar shapes.<br />

St. Paul's is a new church of Earl?/ English; has nave,<br />

chancel, and tower with spire.<br />

It has one bell.<br />

HEWORTH may be classed as one of<br />

the suburbs, and is<br />

about one mile from the city.<br />

Holy Trinity Church, at the angle of Tang Hall Lane and<br />

East Parade (1869), has nave, small transepts, chancel and<br />

spire ; Ear It/ English ; will accommodate about four hundred<br />

people. The east window is of stained glass. The tower<br />

contains two bells.<br />

MAESTON, about seven miles from York on the Knaresbro''<br />

branch of the North Eastern Eailway. Near the village is<br />

Marston Moor, where the famous battle between the Koyalists<br />

and Parliamentarians was fought, July 2nd, 1644. The latter<br />

were commanded by the Earls of Manchester and Leven, Lord<br />

Fairfax, and Oliver Cromwell, Prince Rupert leading on his<br />

Cavaliers. After a fierce struggle the Prince was defeated


117<br />

with great loss. The graves of the slain are now pointed<br />

out in Wilstrop Wood, and a spot on the Moor is still called<br />

" CromwelFs Gap."<br />

OSBALDWICK, about two miles from the city on the<br />

Hull road, leading out of Walmgate Bar. There is a small<br />

church, which has recently been restored.<br />

SKELTON, about four miles to the north of York, is remarkable<br />

for its church, a small but beautiful example of<br />

Early English architecture. It is said to have been built<br />

about the time of Archbishop Walter de Grey (13th century)<br />

of materials which remained after the finishing of the south<br />

transept of the Minster. It is Avell known amongst students<br />

of ecclesiastical architecture.<br />

THE BURTON PICTUEE GALLERY.<br />

Between two and three miles from York on the Boro'bridge<br />

road is Poppleton Villa, the residence of Mr. Burton, an<br />

ardent admirer and connoisseur of the fine arts. His gallery<br />

contains some good examples of Stansfield, Ward, Linnel,<br />

Cooper, Frank Stone, Faed, J. Phillip, R.A., W. Miiller,<br />

Sir John Gilbert, R.A., and many others of the modern<br />

English and Continental schools. The admission fee is one<br />

shilling. We understand that the receipts are given to local<br />

charities.<br />

VICINITY.<br />

Although the country immediately surrounding the city,<br />

owing to its flatness, is not particularly remarkable for its<br />

natural beauty, still within a radius of thirty miles many<br />

charming spots in the vale of York may be found : there are<br />

the mansions and park-like seats of noblemen and county<br />

gentry well watered and beautifully wooded, and probably<br />

richer in historic interest than any other portion of England.<br />

We find numerous remains telling of the rude times of ancient<br />

Britain—tesselated pavements, masonry, and coins—which<br />

speak to us of the days when Imperial Rome selected Eboracum<br />

for the capital of her distant dominions; there are village<br />

churches showing traces of Anglo-Saxon and the simple style


118<br />

of the early Norman age : dotting the country side we find<br />

also ruined abbey and castle keep surrounded with a halo<br />

of mediaeval associations, to reach which one must cross<br />

memorable battle-fields on which has been decided more<br />

than once the title to England's crown.<br />

The following places are easily accessible by rail, returning<br />

the same day :<br />

Aldborough—See Boroughbridge.<br />

Ampleforth—See Coxwold.<br />

Barnard Castle, seventy miles from York by rails. Here<br />

are the remains of an old castle, near which is Greta Bridge<br />

and Rokeby.<br />

Bolton Abbey, in the Vale of the Wharfe, and near to<br />

the celebrated " Strid."<br />

Boroughbridge, about seventeen miles from York (22 by<br />

rails) . About half a mile distant are three curious monoliths,<br />

called the " devil's arrows." Quite close to the town is the<br />

village of Aldborough, the Isuriam of the Eomans, where<br />

numerous Eoman remains may be seen in the Manor House.<br />

Bramham—See Tadcaster.<br />

Byland Abbef—See Coxwold.<br />

Castle Howard, fifteen miles from York, on the Scarborough<br />

Eailway ; mansion and grounds belonging to the<br />

Earl of Carlisle; well worthy of a visit. Here is a picture<br />

gallery containing many fine specimens of the old masters<br />

amongst others, the celebrated Three Maries," by Annibale<br />

Caracci, and a unique collection of views of Venice by Canaletti.<br />

From the train may be seen the ruins of Kirkham<br />

Abbey, picturesquely situate on the Derwent.<br />

CowTHORPE—See Knaresborough.<br />

CoxvrOLD, eighteen miles distant by rails ;<br />

situate near the<br />

Hambleton Hills. Shandy Hall, the residence of Lawrence<br />

Sterne. Newburgh Park, the seat of Sir George 0. Wombwell,<br />

Bart., is a mile and a-half south of the village. Eelics<br />

of Cromwell. North are the beautiful ruins of Byland<br />

Abbey. East is the Eoman Catholic College of Ampleforth<br />

and many tumuli and earthworks supposed to be of British<br />

origin.


119<br />

DoNCASTER, thirty-two miles distant by rails; is a nice clean<br />

town, and well-known for its race-course—tlie St. Leger<br />

being run bere. Not far distant from the town are the<br />

ruins of Tickhill Castle, Eoche Abbey, and Conisborough<br />

Castle.<br />

Fountains Abbey—See Ripon.<br />

Harrogate, twenty miles from York by rails; noted for<br />

its mineral waters and the pureness of its atmosphere.<br />

Helmsley, thirty-two miles by rails. Here is Duncombe<br />

Parkj the residence of the Earl of Fevershani (recently destroyed<br />

by fire), and the remains of Helmsley Castle. About<br />

two miles distant are the beautiful ruins of Rievaulx Abbey<br />

and its matchless terrace.<br />

A few miles to the east is Kirkdale cave, in which<br />

were discovered various mammalian remains, chiefly those of<br />

the hyaena. In the village of Kirkdale is a quaint old church.<br />

Ilkley, forty-two miles by rails ;<br />

in Wharfdale. Famous<br />

for its hydropathic establishments.<br />

KiRKHAM Abbey—See Castle Howard.<br />

Knaresborough, eighteen miles from York by rails.<br />

Ruined castle overhanging the Nidd—Dropping Well — St.<br />

Robert's chapel and cave, the latter the scene of the murder<br />

by Eugene Aram, 1745.<br />

At Cowthorpe, seven miles distant,<br />

is an ancient oak, the largest tree in England, sixty feet<br />

in diameter. Plumpton, three miles distant, is noted for<br />

a number of curioiis detached rocks.<br />

Newburgh Park—See Coxwold.<br />

Plumpton—See Knaresborough.<br />

PoNTEFRACT, twenty-two miles by rails : remains of a<br />

castle, a stronghold in feudal times.<br />

Rievaulx Abbey—See Helmsley.<br />

Richmond, forty-four miles from York ; has the remains<br />

of a castle of the middle ages.<br />

About two miles distant is Easby Abbey.<br />

Ripon, thirty miles by rails ; noted for its minster. Two<br />

miles distant, at Studley Royal, are the ruins of Fountains<br />

Abbey, said to be the most beautiful in England.


120<br />

Selby, twelve miles by rails<br />

;<br />

possesses a fine abbey<br />

cburch,<br />

Scarborough, forty-two miles distant by rails, called<br />

The Queen of Watering-places."<br />

Tadcaster, about fifteen miles by rails ; was the<br />

" Calcaria " of the Romans. Two miles distant is Towton<br />

Field, the site of the battle of 1461. Four miles distant<br />

is Bramham Moor, the scene of another great battle (1408)<br />

and Bramham House, the mansion of George Lane Fox,<br />

Esq.<br />

Whitby, fifty- six miles distant by rails; a quaint old<br />

town, most picturesquely situated on the river Esk as it enters<br />

the German Ocean. The scenery in the neighbourhood is<br />

exceedii\gly wild and romantic.


THE YORKSHIRE FIRE & LIFE<br />

INSURANCE COMPANY,<br />

Established at York, 1824, and Empowered by Act of Parliament,<br />

CAPITAL-£500,000.<br />

Reserve Fund—£804,100. Annual Income—£144,154.<br />

TRUSTEES.<br />

W. H. HARRISON-BROADLEY, ESQ., M.P.<br />

SIR HARCOURT JOHNSTONE, Bart.<br />

THE RIGHT HON. LORD WENLOCK.<br />

DIRECTORS.<br />

ROBT. H. BOWER, Esq., Welham, Malton, CHAIRMAN.<br />

SIR JAMES MEEK, Kt., Middlethorpe Lodge, York,<br />

\ y.^^..^^ rHATOA/rrrM<br />

THE RT. HON. LORD WENLOCK, Escrick DEPUTY<br />

Park, f<br />

CHAIRMEN.<br />

J. SILBURN BARBER, Esq., Osbaldwick, York.<br />

J. B. BARKWORTH, Esq., Raywell, Hull.<br />

LT.-COL. BRIGGS, Catherington House, Horndean,<br />

W. H. HARRISON-BROADLEY,Esq.,M.P.,WeIton,<br />

Hull.<br />

REV. R. DRAKE, Stourmouth.<br />

EDWIN GRAY, Esq., York.<br />

WILLIAM HOTHAM, Esq., Fulford Park, York.<br />

REV. CANON JARRATT. North Cave.<br />

WM. MATTERSON, Esq.,<br />

EDWARD P. MAXSTED, Esq., Hull.<br />

M.D., York.<br />

R. W. F. MILLS, Esq., York.<br />

LT.-COL. PEASE, Hesslewood, Hull.<br />

LT.-COL. SALTMARSHE, Saltmarshe, near<br />

Howden.<br />

JOHN F. TAYLOR, Esq.,Holly Bank House, York.<br />

C. W. AVAKE, Esq., Orniathw^aite House, Keswick<br />

H. J. WARE, Esq., York.<br />

I. WHITAKER. Esq., Hessle, near Hull.<br />

SIR G. O. WOMBWELL, Bart, Newburgh Park,<br />

near Easingwold.<br />

J. P. WOOD, Esq., York,<br />

This Company has been established for more than Fifty-seven years. Ample time has therefore<br />

elapsed to test the soundness of the principles upon which it has been conducted.<br />

LIFE<br />

DEPARTMENT.<br />

This Office combines every substantial advantage offerpd by any Assnrance Company.<br />

The Eates of Premiums, with and without profits, are moderate. The Bonuses granted<br />

are unusually large. Eighty per cent, of the profits divided among the insured, who are<br />

under no liability for partnership. No charge made for Stamps or Medical Fees.<br />

DEPARTMENT.<br />

FIRE<br />

The Eate of Premium for Private Dwelling Houses, built of Brick or Stone, and Tiled<br />

or Slated, Is. 6d. per cent. Insurances are taken on the most moderate terms, in accordance<br />

with the nature of the risk.<br />

Losses caused by the Explosion of Gas are covered by this Company.<br />

FARMING STOCK INSURED AT 5s. PER CENT.<br />

In this Department the Company ranks highest amongst all the Provincial Offices, with<br />

one exception, the amount insured last year being ^4,090,440.<br />

No Extra Charge made for the use of a Steam Thrashing Machine.<br />

Losses by Lightning made good<br />

Prospectuses, Tables of Rates, Forms of Proposal, and every information on the subject of<br />

Fire and Life Insurance business can be obtained on application at the Head Office, York,<br />

or to any of its Agents throughout the United Kingdom.<br />

AUDITORS—WM. PHILLIPS, Esq. THOS. F, WOOD, Esq. GEORGE BROWN, Esq.<br />

JOHN R. HILL, Esq.<br />

BAIVKERS-YORK UNION BANKING COMPANY, YORK.<br />

MEI>I€AL EXAMINER—W. H. JALLAND, Esq., F.R.C.S., YORK.<br />

Sl>M€lTORS-MESSRS. W. & E. GRAY.<br />

SECRETARY & tiENERAl MANAGER-F. L. MAWDESLEY.<br />

ACTUARY—W. L. NEWMAN.<br />

HEAB OFFICE-ST. HELEN'S SQUARE, YORK.


TO H.M. WAR<br />

ROBERT J.<br />

i-^r^m^^ DEPARTMENT.<br />

FARMER,<br />

OPTICIAN,<br />

51, CONEY STEEET, YORK.<br />

MATHEMATICAL, PHYSICAL, & METEOROLOGICAL<br />

INSTRUMENT MANUFACTURER.<br />

SPECTACLES AND EYE-GLASSES<br />

Made and Repaired on the Premises,<br />

accurately prepared.<br />

(LATE M. KLEISEE & 00.,)<br />

WATCH AND CLOCK MAKERS,<br />

JEWELLERS, &c.,<br />

Corner of Little Stonegate,<br />

WEDDING AND<br />

BAHOMETEBS, SPECTACLES,<br />

YORK.<br />

FANCY RINGS.<br />

8sc.<br />

Clocks, Watches, and Jewellery<br />

Cleaned and Repaired.


FURNITURE<br />

HUNTEE & SMALLPAGE,<br />

CABINETMAKERS,<br />

Upholsterers, Carpet Warehous?:men,<br />

aElTEEAL FUEITISIXEBS,<br />

OAEVERS, GILDERS, & GLASS MERCHANTS,<br />

Invite inspection of tlieir Stock of<br />

CABINET FURNITURE<br />

Of every description. The Drawingroom Furniture includes some elegant<br />

Suites variously upholstered, Lounge Chairs, Cabinets, Chimney Glasses,<br />

Over Mantels, Etageres, Whatnots, Brackets, «fec.<br />

-^tc D I N I N G R O O M S U I T E S ^Ic^<br />

In Oak, American Walnut, Mahogany, &c.<br />

LIBRARY AND HALL FURNITURE.<br />

BEDROOM SUITES.<br />

Special attention is invited to the number of Suites in different woods,<br />

and in the most approved designs, from Eight to Sixty Guineas, in addition<br />

to the ordinary extensive Stock of Japanned, Birch, and Mahogany<br />

Bedroom Furniture.<br />

Inexpensive Furnituke adapted for Sittingrooms, Servants'<br />

Bedrooms, &c.<br />

BRASS & IRON BEDSTEADS, AND BEDDING.<br />

In great variety from the best makers. Oriental and Sheepskin Hearthrugs,<br />

Linoleums, Stair Rods, &c.<br />

The newest Tapestry, Lace, and other Curtains ;<br />

Reversible Cretonnes ; and<br />

a choice selection of New Fabrics for upholstery purposes.<br />

CORNICES, CORNICE POLES, 8c<br />

FURNISHING IRONMONGERY.<br />

CARVING AND GILDING.<br />

Orders in this Department carefully executed upon the Premises by<br />

Experienced Workmen. A large and choice Stock of Mouldings adapted<br />

for framing every kind of picture. Re-gilding and re-silvering. Plate<br />

and Sheet Glass, and Silvered Plates.<br />

ALL GOODS DELIVERED CARRIAGE FREE.<br />

CITY FURNISHING ESTABLISHMENT,<br />

42 & 43, GOODRAMGATE, YORK.


Yorkshire Fine Art & Industrial Exhibition, 1879.<br />

CONTINUED<br />

SUCCESS<br />

OF<br />

WHEELER AND WILSON^S<br />

SEWING MACHINES.<br />

The HIGHEST AWARD (a Medal) for the superiority of<br />

design and general applicability of their Sewing Machines.<br />

Also obtained the only "GRAND PRIZE" awarded to<br />

Sewing Machines at the late Paris Exhibition.<br />

THE NEW HAND MACHINE, the most perfect and efficient<br />

yet produced, with Cover complete ... ... £5 5s.<br />

TREADLE MACHINES, from<br />

£5 lOs.<br />

Machines supplied on the Hire System, S/6 per week.<br />

YORK DEPOT: 21, SPURRIERGATE.<br />

Prospectuses sent Post Free.


B. JEFFERSON,<br />

AND<br />

GENERAL WAREHOUSEMAN,<br />

THE<br />

LONDON, BIRMINGHAM,<br />

AND SHEFFIELD<br />

MANCHESTER,<br />

WAREHOUSE,<br />

21, FOSSGATE, YORK.<br />

Sole Manufacturer of<br />

CELEBRATED ORIGINAL ROYAL YORK<br />

BUTTE R-SCOTGH,<br />

'<br />

AS SUPPLIED TO THEIK<br />

ROYAL HIGHNESSES THE PBINOE & PmOESS OP WALES-,<br />

H.E.H.<br />

ALSO TO<br />

THE DUEE OF OAMBEIDGE.


ALVARA HUMPHREY,<br />

ENGLISH AND FOEEIGN<br />

11 and 12, Church Street and King's Square,<br />

YOKK.<br />

N.B.—A. H. begs to inform the public generally<br />

and visitors to York that he has always a large and<br />

well-assorted stock of YOEK HAMS, to which he<br />

respectfully solicits inspection.<br />

NOTE THE ABOVE ADDRES&<br />

No connection with Stalls or Branch Establishments.


CITY<br />

BEEWEEY, YOEK.<br />

13) ej<br />

Id<br />

WINE AND SPIRIT IMPORTERS,<br />

BEANCH ESTABLISHMENT<br />

TO<br />

CITY BREWERY: SPURRIERCIATE, TORE.<br />

BRETT<br />

BROTHERS'<br />

CAPABILITIES AS<br />

WINE AND SPIEIT MERCHANTS<br />

MUST EVER REMAIN UNKNOWN TO YOU<br />

BOTTLED ALES & STOUT.<br />

POEEIGN & ENGLISH LIQUEUES.<br />

All Brands of CHAMPAGNE, from 24/- per doz.:<br />

And every class of WINE & SPIEITS, at Co-operative Prices for Cash.<br />

Remittance with Order, or reference, will claim our special notice.<br />

ONLY SHIPPEES OF OLARETAIEE, at 15/- per doz.<br />

AGENTS FoF^Wrls "OP^^<br />

Splendid tonic wine, highly esteemed througliout Europe for its refreshing<br />

and restorati\re properties ; recommended by many physicians for<br />

giving tone to the muscular and nervous systems, restoring the appetite<br />

and digestion, and improving the general health. In Champagne Quarts,<br />

2/6 per bottle. Please apply for Circulars to<br />

BRETT BROTHERS, YORK.


GETTY RESEARCH INSTITUTE<br />

3 3125 01451 7557

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