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15<br />
completed till 1400. The present main or central lantern-tower<br />
was commenced about 1405, by recasing and enlarging the<br />
height of the bell-tower of John le Romayne. The bells were<br />
taken down, and lay idle thirty years. Being necessary to find<br />
another place for them, it was decided to build two towers at the<br />
west end. The south-west tower in which are the bells was<br />
commenced about 1432, by John de Bermyngham, treasurer.<br />
The north-west tower, in which the great bell "Peter" is<br />
hung, was completed about 1470. In 1472, the edifice as it<br />
now stands being finished was duly reconsecrated on the 8rd<br />
February, by Archbishop Neville. This day was afterwards<br />
observed as the feast of the dedication. The whole time<br />
occupied in the erection of the present building being about<br />
two hundred and forty-four years. From this period to the<br />
Eeformation there does not seem to have been much alteration<br />
;<br />
but, at the change in the form of worship in Henry<br />
VIII.'s time, most of the chantries (forty in number) and<br />
altars, with the shrine of St. William, were removed. Some<br />
of these were again restored in Queen Mary's time. During<br />
the Commonwealth it suffered comparatively little, though it<br />
is said that Cromwell quartered his cavalry in the Minster,<br />
the nave being turned into stables for the horses, at which<br />
time a great deal of the ancient glass was ruthlessly destroyed.<br />
In 1736, the present pavement was laid down under the<br />
direction of the Earl of Burlington.<br />
On September 23rd, 1828, a musical festival was held in<br />
the nave, for the benefit of the Hospital at York and the<br />
Infirmaries at Leeds, Sheffield, and Hull, when ^7200 was<br />
realised. There were two hundred and eighty-five vocal and<br />
one hundred and eighty instrumental performers. In September<br />
of 1825, a second festival was held ; and again, in the<br />
corresponding month of 1828, a third festival, at which two<br />
hundred instrumental and three hundred and sixty-three vocal<br />
performers discoursed sacred music from the oratorios.<br />
On February 2nd, 1829, the choir was set on fire by<br />
Jonathan Martin, who had concealed himself after evening<br />
service on the previous day (Sunday) behind Archbishop<br />
Grenefield's tomb, in the eastern aisle of the north transept.<br />
The choir was completely gutted ; the beautiful carved woodwork,<br />
stalls, pulpit, organ, archbishop's throne, roof, and a<br />
^reat quantity of the stonework being destroyed. The east