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15<br />

completed till 1400. The present main or central lantern-tower<br />

was commenced about 1405, by recasing and enlarging the<br />

height of the bell-tower of John le Romayne. The bells were<br />

taken down, and lay idle thirty years. Being necessary to find<br />

another place for them, it was decided to build two towers at the<br />

west end. The south-west tower in which are the bells was<br />

commenced about 1432, by John de Bermyngham, treasurer.<br />

The north-west tower, in which the great bell "Peter" is<br />

hung, was completed about 1470. In 1472, the edifice as it<br />

now stands being finished was duly reconsecrated on the 8rd<br />

February, by Archbishop Neville. This day was afterwards<br />

observed as the feast of the dedication. The whole time<br />

occupied in the erection of the present building being about<br />

two hundred and forty-four years. From this period to the<br />

Eeformation there does not seem to have been much alteration<br />

;<br />

but, at the change in the form of worship in Henry<br />

VIII.'s time, most of the chantries (forty in number) and<br />

altars, with the shrine of St. William, were removed. Some<br />

of these were again restored in Queen Mary's time. During<br />

the Commonwealth it suffered comparatively little, though it<br />

is said that Cromwell quartered his cavalry in the Minster,<br />

the nave being turned into stables for the horses, at which<br />

time a great deal of the ancient glass was ruthlessly destroyed.<br />

In 1736, the present pavement was laid down under the<br />

direction of the Earl of Burlington.<br />

On September 23rd, 1828, a musical festival was held in<br />

the nave, for the benefit of the Hospital at York and the<br />

Infirmaries at Leeds, Sheffield, and Hull, when ^7200 was<br />

realised. There were two hundred and eighty-five vocal and<br />

one hundred and eighty instrumental performers. In September<br />

of 1825, a second festival was held ; and again, in the<br />

corresponding month of 1828, a third festival, at which two<br />

hundred instrumental and three hundred and sixty-three vocal<br />

performers discoursed sacred music from the oratorios.<br />

On February 2nd, 1829, the choir was set on fire by<br />

Jonathan Martin, who had concealed himself after evening<br />

service on the previous day (Sunday) behind Archbishop<br />

Grenefield's tomb, in the eastern aisle of the north transept.<br />

The choir was completely gutted ; the beautiful carved woodwork,<br />

stalls, pulpit, organ, archbishop's throne, roof, and a<br />

^reat quantity of the stonework being destroyed. The east

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