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55<br />

First, on the right, is George, Prince of Wales, in the<br />

Tobes of the Garter, presented to the city by H.R.H. in 1811,<br />

painted by HofFner.<br />

Second, Sir William M. Milner, Bart., M.P. for the city,<br />

Lord Mayor in 1787 and 1798, painted by Hoffner, at the<br />

expense of the Corporation, as a tribute of affection and<br />

regard.<br />

Third, Sir John Lister Kaye, Bart., M.P. for the city<br />

(1784), Lord Mayor in 1737.<br />

Over the fireplace is a representation of the Sword, Mace,<br />

Cap of Maintenance, and Arms of the City.<br />

Fourth, Robert Benson, Esq., Baron Bingley, M.P. for the<br />

city, 1705, and Lord Mayor, 1707.<br />

Fifth and sixth, King William III. and George II. These<br />

two portraits were painted by Anthony Highmore, and presented<br />

by the Marquis of Rockingham to the Rockingham<br />

Club at York in 1757; placed in this room in 1783.<br />

Over the fireplace are the Arms of England.<br />

Seventh, Lord Rockingham, painted by Sir<br />

Joshua Reynolds,<br />

presented to the Corporation by Lord Fitzwilliam,<br />

May, 1783.<br />

Eighth, the Right Hon. Lord Dundas, M.P. for York, and<br />

thrice Lord Mayor, 1822.<br />

The paintings are all full size, and elegantly framed.<br />

The room is lofty, and lighted with two rows of windows.<br />

It is ornamented with fluted columns, having composite<br />

capitals, and elaborately decorated.<br />

Strangers are only admitted by special permission of the<br />

Lord Mayor.<br />

THE GUILDHALL<br />

Is at the back of the Mansion House, and is approached<br />

through the wide archway under that building. It was<br />

erected in 1446 by the Mayor, Commonalty, and Members<br />

of the Guild of St. Christopher. It is a room of Perpendicular<br />

Gothic^ ninety-three feet by forty-three, and<br />

twenty-nine and a half feet high. The roof is of open<br />

timber work, supported by ten octagonal columns of oak in<br />

two rows, each column being cut out of a single tree, thus<br />

dividing the room into nave and two aisles. The bosses in<br />

the roof are very fine carvings in oak, some of them originally<br />

taken from St. Anthony's Hall. It is lighted by fourteen

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