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Holland [beaver] hat’. Would Huygens please send the hat as soon as<br />

the viols reached him, and he had judged them to be to his satisfaction? 7<br />

The six fragile musical instruments had, Snouckaert wrote, already<br />

been dispatched to Huygens, in a custom-made packing-case, and were<br />

en route to The Hague, under the watchful eye of a ship’s captain from<br />

Middelburg. The total shipping price was 8 shillings, which included a<br />

trusted carrier to deliver the precious cargo safely to Huygens’s door.<br />

Maarten would be grateful for speedy settlement of his bills, as he was<br />

unlikely to return to the Netherlands himself in the near future, and<br />

would have to negotiate transfer of the funds by bill of exchange. 8<br />

Here is an elegantly documented example of Constantijn Huygens’s<br />

day-to-day involvement in what we might call ‘material cultural transactions’<br />

between London and The Hague. His network of international<br />

connections allows him to seek out excellent examples of the most<br />

sought-after and fashionable musical instruments – instruments of<br />

recognised quality and workmanship – and to transfer them from one<br />

national context to another (thereby, we might argue, contributing<br />

to a web of musical influences from one milieu to another). On this<br />

occasion, it is a newly married cousin of Huygens’s who executes the<br />

complicated commission to Huygens’s instructions.<br />

I have chosen this example deliberately because it introduces us<br />

to the part played by the expert judgement of one of Huygens’s oldest<br />

London friends, named here as ‘Lady Stafford’, in transactions of this<br />

sort. It is her assessment of the viols (together with that of another<br />

old friend-at-a-distance of Constantijn’s, an artist and musician first<br />

encountered in convivial gatherings at Lady Stafford’s family home<br />

in London, Nicholas Lanier) which is critical for the completion of the<br />

deal. Together they provide the necessary expert confirmation that the<br />

deal Huygens is transacting across the Narrow Sea, as the North Sea<br />

was sometimes called, is a good one. In the case of Lady Stafford, the<br />

deal, one feels, could not have been concluded successfully without her.<br />

‘Lady Stafford’ is Lady Mary Killigrew – remarried to Sir Thomas<br />

Stafford, gentleman-usher to Queen Henrietta Maria, following the death<br />

of her first husband Sir Robert Killigrew in 1633. On his second stay in<br />

England many years earlier in 1622 (the viols transaction, remember,<br />

takes place in 1638), Constantijn Huygens had struck up a lasting<br />

7 For an interesting discussion of Dutch beaver hats in the period, see T. Brook, Vermeer’s Hat:<br />

The Seventeenth Century and the Dawn of the Global World (New York: Bloomsbury Press,<br />

2008), pp. 42–4.<br />

8 University Library Leiden, Worp, nr. 2035, Cod. Hug. 37, transcribed by Rasch,<br />

pp. 299–300; Appendix IV.<br />

48 TEMPTATION IN THE ARCHIVES

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