LATIN AMERICAN MODEL

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The situation is terrible for the innocent as the Dwyers, which are hunted for reasons they don’t understand and have few allies - even when locals disagree with the crowd, who don’t want to get involved for fear of negative repercussions. Jack and Annie are resourceful and courageous, but their capabilities are limited. That's one of the things that make No Escape so suspenseful. These aren’t the traditional heroes of action. They don’t carry weapons and are unprepared for the nature - kill or be killed for their situation. Violence is shocking to them. About 90 minutes of 103 minutes running time of the film are devoted to the escape. The configuration is inexpensive and, once the bad things begin to happen, is a cascade. Jack and Annie are forced to take desperate and mortals choices. A standout scene involves a jump from the top of a building on the roof to another. The difference is maybe ten feet, but the way this is choreographed by the director John Erick Dowdle (Quarantine) is enough to cause heart palpitations. No Escape doesn’t offer a lot of downtime. There are harrowing scenes of brutality. The film finds a way to break the tension with some jokes of low profile between Hammond and his partner, "Kenny Rogers" (Sahajak Boonthanakit), but never lasts long. NOVEMBER 2015 |154| LATIN AMERICAN MODEL
NOVEMBER 2015 |155| LATIN AMERICAN MODEL Neither Owen Wilson and Lake Bell seem like a natural fit for their roles, but turn out to be perfect choices. With Pierce Brosnan filling the expected part "heroic" gunman which is allowed to be ordinary people caught up in extraordinary circumstances, and that is what makes the film convincing. Brosnan doesn’t have a lot of screen time - Hammond is a supporting character, but he‘s for many of the most dangerous situations. No Escape would have been a different (and probably lower) experience if the roles had been interpreted by well known action stars from yesterday or today. Wilson and Bell inhabit their characters and bring us closer to the situation thoroughly than would be the case, the more general performances expected.
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CASA EDITORIAL LATIN AMERICAN MODEL
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CONTENT No. 60 NOVEMBER 2015 P. 58
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My Editorial I’m very pleased to
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FERNANDA Restrepo By MAURICO HILB D
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PHOTOGRAPHER DI - PUPPE MAURICIO HI
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The cycle is her favorite way of tr
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CASA EDITORIAL LATIN AMERICAN MODEL
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’ I love to make myself known in
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CHEESE AND RAW VEGETABLES SALAD Pre
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After 90 years and three generation
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e's called Hender Alvarez Guerrero
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In his social networks he attempts
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Photo: personal archive WITH JARAMI
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Handle what genre began as a singer
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Born in Barcelona 46 years ago, he
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PHOTOGRAPHER ANTONIO PRIETO NOVEMBE
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As a complement to my work I’m a
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LATIN AMERICAN MODEL

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