notes ubc - Music, School of - University of British Columbia
notes ubc - Music, School of - University of British Columbia
notes ubc - Music, School of - University of British Columbia
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PUBLICATIONS & LECTURES<br />
WILLIAM BENJAMIN<br />
Some New Ideas about Phrase-level<br />
Analysis in Tonal <strong>Music</strong>, invited lecture,<br />
Distinguished Lecturer Series, Santa Barbara,<br />
CA, February 15, 2002.<br />
Some Refinements <strong>of</strong> the Concepts <strong>of</strong><br />
Segmentation in Tonal <strong>Music</strong>, with<br />
Applications to Late Schumann, delivered<br />
at the West Coast Conference for <strong>Music</strong><br />
Theory and Analysis, Annual Meeting,<br />
<strong>University</strong> <strong>of</strong> Victoria, April 27, 2002.<br />
GREGORY BUTLER<br />
The Origins <strong>of</strong> Bach’s Concertos: New<br />
Approaches, delivered at the Pitt <strong>Music</strong>ology<br />
Colloquium, <strong>University</strong> <strong>of</strong> Pittsburgh,<br />
April 12, 2002.<br />
Der ästetische und pädagogische Kontext<br />
J.S. Bachs Italienischen Konzerts. Bachs<br />
Musik für Tasteninstrumente, Dritte<br />
Dortmünder delivered at the Bach-Symposium,<br />
Dortmund, Germany February 1, 2002.<br />
ALEXANDER FISHER<br />
Song, Confession, and Criminality: Trial<br />
Records as Sources for Popular <strong>Music</strong>al<br />
Culture in Early Modern<br />
Europe, published in the<br />
Journal <strong>of</strong> <strong>Music</strong>ology,<br />
fall 2001.<br />
“Gottes Wort” or “Hall und<br />
Schall”: Nationalist Historiography and<br />
Catholic <strong>Music</strong> in Post-Reformation<br />
Germany, presented at the annual meeting<br />
<strong>of</strong> the American <strong>Music</strong>ological Society in<br />
Columbus, Ohio, on November 3, 2002.<br />
2<br />
DAVID METZER<br />
Book in progress entitled <strong>Music</strong> within <strong>Music</strong>:<br />
Quotation and Cultural Meaning in the<br />
Twentieth Century: Cambridge: Cambridge<br />
<strong>University</strong> Press<br />
VERA MICZNIK<br />
Vera Micznik will be working full<br />
time during her study leave (Paris<br />
July 2002 – June 2003) on a new book,<br />
<strong>Music</strong> With/Out Words: A Foray into<br />
<strong>Music</strong>al Discourse, about the mutual interrelationships<br />
between music and words as<br />
manifested in various aspects <strong>of</strong> musical discourse.<br />
JOHN ROEDER<br />
Overload: Competing Practical & Academic<br />
Demands in <strong>Music</strong> at UBC, presented at<br />
Round Table, “Balancing Pr<strong>of</strong>essional Training<br />
and the Liberal Arts in Canadian <strong>Music</strong><br />
Programs”, at the Canadian <strong>University</strong> <strong>Music</strong><br />
Society meeting in Toronto, May, 2002.<br />
Second Thoughts: Repetition, Protention,<br />
and Form in Faure’s Prelude Op. 103,<br />
No. 9, presented at the 2002 Annual<br />
Meeting <strong>of</strong> the Society for <strong>Music</strong> Theory,<br />
November 3, 2002, Columbus, Ohio.<br />
MICHAEL TENZER<br />
Further Approaches to <strong>Music</strong>al Periodicity,<br />
delivered to the Distinguished Lecture Series,<br />
College Park, Maryland, March 15, 2002<br />
and the New England Gamelan<br />
Conference, Wesleyan<br />
<strong>University</strong>, April 19, 2002.