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notes ubc - Music, School of - University of British Columbia

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PUBLICATIONS & LECTURES<br />

WILLIAM BENJAMIN<br />

Some New Ideas about Phrase-level<br />

Analysis in Tonal <strong>Music</strong>, invited lecture,<br />

Distinguished Lecturer Series, Santa Barbara,<br />

CA, February 15, 2002.<br />

Some Refinements <strong>of</strong> the Concepts <strong>of</strong><br />

Segmentation in Tonal <strong>Music</strong>, with<br />

Applications to Late Schumann, delivered<br />

at the West Coast Conference for <strong>Music</strong><br />

Theory and Analysis, Annual Meeting,<br />

<strong>University</strong> <strong>of</strong> Victoria, April 27, 2002.<br />

GREGORY BUTLER<br />

The Origins <strong>of</strong> Bach’s Concertos: New<br />

Approaches, delivered at the Pitt <strong>Music</strong>ology<br />

Colloquium, <strong>University</strong> <strong>of</strong> Pittsburgh,<br />

April 12, 2002.<br />

Der ästetische und pädagogische Kontext<br />

J.S. Bachs Italienischen Konzerts. Bachs<br />

Musik für Tasteninstrumente, Dritte<br />

Dortmünder delivered at the Bach-Symposium,<br />

Dortmund, Germany February 1, 2002.<br />

ALEXANDER FISHER<br />

Song, Confession, and Criminality: Trial<br />

Records as Sources for Popular <strong>Music</strong>al<br />

Culture in Early Modern<br />

Europe, published in the<br />

Journal <strong>of</strong> <strong>Music</strong>ology,<br />

fall 2001.<br />

“Gottes Wort” or “Hall und<br />

Schall”: Nationalist Historiography and<br />

Catholic <strong>Music</strong> in Post-Reformation<br />

Germany, presented at the annual meeting<br />

<strong>of</strong> the American <strong>Music</strong>ological Society in<br />

Columbus, Ohio, on November 3, 2002.<br />

2<br />

DAVID METZER<br />

Book in progress entitled <strong>Music</strong> within <strong>Music</strong>:<br />

Quotation and Cultural Meaning in the<br />

Twentieth Century: Cambridge: Cambridge<br />

<strong>University</strong> Press<br />

VERA MICZNIK<br />

Vera Micznik will be working full<br />

time during her study leave (Paris<br />

July 2002 – June 2003) on a new book,<br />

<strong>Music</strong> With/Out Words: A Foray into<br />

<strong>Music</strong>al Discourse, about the mutual interrelationships<br />

between music and words as<br />

manifested in various aspects <strong>of</strong> musical discourse.<br />

JOHN ROEDER<br />

Overload: Competing Practical & Academic<br />

Demands in <strong>Music</strong> at UBC, presented at<br />

Round Table, “Balancing Pr<strong>of</strong>essional Training<br />

and the Liberal Arts in Canadian <strong>Music</strong><br />

Programs”, at the Canadian <strong>University</strong> <strong>Music</strong><br />

Society meeting in Toronto, May, 2002.<br />

Second Thoughts: Repetition, Protention,<br />

and Form in Faure’s Prelude Op. 103,<br />

No. 9, presented at the 2002 Annual<br />

Meeting <strong>of</strong> the Society for <strong>Music</strong> Theory,<br />

November 3, 2002, Columbus, Ohio.<br />

MICHAEL TENZER<br />

Further Approaches to <strong>Music</strong>al Periodicity,<br />

delivered to the Distinguished Lecture Series,<br />

College Park, Maryland, March 15, 2002<br />

and the New England Gamelan<br />

Conference, Wesleyan<br />

<strong>University</strong>, April 19, 2002.

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