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LES LIASIONS<br />

DANGEREUSES<br />

JUNE<br />

M T W T F S S<br />

10 11<br />

13 14 15 16<br />

7.30pm<br />

Matinee<br />

Sat 11 June, 2.00pm<br />

*Post show discussion<br />

on Tue 14 June<br />

Adapted by<br />

Christopher Hampton<br />

from the novel by<br />

Pierre Choderlos<br />

de Laclos<br />

Director<br />

Crispin Taylor<br />

Performed by<br />

3rd Year<br />

Acting students<br />

ROUNDHOUSE<br />

THEATRE<br />

Tickets<br />

$32 Full<br />

$27 Concession/Friends<br />

Bookings open<br />

Friends 5 April<br />

Public 12 April<br />

Based on the 18th century French novel, Les Liaisons<br />

Dangereuses is a bitingly witty masterpiece of seduction and<br />

revenge. Elegantly and sinisterly, the plot unfolds: The Marquise<br />

and the Vicomte are accomplices in a game of sexual corruption,<br />

deceit and betrayal. Completely oblivious to the emotional<br />

destruction they cause, they scheme together to seduce two<br />

innocent victims.<br />

Their clever game of passion and manipulation, played out in<br />

Parisian salons and bedrooms, turns in on itself when the<br />

Vicomte realises that he is truly in love. The 1988 film version<br />

of Christopher Hampton’s play, Dangerous Liaisons, starring<br />

Glenn Close, John Malkovich and Michelle Pfeiffer, won three<br />

Academy Awards.<br />

A TALE OF TWO CITIES<br />

GEOFF GIBBS THEATRE<br />

"It was the best of times, it was the worst of times..." A Tale of Two Cities, Dickens' immortal<br />

novel of revolution and romance, was adapted for the stage in 1935 by John Gielgud and<br />

Terence Rattigan, two of the brightest theatrical talents of their day. It has been modernised<br />

by one of Australia’s most gifted and imaginative young directors, the multi‐award winning<br />

Adam Spreadbury‐Maher. Retaining the thrill and tension of the French Revolutionary<br />

setting but merging it with a modern, East London aesthetic, this production focuses on the<br />

love triangle that lies at the heart of Dickens’ classic story. <strong>WAAPA</strong> welcomes Hugh Hodgart,<br />

Director of Drama, Dance, Production and Screen at the Royal Conservatoire of Scotland,<br />

to Perth to direct this exciting ensemble piece.<br />

Adapted by Terence Rattigan and John Gielgud from the novel by Charles Dickens<br />

Edited by Adam Spreadbury-Maher<br />

Director Hugh Hodgart<br />

Performed by 3rd Year Acting students<br />

AUGUST<br />

M T W T F S S<br />

19 20<br />

22 23 24 25<br />

7.30pm<br />

Matinee<br />

Sat 20 August,<br />

2.00pm<br />

Tickets<br />

$35 Full<br />

$30 Concession/<br />

Friends<br />

Bookings open<br />

Friends 5 April<br />

Public 12 April<br />

VICTORY<br />

JUNE<br />

M T W T F S S<br />

10 11<br />

13 14 15 16<br />

7.30pm<br />

Written by<br />

Howard Barker<br />

Director<br />

Glenn Hayden<br />

Performed by<br />

2nd Year<br />

Acting students<br />

ENRIGHT<br />

STUDI0<br />

Tickets<br />

$26 Full<br />

$21 Concession/Friends<br />

Bookings open<br />

Friends 5 April<br />

Public 12 April<br />

Howard Barker pulls no punches in Victory, a historical play<br />

set in the wreckage of post-Cromwellian England. It's 1661 and<br />

Charles II has been restored to the throne. On the new king's<br />

vengeful orders, the body of John Bradshaw, the judge who<br />

signed Charles I's death warrant, is to be exhumed and publicly<br />

displayed. Bradshaw's widow sets off on a journey searching<br />

for her husband's abused remains. Meanwhile at court, King<br />

Charles II is forced to appease the influential money-men who<br />

are responsible for his restoration. Barker's drama is epic<br />

political theatre that, in the age of Kosovo, Bosnia and Iraq,<br />

remains as pertinent today as it was when it was written.<br />

TWELFTH NIGHT<br />

AUGUST<br />

M T W T F S S<br />

19 20<br />

22 23 24 25<br />

7.30pm<br />

Matinee<br />

Sat 20 August, 2.00pm<br />

Written by<br />

William Shakespeare<br />

Directed by<br />

Dugald<br />

Bruce‐Lockhardt<br />

Performed by<br />

2nd Year<br />

Acting students<br />

ENRIGHT<br />

STUDIO<br />

Tickets<br />

$26 Full<br />

$21 Concession/Friends<br />

Bookings open<br />

Friends 19 July<br />

Public 26 July<br />

Dugald Bruce-Lockhardt, Associate Director of the UK all-male<br />

Shakespeare company Propeller, directs the Bard's most<br />

perfect comedy, Twelfth Night. Twins Viola and Sebastian,<br />

separated in a shipwreck and presuming each other dead, wash<br />

ashore in the beautiful but mysterious land of Illyria. Revelry,<br />

disguises, swashbuckling and, of course, pining lovers abound<br />

in this hilarious tale of unrequited love and mistaken identity.<br />

The Playboy of the Western World<br />

38 39<br />

ACTING

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