BeatRoute Magazine Alberta print e-edition - Feb. 2016
BeatRoute Magazine is a monthly arts and entertainment paper based in Western Canada with a predominant focus on music – local, independent or otherwise.
BeatRoute Magazine is a monthly arts and entertainment paper based in Western Canada with a predominant focus on music – local, independent or otherwise.
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WHERE NEXT?<br />
creative writing takes on different visual mediums<br />
by B. Simm<br />
ACAD is going to be opening its doors to a<br />
series of speakers from across North American<br />
who will be talking about writing as a<br />
visual medium. Weavers, graphic designers, copy<br />
writers, typesetters and authors are just some of the<br />
artists presenting different views on how we understand<br />
what writing can be in the 21st century.<br />
Derek Beaulieu, Calgary’s Poet Laureate for 2014-<br />
16, explains, “What does writing and reading start<br />
to become like when it incorporates things like<br />
commercials, websites and graphic novels? What<br />
does writing start to look like in a visual context?<br />
Some of the speakers presenting at this unusual<br />
but highly innovative gathering are PhD candidates<br />
and researchers involved with one of a kind<br />
projects. For instance, Jason Edward Lewis, one of<br />
the keynote speakers, from Concordia University<br />
is working a several million dollar federal grant in<br />
which Mohawk youth from around Montreal area<br />
decode and recode computers games so they can<br />
then tell First Nations’ myths.<br />
Another presentation, by Nick Sousanis, who<br />
completing a post-doctorate at the U of C, has<br />
written a dissertation, what Beaulieu refers to as a<br />
“beautiful book”, called Unflattening. It’s the first<br />
time anyone has done a PhD thesis on comics “in<br />
the form of a comic.” Harvard published the 300<br />
page comic which has sold across the globe.<br />
Most people understand what a graphic novel<br />
is, but when writing becomes a visual narrative<br />
embedded in artwork and it’s more abstract than<br />
images which tell explicit stories, interpreting that<br />
narrative may be difficult. Beaulieu says that’s one of<br />
the symposium’s objectives.<br />
“What we’re trying to do is weave between<br />
how were those forms created and how do we<br />
understand it? What tools do we bring to the<br />
table to form a new kind of writing?”<br />
WHERE NEXT?: Creative Writing, Narrative, Film<br />
and Contemporary Art takes place at ACAD on<br />
<strong>Feb</strong>. 12 and 13.<br />
14 | FEBRUARY <strong>2016</strong> • BEATROUTE CITY