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finishing touch<br />
Playing<br />
With Fire<br />
In her Portland studio, designer<br />
Andi Kovel of Esque Studios transforms<br />
molten glass into colorful creations—<br />
including a new foray into lighting.<br />
text by<br />
Heather Corcoran<br />
Esque Studio is based out of a<br />
3,000-square-foot warehouse<br />
in the St. Johns neighborhood<br />
of Portland, Oregon. Designers<br />
Andi Kovel (below) and Justin<br />
Parker share the space with<br />
three dogs and their landlord’s<br />
fleet of champion race cars.<br />
For something that ends up as fragile as glass, the<br />
process behind its making is quite physical. Artist and<br />
designer Andi Kovel picked up the practice while studying<br />
sculpture, and in collaboration with Justin Parker as Esque<br />
Studios, she spins, twists, twirls, and polishes the red-hot<br />
material for nearly every handmade creation. Their design<br />
process usually starts with a sketch, but the pair use their<br />
studio as an arena for improvisation. “The pieces that seem<br />
to work best long-term feel smooth and organic while<br />
we’re making them,” says Kovel, who has worked alongside<br />
Parker for nearly two decades. Their latest experiments,<br />
plus a growing demand for custom projects, have led them<br />
to lighting design, and this year they’ve debuted a collaboration<br />
with fellow Portland makers Cedar & Moss as well<br />
as a line of their own. “Our goal,” says Kovel, “is to lead the<br />
movement of trend by creating new notions in glass—<br />
attaching craft to function to fine art, and to break away<br />
from the notion of craft as kitsch.”<br />
PHOTO BY BOONE SPEED PHOTOGRAPHY<br />
136<br />
SEPTEMBER <strong>2015</strong><br />
DWELL