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Dwell 2015 09

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concepts<br />

Tom Gaffney won’t tell me where he is.<br />

We’re talking on the phone and I know he’s on the<br />

Upper West Side of Manhattan, but he won’t give<br />

away his exact location. Gaffney is on-site installing<br />

a safe room—something most of us know as a “panic<br />

room”—but revealing the address, even the street,<br />

would defeat half the purpose of fortifying a home in<br />

the first place. After all, if someone knows you have<br />

a panic room, they know there’s something you’re<br />

trying to hide or protect.<br />

Gaffney runs a private security design firm called<br />

Gaffco Ballistics, based out of a small town in central<br />

Vermont. Hailing originally from County Sligo,<br />

Ireland, Gaffney still speaks with a rolling brogue,<br />

quickly and concisely. He is not in the business to<br />

waste time. Gaffney explained to me that his entry<br />

into the field came back in 1986. At the time, he was<br />

doing work fortifying—or “hardening”—check-cashing<br />

facilities in some of New York City’s most violent<br />

neighborhoods. For the most part, this meant nothing<br />

more than installing bullet-resistant glass, but it<br />

soon graduated to building self-enclosed, inaccessible<br />

safe rooms inside the businesses.<br />

The safe room, of course, is by no means a modern<br />

invention—as University of Cambridge professor of<br />

classics Jerry Toner pointed out to me in an interview<br />

about burglary in the ancient world—you can see<br />

archaeological evidence of safe rooms even in the<br />

volcanic ruins of ancient Pompeii. Indeed, urban<br />

fortification is all but synonymous with Western history.<br />

From castles on hills to concrete bunkers buried<br />

six feet beneath the back garden, protective architecture<br />

is not an anomaly; it is the rule. Perhaps precisely<br />

because of this, the development of contemporary<br />

panic rooms is a fascinating tale of design innovation,<br />

wealth, occasional paranoia, and brutal necessity. It<br />

is a story of crime, self-protection, and architectural<br />

extremes—and it’s almost certainly not one you’ve<br />

heard before. The first rule of having a panic room is<br />

not to talk about having a panic room.<br />

There are two schools of thought in modern panic<br />

room design. One of these is well represented by<br />

Gaffney’s firm, as well as by SAFE (“Strategically<br />

Armored & Fortified Environments”), a Los Angeles–<br />

based company run by the husband-and-wife team of<br />

Al and Lana Corbi. Gaffco and SAFE both primarily<br />

approach home fortification by means of dissimulation<br />

and disguise. You are not meant to know you’re<br />

in a protected space. Fine woodwork, exacting architectural<br />

details, and precise paint jobs deliberately<br />

cloak the fact that the room you’re standing in is<br />

certainly bulletproof; it is all but guaranteed to be on<br />

24-hour video surveillance; and it is most likely<br />

hooked up to a biometric interface for remotely triggering<br />

automatic locks and security shutters.<br />

As Lana Corbi explained to me, fortification can be<br />

as obvious or well hidden as a client demands;<br />

indeed, some of the most protected homes in Los<br />

Angeles are the ones that seem not to have a single<br />

security guard or camera in sight. These systems are<br />

integrated into the house with a careful eye for<br />

craftsmanship. In other words, perhaps you’ve even<br />

been inside a Gaffco- or SAFE-hardened home; the<br />

whole point is that you would only have known if the<br />

owner told you.<br />

The other school of thought in contemporary panic<br />

room design is best represented by CitySafe, a<br />

remarkable operation run by a Vietnam vet and former<br />

New Jersey cop named Karl Alizade. Alizade’s<br />

work is what you might imagine if you took the same<br />

kind of prefab, modular approach to architectural<br />

design so often seen in the pages of <strong>Dwell</strong> magazine,<br />

but you added an apocalyptic dose of Mad Max and<br />

the Global War on Terror. Alizade makes impenetrable,<br />

easily assembled safe rooms, and he does so<br />

using a proprietary concrete mix, a patented bolttogether<br />

assembly system originally designed for<br />

high-security jewelry safes and vaults, and no visible<br />

concern for aesthetics. The results are gunmetal gray<br />

boxes that would not look out of place in a James<br />

Cameron film and that do not even pretend to have a<br />

second purpose.<br />

Alizade tests his products against an impressive, if<br />

terrifying, range of weaponry, including .50 caliber<br />

armor-piercing sniper rounds, rocket-propelled grenades,<br />

and even C-4 explosives. In all cases, his safe<br />

rooms win. Alizade’s products are designed to resist<br />

terrorists and small armies; they will easily repel a<br />

\Where alarms and<br />

bulletproof glass fail, steelreinforced<br />

doors disguised<br />

as custom woodwork use brute<br />

strength to stop even the most<br />

determined burglar. Add highsecurity<br />

locks and drill-resistant<br />

concrete, and you have a high<br />

bar of protection.<br />

\Roofs are particularly vulnerable,<br />

as they are often the<br />

least-fortified part of a residential<br />

structure. Gaffco Ballistics<br />

will install saw- and bulletresistant<br />

Kevlar plates to<br />

thwart potential attackers.<br />

86 SEPTEMBER <strong>2015</strong> DWELL

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