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A Handbook to St Mary Redcliffe Church, J. Chilcott 1848

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RESTORATION on ST. MARY REDCLIFFE. 55<br />

passed by none; whilst it is re-eininent in its position, on a lofty<br />

bank of the Avon, within t e commercial capital of the west of<br />

England. We have already intimated that the solid structure<br />

of the <strong>to</strong>wer is sound and trustworthy, and that it is capable of<br />

being easily made <strong>to</strong> bear all that it was ever intended <strong>to</strong> carry.<br />

............It would appear, however, that when the church was<br />

built, the idea of completing the spire was abandoned, as the<br />

south-western buttresses of the <strong>to</strong>wer were reduced in projection,<br />

and otherwise altered <strong>to</strong> compose with the west from of the<br />

church,——and the south-eastern angle was altered, throughout,<br />

<strong>to</strong> extend the nave of the church uninterruptedly <strong>to</strong> its western<br />

front. The tact and skill with which the outer, or south-western<br />

angle of the <strong>to</strong>wer was altered, and the fine taste with which<br />

the turret pier, in front of the church, which composes with the<br />

reduced buttress of the <strong>to</strong>wer, is arranged, <strong>to</strong> connect the parts of<br />

the composition, are most admirable; but not so the arrangement<br />

at the other angle, where a low, heavy arch, and an unmeaning<br />

blank, upon a heavier pier, obtrude themselves immediately within<br />

the church door; contrasting, most disadvantageoust <strong>to</strong>o, with<br />

the composition of the arches of the aisle, and with the cleres<strong>to</strong>ry<br />

on the other side of the entrance.<br />

“ It may be remarked here, that, at the time Redclifl'e church<br />

was built, the taste which produced the original design of the<br />

magnificent superstructure <strong>to</strong> the <strong>to</strong>wer no longer existed: spires<br />

were not built <strong>to</strong> Gloucester cathedral nor <strong>to</strong> Bath Abbey church,<br />

in the 15th century,—-as they had been at Salisbury, Norwich,<br />

and Litchfield, in the 13th and 14th centuries: comparatively<br />

small spires, on lofty <strong>to</strong>wers, as at Louth and Newcastle,—or<br />

lanterns, as at Bos<strong>to</strong>n,—indicate the prevailing taste, in that<br />

respect, when this church was built, and the abutments of the<br />

spire of the original design were altered or removed. In this<br />

manner, the incomplete or demolished spire was left, and the<br />

original composition was shom of its fair proportions.<br />

“ In compliance with the instructions <strong>to</strong> us, <strong>to</strong> advise as <strong>to</strong> such<br />

alterations in the res<strong>to</strong>ration of the ornamental parts of the<br />

fabric, both external and internal, as may seem necessary for<br />

reinstating it <strong>to</strong> its ancient and pristine beauty, we urge, most<br />

strongly, the necessity of res<strong>to</strong>ring, at the same time, the perished<br />

surfaces of the <strong>to</strong>wer, and its immediate accessories,—adapting<br />

it <strong>to</strong> receive the completed spire,-—and carrying on, <strong>to</strong> comple<br />

tion, that beautiful feature of a masterwork of architectural<br />

composition, which, in its truncated state, is but an unpicturesque<br />

deformity. Thus the original design may be both res<strong>to</strong>red and<br />

completed, and Bris<strong>to</strong>l possess a noble national monument, that

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