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Viva Brighton Issue #38 April 2016

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local musicians<br />

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Chris T-T<br />

Protest singer, inter alia<br />

Chris T-T is an indie rocker, a writer, radio DJ<br />

and protest singer. He’s playing this month at the<br />

99% Festival – a two-day mix of music and talks<br />

organised by the People’s Assembly to tie in with<br />

the national anti-austerity demo on <strong>April</strong> 16th. We<br />

asked him about the overlap of politics and music.<br />

Has your music moved away from indie rock<br />

towards a more folky sound over time? Yeah to<br />

an extent, though I still juggle the two. The Bear<br />

album two years ago was pure alt-rock, with a deliberately<br />

1990s sound, so I still adore that music.<br />

But I probably most yearn to be accepted under<br />

the ‘folk’ umbrella if only because that allows a<br />

lifelong gigging career, which was what I always<br />

wanted to do.<br />

Tell us about the new album you’ve been<br />

working on… It’s called 9 Green Songs and it’s<br />

out 3rd June. It’s my 10th solo record and my<br />

fourth album with Xtra Mile Recordings. It’s<br />

kind of a bleak, sarcastic ecology record, although<br />

it does veer into straightforward protest and I<br />

think it’s my most radical collection of songs for<br />

a long while. I walked into the studio with what I<br />

thought were folk-protest songs – but they turned<br />

out more varied, intense and alternative than I’d<br />

planned. Alt-rock, punk-folk, spoken word and<br />

piano ballads.<br />

Do you think marches are still a useful way to<br />

protest? I’ll be marching on the 16th – but I’m<br />

growing ever more skeptical of the value of polite,<br />

well-stewarded British protest marches. They feel<br />

like a pressure valve. Social media activism often<br />

feels the same, although online campaigns to do<br />

a specific positive good (like Arts Emergency) are<br />

fantastic. When it doesn’t physically hurt people,<br />

I’m more impressed and moved by moments of<br />

smart, transgressive direct action (and disheartened<br />

by the lack of it right now).<br />

Has ‘protest music’ made a resurgence in<br />

recent years? Well, clearly, art is no longer the<br />

delivery device for the counter-culture as it was<br />

in the 20th century. Today, that counter-culture is<br />

delivered entirely via web coding. But that’s got<br />

nothing to do with actual protest music, which<br />

in my opinion is in the middle of an incredible<br />

renaissance and is everywhere, including at the top<br />

of the charts.<br />

You performed solo at the Theatre Royal’s<br />

Green Party fundraiser last year – how was it<br />

for you? That was a fun, chaotic night, I loved it<br />

but more for the atmosphere. I love being with<br />

comedians backstage – they’re the best to hang<br />

out with for showbiz gossip and disgusting stories,<br />

far better than musicians, who mainly talk about<br />

guitar pedals and lawyers.<br />

Are you an activist who makes music or a<br />

musician who sometimes sings about politics?<br />

Absolutely, without hesitation, a music maker who<br />

sings about politics. Even when the material is<br />

overtly ‘political’, my approach is too pessimistic<br />

and self-questioning to be ideal for simple rabble<br />

rousing. I’m not on-message – my heart isn’t on<br />

my sleeve throughout a live gig – like, say, Grace<br />

Petrie or Joe Solo or Thee Faction. I believe in art<br />

too much, I think. Interview by Ben Bailey<br />

Chris T-T is appearing alongside Fable, The Meow<br />

Meows, Attila the Stockbroker, POG and others at<br />

the 99% Festival, The Synergy Centre, Sat 16th &<br />

Sun 17th.<br />

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