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local musicians<br />
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Chris T-T<br />
Protest singer, inter alia<br />
Chris T-T is an indie rocker, a writer, radio DJ<br />
and protest singer. He’s playing this month at the<br />
99% Festival – a two-day mix of music and talks<br />
organised by the People’s Assembly to tie in with<br />
the national anti-austerity demo on <strong>April</strong> 16th. We<br />
asked him about the overlap of politics and music.<br />
Has your music moved away from indie rock<br />
towards a more folky sound over time? Yeah to<br />
an extent, though I still juggle the two. The Bear<br />
album two years ago was pure alt-rock, with a deliberately<br />
1990s sound, so I still adore that music.<br />
But I probably most yearn to be accepted under<br />
the ‘folk’ umbrella if only because that allows a<br />
lifelong gigging career, which was what I always<br />
wanted to do.<br />
Tell us about the new album you’ve been<br />
working on… It’s called 9 Green Songs and it’s<br />
out 3rd June. It’s my 10th solo record and my<br />
fourth album with Xtra Mile Recordings. It’s<br />
kind of a bleak, sarcastic ecology record, although<br />
it does veer into straightforward protest and I<br />
think it’s my most radical collection of songs for<br />
a long while. I walked into the studio with what I<br />
thought were folk-protest songs – but they turned<br />
out more varied, intense and alternative than I’d<br />
planned. Alt-rock, punk-folk, spoken word and<br />
piano ballads.<br />
Do you think marches are still a useful way to<br />
protest? I’ll be marching on the 16th – but I’m<br />
growing ever more skeptical of the value of polite,<br />
well-stewarded British protest marches. They feel<br />
like a pressure valve. Social media activism often<br />
feels the same, although online campaigns to do<br />
a specific positive good (like Arts Emergency) are<br />
fantastic. When it doesn’t physically hurt people,<br />
I’m more impressed and moved by moments of<br />
smart, transgressive direct action (and disheartened<br />
by the lack of it right now).<br />
Has ‘protest music’ made a resurgence in<br />
recent years? Well, clearly, art is no longer the<br />
delivery device for the counter-culture as it was<br />
in the 20th century. Today, that counter-culture is<br />
delivered entirely via web coding. But that’s got<br />
nothing to do with actual protest music, which<br />
in my opinion is in the middle of an incredible<br />
renaissance and is everywhere, including at the top<br />
of the charts.<br />
You performed solo at the Theatre Royal’s<br />
Green Party fundraiser last year – how was it<br />
for you? That was a fun, chaotic night, I loved it<br />
but more for the atmosphere. I love being with<br />
comedians backstage – they’re the best to hang<br />
out with for showbiz gossip and disgusting stories,<br />
far better than musicians, who mainly talk about<br />
guitar pedals and lawyers.<br />
Are you an activist who makes music or a<br />
musician who sometimes sings about politics?<br />
Absolutely, without hesitation, a music maker who<br />
sings about politics. Even when the material is<br />
overtly ‘political’, my approach is too pessimistic<br />
and self-questioning to be ideal for simple rabble<br />
rousing. I’m not on-message – my heart isn’t on<br />
my sleeve throughout a live gig – like, say, Grace<br />
Petrie or Joe Solo or Thee Faction. I believe in art<br />
too much, I think. Interview by Ben Bailey<br />
Chris T-T is appearing alongside Fable, The Meow<br />
Meows, Attila the Stockbroker, POG and others at<br />
the 99% Festival, The Synergy Centre, Sat 16th &<br />
Sun 17th.<br />
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