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inside left: brighton at home, 1953<br />
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This oil painting of <strong>Brighton</strong> & Hove Albion’s Goldstone Ground, entitled Saturday Afternoon, 1953, is<br />
by Fred Yates, and it won second prize in the painting category of the Football Association’s ‘Football<br />
and the Fine Arts’ competition, held in 1953, which subsequently toured the country. That was no mean<br />
feat, as the winner was Lowry’s Going to the Match, which fetched a price of £2 million at auction in 1999.<br />
The competition, in association with the newly founded Arts Council (under John Meynard Keynes), was<br />
given a great deal of publicity at the time, and there were a total of 1710 entries from the public.<br />
Yates, himself from Manchester, was often likened to Lowry, which he shrugged off with good grace, suggesting<br />
he was a ‘happy Lowry’. He took up painting after serving in WW2, and spent much of the 50s<br />
teaching art in <strong>Brighton</strong>. This is a stylised version of the Goldstone Ground, taken from the viewpoint of<br />
Goldstone Lane, behind the ‘Chicken Run’ (East Terrace). The West Stand, sponsored by Co-operative,<br />
also appears in the James Gray collection; Gray called it ‘miserable’ and revealed it was nicknamed ‘The<br />
Rabbit Hutch’ by the fans.<br />
The painting has some lovely touches and is worth close scrutiny. Check out the folding chairs in the<br />
foreground, the hot dog stand adjacent to the Rabbit Hutch, and the splendid Goldstone House in the<br />
top right of the picture. There are a couple of anomalies: Yates has turned the ground round, for the sake<br />
of composition (it should be the East stand in front of Goldstone House). And count the players and<br />
you’ll see that the Albion only have ten on the pitch. Perhaps one has been sent off or – this being long<br />
before substitutes were allowed – injured?<br />
The Goldstone Ground was, of course, scandalously demolished in 1997, and the Albion lost their<br />
spiritual home, banished to Gillingham and Withdean until the Amex was completed in 2011. The image<br />
is part of the <strong>Brighton</strong> and Hove Museum collection, and we use it courtesy of the Estate of Fred Yates.<br />
Yates continued painting until his death, aged 85, in 2008.<br />
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