Azizart April 2016
History of art(west and Iranian)-contemporary art
History of art(west and Iranian)-contemporary art
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The oppressive religious milieu,<br />
plus Edvard's poor health and the<br />
vivid ghost stories, helped inspire<br />
his macabre visions and<br />
nightmares; the boy felt that death<br />
was constantly advancing on<br />
him.One of Munch's younger sisters<br />
was diagnosed with mental illness<br />
at an early age. Of the five siblings,<br />
only Andreas married, but he died<br />
a few months after the wedding.<br />
Munch would later write, "I<br />
inherited two of mankind's most<br />
frightful enemies—the heritage of<br />
consumption and insanity."<br />
Christian Munch's military pay was<br />
very low, and his attempts to<br />
develop a private side practice<br />
failed, keeping his family in genteel<br />
but perennial poverty. They moved<br />
frequently from one cheap flat to<br />
another. Munch's early drawings<br />
and watercolors depicted these<br />
interiors, and the individual<br />
objects, such as medicine bottles<br />
and drawing implements, plus<br />
some landscapes. By his teens, art<br />
dominated Munch's interests. At<br />
thirteen, Munch had his first<br />
exposure to other artists at the<br />
newly formed Art Association,<br />
where he admired the work of the<br />
Norwegian landscape school. He<br />
returned to copy the paintings, and<br />
soon he began to paint in oils.<br />
The Scream<br />
The Scream (1893)<br />
The Scream exists in four versions:<br />
two pastels (1893 and 1895) and<br />
two paintings (1893 and 1910).<br />
There are also several lithographs<br />
of The Scream (1895 and later).<br />
The 1895 pastel sold at auction on<br />
2 May 2012 for US$119,922,500,<br />
including commission. It is the most<br />
colorful of the versions and is<br />
distinctive for the downwardlooking<br />
stance of one of its<br />
background figures. It is also the<br />
only version not held by a<br />
Norwegian museum.