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Azizart April 2016

History of art(west and Iranian)-contemporary art

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The oppressive religious milieu,<br />

plus Edvard's poor health and the<br />

vivid ghost stories, helped inspire<br />

his macabre visions and<br />

nightmares; the boy felt that death<br />

was constantly advancing on<br />

him.One of Munch's younger sisters<br />

was diagnosed with mental illness<br />

at an early age. Of the five siblings,<br />

only Andreas married, but he died<br />

a few months after the wedding.<br />

Munch would later write, "I<br />

inherited two of mankind's most<br />

frightful enemies—the heritage of<br />

consumption and insanity."<br />

Christian Munch's military pay was<br />

very low, and his attempts to<br />

develop a private side practice<br />

failed, keeping his family in genteel<br />

but perennial poverty. They moved<br />

frequently from one cheap flat to<br />

another. Munch's early drawings<br />

and watercolors depicted these<br />

interiors, and the individual<br />

objects, such as medicine bottles<br />

and drawing implements, plus<br />

some landscapes. By his teens, art<br />

dominated Munch's interests. At<br />

thirteen, Munch had his first<br />

exposure to other artists at the<br />

newly formed Art Association,<br />

where he admired the work of the<br />

Norwegian landscape school. He<br />

returned to copy the paintings, and<br />

soon he began to paint in oils.<br />

The Scream<br />

The Scream (1893)<br />

The Scream exists in four versions:<br />

two pastels (1893 and 1895) and<br />

two paintings (1893 and 1910).<br />

There are also several lithographs<br />

of The Scream (1895 and later).<br />

The 1895 pastel sold at auction on<br />

2 May 2012 for US$119,922,500,<br />

including commission. It is the most<br />

colorful of the versions and is<br />

distinctive for the downwardlooking<br />

stance of one of its<br />

background figures. It is also the<br />

only version not held by a<br />

Norwegian museum.

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