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Oscar Cahén

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<strong>Oscar</strong> <strong>Cahén</strong><br />

Life & Work by Jaleen Grove<br />

Grosz, George (German/American, 1893–1959)<br />

A caricaturist and scathing social critic, painter, and draftsman associated with Dada in<br />

his early career, Grosz became a pioneer of the Neue Sachlichkeit (New Objectivity). His<br />

avidly anti-war work grew out of his participation in the First World War. His late career<br />

focused on landscape and still-life painting, though it retained a bleak tone.<br />

Group of Seven<br />

A progressive and nationalistic school of landscape painting in Canada, active between<br />

1920 (the year of the group’s first exhibition, at the Art Gallery of Toronto) and 1933.<br />

Founding members were the artists Franklin Carmichael, Lawren Harris, A.Y. Jackson,<br />

Franz Johnston, Arthur Lismer, J.E.H. MacDonald, and Frederick Varley.<br />

Heartfield, John (German, 1891–1968)<br />

Born Helmut Franz Josef Herzfeld, John Heartfield was a pioneer of Dada and actively<br />

integrated his leftist, pacifist politics with artistic practice. He worked in print design and<br />

typography and as an editor for the German Communist Party. With George Grosz,<br />

Raoul Hausmann, and Hannah Hoch, Heartfield developed photomontage, combining<br />

images from mass media to support his political perspective.<br />

Hirschfeld, Al (American, 1903–2003)<br />

Known for his linear calligraphic style, Hirschfeld was a caricaturist whose long and<br />

prolific career focused on portraits of celebrities. Hirschfield’s work was published<br />

widely, from the New York Times to Rolling Stone to Playboy and TV Guide.<br />

Hodgson, Tom (Canadian, 1924–2006)<br />

An Abstract Expressionist painter, advertising art director, respected art teacher, and<br />

champion athlete raised on Centre Island, in Toronto Harbour. Hodgson was a member<br />

of Painters Eleven; he trained with Arthur Lismer at the Ontario College of Art (now<br />

OCAD University) and made action paintings that were often immense in scale.<br />

impasto<br />

Paint applied so thickly that it stands out in relief and retains the marks of the brush or<br />

palette knife.<br />

Kettlewell, Charles William (1914–1988)<br />

“Bill” Kettlewell was an equestrian painter who also worked as an art director in Toronto.<br />

Kline, Franz (American, 1910–1962)<br />

An Abstract Expressionist painter and draftsman whose gestural works drew inspiration<br />

from contemporaries such as Arshile Gorky and Willem de Kooning. From the late<br />

1940s Kline’s paintings were largely black and white, but in the last years of his career<br />

he returned to a full-colour palette.<br />

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