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The Reprobate issue 0

The digital only preview issue of The Reprobate magazine. Fashion, art, music, cinema and pop culture. Visit us as http://reprobatemagazine.uk for details of how to order the print magazine and more reviews, news and galleries.

The digital only preview issue of The Reprobate magazine. Fashion, art, music, cinema and pop culture.
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on how the election was going. Equally<br />

predictably, the stuff everyone had tuned in<br />

to see – the sexy bits – were kept until the<br />

end. But at around 5.30 in the morning, there<br />

it was. <strong>The</strong> nude chat show turned out to be<br />

pretty dull, even then – I seem to recall blurry<br />

footage of generally unattractive fat people<br />

sitting around, naked and bored looking,<br />

before doing something that may or may not<br />

have been sexual – between the poor quality<br />

camerawork and my black and white portable<br />

TV, it was hard to tell. After several hours<br />

of viewing, this would have been crushingly<br />

disappointing had it been the entirety of the<br />

naughtiness. But in fact, it was okay, because<br />

we also saw clips from <strong>The</strong> Ugly George<br />

Hour of Truth, Sex and Violence.<br />

Ugly George (real name George Urban) was<br />

a cable TV phenomenon. Walking the streets<br />

of New York, dressed like a down-on-hisluck<br />

extra from a really cheap sci-fi movie<br />

(or perhaps a low-rent escapee from Studio<br />

54) in a silver lamé outfit and lugging a huge<br />

video camera, satellite dish and God knows<br />

how much more equipment – designed to give<br />

him hands-free access and not have to use<br />

a viewfinder - about with him, George would<br />

approach young women (or “goils”) and sweet<br />

talk / brow beat them into accompanying him<br />

back to some grotty apartment, corridor or<br />

alleyway (or, to use his own words, ‘”dimly<br />

lit hallways”), where they would strip with<br />

varying degrees of enthusiasm, sometimes<br />

accompanied by George himself as he came<br />

out with a string of self-deprecating comments<br />

while he dropped his pants and felt up the<br />

hapless gal . George’s show happily showed<br />

his successes and his failures (the latter<br />

ranging from girls laughing in his face to giving<br />

him a mouthful of abuse), his strange celebrity<br />

encounters and his general meanderings.<br />

It was entirely, utterly unique. And the few<br />

moments shown to me in those early hours<br />

had a major impact.<br />

Over the next few years, clips from Ugly<br />

George would occasionally turn up on TV –<br />

usually in shows hosted by the likes of Clive<br />

James or Chris Tarrant that laughed at the<br />

terrible, trashy TV that the rest of the world<br />

broadcast (while again using said terrible<br />

TV to boost ratings). He also turned up in<br />

anti-porn polemic Rate It X in 1986, naturally<br />

portrayed as a predatory monster.<br />

<strong>The</strong> more I saw – brief, tantalising moments –<br />

the more intrigued I became. By this time, I’d<br />

seen plenty of actual, no-nonsense hardcore<br />

porn on video, but Ugly George was different.<br />

His work seemed more honest, more real. I<br />

needed to see more.<br />

But doing so was almost impossible for<br />

a teenager in Northern Britain. Mary<br />

Whitehouse might have condemned the<br />

newly-born Channel Four as the home of<br />

smut peddlers, but they were hardly going to<br />

start importing this show – the best we got<br />

was ‘risque’ Canadian sketch show Bizarre,<br />

which ITV gave a run in the early Eighties<br />

and - gratuitous boob shots or not - it was<br />

hardly the same. British softcore video<br />

magazine series Electric Blue seemed<br />

to have the answer when they released a<br />

compilation tape, imaginatively called Ugly<br />

George. But Electric Blue had fallen foul of<br />

Manchester’s evangelical Chief Constable<br />

James Anderton, who <strong>issue</strong>d a fatwa against<br />

the strand – enough to put most video rental<br />

shops off stocking the series. <strong>The</strong>n came<br />

the Video Recordings Act, and the tape was<br />

pulled from sale until it was finally approved<br />

by the BBFC in 1989 – ludicrously (even for<br />

the time) rated R18, which restricted its sale<br />

to licensed sex. <strong>The</strong>re were few licensed sex<br />

shops around back then, and most of them<br />

didn’t sell Electric Blue titles, so in reality,<br />

the availability of the tape was pretty much<br />

restricted to EB’s own Kings Cross store,<br />

where a tape would cost forty or fifty quid.<br />

And by the early 1990s, both the Electric<br />

Blue label and their shop were confined to the<br />

dustbin of history.<br />

But by 1989, the influence of Ugly George had<br />

begun to seep out into the porn mainstream.<br />

John Stagliano shot his first Buttman<br />

film - <strong>The</strong> Adventures of Buttman - that<br />

year, effectively giving birth to the ‘reality’<br />

(actually staged, but with a first person<br />

33

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