Mixed Matters
ISBN 978-3-86859-421-8
ISBN 978-3-86859-421-8
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Are there any historical precedents and/or any theoretical<br />
discourses that this paradigm shift can refer/relate to?<br />
I have always thought that Ruskin wrote about masonry construction in<br />
much the same way we talk about voxels in the studio. Designing for additive<br />
methods of production has much in common with these systems.<br />
Viollet-le-Duc is another one whose writings have always seemed very appropriate;<br />
I see many parallels to medieval architecture. It's about accumulation<br />
of discrete elements and very often material differences arise from<br />
geometric differentiation and not necessarily a change in material. Modern<br />
architecture has nothing to do with our contemporary material paradigm. The<br />
scale of components is completely different, more primitive architectures<br />
that predate industrialised production processes forced designers to think<br />
about materials the way 3D printers are forcing us to think about materials<br />
now.<br />
Figure 1: Meta-materiality study detail.<br />
51 Contemporary Materialities. An Interview with Francis Bitonti