06.06.2016 Views

Mixed Matters

ISBN 978-3-86859-421-8

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Are there any historical precedents and/or any theoretical<br />

discourses that this paradigm shift can refer/relate to?<br />

I have always thought that Ruskin wrote about masonry construction in<br />

much the same way we talk about voxels in the studio. Designing for additive<br />

methods of production has much in common with these systems.<br />

Viollet-le-Duc is another one whose writings have always seemed very appropriate;<br />

I see many parallels to medieval architecture. It's about accumulation<br />

of discrete elements and very often material differences arise from<br />

geometric differentiation and not necessarily a change in material. Modern<br />

architecture has nothing to do with our contemporary material paradigm. The<br />

scale of components is completely different, more primitive architectures<br />

that predate industrialised production processes forced designers to think<br />

about materials the way 3D printers are forcing us to think about materials<br />

now.<br />

Figure 1: Meta-materiality study detail.<br />

51 Contemporary Materialities. An Interview with Francis Bitonti

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