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Report on the Harping Tradition in Ireland

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3.9 Compositi<strong>on</strong> and Arrangement<br />

Compositi<strong>on</strong> and arrangement is a significant and historic part of Irish harp practice.<br />

The early Irish harpers would often have been requested to compose pieces <strong>in</strong> h<strong>on</strong>our<br />

of a patr<strong>on</strong>.<br />

Compositi<strong>on</strong> and arrangement, albeit for different purposes, rema<strong>in</strong>s a significant part<br />

of harp practice today (Charts 27 and 28).<br />

Compositi<strong>on</strong> and Arrangement<br />

43.2%<br />

22.8%<br />

27.8%<br />

6.2%<br />

Compose<br />

(21)<br />

Arrange<br />

(77)<br />

Both<br />

(94)<br />

Nei<strong>the</strong>r<br />

(146)<br />

Chart 27: (Sample: 338)<br />

Number of Compositi<strong>on</strong>s for Harp<br />

50.2%<br />

38.8%<br />

8.0%<br />

2.8%<br />

0.3%<br />

1 – 10<br />

(126)<br />

11 – 50<br />

(26)<br />

51 – 100<br />

(9)<br />

101+<br />

(1)<br />

0<br />

(163)<br />

Chart 28: (Sample: 325)<br />

Harpers play both melody and accompaniment <strong>in</strong> traditi<strong>on</strong>al Irish dance music and<br />

airs, and <strong>the</strong> music of early Irish harpers, and <strong>the</strong>refore <strong>in</strong> essence have to arrange<br />

everyth<strong>in</strong>g <strong>the</strong>y play. Publish<strong>in</strong>g <strong>on</strong>e’s arrangements of harp music, however, is also a<br />

notable aspect of harp practice. Chart 29 details <strong>the</strong> number of arrangements harpers<br />

have undertaken, both published and unpublished.<br />

48

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