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4.10 Harp-mak<strong>in</strong>g<br />
A comprehensive database of harp teachers, a nati<strong>on</strong>wide harp-rental scheme, and<br />
better resourced harp organisati<strong>on</strong>s should have a positive effect <strong>on</strong> harp-mak<strong>in</strong>g <strong>in</strong><br />
<strong>Ireland</strong>, but ensur<strong>in</strong>g that harp-makers capitalise <strong>on</strong> <strong>the</strong>se developments is still key.<br />
Harp-makers could be encouraged to apply to Arts Council schemes and awards to<br />
obta<strong>in</strong> support for<br />
• specific promoti<strong>on</strong>al activities such as creat<strong>in</strong>g promoti<strong>on</strong>al materials or attend<strong>in</strong>g<br />
nati<strong>on</strong>al and <strong>in</strong>ternati<strong>on</strong>al harp events;<br />
• <strong>the</strong> development of professi<strong>on</strong>al websites;<br />
• <strong>the</strong> purchas<strong>in</strong>g of necessary harp-mak<strong>in</strong>g equipment;<br />
• mentor<strong>in</strong>g apprentices who can assist <strong>in</strong> <strong>in</strong>creas<strong>in</strong>g productivity;<br />
• carry<strong>in</strong>g out research <strong>in</strong>to early Irish harp-build<strong>in</strong>g techniques;<br />
• collaborati<strong>on</strong> with professi<strong>on</strong>al harpers, o<strong>the</strong>r harp-makers and Na Píobairí<br />
Uilleann’s PipeCraft Centre with a view to improv<strong>in</strong>g skills and standards;<br />
• <strong>the</strong> establishment of an Irish <strong>in</strong>strument-makers’ associati<strong>on</strong> that can campaign<br />
for Government policies which will assist <strong>in</strong> <strong>the</strong> development of <strong>the</strong> sector.<br />
Recommendati<strong>on</strong><br />
4.10.1 The Arts Council could encourage harp-makers to apply for its range<br />
of schemes and awards <strong>in</strong> order to promote <strong>the</strong>ir work, <strong>in</strong>crease<br />
productivity and develop <strong>the</strong> harp-mak<strong>in</strong>g sector.<br />
4.11 Resources<br />
As menti<strong>on</strong>ed <strong>in</strong> <strong>the</strong> brief history of <strong>the</strong> harp at <strong>the</strong> beg<strong>in</strong>n<strong>in</strong>g of this report, <strong>the</strong> work<br />
of Edward Bunt<strong>in</strong>g is of great import to harpers, as are o<strong>the</strong>r collecti<strong>on</strong>s of early Irish<br />
music, and it is essential that such works c<strong>on</strong>t<strong>in</strong>ue to be widely available.<br />
There is still a great deal about early harpers and <strong>the</strong> early Irish harp<strong>in</strong>g traditi<strong>on</strong>, and<br />
even <strong>the</strong> harp <strong>in</strong> <strong>the</strong> n<strong>in</strong>eteenth and twentieth century, that we do not know, and<br />
which needs to be researched. The Arts Council could c<strong>on</strong>t<strong>in</strong>ue to support proposals<br />
for research and publicati<strong>on</strong> <strong>in</strong> this area.<br />
Recommendati<strong>on</strong><br />
4.11.1 The Arts Council should seek to support research and publicati<strong>on</strong> <strong>on</strong> <strong>the</strong><br />
subject of <strong>the</strong> early Irish harpers, <strong>the</strong> early harp<strong>in</strong>g traditi<strong>on</strong>, and <strong>the</strong> harp<br />
<strong>in</strong> <strong>Ireland</strong> <strong>in</strong> <strong>the</strong> n<strong>in</strong>eteenth and twentieth century.<br />
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