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BeatRoute Magazine Alberta print e-edtion - June 2016

BeatRoute Magazine is a monthly arts and entertainment paper based in Western Canada with a predominant focus on music – local, independent or otherwise.

BeatRoute Magazine is a monthly arts and entertainment paper based in Western Canada with a predominant focus on music – local, independent or otherwise.

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CITY<br />

MADE IN CALGARY<br />

an exploration of art from the 1960s to the 2000s now in <strong>print</strong><br />

Between 2013 and 2014, the Glenbow museum<br />

presented Made in Calgary: An Exploration<br />

of Art from the 1960s to the 2000s which featured<br />

577 artworks by 219 artists spanning 50 years<br />

of art-making in Calgary. Based on that exhibition,<br />

the Glenbow has published an art-book, Made in<br />

Calgary, which celebrates those artists, their work<br />

during that time.<br />

Melanie Kjorlien, the Glenbow’s VP of Access,<br />

Collections and Exhibitions says the 1960s was chosen<br />

as the starting point because “that’s when the<br />

Art College (now ACAD) and the fine arts program<br />

at the U of C started happening. There was a greater<br />

influx of people, artists and instructors coming to<br />

the city and a lot more development happening at<br />

that time.”<br />

While the educational institutions and the<br />

ideas generated inside those walls certainly<br />

played a vital role in developing Calgary’s artistic<br />

community, Kjorlien notes that the economic<br />

growth and decline that took place over the last<br />

five decades also affected and shaped the city’s<br />

artistic climate.<br />

“The whole the boom and bust cycle, which is<br />

unique to Calgary, had a huge impact on things like<br />

arts funding which is hard sometimes to appreciate<br />

but affects the ways in which people produce and<br />

end up making in terms of their work. “<br />

Five curators, that each oversee one particular<br />

decade in the book, write expansive essays about<br />

the artists, their personalities and mindset, along<br />

with the social, political and economic landscapes<br />

that existed during that 50 year span. In doing so,<br />

they cover a broad cross-section of events which<br />

not only tells the story of how Calgary’s artistic<br />

community emerged and developed, but also<br />

reflects the cultural growth of the city itself.<br />

by B.Simm<br />

1990s — Chris Cran<br />

Large Laughing Orange<br />

Woman, 1991<br />

(left)<br />

One of 10 large paintings from<br />

Cran’s experimental series<br />

called Heads.<br />

1960s — Vivian Lindoe<br />

Summer, 1970<br />

(bottom)<br />

A colleague of many in the<br />

postwar Calgary art community,<br />

Lindoe was a multidisciplinary<br />

artist at heart, engaged<br />

with painting, <strong>print</strong>making,<br />

ceramics, batik and furniture.<br />

1980s — John Hall<br />

Flame, 1988<br />

(bottom left)<br />

In Flame, Hall assembled various<br />

images and tourist kitsch<br />

souvenirs that flooded Calgary<br />

to commemorate the Calgary<br />

1988 Winter Olympics.<br />

CITY<br />

BEATROUTE • JUNE <strong>2016</strong> | 9

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