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Helmut Gernsheim & Alison Gernsheim, The History of Photography: From the Camera Obscura to the Beginning of the Modern Era

Helmut Gernsheim & Alison Gernsheim, The History of Photography: From the Camera Obscura to the Beginning of the Modern Era

Helmut Gernsheim & Alison Gernsheim, The History of Photography: From the Camera Obscura to the Beginning of the Modern Era

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24 <strong>The</strong> prehis<strong>to</strong>ry <strong>of</strong> pho<strong>to</strong>graphy<br />

Pl -t<br />

been newly taken by <strong>the</strong> Duke <strong>of</strong> Bavaria: who, blandientefortuna , was gone on <strong>to</strong><br />

<strong>the</strong> late effects : <strong>The</strong>re I found Keplar (sic), a man famous in <strong>the</strong> Sciences, as your<br />

Lordship knowes, <strong>to</strong> whom I purpose <strong>to</strong> convey from hence one <strong>of</strong> your Books,<br />

that he may see we have some <strong>of</strong> our own that can honour our King, as well as<br />

he hath done with his Harmanica. In this mans study, I was much taken with <strong>the</strong><br />

draught <strong>of</strong> a Landskip on a piece <strong>of</strong> paper, methoughts masterly done: Where<strong>of</strong><br />

enquiring <strong>the</strong> Author, he bewrayed with a smile it was himself, adding he had<br />

done it non tanquam Pic<strong>to</strong>r sed tanquam Ma<strong>the</strong>maticus. This set me on fire: at last he<br />

<strong>to</strong>ld me how. He hath a little black tent (<strong>of</strong> what stuffe is not much importing)<br />

which he can suddenly set up where he will in a field, and it is convertible (like a<br />

Wind-mill) <strong>to</strong> all quarters at pleasure, capable <strong>of</strong>[accommodating] not much more<br />

than one man, as I conceive, and perhaps at no great ease ; exactly close and dark<br />

save at one hole, about an inch and a half in <strong>the</strong> Diameter, <strong>to</strong> which he applies a<br />

long perspective-trunke, with <strong>the</strong> convex glasse fitted <strong>to</strong> <strong>the</strong> said hole, and <strong>the</strong><br />

concave taken out at <strong>the</strong> o<strong>the</strong>r end, which extendeth <strong>to</strong> about <strong>the</strong> middle <strong>of</strong> this<br />

erected Tent, through which <strong>the</strong> visible radiations <strong>of</strong> all <strong>the</strong> objects without are<br />

intromitted, falling upon a paper, which is accommodated <strong>to</strong> receive <strong>the</strong>m ; and so<br />

he traceth <strong>the</strong>m with his Pen in <strong>the</strong>ir natural appearance, turning his little Tent<br />

round by degrees till he hath designed <strong>the</strong> whole aspect <strong>of</strong> <strong>the</strong> field : this I have<br />

described <strong>to</strong> your Lordship, because I think <strong>the</strong>re might be good use made <strong>of</strong> it for<br />

Chorography [<strong>to</strong>pographical drawings] : For o<strong>the</strong>rwise, <strong>to</strong> make Landskips by it<br />

were illiberall: though surely no Painter can do <strong>the</strong>m so precisely.27<br />

By 'perspective-trunke' Wot<strong>to</strong>n meant Kepler's telescope, from which <strong>the</strong> concave<br />

lens had been removed. Kepler's tent camera obscura, which is an intermediate form<br />

between <strong>the</strong> darkened room and <strong>the</strong> box camera, was constructed rr3 years or more<br />

before <strong>the</strong> ABBE NOLLET submitted his re-invention <strong>to</strong> <strong>the</strong> Academie Royale des<br />

Sciences in 1733. 28<br />

Kepler himself does not refer <strong>to</strong> <strong>the</strong> tent camera, but in his first book on Optical<br />

Astronomy29 he mentions Porta's description <strong>of</strong> <strong>the</strong> room type and states that he<br />

made some observations <strong>of</strong> <strong>the</strong> sun by this means in 1600. In his second book, on<br />

dioptrics, 30 he discusses <strong>the</strong> optical laws involved in <strong>the</strong> camera obscura with lens.<br />

Of special interest <strong>to</strong> pho<strong>to</strong>graphers is Problem CV, p. 54, 'To depict with a<br />

concave and convex lens upon paper visible objects larger than by a single convex,<br />

but reversed', for this is <strong>the</strong> principle <strong>of</strong> <strong>the</strong> optical system employed in telepho<strong>to</strong>graphy.<br />

Kepler explains it with a figure showing <strong>the</strong> dispersion <strong>of</strong> <strong>the</strong> rays by a<br />

concave lens after having passed through a convex lens. However, Kepler is not <strong>the</strong><br />

inven<strong>to</strong>r <strong>of</strong> <strong>the</strong> telescopic lens system nor was it first employed in Galileo's telescope<br />

two years earlier, as is popularly believed. <strong>The</strong> writings <strong>of</strong> two English ma<strong>the</strong>maticians,<br />

Leonard Digges and his son Thomas, scarcely admit <strong>of</strong> doubt that <strong>the</strong> telescope<br />

was familiar <strong>to</strong> <strong>the</strong>m. In Leonard Digges's treatise Pan<strong>to</strong>metria,31 finished and<br />

published by his son in 1571, occurs a passage which shows that <strong>the</strong>y were well<br />

acquainted with <strong>the</strong> effects <strong>of</strong> a combination <strong>of</strong> concave and convex lenses in magnifying<br />

<strong>the</strong> image <strong>of</strong> a distant object.<br />

But maruellouse are <strong>the</strong> conclusions that may be perfourmed by glasses concave<br />

and convex <strong>of</strong> circulare and parabolicall fourmes, using for multiplication <strong>of</strong><br />

beames sometime <strong>the</strong> ayde <strong>of</strong> glasses transparent, which by [re]fraction should<br />

unite or dissipate <strong>the</strong> images <strong>of</strong> figures presented by <strong>the</strong> reflection <strong>of</strong> o<strong>the</strong>r. By<br />

<strong>the</strong>se kinds <strong>of</strong> glasses, or ra<strong>the</strong>r frames <strong>of</strong> <strong>the</strong>m, placed in due angles, ye may not<br />

onely set out <strong>the</strong> proportion <strong>of</strong> an whole region, yea represent before your eye

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