08.11.2016 Views

Shakespeare Magazine 09

Tom Hiddleston is cover star of Shakespeare Magazine 09! The theme is "Shakespeare at the Cinema" and we review the screenings of both Hiddleston's Coriolanus and Benedict Cumberbatch's Hamlet. We also look at Michael Fassbender and Marion Cotillard's new film of Macbeth, while the Horrible Histories crew chat about their Shakespeare comedy film Bill. Also this issue, we interview James Shapiro, author of 1606: William Shakespeare and the Year of Lear; and Paul Edmondson, author of Shakespeare: Ideas in Profile. There's also a colourful taste of the glorious poster art from new book Presenting Shakespeare. Not forgetting a profile of Tom Hiddleston's Shakespearean career so far.

Tom Hiddleston is cover star of Shakespeare Magazine 09! The theme is "Shakespeare at the Cinema" and we review the screenings of both Hiddleston's Coriolanus and Benedict Cumberbatch's Hamlet. We also look at Michael Fassbender and Marion Cotillard's new film of Macbeth, while the Horrible Histories crew chat about their Shakespeare comedy film Bill. Also this issue, we interview James Shapiro, author of 1606: William Shakespeare and the Year of Lear; and Paul Edmondson, author of Shakespeare: Ideas in Profile. There's also a colourful taste of the glorious poster art from new book Presenting Shakespeare. Not forgetting a profile of Tom Hiddleston's Shakespearean career so far.

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Bill<br />

“It’s a delightful comedy that has<br />

echoes of everything from Monty<br />

Python to Mel Brooks”<br />

afoot!” while holding a disembodied leg. The<br />

death scene with the most heartstring-tugging<br />

potential is deflated by the best-timed ‘your<br />

mum’ joke in history. You’ll groan as often as<br />

you laugh, but that’s expected. The writers play<br />

up to it with knowing nods, and, alongside the<br />

more innovative humour, the groan-worthy<br />

puns manage to feel fresh.<br />

This ensemble is as used to playing<br />

multiple roles in a single piece as <strong>Shakespeare</strong>’s<br />

own actors would have been. It’s a true<br />

joy to watch them playing such a range of<br />

characters with such a dizzying array of silly<br />

accents. Although each and every character<br />

has stand-out moments, Walsingham, one of<br />

Larry Rickard’s parts, steals every scene he’s<br />

in, especially when he’s hiding. Songs are a<br />

staple for the Horrible Histories and ‘A Series of<br />

Croydon (Simon<br />

Farnaby) seems to<br />

be doing an early<br />

version of Macbeth<br />

in Bill’s play.<br />

Funny Misunderstandings’ brilliantly sends up<br />

<strong>Shakespeare</strong>’s comedic tropes.<br />

This is the rare kind of film that pretty<br />

much everyone can enjoy. Adults as well as<br />

kids, <strong>Shakespeare</strong> fans and people who don’t<br />

give a plague rat’s arse about Early Modern<br />

theatre. It’s a witty, irreverent send-up of all<br />

the period dramas we’ve seen before, as well as<br />

a unique comic story in its own right. A great<br />

family comedy and a unique addition to the<br />

every growing <strong>Shakespeare</strong> ‘lost years’ mythos.<br />

We hope that Bill isn’t the last <strong>Shakespeare</strong>inspired<br />

project this talented team take on.<br />

<br />

36 SHAKESPEARE magazine

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