08.11.2016 Views

Shakespeare Magazine 11

The shiny new-look Shakespeare Magazine 11 is adorned with a stunning cover image of Lily James and Richard Madden in Kenneth Branagh’s Romeo and Juliet. Also in Issue 11, SK Moore tells us about his compelling new graphic novel of Shakespeare’s Macbeth, while broadcaster Samira Ahmed turns her magnificently mercurial mind to the subject of Shakespeare. We have words with Pub Landlord comedian Al Murray about his recent brush with the Bard (and Judi Dench) at RSC Shakespeare Live. And our Editor raves about a 3-DVD box set of 1960s TV Shakespeare classic The Wars of the Roses. We chat with the great Don Warrington, star of Talawa Theatre’s earth-shaking King Lear at Manchester’s Royal Exchange – youthful co-star Alfred Enoch joins in too. Also this issue: we imagine what Tom Hiddleston’s Hamlet would look like, we explore the life of Elizabeth Siddal, Victorian Ophelia, and Bristol’s Insane Root scare the living daylights out of us with their Macbeth!

The shiny new-look Shakespeare Magazine 11 is adorned with a stunning cover image of Lily James and Richard Madden in Kenneth Branagh’s Romeo and Juliet. Also in Issue 11, SK Moore tells us about his compelling new graphic novel of Shakespeare’s Macbeth, while broadcaster Samira Ahmed turns her magnificently mercurial mind to the subject of Shakespeare. We have words with Pub Landlord comedian Al Murray about his recent brush with the Bard (and Judi Dench) at RSC Shakespeare Live. And our Editor raves about a 3-DVD box set of 1960s TV Shakespeare classic The Wars of the Roses. We chat with the great Don Warrington, star of Talawa Theatre’s earth-shaking King Lear at Manchester’s Royal Exchange – youthful co-star Alfred Enoch joins in too. Also this issue: we imagine what Tom Hiddleston’s Hamlet would look like, we explore the life of Elizabeth Siddal, Victorian Ophelia, and Bristol’s Insane Root scare the living daylights out of us with their Macbeth!

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KIng Lear<br />

company like Talawa Theatre?<br />

“Why is it important there’s a Talawa Theatre?<br />

Why’s it important there’s a National Theatre?<br />

It’s important because it’s important. Just as the<br />

Royal Exchange in Manchester says something to<br />

the people of Manchester and the wider world,<br />

Talawa says something to its audience and is<br />

representative of black people in this country. They<br />

have a voice and they need it to be expressed.”<br />

What’s it like to work as part of a theatre<br />

company like this one?<br />

“I think working in a company is one of the most<br />

exciting things one can do. I like to start with<br />

people I don’t know. It’s frightening and lovely to<br />

walk into a room – not knowing who the people<br />

are, what they are going to offer – and starting<br />

from the beginning. I’m the leader of the company,<br />

I try to be as generous and open as possible<br />

because I feel that one has to set a benchmark and<br />

encourage people to be as brave as possible. We had<br />

that in this company, which is thrilling.”<br />

Was it important to convey the family<br />

dynamic within the production?<br />

“It’s important that we believe in the family because<br />

it is a family drama. It is about a man who decides<br />

to give away what he’s got to his daughters in the<br />

hope that they will look after him as he moves<br />

towards death, like any family. We had to create<br />

a family dynamic. He likes some of his children<br />

more than others and whether we like it or not,<br />

we all do that. We try to be fair, but we do have<br />

favourites deep inside us, and that was the dynamic<br />

I was looking for. Who does he like best? Who’s the<br />

cheekiest? Which one of them makes him smile?<br />

All of those things.”<br />

The Royal Exchange reaches a wide and<br />

diverse audience. Do you think that this film<br />

will also help <strong>Shakespeare</strong> reach newer and<br />

wider audiences?<br />

“I think the film will get to a larger audience and<br />

I hope it will capture the essence of what we were<br />

trying to do, by giving a flavour of how it worked<br />

in the space.”<br />

Why do you think the character of The Fool<br />

is significant in this play?<br />

Actor Don Warrington believes that in King Lear<br />

<strong>Shakespeare</strong> was exploring the theme of dementia.<br />

“The relationship between Lear and The Fool is<br />

a loving one – he’s given full licence because he<br />

is The Fool. Lear gives him licence to be his best<br />

friend, his child, his advisor and, when he becomes<br />

too pompous, to prick his bubble. I think in this<br />

production I’m very fortunate to have Miltos<br />

Yorelemou as The Fool because sometimes the<br />

alchemy of something is just wonderful. With him,<br />

he fits me, just physically, I can put him under my<br />

arm and that’s lovely. That’s luck and life. The first<br />

time I did it I thought ‘Wow! This is just great’.”<br />

The Royal Exchange is an intimate space set<br />

in the round. Does that have any effect on<br />

you within your own performance?<br />

“I have to say, this is the second time working<br />

in Manchester at The Royal Exchange. When I<br />

first came here it terrified me. I thought ‘There’s<br />

nowhere to hide in here’. But once you get over<br />

the shock of it, one gets immense freedom from it.<br />

I find the audiences very warm and very responsive<br />

and I love coming here.”<br />

<br />

Find out more about Talawa Theatre<br />

talawa.com<br />

44 SHAKESPEARE shakespeare magazine magazine

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