Shakespeare Magazine 11
The shiny new-look Shakespeare Magazine 11 is adorned with a stunning cover image of Lily James and Richard Madden in Kenneth Branagh’s Romeo and Juliet. Also in Issue 11, SK Moore tells us about his compelling new graphic novel of Shakespeare’s Macbeth, while broadcaster Samira Ahmed turns her magnificently mercurial mind to the subject of Shakespeare. We have words with Pub Landlord comedian Al Murray about his recent brush with the Bard (and Judi Dench) at RSC Shakespeare Live. And our Editor raves about a 3-DVD box set of 1960s TV Shakespeare classic The Wars of the Roses. We chat with the great Don Warrington, star of Talawa Theatre’s earth-shaking King Lear at Manchester’s Royal Exchange – youthful co-star Alfred Enoch joins in too. Also this issue: we imagine what Tom Hiddleston’s Hamlet would look like, we explore the life of Elizabeth Siddal, Victorian Ophelia, and Bristol’s Insane Root scare the living daylights out of us with their Macbeth!
The shiny new-look Shakespeare Magazine 11 is adorned with a stunning cover image of Lily James and Richard Madden in Kenneth Branagh’s Romeo and Juliet. Also in Issue 11, SK Moore tells us about his compelling new graphic novel of Shakespeare’s Macbeth, while broadcaster Samira Ahmed turns her magnificently mercurial mind to the subject of Shakespeare. We have words with Pub Landlord comedian Al Murray about his recent brush with the Bard (and Judi Dench) at RSC Shakespeare Live. And our Editor raves about a 3-DVD box set of 1960s TV Shakespeare classic The Wars of the Roses. We chat with the great Don Warrington, star of Talawa Theatre’s earth-shaking King Lear at Manchester’s Royal Exchange – youthful co-star Alfred Enoch joins in too. Also this issue: we imagine what Tom Hiddleston’s Hamlet would look like, we explore the life of Elizabeth Siddal, Victorian Ophelia, and Bristol’s Insane Root scare the living daylights out of us with their Macbeth!
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Tom Hiddleston<br />
Hiddleston<br />
“Not a whit, we defy augury;<br />
there’s a special providence in<br />
the fall of a sparrow. If it be now,<br />
’tis not to come; if it be<br />
not to come, it will be now;<br />
if it be not now, yet it will come:<br />
the readiness is all. Since no man<br />
knows aught of what he leaves,<br />
what is’t to leave betimes? Let be.”<br />
Act V, Scene 2<br />
as<br />
Jonathan Pine in<br />
TV drama The<br />
Night Manager<br />
(2016).<br />
32 shakespeare magazine
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