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Smart Guide To Storytelling For Leaders and Salespeople

Learn how storytelling can help you influence, inspire, and motivate people in business settings. Includes six specific storytelling methods you can use right away.

Learn how storytelling can help you influence, inspire, and motivate people in business settings. Includes six specific storytelling methods you can use right away.

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<strong>Smart</strong> <strong>Guide</strong> to<br />

<strong>For</strong> <strong>Leaders</strong><br />

s<strong>Storytelling</strong><br />

www.story-lab.net<br />

<strong>and</strong> <strong>Salespeople</strong>


COPYRIGHT<br />

Copyright © 2016 Story-Lab<br />

All Rights Reserved.<br />

No part of this publication may be reproduced,<br />

stored in a retrieval system, or transmitted, in any form or in any means<br />

– by electronic, mechanical, photocopying, recording or otherwise<br />

– without prior written permission.


“<br />

Scratch<br />

the surface<br />

in the boardroom, <strong>and</strong><br />

we are all just<br />

cavemen with a<br />

briefcase, hungry for<br />

a wise man to tell us<br />

stories. Alan Kay


CONTENTS<br />

Chapter ONE<br />

WHY STORYTELLING? 6<br />

Chapter TWO<br />

WHAT IS A STORY?<br />

13<br />

Chapter THREE<br />

6 STORYTELLING TECHNIQUES YOU CAN USE<br />

IN YOUR NEXT PRESENTATION. 18<br />

FREEQUENTLY ASKED QUESTIONS 27<br />

FINAL THOUGHTS 28<br />

4


Chapter ONE<br />

1Why<br />

<strong>Storytelling</strong>?<br />

www.website.com


WHY STORYTELLING<br />

If I told you that storytelling can assist managers<br />

in becoming the leaders others like to follow, make<br />

companies a place where people like to work <strong>and</strong><br />

help salespeople gain the trust <strong>and</strong> confidence<br />

of their prospects, you might wonder why more<br />

companies aren‘t making it a st<strong>and</strong>ard practice.<br />

But many companies are. Companies like Microsoft,<br />

IBM, Boeing, Nike, Coca Cola,Bayer,SAP <strong>and</strong> many<br />

others are training their people to capitalize on the<br />

ways storytelling can influence, motivate <strong>and</strong> inspire<br />

others in business settings.<br />

Neuroscience has contributed to the growing<br />

interest in storytelling as a business tool, <strong>and</strong><br />

is showing how it can do for human relations what<br />

technology is doing for innovation.<br />

See for yourself. On the following pages is a two-part<br />

exercise similar to one we give participants during our<br />

business storytelling workshops. The purpose of this<br />

exercise is to demonstrate just some of the scientific<br />

findings that have created interest in storytelling’s<br />

functionality. It is highly recommended that you take a<br />

few minute to go through this exercise before reading<br />

about some of theways you can put storytelling to<br />

work.<br />

“<br />

The story is a machine<br />

for empathy. In contrast<br />

to logic or reason, a<br />

story is about emotion<br />

that gets staged over a<br />

sequence of moments, so<br />

you empathize with the<br />

characters.<br />

Ira Glass<br />

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Better Chemistry Through Stories


Part I:<br />

Have someone read you the list of words on this slide.<br />

Each word should be read once every two seconds.<br />

Track<br />

Door<br />

Clean<br />

Bu/on<br />

Water<br />

Television<br />

Hamster<br />

Blue<br />

Tree<br />

H<strong>and</strong>le<br />

Now try to recall as many words as you can. How many are<br />

you able to recall?________<br />

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Better Chemistry Through Stories


Part II:<br />

Have someone read you the story below. It should only be<br />

read once.<br />

<strong>For</strong> the longest ,me, our daughter Alice wanted<br />

a new pony. We surprised her with one on her<br />

10th birthday. She named her pony Whitey since<br />

it had this beau,ful white mane <strong>and</strong> matching<br />

tail.<br />

Yesterday, we took my daughter to the barn to<br />

take pictures of Whitey. The first thing I no,ced<br />

was that familiar animal-barn smell. It brought<br />

me back to the days when I used to ride horses<br />

compe,,vely. As I sat in my wheelchair watching<br />

Alice pet her new pony, I prayed that what<br />

happened to me wouldn’t happen to her.<br />

Afer the story is read, answer the questions on the next page.<br />

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Better Chemistry Through Stories


Answer the following questions about the story you just<br />

heard.<br />

1. What is my daughter’s name?<br />

2 .What did she want for the longest<br />

9me?<br />

3. What birthday did my daughter just<br />

celebrate?<br />

4. What did she name her new pet?<br />

5.Why did she give it that name?<br />

6. Where did we take her yesterday?<br />

7.What was the first thing I no9ced?<br />

8 .What did I used to do?<br />

9. Where was I siIng as I watched my<br />

daughter?<br />

10. What was I praying for?<br />

How many questions were you able to answer correctly?_____<br />

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HERE'S WHAT JUST<br />

HAPPENED<br />

If you’re like most who have participated in this exercise,you scored higher on<br />

Part II than Part I. Heres why:<br />

In the first exercise when each word on the list was read to you, two areas of<br />

your brain lit up.These are called the Broca <strong>and</strong> the Weincke Area’s respectively.<br />

<strong>To</strong>gether, these parts of your brain serve<br />

as your word <strong>and</strong> symbol repository. They<br />

help you produce <strong>and</strong> decode language. When<br />

either or both areas are damaged, as in severe<br />

cases of stroke, language can become less or<br />

even totally undecipherable.<br />

When the story was read to you, the parts of<br />

your brain that process sensory inputs also<br />

lit up. These additional areas worked together to<br />

produce an image of what was being described.<br />

This additional brain activity was responsible<br />

for enhancing your recall. This explains why memory experts tell us that when tryng<br />

to memorize any list, it is best to relate the elements of that list to each other in the<br />

form of a mental picture, no matter how ridiculous. Some suggest you break the list<br />

down into mini pictures <strong>and</strong> envision them in the different rooms of your house. As<br />

you imagine touring each room in some sequential order, recalling the list is made<br />

easier than rote memorization.<br />

Additional brain activity is just one of the reasons recall was easier in Part II vs. Part<br />

I. You may not have realized it, but your brain was also hard at work processing the<br />

storied information in a way that further enhanced your recall. Can you guess how?<br />

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HOW EMOTION GIVES<br />

MEMORY A BOOST<br />

Albeit fictional, the story in Part II of this<br />

exercise told you why I was concerned<br />

for my daughter‘s safety.The notion of<br />

my accident was included to generate<br />

an element of surprise <strong>and</strong> sadness.<br />

Stories that cause us to feel happy,<br />

sad, mad or surprised increase recall<br />

because they generate even more<br />

brain activity.<br />

Think about this the next time you<br />

start to fill up your presentation with<br />

facts separated by bullet points or<br />

you casually communicate an important<br />

point. Very few presentation techniques<br />

will do as much to get your point<br />

remembered as well as a story that triggers<br />

an emotional response.<br />

It is important to become aware of the<br />

fact that any information you provide<br />

in a presentation competes wth the<br />

flurry of information that hits your prospect’s<br />

windshield each <strong>and</strong> every day.<br />

Additionally, as soon as you end your<br />

presentation, your audience will start to<br />

forget what you said, especially when<br />

other c<strong>and</strong>idates are giving competitive<br />

presentations.<br />

“<br />

They<br />

will forget what<br />

you said. They will forget<br />

what you did. But they<br />

will never forget the way<br />

you made them feel.<br />

Maya Angelou<br />

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BUT HERE‘S THE BEST PART!<br />

BUT HERE'S THE BEST PART!<br />

In addition to fascilitating recall of important points, there is one very<br />

hidden, yet extremely powerful benefit to telling stories.<br />

Go back <strong>and</strong> read the paragraph in the second part of the exercise<br />

above. How would you describe the person telling it?<br />

You might have answered with words like “kind,” “protective,”<br />

“caring,” among other adjectives. There‘s really no correct answer<br />

to this question. The point is that stories often imply certain<br />

characteristics of the story teller. Stories, unlike other forms of<br />

communication, provide information that is not explicitly stated.<br />

In other words, you can use stories to help people come to their<br />

own conclusions about your beliefs <strong>and</strong> values without having to be<br />

explicit. People generally respond better when they can decide who<br />

you are, outside of your direct attempts to influence them.<br />

There’s a whole lot more that neuroscience is discovering about the<br />

power of stories, <strong>and</strong> plenty of searchable resources on the subject.<br />

At the very least, however, the two exercises in which you just<br />

participated should help you appreciate some of the more important<br />

benefits of storytelling for leaders <strong>and</strong> salespeople.<br />

<strong>Storytelling</strong><br />

reveals meaning by not<br />

committinng the error of<br />

“defining it.<br />

Hannah Ahrendt<br />

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Chapter TWO<br />

What Is A<br />

Story?<br />

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Is This A Story?<br />

We had a problem with our whole purchasing<br />

process. I was convinced that a great deal of money<br />

was being wasted, <strong>and</strong> that it would con;nue to be<br />

wasted – that we didn’t even know how much money<br />

was being thrown away. I thought we had an<br />

opportunity to drive down purchasing costs, not by 2<br />

per cent, but by something in the order of $1 billion<br />

over the next five years. A change this big meant a<br />

big shiE in the process. This would not be possible,<br />

however, unless many people, especially those in top<br />

management, saw the opportunity, which for the<br />

most part they did not. So nothing was happening.<br />

If you answered “no,” you are correct. If you answered<br />

“yes,” you are not alone. It is a common mistake that we<br />

see our workshop participants make. See why on the next<br />

page.<br />

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Better Chemistry Through Stories


WHAT IS A STORY?<br />

There are many different ways to define what a story is <strong>and</strong> how it<br />

differs from other forms of communication, like a statement of fact, an opinion<br />

or an assertion. However, the common denominator of most definitions is that<br />

a story recounts some moment in time that helps us mentally see something<br />

that happened.<br />

So there are two reasons why the example on the previous page is not a<br />

story:<br />

• The moment in time is non-descript. In the line, the teller says “we had a problem.”<br />

There is no “when” this problem occurred. Unless a moment in time is defined, we may<br />

have a description or a report of something that happened, but we don’t have a story.<br />

We are all familiar with the classic story opening, “Once upon a time". We strongly<br />

advise against using this as a way to start any story in a business setting. But if what you<br />

are talking about or listening to does not recount a “once in time,” it is not a story.<br />

•There is nothing to see. Stories are acted out either on a stage, a film screen, or in<br />

the theatre of our minds. Unless we can see something happening, there is no story.<br />

Stories must bring into play things our mind’s eye can envision, hear, smell, touch, or<br />

taste. Otherwise, underst<strong>and</strong>ing is limited to language processing alone.<br />

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The Different Types of Stories<br />

If you‘re looking for a book on Amazon you<br />

will find stories classified by their genres:<br />

adventure stories, science fiction,fantasy,<br />

mystery, horror, romance, historical<br />

fiction, true stories etc. But for business<br />

storytelling, it is far more useful to think<br />

in terms of story types.<br />

We think of story types falling along a<br />

continuum. On one end are what we refer<br />

to as "Little-s" stories.” At the opposite<br />

end are "Big-S" stories.”<br />

“<br />

History is finite.<br />

There's only so much<br />

you can learn about<br />

a six-block historic<br />

district in New York<br />

city.<br />

Kat Georges<br />

“Li$le -s” Stories<br />

“Big-S” Stories<br />

Anecdotes<br />

Examples<br />

Recounts<br />

Legends<br />

Epics<br />

Novels<br />

Fairytales<br />

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Big-S stories are usually stories we attend<br />

to voluntarily. We‘ll even pay admission to<br />

hear or see them performed. We typically<br />

expect them to provide some form of entertainment.<br />

On the other h<strong>and</strong>, Little-s stories are not<br />

necessarily sought for enjoyment. Instead<br />

they they are provided, often unexpectedly,<br />

by a speaker who uses them to exemplify<br />

or elucidate a point being made.<br />

We can learn a great deal about<br />

storytelling from the way Big-S stories are<br />

structured <strong>and</strong> delivered. However, in a<br />

business presentation or meeting, the<br />

closer we come to telling a Big-S story,<br />

the more likely we fall prey to either losing<br />

or turning off our audience. Simply put,<br />

there‘s a place for Big-S storytelling <strong>and</strong><br />

it's not in a business meeting. Once you<br />

are seen as someone trying too hard to<br />

entertain your audience, you credibility will<br />

be lost <strong>and</strong> very difficult to regain.<br />

"Big-S" storytellers apply plot<br />

structure, character development,<br />

beats, scene design <strong>and</strong> myriad<br />

other storytelling principles <strong>and</strong><br />

practices— they’ve probably read<br />

Robert McKee’s fabulous book Story:<br />

Substance, Structure, Style, <strong>and</strong><br />

the Principles of Screenwriting. At<br />

the other end of the spectrum is<br />

"Little-s" story- telling, where we<br />

find the stories we tell on a daily<br />

basis in conversations: anecdotes<br />

concerning real-life experiences.<br />

Businesspeople don’t need to be<br />

screen-writers or novelists. In fact,<br />

applying too much craft in communicating<br />

with stories can lead you<br />

into a big trap.<br />

Shawn Callahan, Putting Stories <strong>To</strong><br />

Work<br />

17<br />

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Better Chemistry Through Stories


Chapter THREE<br />

36 Ways <strong>To</strong> Use<br />

<strong>Storytelling</strong> In<br />

Your Next<br />

Presentation<br />

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6 Ways <strong>To</strong> Use <strong>Storytelling</strong> In Your Next Presentation<br />

In this chapter, you will be introduced to just some of the ways Little-s stories<br />

can be used to accomplish various objectives in a business setting. This is<br />

just a small sampling of tips, techniques <strong>and</strong> patterns that can turn any<br />

presentation from Blah to Bravo. If you can apply what is outlined here, you will<br />

immediately start benefiting from the communicative powers of storytelling.<br />

Don't Use<br />

The "S" Word<br />

The"Then,<br />

Now <strong>and</strong><br />

How"<br />

<strong>For</strong>mula<br />

Humorous<br />

Dialogue<br />

Start<br />

HIGH<br />

The 2+2<br />

<strong>For</strong>mula<br />

Comparisons<br />

www.story-lab.net<br />

19<br />

Better Chemistry Through Stories


Avoid The "S" Word<br />

1<br />

You‘ll find that there aren‘t<br />

many so-called "rules" when<br />

it comes to storytelling.<br />

However, there is one that<br />

is very important <strong>and</strong> should<br />

be followed religiously: Don‘t<br />

use the "s" word.<br />

Don‘t use the "s" word is<br />

short-h<strong>and</strong> for don‘t start any<br />

story by announcing you‘re<br />

going to tell a story.<br />

How you would react if, at<br />

the beginning of a st<strong>and</strong>-up<br />

routine, you heard a comedian<br />

say,"I have a joke to tell you!!"<br />

It‘s a little like saying "Please<br />

laugh when I‘m done.“<br />

Start a story by announcing<br />

you have a story <strong>and</strong> you‘ll<br />

risk the same reaction. The<br />

most important thing you need<br />

to do when telling a story is<br />

www.story-lab.net<br />

to begin with a statement<br />

that promises, "This is going<br />

to be worth listening to.“<br />

Advertising that you have a<br />

story merely sends a signal to<br />

your audience that this might<br />

be a good time to check your<br />

phone for any new emails.<br />

Fundamental to anything<br />

communicated in a business<br />

setting is the fact that<br />

nobody wants to be pushed<br />

into reacting a certain way.<br />

Instead, they have to be<br />

pulled in.<br />

Here are 2 suggestions on<br />

how to begin a story:<br />

1. Start with a question, eg.<br />

"Have you ever read your<br />

entire homeowner‘s insurace<br />

policy?". From here you can<br />

launch into the time you did<br />

<strong>and</strong> what you discovered.<br />

"Have you ever....?", "Do<br />

you have....?" or "When was<br />

the last time you...?"are also<br />

good starter questions that<br />

can set up a story you‘d like<br />

20<br />

Better Chemistry Through Stories<br />

to tell. Right away, questions<br />

can hook your audience into<br />

wondering what you‘re going<br />

to say next.<br />

2. Start with a moment in<br />

time eg. "Ten years ago,<br />

my company learned a<br />

very valuable lesson about<br />

customer service," or "October<br />

10, 1999 is a day I will never<br />

forget." Much like starting with<br />

a question, beginning with a<br />

a time marker, intrigues your<br />

audience into wondering,"What<br />

happened next?".<br />

Starting any presentation<br />

with a story is a great way to<br />

captivate your audience. It is<br />

during the first few seconds<br />

of any presentation that<br />

they are asking themselves,<br />

"Why should I listen to this<br />

person?". Make the most of<br />

this very short time-window<br />

with an opening that promises<br />

a reward. The "s" word<br />

will almost always do the<br />

opposite.


The "Then,Now,<br />

How" <strong>For</strong>mula<br />

2<br />

The "Then, Now <strong>and</strong> How"<br />

<strong>For</strong>mula is something that<br />

was developed by the highly<br />

acclaimed speaking coach,<br />

Craig Valentine. He writes<br />

more about this formula <strong>and</strong><br />

other storytelling techniques<br />

in his bestselling book, World<br />

Class Speaking, co-authored<br />

by Mitch Meyerson. Here‘s<br />

how it works:<br />

First, talk about the way<br />

things used to be. Describe<br />

the problems that were once<br />

present <strong>and</strong>, if possible,<br />

escalate the difficulties that<br />

the problem presented. Then,<br />

discuss what happened to<br />

solve that problem <strong>and</strong> finish<br />

by explaining how things are<br />

now.<br />

Let‘s say you were wanting<br />

to introduce a method that<br />

you discovered to reduce<br />

employee turnover at fast<br />

food restaurants. Here’s an<br />

example of the “Then, Now<br />

<strong>and</strong> How,” formula at work:<br />

Then: "Like you, we were<br />

having an employee turnover<br />

problem. We were losing<br />

employees almost twice<br />

as fast as our nearest<br />

competitor. In fact, we had<br />

the highest employee turnover<br />

rate in the fast food category.<br />

As I’m sure you can imagine,<br />

this cost us a great deal of<br />

money in recruiting fees, lost<br />

time <strong>and</strong> employee morale.<br />

Now: <strong>To</strong>day,we have the<br />

lowest turnover rate in our<br />

category. Our average<br />

employee turnover rate used<br />

to be 5X per year. Last year,<br />

it was .9X. The average in our<br />

category is 2.5X.<br />

How: We tried X, Y <strong>and</strong> Z to<br />

reduce employee turnover,<br />

but to no avail. But then, we<br />

realized we had been looking<br />

in all the wrong places for<br />

the answer. The solution we<br />

found is one I think you can<br />

21<br />

benefit from since it takes<br />

advantage of something you<br />

already have in place <strong>and</strong><br />

costs a lot less than those<br />

turnover losses.<br />

The “Then, Now <strong>and</strong> How”<br />

formula accomplishes a<br />

number of things that an<br />

opening like “<strong>To</strong>day, I’d<br />

like to show you how you<br />

can reduce turnover,” just<br />

can’t. <strong>For</strong> one, it establishes<br />

a connection with prospects<br />

by showing them they are<br />

not alone with their problem.<br />

Additionally, by the time you<br />

get to "How," you wil have<br />

your listener‘s full attention.<br />

Use the“Then, Now <strong>and</strong><br />

How,” storytelling formula<br />

anytime you are proposing<br />

a change, whether you are<br />

introducing a new product<br />

or suggesting a a new way<br />

to solve an old problem.<br />

Additionally it can give a<br />

bl<strong>and</strong> case history some<br />

new life. Steve Jobs often<br />

used this formula during his<br />

keynotes. You can see how<br />

he did this by looking him up<br />

on Youtube.com.


Humorous Dialogue<br />

3<br />

<strong>To</strong>o often, speakers try to get<br />

audiences laughing by telling<br />

jokes or delivering overly<br />

rehearsed one-liners. Unless<br />

they are trained comedy writers<br />

with a talent for comedic timing,<br />

this approach rarely gets laughs.<br />

As a general rule, audiences<br />

become annoyed by speakers<br />

who try too hard to be funny.<br />

If you watched any of the<br />

Presidential debates, you might<br />

have seen Senator Rubio hold<br />

up a bottle of water while saying<br />

“I made sure to bring water this<br />

time.” Rubio was referring back<br />

to the time he embarrassed<br />

himself by reaching off camera<br />

for a bottle of water in the middle<br />

of a nationally televised rebuttal<br />

to Obama‘s State of the Union<br />

speech.(see Rubio). This could<br />

have been funny had it been<br />

seen as a spontaneous crack.<br />

However, it was plain to see<br />

www.story-lab.net<br />

this was staged <strong>and</strong> overly<br />

rehearsed. I’m not sure what<br />

was harder to watch, his<br />

cumbersome reach for water or<br />

his joke that didn’t get a laugh.<br />

If you‘re looking for humor, the<br />

best place to find it is within<br />

the stories you tell. More<br />

specifically, it can usually be<br />

found within the dialogue of your<br />

story. Consider this example for<br />

instance:<br />

“I started out working for a pretty<br />

tough boss. He watched over<br />

everything I did <strong>and</strong> was<br />

quick to criticize. One day, he<br />

told me that he’d like to stop<br />

correcting me. "Go ahead! You<br />

have my full permission," I said.<br />

This may not generate a guffaw,<br />

but it’s easier to deliver <strong>and</strong> will<br />

be far more welcomed than a<br />

canned joke, especially in a<br />

business setting.<br />

Furthermore, when it comes to<br />

getting a laugh, finding humor<br />

in dialogue is relatively risk-free.<br />

22<br />

Better Chemistry Through Stories<br />

Everybody knows jokes or oneliners<br />

are told to make people<br />

laugh. But nobody knows<br />

whether a line delivered through<br />

dialogue is told to make people<br />

laugh or because that bit of<br />

dialogue is integral to the story.<br />

If your audience laughs, great.<br />

And if they don‘t, nothing is lost.<br />

The only caveat here is to not<br />

try imitating foreign accents or<br />

the opposite sex unless you are<br />

really good at it. Failure could be<br />

deadly.<br />

“<br />

If you try to be funny,<br />

you are not being<br />

funny.<br />

John Gordon Sincliar


Start HIGH<br />

4<br />

When leaders <strong>and</strong> salespeople<br />

introduce themselves<br />

to a new audience, it is<br />

customary to start with their<br />

background summary. The<br />

“How I Got Here" (HIGH)<br />

story method will allow you<br />

to do the same thing but in<br />

a way that provides your<br />

audience with a reward for<br />

listening. Use the HIGH story<br />

method <strong>and</strong> you will quickly<br />

establish the credibility you<br />

want <strong>and</strong> the trust you‘ll<br />

need.<br />

Instead of providing a<br />

chronological summary of<br />

your background, the HIGH<br />

story method presents your<br />

audience with a lesson<br />

you learned along your<br />

career path. This meth is<br />

betterdemonstrated than<br />

explained:<br />

www.story-lab.net<br />

When I introduce myself at<br />

our Storyteling <strong>For</strong> <strong>Leaders</strong><br />

workshops, I often start out<br />

talking about an unexpected<br />

incident that awakened me<br />

to how storytelling can create<br />

connections between people.<br />

I begin by talking about the<br />

insecurities I suffered as a<br />

newly promoted manager in<br />

charge of a number of people.<br />

"Back then, I wondered how<br />

anyone would ever take<br />

direction from the likes of me,"<br />

I add.<br />

I tell my audience about the<br />

books I read, the classes<br />

I took, <strong>and</strong> the advice I<br />

sought in order to gain more<br />

confidence. But nothing<br />

resonated with me as much<br />

as something I overheard in a<br />

restaurant of all places.<br />

Two older gentlemen were<br />

talking <strong>and</strong> one said to the<br />

other, "Show me someone<br />

who knows how to admit<br />

23<br />

Better Chemistry Through Stories<br />

their own vulnerabilities, <strong>and</strong><br />

I'll show you a good leader."<br />

I then talk about how that<br />

single sentence started<br />

me along a discovery path<br />

<strong>and</strong> helped me become the<br />

manager I never thought<br />

possible. I then give<br />

examples of how I used<br />

storytelling throughout my<br />

career to show my employees<br />

that I was not just their boss. I<br />

was also a human being.<br />

I conclude my introduction<br />

by stating, "<strong>To</strong>day I want to<br />

share with you a number of<br />

leadership short-cuts like<br />

this - short-cuts to the long<br />

leadership road I‘ve travelled.<br />

The best stories are those<br />

that allow people to identify<br />

with a conflict or problem that<br />

you’ve encountered. The High<br />

story method will help your<br />

audience quicky see you as<br />

both accomplished <strong>and</strong> real.


The 2+2 <strong>For</strong>mula<br />

5<br />

This is a formula gleaned from<br />

a Ted Talk, entitled, The Clues<br />

<strong>To</strong> A Great Story, given by<br />

Pixar’s Andrew Stanton, the<br />

creator of Finding Nemo <strong>and</strong><br />

Wall-E. Look it up when you<br />

get a chance.<br />

During this talk, Stanton<br />

explains that audiences don’t<br />

like to be told that 2+2 equals<br />

4. Rather, he said, "They<br />

like to discover the answer<br />

themselves."<br />

jokes. People prefer to draw<br />

their own conclusions rather<br />

than to have them explicitly<br />

revealed. Anytime you tell a<br />

story, it’s important to allow<br />

your audience to employ their<br />

imagination, to see what they<br />

choose to see, <strong>and</strong> to react<br />

they way they choose to react.<br />

This runs contrary to the<br />

presentation maxim,"Tell<br />

them what you‘re going to tell<br />

them, tell them, then tell them<br />

what you told them.“ A more<br />

engaging way to involve your<br />

audience is to "Show them<br />

<strong>and</strong> then shut up.“ It‘s always<br />

better to give your audience<br />

the paint, the brush <strong>and</strong> the<br />

canvas, but let them create<br />

the painting.<br />

The 2+2 <strong>For</strong>mula really<br />

underscores one of the<br />

fundamental reasons why<br />

stories are more interesting<br />

than factual explanations. It‘s<br />

also why comedians don’t<br />

explain punch lines to their<br />

24<br />

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Better Chemistry Through Stories


Comparisons<br />

6<br />

Included here are metaphors,<br />

similes <strong>and</strong> analogies.<br />

<strong>For</strong> our purposes, it is not<br />

as important to know the<br />

structural difference between<br />

these three figures of speech<br />

as it is to know that all three<br />

comparison types quickly <strong>and</strong><br />

concisely make an abstract<br />

concept more concrete<br />

<strong>and</strong> easier to comprehend.<br />

Whatever the form,<br />

comparisons will draw on what<br />

your listeners already know to<br />

help them better underst<strong>and</strong><br />

what they don’t.<br />

Consider the following<br />

comparison used to describe<br />

a company: “We started<br />

out as the the <strong>To</strong>yota of our<br />

industry. We have since<br />

evolved into a Lexus.”<br />

This comparison provides<br />

a quick description of the<br />

person‘s company while<br />

begging the question, "How?“<br />

www.story-lab.net<br />

Need a way to explain quality<br />

control? You might say<br />

you‘re like the guy who looks<br />

for the penny in the pile of<br />

dimes. Looking for a simple<br />

way to explain your work in<br />

R&D? Maybe you‘re like the<br />

company’s taste tester. What’s<br />

more explanatory? I‘m in<br />

marketing,“ or "I‘m like a GPS<br />

that helps my clients find a<br />

better route to gaining market<br />

share.“<br />

Once, I asked an accountant<br />

how likely it would be for a<br />

certain deduction to trigger<br />

an IRS audit. He could have<br />

answered by telling me that<br />

the risk was high. But instead<br />

he said, "Let me put it this<br />

way. Taking that deduction<br />

would be like walking into a<br />

lion‘s den wearing a pork chop<br />

suit.“ There was no missing his<br />

point!<br />

Story purists argue that since<br />

comparisons do not describe<br />

something that happened in<br />

25<br />

Better Chemistry Through Stories<br />

time <strong>and</strong> space they really<br />

aren‘t stories.True, but like<br />

stories, they conjure up mental<br />

images, simplify the complex<br />

<strong>and</strong> wrap facts in something<br />

that generates an emotional<br />

reaction. They‘re like quasistories<br />

<strong>and</strong> for that reason<br />

they ought to be included in<br />

anyone‘s storytelling arsenal.<br />

Coming up with the right<br />

comparison can be<br />

challenging. On the next<br />

page is one of many methods<br />

we teach on how to create<br />

comparisons when you‘re<br />

stumped.


The This = That method for crea-ng comparisons<br />

1. Create two columns on a sheet of paper.<br />

2. In the le; column write down all the things you do or<br />

your product does.<br />

3 In the right column, write down people, places or things<br />

that do something similar.<br />

4. Don’t edit anything in the right column. Merely freeassociate<br />

as many comparisons as you can with specific<br />

ac-ons that you or your product performs.<br />

5. Sooner or later you are bound to find a comparison that<br />

is original <strong>and</strong> visually describes who you are or what you<br />

do.<br />

26<br />

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Better Chemistry Through Stories


Frequently Asked Questions<br />

Q<br />

I‘m not really a storyteller. Doesn‘t it take a special<br />

kind of talent?<br />

No. We are hardwired to organize our thoughts in terms of stories. Furthermore, storytelling is<br />

a very natural way of speaking. The only thing you need to be a storyteller is a birth certificate.<br />

Unfortuantely however,when it comes to business presentations, we avoid telling stories. Instead,<br />

we often rely soley on facts <strong>and</strong> ard data. That said, there are specialized storytelling techniques<br />

that are most appropriate for business settings <strong>and</strong> these must be learned <strong>and</strong> practiced over<br />

time.<br />

Q<br />

My audience usually consists of people that make<br />

decisions on the basis of facts <strong>and</strong> hard data. How is<br />

storytelling going to improve my presentations?<br />

One of the biggest benefits of storytelling is that it wraps facts in a context that generates an<br />

emotional response. Not every fact should be presented through a story. However, knowing how<br />

<strong>and</strong> when to use stories can enhance any presentation, even those that are given to data-oriented<br />

audiences.<br />

Q<br />

Where can I learn more about how to use storytelling<br />

in business settings?<br />

We highly recommend the book, Putting Stories <strong>To</strong> Work, written by Shawn Callahan, the CEO of<br />

Anecdote,the world‘s largest busines storytelling organization, with headquarters in Melbourne,<br />

Austrailia. If your team would like to participate in a workshop designed around the principles in<br />

this book, visit www.story-lab.net.. Story-Lab is a U.S. affliate of Anecdote.<br />

27<br />

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Better Chemistry Through Stories


FINAL WORDS<br />

Contact Us Now<br />

Story-Lab<br />

Chicago, Illinois<br />

312-545-4903<br />

jims@story-lab.net<br />

www.story-lab.net<br />

Connect With Us<br />

https://www.facebook.<br />

com/jimsig/<br />

@jimsignorelli<br />

/company<br />

https://www.linkedin.com/<br />

in/jimsignorelli<br />

This e-book provides a small sample of what we teach<br />

during Story-Lab Workshops.<br />

THREE COURSES ARE AVAILABLE:<br />

STORYTELLING FOR LEADERS<br />

<strong>Storytelling</strong> <strong>For</strong> <strong>Leaders</strong> is a communications<br />

workshop for management teams. At Story-Lab,<br />

using specific storytelling techniques, managers<br />

learn how to better influence, inspire <strong>and</strong> motivate<br />

others.<br />

STORYTELLING FOR SALES<br />

<strong>Storytelling</strong> for Sales is an intensive program for<br />

sales teams. During this workshop, sales teams<br />

are given h<strong>and</strong>s-on practice using storytelling<br />

techniques that engage prospects from first call to<br />

close.<br />

STORYBRANDIING<br />

StoryBr<strong>and</strong>ing workshops help management<br />

teams create their br<strong>and</strong>’s most compelling<br />

story. Business <strong>Storytelling</strong> Workshops are<br />

developed <strong>and</strong> implemented by Jim Signorelli,<br />

internationally acclaimed author <strong>and</strong> originator of the<br />

StoryBr<strong>and</strong>ing Model.<br />

Individual Coaching is also available.<br />

28<br />

www.story-lab.net<br />

Better Chemistry Through Stories


<strong>Smart</strong> <strong>Guide</strong> to<br />

<strong>Storytelling</strong><br />

<strong>For</strong> <strong>Leaders</strong><br />

And<br />

<strong>Salespeople</strong><br />

www.story-lab.net

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