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FEATURE<br />
who can help with tasks, such as billing, only when needed. This makes<br />
sense for a small business owner who does not need a full-time manager.<br />
Though owning her own business requires added executive duties,<br />
it also gives her the freedom to implement her creativity on her terms.<br />
Unlike other designers, who most often specialize in one area, Kathy is<br />
able to take on projects in both the residential and corporate fields. She<br />
loves designing homes; often those clients become friends. Residential<br />
projects can be more emotional than corporate ones. Since a project<br />
can easily span the course of a year or more, Kathy becomes part of her<br />
clients’ lives, sometimes going through big life changes with them. <strong>The</strong>se<br />
changes are not always pleasant or welcomed, but Kathy said she can help<br />
a little “by making sure the client has a space that brings them comfort or<br />
fits their needs at that time.”<br />
Yet Kathy also relishes in designing spaces that the public can enjoy,<br />
such as spaces of community and hospitality. She designed the popular<br />
and fashionable restaurant Sinema, which was built inside of an old movie<br />
theater. <strong>The</strong> bottom floor of the restaurant is a fine dining venue, while the<br />
top floor, accessed by the original grand, curved staircase, is a lounge area<br />
with plush seating and low, sultry lighting.<br />
She pays attention to how a client lives, works, and<br />
uses space. She works with a client to ensure satisfaction, and<br />
she trains her other designers to do the same.<br />
Sinema Restaurant + Bar Nashville, TN<br />
One of her most satisfying projects was designing the backstage of<br />
the Grand Ole Opry after it was destroyed by a flood in 2010 which<br />
consumed most of Nashville. Because this was a project of rescue<br />
and recovery, decisions needed to be made faster than on normal<br />
projects. Everyone rallied together quickly, restoring a country music<br />
icon. With wood finishes and a punched tin ceiling, she paid homage<br />
to the Opry’s heritage. In sentimental contrast, she included an iron<br />
marker on the wall, commemorating the height of the flood line in the<br />
Opry (part of its new and continued history).<br />
Being married to a songwriter and having many musician friends,<br />
Kathy understood that the musicians who use the Opry’s backstage need<br />
to feel comfortable. Kathy emphasized that the space around you affects<br />
how you feel, so whenever she takes on a new client, the first thing she<br />
does is listen.<br />
“Being a good designer means being a good listener,” she said. She<br />
pays attention to how a client lives, works, and uses space. She works<br />
with a client to ensure satisfaction, and she trains her other designers to<br />
do the same. Kathy’s business has grown to include four other designers.<br />
Kathy prefers office spaces that “bring everyone together instead of being<br />
separated and closed off from each other,” and her own office space for<br />
her employees does just that. She added, “Usually, the employees need<br />
each other to best do their jobs.”<br />
Of course, Kathy’s own home falls last on her priority list. Like many<br />
people, she’s not inspired to do job-related duties while at home. Not<br />
only that, her house is sometimes treated like another showroom from<br />
which she may pluck items for a design project. She told a story about a<br />
Michael Kalish piece she once owned, a depiction of Jimi Hendrix, which<br />
incorporated license plates for the image. She liked the artwork, but while<br />
working on Kid Rock’s house, she decided that his project needed the<br />
Kalish piece instead.<br />
<strong>The</strong>n she laughed about how her bed at home currently needs a<br />
headboard. “<strong>The</strong>re’s pillows up against drapes,” she said. “You can’t even<br />
sit up and read!”<br />
But if there’s one thing Kathy has learned throughout her career, it’s<br />
to be realistic. Clients usually have expectations about a project concerning<br />
time frame, budget, and getting exactly what they want. Kathy warns of<br />
those three to “pick two.” Having all three is virtually impossible.<br />
Her own life is one of balance: the balance of residential and corporate<br />
projects; the balance of designing a space’s efficiency and its aesthetic; and<br />
the balance of thinking creatively while managing effectively. Even though,<br />
Kathy admitted that her home falls last on her priority list, she said it’s still<br />
an organized space. She couldn’t function in chaos.<br />
Kathy Anderson works hard, and through all of her success, it shows.<br />
She deserves a place to lie back and relax in her own home. As we<br />
wrapped up the interview, Kathy said, “You know, maybe I’ll go get that<br />
headboard today.”<br />
I have a feeling she didn’t, but I hope that one day, she will.<br />
THECONNECTMAGAZINE.COM WINTER <strong>2017</strong> | THE CONNECT MAGAZINE 33