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Theft of the Nakba Narrative - Left Curve

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Israeli academia systematically floods <strong>the</strong> bookshelves<br />

with <strong>Nakba</strong> narratives. Never<strong>the</strong>less, <strong>the</strong>se narratives<br />

are still an integral part <strong>of</strong> <strong>the</strong> Zionist project to<br />

erase <strong>the</strong> Palestinian civilization, so that it can be produced<br />

as Israeli academic texts. I am an Arab-Jew. I have<br />

witnessed <strong>the</strong> parallel complete erasure <strong>of</strong> <strong>the</strong> Arab-<br />

Jewish civilizations by Ashkenazi Zionists. The extent <strong>of</strong><br />

<strong>the</strong> academic cultural appropriation that our communities<br />

have lived through is discussed by o<strong>the</strong>r members <strong>of</strong><br />

this panel. I <strong>the</strong>refore echo and support <strong>the</strong> Palestinian<br />

call for <strong>the</strong> academic and cultural boycott <strong>of</strong> Israel.<br />

59<br />

End Note by <strong>the</strong> author: Rahela Mizrahi signed <strong>the</strong><br />

Palestinian call for <strong>the</strong> cultural boycott <strong>of</strong> Israel in 2006.<br />

She has a degree in fine arts from <strong>the</strong> Betzalel Academy in<br />

Jerusalem and a Master’s Degree in Arabic Language and<br />

Literature. She has completed her Masters Degree without<br />

<strong>the</strong>sis due to <strong>the</strong> demand <strong>of</strong> Tel Aviv University to drop <strong>the</strong><br />

part which discusses <strong>the</strong> Israeli academia in her Master’s dissertation<br />

about <strong>the</strong> “Patterns <strong>of</strong> Expropriation, Conversion,<br />

and Appropriation <strong>of</strong> Palestinian Heritage through Israeli<br />

Art”.

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