The UK's favourite print show - MacMate
The UK's favourite print show - MacMate
The UK's favourite print show - MacMate
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BOOKS<br />
<strong>The</strong> CASE for books<br />
As with many <strong>print</strong>ed products, books are not at risk of dying out but<br />
their manufacture, distribution and are changing. Examining these<br />
changes not only will bring answers, but commercial success.<br />
Publishers and bookshops are in trouble. Books are not.<br />
Printers have adapted to digital <strong>print</strong>ing and <strong>print</strong> on<br />
demand. Some have closed, but many have invested<br />
in order to survive. Others have come into the market.<br />
But the world of book publishing is in turmoil thanks<br />
to the impact of digital, the internet and the ebook reader.<br />
Channels for distributing and buying books are being shaken,<br />
consolidated and broken apart as the framework which has<br />
served the industry for several hundred years is coming apart.<br />
At the London Book Fair, consultant David Kohn told a<br />
seminar that the UK’s leading bookshop chain Waterstones was<br />
effectively surviving on a 1% margin. “Inevitably there will be<br />
fewer book stores in future and fewer books on display,” he said.<br />
<strong>The</strong>re were still too many large warehouses holding books in this<br />
country. “<strong>The</strong>re is a high fixed cost to any central warehouse and<br />
the trade has to cut this cost or make better use of the asset. <strong>The</strong>re<br />
are too many warehouses, so they will have to consolidate or<br />
partner.”<br />
IN THE OLD WORLD, AUTHORS have needed publishers,<br />
spawning a need for agents, for internal systems to manage a<br />
book on its year-long journey from submission to shop.<br />
Publishers have needed bookshops to distribute books to the<br />
buying public. Along the way publishers have fostered<br />
relationships with some book <strong>print</strong>ers to ensure that books can<br />
be manufactured close to the point of demand, although in many<br />
cases publishers have tended to buy as keenly as possible, and<br />
in many cases from overseas <strong>print</strong>ers.<br />
<strong>The</strong> weaker pound and higher costs of transportation are<br />
reducing the attractiveness of <strong>print</strong>ing outside the UK for<br />
shipping back, while <strong>print</strong>ers putting together partnership<br />
arrangements with <strong>print</strong>ers on different continents are promoting<br />
the shift to a distribute and <strong>print</strong> way of working.<br />
<strong>The</strong> status quo that has existed for many years is now being<br />
16 May 2011 www.<strong>print</strong>businessmagazine.co.uk<br />
shaken up as never before. <strong>The</strong> blockbuster titles remain. <strong>The</strong><br />
Stig Larsson Girl with the Dragon Tattoo series has, for example,<br />
sold more than 30 million copies worldwide. But the third title<br />
in the series has notched more than 1 million sales in the Kindle<br />
format in the US alone.<br />
<strong>The</strong> arrival of ebooks like the Kindle is causing huge concern<br />
for publishers, partly because there is huge uncertainty about<br />
how to price books for digital reading. Amazon says it is selling<br />
millions of Kindles and that sales of paperback titles in electronic<br />
format are outweighing sales in <strong>print</strong>ed form. But this includes<br />
heavily discounted titles and some free of charge books.<br />
AMAZON FURTHER ENCOURAGES UNAFFILIATED authors<br />
to publish purely for the electronic device. One, John Locke, is a<br />
former marketing executive who realised that by selling at 99<br />
cents he would still receive 35 cents of each sale. He is hugely<br />
successful. Fellow e-author Amanda Hocking has been the<br />
subject of a bidding war among traditional publishers on the back<br />
of the success of her books on the Kindle. Neither had needed<br />
traditional publishers to achieve this success.<br />
Other high profile authors are also beginning to question the<br />
need for publishers, having achieved ‘brand’ status and the<br />
ability to set up marketing deals and tie ins without the structure<br />
of a publishing business including being able to sell via web sites.<br />
This is the biggest threat to the traditional publishing<br />
structure. Amazon sells vast quantities of books and the shift to<br />
online sales has already led to the bankruptcy of Borders in the<br />
US and is putting Waterstones at risk here. <strong>The</strong> chain has 297<br />
stores, of which pundits reckon that as many as 200 might go.<br />
“Retail loves digital because the stock turn is fantastic, but<br />
with the loss of book shops there will be less space for academic<br />
books for example,” Kohn told his London audience. “A lot of<br />
book categories will no longer be held. <strong>The</strong>re may have to be a<br />
switch to shops having books on consignment as the only way