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The UK's favourite print show - MacMate

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BOOKS<br />

<strong>The</strong> CASE for books<br />

As with many <strong>print</strong>ed products, books are not at risk of dying out but<br />

their manufacture, distribution and are changing. Examining these<br />

changes not only will bring answers, but commercial success.<br />

Publishers and bookshops are in trouble. Books are not.<br />

Printers have adapted to digital <strong>print</strong>ing and <strong>print</strong> on<br />

demand. Some have closed, but many have invested<br />

in order to survive. Others have come into the market.<br />

But the world of book publishing is in turmoil thanks<br />

to the impact of digital, the internet and the ebook reader.<br />

Channels for distributing and buying books are being shaken,<br />

consolidated and broken apart as the framework which has<br />

served the industry for several hundred years is coming apart.<br />

At the London Book Fair, consultant David Kohn told a<br />

seminar that the UK’s leading bookshop chain Waterstones was<br />

effectively surviving on a 1% margin. “Inevitably there will be<br />

fewer book stores in future and fewer books on display,” he said.<br />

<strong>The</strong>re were still too many large warehouses holding books in this<br />

country. “<strong>The</strong>re is a high fixed cost to any central warehouse and<br />

the trade has to cut this cost or make better use of the asset. <strong>The</strong>re<br />

are too many warehouses, so they will have to consolidate or<br />

partner.”<br />

IN THE OLD WORLD, AUTHORS have needed publishers,<br />

spawning a need for agents, for internal systems to manage a<br />

book on its year-long journey from submission to shop.<br />

Publishers have needed bookshops to distribute books to the<br />

buying public. Along the way publishers have fostered<br />

relationships with some book <strong>print</strong>ers to ensure that books can<br />

be manufactured close to the point of demand, although in many<br />

cases publishers have tended to buy as keenly as possible, and<br />

in many cases from overseas <strong>print</strong>ers.<br />

<strong>The</strong> weaker pound and higher costs of transportation are<br />

reducing the attractiveness of <strong>print</strong>ing outside the UK for<br />

shipping back, while <strong>print</strong>ers putting together partnership<br />

arrangements with <strong>print</strong>ers on different continents are promoting<br />

the shift to a distribute and <strong>print</strong> way of working.<br />

<strong>The</strong> status quo that has existed for many years is now being<br />

16 May 2011 www.<strong>print</strong>businessmagazine.co.uk<br />

shaken up as never before. <strong>The</strong> blockbuster titles remain. <strong>The</strong><br />

Stig Larsson Girl with the Dragon Tattoo series has, for example,<br />

sold more than 30 million copies worldwide. But the third title<br />

in the series has notched more than 1 million sales in the Kindle<br />

format in the US alone.<br />

<strong>The</strong> arrival of ebooks like the Kindle is causing huge concern<br />

for publishers, partly because there is huge uncertainty about<br />

how to price books for digital reading. Amazon says it is selling<br />

millions of Kindles and that sales of paperback titles in electronic<br />

format are outweighing sales in <strong>print</strong>ed form. But this includes<br />

heavily discounted titles and some free of charge books.<br />

AMAZON FURTHER ENCOURAGES UNAFFILIATED authors<br />

to publish purely for the electronic device. One, John Locke, is a<br />

former marketing executive who realised that by selling at 99<br />

cents he would still receive 35 cents of each sale. He is hugely<br />

successful. Fellow e-author Amanda Hocking has been the<br />

subject of a bidding war among traditional publishers on the back<br />

of the success of her books on the Kindle. Neither had needed<br />

traditional publishers to achieve this success.<br />

Other high profile authors are also beginning to question the<br />

need for publishers, having achieved ‘brand’ status and the<br />

ability to set up marketing deals and tie ins without the structure<br />

of a publishing business including being able to sell via web sites.<br />

This is the biggest threat to the traditional publishing<br />

structure. Amazon sells vast quantities of books and the shift to<br />

online sales has already led to the bankruptcy of Borders in the<br />

US and is putting Waterstones at risk here. <strong>The</strong> chain has 297<br />

stores, of which pundits reckon that as many as 200 might go.<br />

“Retail loves digital because the stock turn is fantastic, but<br />

with the loss of book shops there will be less space for academic<br />

books for example,” Kohn told his London audience. “A lot of<br />

book categories will no longer be held. <strong>The</strong>re may have to be a<br />

switch to shops having books on consignment as the only way

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