BeatRoute Magazine BC Print E edition May 2017
BeatRoute Magazine: Western Canada’s Indie Arts & Entertainment Monthly BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120 BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo.
BeatRoute Magazine: Western Canada’s Indie Arts & Entertainment Monthly BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120 BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo.
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Dystopia in Little Vancouver<br />
In Situationist vernacular there was a concept<br />
known as “psychogeography” that<br />
originated in Letterist circles and was influenced<br />
by early precursors such as Dadaism<br />
and Surrealism. Psychogeography is<br />
an approach to geography that studies the<br />
conscious and unconscious effects of a geographical<br />
environment on the behaviour<br />
of individuals, which involves reimagining<br />
one’s terrain around them in innovative<br />
ways. Creating one’s own map of the city<br />
is a broad example. What occurs in an underground<br />
artistic community is a specific<br />
example. Whether deliberate or forced, we<br />
operate in this niche, creating space where<br />
the terrain allows us, not where the conventional<br />
framework permits us. The problem<br />
is that this is not New York or Los Angeles.<br />
There isn’t that much space left.<br />
Vancouver is often regarded as one of if not<br />
the “most livable” cities in the world with the<br />
“best quality of life.” Vancouver is unique in that<br />
the extremes of abject poverty and desperation<br />
paired with world-renowned wealth and<br />
“progress” can be witnessed in the span of a few<br />
city blocks. As we enter the age of the future<br />
this city is a utopia in the eyes of many, but in<br />
reality it’s a city that encapsulates a dystopia;<br />
the demise and decay of a system, extremes on<br />
both ends of the spectrum, the pretense of civic<br />
institutions long known to be a hoax to some,<br />
and a population without the means or the will<br />
to enact tangible widespread change through<br />
primarily self-preserving processes. Issues of displacement<br />
and gentrification are intertwined<br />
as they both are executed by the same power<br />
structure and driven by the same motives.<br />
FROM THE DESK OF MITCH RAY<br />
We do have to acknowledge that not everyone<br />
sees things the same way. The explosion<br />
of the rigid right into the optics of the artistic<br />
left in recent months has exposed to a certain<br />
degree the sheltered bubble (self-imposed or<br />
by proxy) and lack of sense of a vast reality<br />
comprised of a range opinions and perceptions<br />
and that far differ from your own. Just because<br />
they aren’t right doesn’t mean they aren’t real.<br />
A refusal to acknowledge is a resignation to<br />
the very same rationale you oppose. It’s called<br />
“hypocrisy.” An acceptance of these differences<br />
as reality can be met with either compliance,<br />
conversation or confrontation. I suggest<br />
that compliance is a forfeiture and that would<br />
be the worst possible approach. One should<br />
pursue the options of conversation or confrontation<br />
depending on the specifics of the<br />
issue at hand.<br />
The battle we are facing is the struggle to<br />
continue to create something out of increasingly<br />
little available space. The city sees the<br />
exact same problem but from a different perspective.<br />
Their response is displacement and<br />
gentrification. They proceed recklessly, acting<br />
as if it’s a big metropolis where there is room<br />
to sweep it’s problems under the rug. This is<br />
a small city. These are real and dire issues. The<br />
physical confines of the landscape will force a<br />
social and artistic reaction. A human reaction<br />
to a structural problem. In a time of increasingly<br />
frequent unprecedented happenings<br />
this will surely be one of them, and it is near<br />
imminent. In the wake of unprecedented happenings<br />
the opportunity to do unprecedented<br />
things presents itself. The horizon is now the<br />
foreground.<br />
photo by Asia Fairbanks<br />
Colby Morgan<br />
12 THE SKINNY<br />
<strong>May</strong> <strong>2017</strong>