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BeatRoute Magazine BC Print E edition May 2017

BeatRoute Magazine: Western Canada’s Indie Arts & Entertainment Monthly BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120 BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo.

BeatRoute Magazine: Western Canada’s Indie Arts & Entertainment Monthly BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120 BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo.

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Dystopia in Little Vancouver<br />

In Situationist vernacular there was a concept<br />

known as “psychogeography” that<br />

originated in Letterist circles and was influenced<br />

by early precursors such as Dadaism<br />

and Surrealism. Psychogeography is<br />

an approach to geography that studies the<br />

conscious and unconscious effects of a geographical<br />

environment on the behaviour<br />

of individuals, which involves reimagining<br />

one’s terrain around them in innovative<br />

ways. Creating one’s own map of the city<br />

is a broad example. What occurs in an underground<br />

artistic community is a specific<br />

example. Whether deliberate or forced, we<br />

operate in this niche, creating space where<br />

the terrain allows us, not where the conventional<br />

framework permits us. The problem<br />

is that this is not New York or Los Angeles.<br />

There isn’t that much space left.<br />

Vancouver is often regarded as one of if not<br />

the “most livable” cities in the world with the<br />

“best quality of life.” Vancouver is unique in that<br />

the extremes of abject poverty and desperation<br />

paired with world-renowned wealth and<br />

“progress” can be witnessed in the span of a few<br />

city blocks. As we enter the age of the future<br />

this city is a utopia in the eyes of many, but in<br />

reality it’s a city that encapsulates a dystopia;<br />

the demise and decay of a system, extremes on<br />

both ends of the spectrum, the pretense of civic<br />

institutions long known to be a hoax to some,<br />

and a population without the means or the will<br />

to enact tangible widespread change through<br />

primarily self-preserving processes. Issues of displacement<br />

and gentrification are intertwined<br />

as they both are executed by the same power<br />

structure and driven by the same motives.<br />

FROM THE DESK OF MITCH RAY<br />

We do have to acknowledge that not everyone<br />

sees things the same way. The explosion<br />

of the rigid right into the optics of the artistic<br />

left in recent months has exposed to a certain<br />

degree the sheltered bubble (self-imposed or<br />

by proxy) and lack of sense of a vast reality<br />

comprised of a range opinions and perceptions<br />

and that far differ from your own. Just because<br />

they aren’t right doesn’t mean they aren’t real.<br />

A refusal to acknowledge is a resignation to<br />

the very same rationale you oppose. It’s called<br />

“hypocrisy.” An acceptance of these differences<br />

as reality can be met with either compliance,<br />

conversation or confrontation. I suggest<br />

that compliance is a forfeiture and that would<br />

be the worst possible approach. One should<br />

pursue the options of conversation or confrontation<br />

depending on the specifics of the<br />

issue at hand.<br />

The battle we are facing is the struggle to<br />

continue to create something out of increasingly<br />

little available space. The city sees the<br />

exact same problem but from a different perspective.<br />

Their response is displacement and<br />

gentrification. They proceed recklessly, acting<br />

as if it’s a big metropolis where there is room<br />

to sweep it’s problems under the rug. This is<br />

a small city. These are real and dire issues. The<br />

physical confines of the landscape will force a<br />

social and artistic reaction. A human reaction<br />

to a structural problem. In a time of increasingly<br />

frequent unprecedented happenings<br />

this will surely be one of them, and it is near<br />

imminent. In the wake of unprecedented happenings<br />

the opportunity to do unprecedented<br />

things presents itself. The horizon is now the<br />

foreground.<br />

photo by Asia Fairbanks<br />

Colby Morgan<br />

12 THE SKINNY<br />

<strong>May</strong> <strong>2017</strong>

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