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Dimension

Taking you beyond the small screen, Dimension is an entertainment magazine for people who want to think critically about their TV.

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that the clones maintain the right to choose their partners.<br />

However, the existence of a monitor reminds the viewer that<br />

there is an ever-present consent issue in Clone Club’s interaction<br />

with Dyad, a medical research institution. Sarah consents<br />

to sleep with Paul, but she does not consent to be examined<br />

by sketchy scientists in her sleep, nor does she consent to an<br />

oophorectomy. When monitors like Paul and Donnie become<br />

fully aware of their roles, they must make important decisions<br />

regarding how they feel consent should work between<br />

women and institutions.<br />

Season three more openly examines the question of consent<br />

on both individual and institutional levels. The institution that<br />

intends to use the clones is now the military, led by Virginia<br />

Coady. To Coady, the Leda clones are just bodies; Sarah, Helena<br />

and Krystal are walking piles of biology capable of healing the<br />

Castor men and advancing Coady’s research. Rudy and Seth<br />

are arms of the institution, but on an individual level they are<br />

also a serial rapists. Sex clearly factors into Castor’s plans, but<br />

it’s also a piece of the puzzle that leads to their downfall: for<br />

Sarah’s final plan to work, Gracie has to have a consensual,<br />

sexual relationship with Mark.<br />

To take out Castor, Sarah needs Mark and his bloodied up<br />

face. However, when Felix kicks in the door of his motel room<br />

and demands he help, Mark doesn’t jump at the chance. Gracie,<br />

however, has experienced incredible character development<br />

over the course of the season: she tricks her father’s confederate<br />

flag-owning friend, gets drunk, has sex with Mark, and<br />

saves her husband-in-distress from the military by betraying<br />

Leda. By the final episode Gracie has developed her own moral<br />

code, as well as a sense of loyalty to Leda. When she wraps<br />

her arms around her husband and tells him to help, it’s as if<br />

consent and sexually empowered women are scoring a point<br />

against rape culture.<br />

Rumor has it that Orphan Black will have a five-season run,<br />

and I suspect that the remaining two seasons will continue to<br />

put sexual power in the hands of women. However, what the<br />

show has accomplished thus far is a triumph on its own. There<br />

is little more satisfying on television than a moment like Rudy’s<br />

death scene, in which Helena compassionately pets his head<br />

but names him as what he is: a rapist. Orphan Black, please<br />

keep doing good work!<br />

In “Ruthless in Purpose, and Insidious in Method,” the<br />

eighth episode of Orphan Black’s third season, Felix sits across<br />

a table from Krystal, another Leda clone. Krystal has just given<br />

Felix a manicure, an act she considers to be healing. In a moment<br />

of raw empathy and honesty, he takes her hands in his<br />

and says, “The only thing you need to know is that you are<br />

one of a kind. You’re a survivor, Krystal, and you’re not alone.”<br />

Perhaps more than any other, season three is about family<br />

and community. Sarah spends much of her time chasing down<br />

Helena, Siobhan and Felix take in Gracie, and Alison takes up<br />

politics and drug dealing to keep her kids in school. However,<br />

Orphan Black has long been crafting a radical example of<br />

how communities can look and function by outlining several<br />

principles that guide Clone Club. As Cosima does with Seth’s<br />

brain, we can dissect each of these to learn Orphan Black’s recipe<br />

for a successful community.<br />

Clone Club Is Stronger Together<br />

Communities often stay together because their members believe<br />

in the group’s collective power. However, buy-in to a community<br />

also requires trust, and many of Clone Club’s members justifiably<br />

have trust issues. In season three, the sestra who needs to<br />

work through those trust issues is Helena.<br />

Helena has a habit of running off on her own and subsequently<br />

getting captured. Her penchant for solitude is understandable;<br />

Tomas raised her to believe she was the only clone worthy of life,<br />

and Henrik Johanssen violated her trust and her body. Helena<br />

has her own style of vengeance, as evidenced when she viscerally<br />

maims Johanssen and burns down his farm. (In addition to<br />

giving sexual power to women, Orphan Black also calls out and<br />

punishes perpetrators.) Helena has clearly cultivated survival<br />

mechanisms that allow her to fight alone, another of which we<br />

meet in season three: Pupok.<br />

Pupok is a small scorpion that Helena hallucinates to survive<br />

desperate situations. The creature is merciless; it keeps her awake<br />

when she is drugged, pushes her to forge through the desert, and<br />

keeps her focused when she wakes up in a tiny box. When Sarah<br />

arrives to save Helena, Pupok reacts according to its nature and<br />

repeatedly tells Helena not to trust her.<br />

For our favorite food-loving sestra, the only way to change<br />

is to literally eat her doubts: Helena consumes Pupok. Her<br />

subsequent journey back to the Castor base is not just a physical<br />

feat but also a psychological leap, one from which she<br />

immediately benefits. Rather than having a lonely, painful<br />

trek home, Helena enjoys a comfortable vacation spent eating<br />

and fist fighting in a tavern. Her role in Sarah’s final plan is<br />

pivotal, and completes her journey. Helena gives her strength<br />

to her sisters, and together they accomplish much more than<br />

she could have alone.<br />

All Members of Clone Club Have<br />

Rights to Their Own Bodies<br />

As a community constantly fighting for bodily agency (see part<br />

one), members of Clone Club naturally should respect each<br />

other’s rights. However, Siobhan violated this principle by giving<br />

Helena to the military, an act that Sarah succinctly explains<br />

was, “NOT YOUR BLOODY DECISION!” Appropriately,<br />

Siobhan’s character development in the third season surrounds<br />

her failure to respect Helena’s agency.<br />

Since the day she took in foster children, Siobhan has been<br />

fighting to protect what she considers her family: Sarah, Felix,<br />

and Kira. Kira’s safety especially takes priority, and turns<br />

Siobhan into a broken record: trouble’s brewin’? Run away<br />

with Kira! Dyad wants stem cells and body gunk? Run away<br />

with Kira! Creepy boy clones appear? Run away with Kira!<br />

Ironically, Siobhan shares Helena’s issue: she’s spent so much<br />

time making “wartime decisions” that she doesn’t trust Clone<br />

Club. Had she reached out to Cosima, she could’ve learned<br />

about the pencil scheme and helped in a way that didn’t involve<br />

37

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