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An Arab-Syrian Gentleman and Warrior in the Period of the Crusades

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INTRODUCTION 13<br />

twenty thous<strong>and</strong> verses <strong>of</strong> pre-Islamic poetry." It is not likely<br />

that so many verses <strong>of</strong> pre-Islamic poetry had survived to <strong>the</strong> time<br />

<strong>of</strong> Usamah, but <strong>the</strong> writer simply wanted to convey <strong>the</strong> impression<br />

that Usamah knew a great many <strong>of</strong> <strong>the</strong>m.<br />

Nor was Usamah a mere rdwi, a memorizer <strong>and</strong> reproducer <strong>of</strong><br />

poems. He was a composer himself. In fact, to many <strong>of</strong> his<br />

biographers he is known primarily through his Diwan (anthologies).<br />

Ibn-'Asakir, <strong>the</strong> historian <strong>of</strong> Damascus who knew Usamah personally,<br />

calls him "<strong>the</strong> poet <strong>of</strong> <strong>the</strong> age" <strong>and</strong> describes his verse as<br />

" sweeter than honey <strong>and</strong> more to be relished than slumber after a<br />

prolonged period <strong>of</strong> vigilance." 13 Yaqut <strong>in</strong> his Mu'jam 14 quotes<br />

his poetry. §alih ibn-Yahya 15 boasts <strong>of</strong> possess<strong>in</strong>g a copy <strong>of</strong><br />

Usamah's Diwan <strong>in</strong> <strong>the</strong> latter's own h<strong>and</strong>writ<strong>in</strong>g. "Especially<br />

fond <strong>of</strong> his poetry" was Salad<strong>in</strong>, who esteemed it<br />

so highly as to<br />

have kept with him a copy <strong>of</strong> Usamah's Diwan. 16<br />

Among <strong>the</strong> most quoted verses <strong>of</strong> Usamah are those he composed<br />

<strong>and</strong> <strong>in</strong>scribed on <strong>the</strong> wall <strong>of</strong> a mosque <strong>in</strong> Aleppo 17 on <strong>the</strong> occasion<br />

<strong>of</strong> his return from a pilgrimage to <strong>the</strong> holy cities <strong>of</strong> Mecca <strong>and</strong><br />

Medlnah, <strong>and</strong> those he composed on <strong>the</strong> occasion <strong>of</strong> pull<strong>in</strong>g out<br />

his tooth <strong>and</strong> <strong>in</strong> which he showed some orig<strong>in</strong>ality<br />

O what a rare companion I had whose company never brought ennui<br />

to me,<br />

Who suffered <strong>in</strong> my service <strong>and</strong> struggled with assiduity!<br />

Whilst we were toge<strong>the</strong>r I never saw him, but <strong>the</strong> moment he made<br />

his appearance<br />

Before my eyes, we parted forever. 18<br />

Usamah "had a white h<strong>and</strong> <strong>in</strong> literature, <strong>in</strong> prose as well as <strong>in</strong><br />

poetry" to use a phrase <strong>of</strong> his student, ibn-'Asakir. 19<br />

His fondness<br />

for books is <strong>in</strong>dicated by <strong>the</strong> lifelong "heartsore" (<strong>in</strong>fra, p. 61)<br />

which <strong>the</strong> loss <strong>of</strong> his four thous<strong>and</strong> volumes en route from Egypt<br />

left <strong>in</strong> him<br />

His quiet stay dur<strong>in</strong>g his old age at Hisn-Kayfa afforded him<br />

an opportunity to compose many <strong>of</strong> <strong>the</strong> books he wrote <strong>and</strong> <strong>of</strong><br />

w Al-Ta'rikh, vol II, p 401.<br />

14<br />

Op. cit , vol II, p 417-<br />

a To'rikh, p 36<br />

16<br />

Al-Rawi}atayn, vol I, p 247<br />

17 Ibn-al-Ath5r, Atdbeks <strong>in</strong> Recueil historiens orientaux, vol. II, pt. II, p 208;<br />

al-Kamil, vol XI, p 188<br />

18 Ibn-'Asakir, vol II,p.402, lbn-Khallikan, op.cit., vol. I, p. 112, al-Rau>4atayn,<br />

vol I, p 264, 'ImSd-al-Dln, op at , p 123.<br />

w Al-Ta'rikh, vol. II, pp. 400-401.

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