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May-June 2012

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HERITAGE<br />

than renovated. All external elements including the<br />

exposed brick wall and the carved timber windows<br />

are simply cleaned and re-finished with a fresh<br />

layer of linseed oil. Internal surfaces too have been<br />

simply cleaned and re-finished with either jute mat<br />

or mud flooring and a fresh coat of wall paint.<br />

Interestingly the renovation of the building is<br />

not supervised by any professional designer or<br />

conservationist. The artisans, who have been<br />

trained through generations in their respective<br />

fields and who work with Yala, were given control<br />

over the respective details. The outcome is a<br />

product of their hands-on training and years of<br />

experience. The maintenance and preservation of<br />

all elements in the building is done in traditional<br />

techniques, depending on the traditional know how<br />

of this generation of artisans. And the intervention<br />

is so minimal that no extensive construction is done<br />

in any part of this building, all spaces have been<br />

adapted rather than redesigned.<br />

The top floor of Yala Art Gallery adorned by the products of Yala, not only as display<br />

but also as a part of the very space.<br />

spacesnepal.com 44<br />

<strong>May</strong> - <strong>June</strong> <strong>2012</strong>

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