May-June 2012
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ART<br />
Mr. mouse is strong and everywhere... medium: Acrylic on canvas<br />
From left: Second piece collection- Investment Bank, Third piece collection- Maureen Drdak<br />
reflection of the series of psychedelic<br />
experience the artist would like share<br />
with the viewers. And to attain that state<br />
of compelling dialogue with the viewers,<br />
let’s not forget - Hitman’s journey may<br />
have had been through the various stages<br />
of human emotion and experiences.<br />
And it has provided him a lot of needed<br />
inputs to create a live experience. ‘My<br />
Mouse is Strong and is Everywhere’ is<br />
a unique example. The work reflects<br />
those stages of experiences stated in the<br />
earlier lines. To transfer those feelings in<br />
a canvas, what is needed at this stage is<br />
the technical language- Hitman is well<br />
familiar with. Technically, in Hitman’s<br />
works, the inspirations he has drawn from<br />
the contemporary style of expressions –<br />
prevailing in China today is hard to miss.<br />
But there should be no reasons to have<br />
qualms about it so long as the expressions<br />
remain strong and is able to create<br />
impacts. And Hitman has indeed proven<br />
successful – with his strong visual narrative.<br />
Various moods and different expressions of the people are captured in non representative<br />
forms. Among the five elements : Earth, Air, Sky, Fire and Water various people have their own<br />
definition and interpretation. Some may feel Fire as stronger elements and some may feel air is<br />
a vital elements. So these mixed approach of the people are gathered here. These twelve panel<br />
dipicts the group of society and each panel interpret the multiple importance of the elemets.<br />
But they are linked to each other. The universe is the synthesis of these elements.<br />
PHILOSOPHICAL MUSINGS OF<br />
UNIVERSE AND EXISTENCE<br />
Next example of this generation is Sagar<br />
Manandhar. Until the recent past, his<br />
imageries were observed as abstractions<br />
rooted in the architectural contents. And<br />
it had given a display of a set trend – to<br />
follow a ‘natural flow of spontaneity’. And<br />
as we see now, Sagar seemed to have<br />
soared to a newer plane – seeking to<br />
express from an entirely a new angle. He<br />
is here now to interpret the meaning of<br />
our very existence. Or in other words,<br />
he tries to share and convince a viewer<br />
spacesnepal.com 52<br />
<strong>May</strong> - <strong>June</strong> <strong>2012</strong>