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May-June 2012

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ART<br />

Mr. mouse is strong and everywhere... medium: Acrylic on canvas<br />

From left: Second piece collection- Investment Bank, Third piece collection- Maureen Drdak<br />

reflection of the series of psychedelic<br />

experience the artist would like share<br />

with the viewers. And to attain that state<br />

of compelling dialogue with the viewers,<br />

let’s not forget - Hitman’s journey may<br />

have had been through the various stages<br />

of human emotion and experiences.<br />

And it has provided him a lot of needed<br />

inputs to create a live experience. ‘My<br />

Mouse is Strong and is Everywhere’ is<br />

a unique example. The work reflects<br />

those stages of experiences stated in the<br />

earlier lines. To transfer those feelings in<br />

a canvas, what is needed at this stage is<br />

the technical language- Hitman is well<br />

familiar with. Technically, in Hitman’s<br />

works, the inspirations he has drawn from<br />

the contemporary style of expressions –<br />

prevailing in China today is hard to miss.<br />

But there should be no reasons to have<br />

qualms about it so long as the expressions<br />

remain strong and is able to create<br />

impacts. And Hitman has indeed proven<br />

successful – with his strong visual narrative.<br />

Various moods and different expressions of the people are captured in non representative<br />

forms. Among the five elements : Earth, Air, Sky, Fire and Water various people have their own<br />

definition and interpretation. Some may feel Fire as stronger elements and some may feel air is<br />

a vital elements. So these mixed approach of the people are gathered here. These twelve panel<br />

dipicts the group of society and each panel interpret the multiple importance of the elemets.<br />

But they are linked to each other. The universe is the synthesis of these elements.<br />

PHILOSOPHICAL MUSINGS OF<br />

UNIVERSE AND EXISTENCE<br />

Next example of this generation is Sagar<br />

Manandhar. Until the recent past, his<br />

imageries were observed as abstractions<br />

rooted in the architectural contents. And<br />

it had given a display of a set trend – to<br />

follow a ‘natural flow of spontaneity’. And<br />

as we see now, Sagar seemed to have<br />

soared to a newer plane – seeking to<br />

express from an entirely a new angle. He<br />

is here now to interpret the meaning of<br />

our very existence. Or in other words,<br />

he tries to share and convince a viewer<br />

spacesnepal.com 52<br />

<strong>May</strong> - <strong>June</strong> <strong>2012</strong>

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