Beatroute Magazine BC Print Edition - July 2017
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.
Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
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QUINTRON AND MISS PUSSYCAT<br />
hitting the road for a summer vacation party<br />
MORE BETTY<br />
GENEVA JACUZZI<br />
a weird and wonderful musical smorgasbord<br />
MUSIC<br />
photo by Gina Canavan<br />
Judging by the announcements, it seems the New<br />
Orleans based husband and wife duo, Quintron and<br />
Miss Pussycat are indeed heading out for a summer<br />
vacation. Not entirely sure about what their<br />
suitcases might be packing as they leave that party<br />
mecca. There is one sure fact, and yes, it is all-true,<br />
once you’ve drank that Louisiana tap water, you just<br />
can’t shake that swamp magic, but you can let it<br />
shake you. Their unique audio-visual extravaganza<br />
just oozes with tainted charm, even after fifteen<br />
plus years. With a well-documented track record<br />
of frenzied dates, proven to rattle the ordinary out<br />
of any average day. Go ahead, blame it on the beat<br />
(see Drum Buddy) or those hypnotizing maracas<br />
(see Miss Pussycat) or something about the Hammond-Leslie<br />
combination (see Quintron’s ride); and<br />
yes, things may never be the same again, even after<br />
just one live show.<br />
Quintron, the audio-centric half, picks up the<br />
phone as he prepares for rehearsals at Spellcaster<br />
Lodge in NOLA. He kindly sets aside a few moments<br />
to talk about their current tour plans with words<br />
like “celebration” and “vacation” popping into the<br />
conversation and explained that the heart of this<br />
tour will revolve around select West Coast, Midwest<br />
and Canadian dates. These are sandwiched<br />
between two special festivals, one in Oakland at<br />
the Burger Boogaloo, and then off to the National<br />
Puppetry Festival in St. Paul Minnesota. As for new<br />
news, Miss Pussycat, the visual half, will showcase<br />
a puppet show that has not been seen on the west<br />
coast. Hints? So sorry, no spoilers, you will just have<br />
wait to see it!<br />
For those who are not familiar with the liberating<br />
nature of these live shows, to say the least it defies<br />
a simple written descriptive. Again, you really have<br />
to be there. The fun does straddle the infectious<br />
dance grooves produced by the glorious noise of<br />
Quintron’s Hammond and custom sound devices,<br />
contrasted by Miss Pussycat’s cozy and artful<br />
puppets. Those creatures have the capacity to manipulate<br />
the audience into hysterical laughter one<br />
moment and reduce them to a hush the next. There<br />
is still another tangible magic at work here, and it’s<br />
the juxtaposition of these two artists and how this<br />
contrast feeds their collective process. “I’m dark and<br />
stormy, she’s bright and sunny,” says Quintron, at<br />
first thought as he begins to analyze the differences.<br />
“I don’t walk through the world with my eyes, [and]<br />
she does so much, exclusively. It’s amazing and frustrating,<br />
because I really walk through the world with<br />
my ears. I didn't really realize we had that match for<br />
years.” Quintron describes how Miss Pussycat is so<br />
visual and she “sees everything,” while he barely<br />
pays attention to even what colour he is wearing.<br />
“It’s beautiful. She has got skills. You can see it in her<br />
puppet shows, in her clothes. She has strong opinions<br />
of every colour you can name,” he adds. As with<br />
her visual nature, he noted it was similar to his focus<br />
for sound based elements. “We don’t argue because<br />
we don’t have the same skill sets,” he explains. The<br />
conclusion? Sounds like the perfect collaboration of<br />
opposites.<br />
If you have caught Quintron and Miss Pussycat’s<br />
show before, consider this your advance notice! If<br />
you are new to the experience, get set to dance like<br />
you never have before and dress appropriate, they<br />
just might be conjuring up your own mini summer<br />
vacation! Remember, this one is an early evening<br />
show so check your ticket times.<br />
Quintron and Miss Pussycat will perform at<br />
Fortune Sound Club Saturday <strong>July</strong> 8.<br />
Quintron And Miss Pussycat take their unforgettable live show on the road again.<br />
photo by Gary Lavourde<br />
Geneva Jacuzzi embraces the weird from beginning to end while crossing boundaries into new media.<br />
JAMIE GOYMAN<br />
Think giant tentacles reaching out to the darkest<br />
corners of the room while sound waves pulsate<br />
through your eardrums urging you to dance. The<br />
Los Angeles based avant-garde disco inspired<br />
pop artist Geneva Jacuzzi is an amalgamation of<br />
different aspects of the creative art world and<br />
has been pushing the weird that's trapped inside<br />
her creative mind for everyone to explore since<br />
2008. A woman of many talents (lighting, video,<br />
costume, performance, music) Geneva does it all;<br />
that mad dash, sickening rush felt when all eyes<br />
are on you for a good show, she loves and thrives<br />
off of it.<br />
"I have a weird thing about me where I agree to<br />
do certain things without knowing how I'm going<br />
to do them,” she says. “It's that insanity that<br />
happens in the middle of that pressure where I<br />
start to recognize those silly aspects of myself<br />
and expand on them in the most ridiculous ways<br />
I can. I like challenges; I get off on them. I'll say yes<br />
to something that I know is going to destroy me<br />
because I just want to see if I can do it."<br />
Coming off preparation for her massive Warhol<br />
inspired show she just did at The Broad museum,<br />
Geneva talks with such excitement and life<br />
behind her words it's hard not to be captivated<br />
by her work and want to catch the whole package<br />
live. "I build landscapes, an atmosphere or<br />
sometimes I put on a play, there is just always<br />
some sort of object I'm interacting with when it<br />
comes to live shows," she says. "I do something<br />
that is kind of neat that doesn't fit in any one<br />
place, but also fits anywhere. I can play a festival<br />
or a museum or in a gallery; it's a self contained<br />
weird little beast that I create and I can go anywhere.<br />
It incorporates music and visual arts. It's a<br />
big fucking smorgasbord." We love all you can eat<br />
art displays and her latest tour with Nite Jewel<br />
promises to be a good one. Geneva’s last album,<br />
2016's Technophelia (Medical Records LLC), gave<br />
audiences tracks that create movement from<br />
within, tracks like "Technophelia" which sums<br />
up the abstract nature of her work, the danceable<br />
and fun "Cannibal Babies" or "Squid Hunter"<br />
each throw listeners into the world Geneva has<br />
constructed while causing all bodies involved to<br />
move. Intentional or not, your body will shake<br />
with the world she creates. "What ends of happening<br />
is weird shit comes out and nobody can<br />
stop me."<br />
The following months will see Geneva Jacuzzi<br />
yet again push her personal boundaries by not<br />
only making more music as the first plan of attack,<br />
but also pushing into creating art - "residencies<br />
and exhibitions," she tells. "I'm going to move<br />
into different territories and push out."<br />
Colliding worlds with her imaginative and intoxicating<br />
form of expression, Geneva uses her<br />
magic, or "gooey stuff" as she calls it, to reach out,<br />
fills listeners up and sticks when the play button<br />
is hit. "When you have an abstract situation it has<br />
the ability to be interpreted beyond language<br />
and clear definitions. It's a better form of connection<br />
between the person viewing and the person<br />
creating the work," she says. "Songs I pick have a<br />
bit of that goo to them and then I organize them<br />
into a weird journey from beginning to end. I find<br />
the gooey songs - all that sludge found in the Jacuzzi."<br />
Geneva Jacuzzi performs <strong>July</strong> 11 at the<br />
Fox Cabaret.<br />
<strong>July</strong> <strong>2017</strong> MUSIC<br />
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