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Pottery In Australia Vol 36 No 2 Winter 1997

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The Art of Glaze<br />

New work by ROWLEY DRYSDALE, exhibited at Fusions Gallery, Queensland.<br />

Review by STEPHANIE OUTRIDGE FIELD.<br />

Rowley Drysdale is a<br />

consummate 'glaze man' as<br />

well as manipulator of clay,<br />

su rface and image and the work<br />

included in this solo show covers<br />

many aspects of the material.<br />

There are metallic shimmering<br />

skinned forms that are precise,<br />

cleanly cut slabs and precisely<br />

thrown works. Some are bronze<br />

with shiny crystals breaking<br />

across the surface. Some are<br />

lusciously combined with other<br />

glazes on the interior of forms.<br />

The Fishscale crackle series has<br />

an icy mint green celadon<br />

crackling in ordered fish scale<br />

layers on the interior su rface of<br />

small bowls. There is also a 'Red<br />

Centre' bowl series that contains<br />

a deep blood maroon glaze that<br />

you can almost fall into it is so<br />

deep and rich.<br />

The monumental 'Earthsafe<br />

Tabernacle' series are impressive<br />

and worthy of quiet reflection.<br />

They remind me of Marea<br />

Gazzard's large forms - dley have<br />

an uncluttered simplici ty and<br />

'Earthsafe Tabernacle'. Multiple fired.<br />

69cm x61cm.<br />

'Departure'. Glaze pane. <strong>36</strong>cm x 27cm.<br />

unfussed surface that is stony and<br />

seemingly everlasting. Very much<br />

testament pieces.<br />

'Escarpment Man' and 'Emergent'<br />

are both wall panels combining<br />

glazed ceramic tiles and timber.<br />

This series is a quilt of textures as<br />

image with colour and shape in a<br />

narrow surface relief that give the<br />

feeling of viewing ancient marks of<br />

man. The perspex encourages an<br />

atitude of intrusion and voyeurism<br />

as well as allowing a modicum of<br />

protection of the collages.<br />

The 'Glaze Panes' are crystalline<br />

like frozen tablets of glacial ice.<br />

Quite magical.<br />

Colour is just part of Drysdale's<br />

artistic palette. He uses a variety of<br />

forms, textures, scale and light to<br />

produce visually appealing work.<br />

These fulfill many roles; some are<br />

storytellers, some expressions of<br />

technique and form , some<br />

challenge our concepts of the use<br />

of 'ceramic' in an unexpected way.<br />

This exhibition showcased the<br />

myriad of possibilities for a creative<br />

visual practitioner. 00<br />

50 POnERY IN AUSTRAUA + ISSUE <strong>36</strong>/2 WlNTER <strong>1997</strong>

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