Pottery In Australia Vol 36 No 2 Winter 1997
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The Art of Glaze<br />
New work by ROWLEY DRYSDALE, exhibited at Fusions Gallery, Queensland.<br />
Review by STEPHANIE OUTRIDGE FIELD.<br />
Rowley Drysdale is a<br />
consummate 'glaze man' as<br />
well as manipulator of clay,<br />
su rface and image and the work<br />
included in this solo show covers<br />
many aspects of the material.<br />
There are metallic shimmering<br />
skinned forms that are precise,<br />
cleanly cut slabs and precisely<br />
thrown works. Some are bronze<br />
with shiny crystals breaking<br />
across the surface. Some are<br />
lusciously combined with other<br />
glazes on the interior of forms.<br />
The Fishscale crackle series has<br />
an icy mint green celadon<br />
crackling in ordered fish scale<br />
layers on the interior su rface of<br />
small bowls. There is also a 'Red<br />
Centre' bowl series that contains<br />
a deep blood maroon glaze that<br />
you can almost fall into it is so<br />
deep and rich.<br />
The monumental 'Earthsafe<br />
Tabernacle' series are impressive<br />
and worthy of quiet reflection.<br />
They remind me of Marea<br />
Gazzard's large forms - dley have<br />
an uncluttered simplici ty and<br />
'Earthsafe Tabernacle'. Multiple fired.<br />
69cm x61cm.<br />
'Departure'. Glaze pane. <strong>36</strong>cm x 27cm.<br />
unfussed surface that is stony and<br />
seemingly everlasting. Very much<br />
testament pieces.<br />
'Escarpment Man' and 'Emergent'<br />
are both wall panels combining<br />
glazed ceramic tiles and timber.<br />
This series is a quilt of textures as<br />
image with colour and shape in a<br />
narrow surface relief that give the<br />
feeling of viewing ancient marks of<br />
man. The perspex encourages an<br />
atitude of intrusion and voyeurism<br />
as well as allowing a modicum of<br />
protection of the collages.<br />
The 'Glaze Panes' are crystalline<br />
like frozen tablets of glacial ice.<br />
Quite magical.<br />
Colour is just part of Drysdale's<br />
artistic palette. He uses a variety of<br />
forms, textures, scale and light to<br />
produce visually appealing work.<br />
These fulfill many roles; some are<br />
storytellers, some expressions of<br />
technique and form , some<br />
challenge our concepts of the use<br />
of 'ceramic' in an unexpected way.<br />
This exhibition showcased the<br />
myriad of possibilities for a creative<br />
visual practitioner. 00<br />
50 POnERY IN AUSTRAUA + ISSUE <strong>36</strong>/2 WlNTER <strong>1997</strong>