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Pottery In Australia Vol 36 No 2 Winter 1997

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'Claydown' Tasmania<br />

An annual Summer School with clay and fire.<br />

RcedY Marsh <strong>Pottery</strong> in<br />

northern Tasmania has<br />

hosted two 'Claydowns' and<br />

is planning a third for 1998. These<br />

residential summer schools are led<br />

by guest tutors - Malin a<br />

and Dennis Monks in<br />

1996, Sandy Lockwood in<br />

<strong>1997</strong>.<br />

Each school provides a<br />

busy program lasting six<br />

days. Activity revolves<br />

around loads of soft day<br />

and two longthroated<br />

woodfired kilns. The<br />

poltery is surrounded by<br />

forest rich in wildlife,<br />

while nearby, unique bush<br />

camping fac ilities for<br />

panicipanrs make outdoor<br />

living easy.<br />

What happens at Claydown is quite different from<br />

what c1ayworkers experience in their own workplaces,<br />

and different too, from what sltldenrs get from protracted<br />

cerami cs cours es in conventional institutions. At<br />

'Claydown ' there are no production quotas. <strong>No</strong>r arc<br />

there ex hi bi ti on or assessment deadlines. A rich<br />

Claydown '97 participants made work<br />

for two long throated wood kilns, one<br />

was salted.<br />

A lighter moment at Claydown '97 - blue-tongued<br />

wildlife is confused for clay.<br />

excha nge develops between<br />

participants as they make, slip,<br />

glaze, fire and take on the various<br />

challenges presented. A tight time<br />

schedule encourages risk taking -<br />

new discoveries are made<br />

and fresh understandings<br />

develop. While techniques<br />

and recipes are freely<br />

shared, their imp0rlance<br />

is secondary. 'Claydown's'<br />

principle strength is in<br />

giving individuals the<br />

chance to compare the<br />

starti ng point for their<br />

own arts practice with<br />

that of other c1ayworkers -<br />

ii 's an opportunity to<br />

understand what is<br />

essential to each other'S<br />

work, to find the essence,<br />

the 'whys' of what we do with clay as well as the 'bows'. 00<br />

For Dellliis of eLA YDOWN TASMANIA '98, COnl'C!: Neil HolTmann<br />

4;0 Larcombes Rd, Reedy Marsh, Tasmania. 7.104<br />

Phone/Fax 03 6<strong>36</strong>22646<br />

72 POmRY IN AUSTRAUA + ISSUE <strong>36</strong>12 WlNTER <strong>1997</strong>

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