Pottery In Australia Vol 36 No 2 Winter 1997
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GREAT<br />
GLAZES<br />
Colouring Translucent Bone China<br />
GABRIELLE FLEET, currently studying for a Masters at Monash University, Caufield.<br />
I<br />
devised a means of colouring a highly translucent hone<br />
china, without noticeably affecting the translucency.<br />
This was achieved using water soluble metal salts.<br />
Conventional methods of colouring ceramics render it<br />
opaque which is inappropriate for my work. For my<br />
application the colouranlS are used for the transmittance of<br />
light. This reveals beautiful and almost Auoresent colours<br />
when placed before a halogen lamp. The sole use of<br />
nitrates instead of sulphates and chlorides is intentiona l.<br />
Nitrates are the most soluble of the metal salts and are<br />
ge nerally the most stable and least volati le during<br />
decomposition to the oxide. during the firing priocess. The<br />
gases evolved during the decomposition of the nitrates are<br />
the least toxic and corrosive of the soluble metal sailS.<br />
These tests were executed without unnecessary use of<br />
protective masks and fume hoods but with only latex<br />
gloves to protect my skin from absorbing the water<br />
soluble compounds. There are no fumes asociated with<br />
these water sol uble compounds, and the only vapour<br />
evaporating from the metal salt solution is wate r. The<br />
only possible risk is through ingestion or absorbtion of a<br />
considerable quantity through the skin.<br />
Water soluble coloura nlS - painted onto bisqued test tiles.<br />
The natu ral bone ash content is suplemented with<br />
Fe (N03)3 Very translucent, golden brown, yellow<br />
Co(N03)2 Translucent purple<br />
Cu( 03)2 Very translucent turquoise<br />
cre 03)3 Translucent, grass green<br />
TRANSLUCENT<br />
BONE ASH BODY<br />
<strong>In</strong>gredient %<br />
atural bone ash ?' - )<br />
Synthetic hone as 25<br />
Nepheline syen ire 27<br />
Ecka lite I 30<br />
Macaloid 25<br />
Fire to 126O"C<br />
symhetic bone ;Ish because of the impractical and time<br />
consuming grinding and sieving of the natural bone ash.<br />
This formulation is seived 5 times to remove any lumps<br />
and th en ball mill ed for 8-10 hours. The hydrated<br />
macaloid is added after th e ball milling to avoid<br />
destroying the plastic qualities of the macaloid. This was<br />
the most practical of the recipes I tested as it maintained<br />
high translucency and retained effective plasticity. 00<br />
<strong>36</strong>/2 WINTER <strong>1997</strong> + POTTERY IN AUSTRAUA 57