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Pottery In Australia Vol 36 No 2 Winter 1997

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GREAT<br />

GLAZES<br />

Colouring Translucent Bone China<br />

GABRIELLE FLEET, currently studying for a Masters at Monash University, Caufield.<br />

I<br />

devised a means of colouring a highly translucent hone<br />

china, without noticeably affecting the translucency.<br />

This was achieved using water soluble metal salts.<br />

Conventional methods of colouring ceramics render it<br />

opaque which is inappropriate for my work. For my<br />

application the colouranlS are used for the transmittance of<br />

light. This reveals beautiful and almost Auoresent colours<br />

when placed before a halogen lamp. The sole use of<br />

nitrates instead of sulphates and chlorides is intentiona l.<br />

Nitrates are the most soluble of the metal salts and are<br />

ge nerally the most stable and least volati le during<br />

decomposition to the oxide. during the firing priocess. The<br />

gases evolved during the decomposition of the nitrates are<br />

the least toxic and corrosive of the soluble metal sailS.<br />

These tests were executed without unnecessary use of<br />

protective masks and fume hoods but with only latex<br />

gloves to protect my skin from absorbing the water<br />

soluble compounds. There are no fumes asociated with<br />

these water sol uble compounds, and the only vapour<br />

evaporating from the metal salt solution is wate r. The<br />

only possible risk is through ingestion or absorbtion of a<br />

considerable quantity through the skin.<br />

Water soluble coloura nlS - painted onto bisqued test tiles.<br />

The natu ral bone ash content is suplemented with<br />

Fe (N03)3 Very translucent, golden brown, yellow<br />

Co(N03)2 Translucent purple<br />

Cu( 03)2 Very translucent turquoise<br />

cre 03)3 Translucent, grass green<br />

TRANSLUCENT<br />

BONE ASH BODY<br />

<strong>In</strong>gredient %<br />

atural bone ash ?' - )<br />

Synthetic hone as 25<br />

Nepheline syen ire 27<br />

Ecka lite I 30<br />

Macaloid 25<br />

Fire to 126O"C<br />

symhetic bone ;Ish because of the impractical and time<br />

consuming grinding and sieving of the natural bone ash.<br />

This formulation is seived 5 times to remove any lumps<br />

and th en ball mill ed for 8-10 hours. The hydrated<br />

macaloid is added after th e ball milling to avoid<br />

destroying the plastic qualities of the macaloid. This was<br />

the most practical of the recipes I tested as it maintained<br />

high translucency and retained effective plasticity. 00<br />

<strong>36</strong>/2 WINTER <strong>1997</strong> + POTTERY IN AUSTRAUA 57

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