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EXBERLINER Issue 163, September 2017

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WHAT’S ON — International Literature Festival<br />

Arjun Appadurai, Banking on<br />

Words Globalisation theorist<br />

Appadurai builds an elaborate<br />

argument on the failure of language<br />

to disentangle the ciphers<br />

of modern finance, unpacking<br />

terms like “asset-based securities”<br />

and “credit default swaps”.<br />

In order to reclaim agency, he<br />

invokes McKim Marriott’s and<br />

Deleuze’s notion of the “dividual”<br />

as the necessary counterpoint<br />

to the Western construct of “individuals”.<br />

Yes, it’s complicated,<br />

and Appadurai’s work demands<br />

perseverance —but it’s rewarded.<br />

Amanda Lee Koe,<br />

Ministry of Moral Panic<br />

The role of hierarchy and exploitation<br />

in defining today’s Singapore<br />

soon becomes apparent in<br />

these wonderfully quirky tales of<br />

servants and masters, rejected<br />

wives and aging pop stars. With<br />

a clear-eyed and affectionate<br />

appraisal of human needs, Koe’s<br />

startling use of idiom and situation<br />

comedy (“She loved holding<br />

on to his penis and scrubbing it<br />

… the way she would a radish”)<br />

mostly saves her stories from<br />

grimness, leaving the reader<br />

curiously lighthearted.<br />

Edward Snowden<br />

Marie NDiaye<br />

scientists will debate the embattled state of<br />

democracy. Inspired in part by the 1935 International<br />

Congress of Writers in Defence<br />

of Culture and organised by the Peter Weiss<br />

Foundation, the Congress opens with a marathon<br />

English-language discussion entitled “The<br />

Long Night of Democracy: the State of Affairs”.<br />

The 18 participants include opening speaker and<br />

globalization theoretician Arjun Appadurai (see<br />

review), Polish publicist and former dissident<br />

Adam Michnik, Argentinian digital activist and<br />

co-founder of Open Collective Pia Mancini and –<br />

over Skype, of course – Edward Snowden. Other<br />

speakers over the following two days include<br />

German artist Katharina Grosse (What Can Art<br />

Do?), US-French social scientist Susan George<br />

(Some are More Equal than Others) and a rare<br />

appearance of GDR protest icon Wolf Biermann<br />

talking one-on-one with Ulrich Schreiber on the<br />

Friends and Foes of an Open Society.<br />

DON’T FORGET THE EUROPEANS!<br />

Following the success of his docu-fictive novel<br />

Oorlog en Terpentijn (War and Turpentine),<br />

named one of the 10 best books of 2016 by the<br />

New York Times, Flemish writer Stefan Hertmans<br />

has produced something<br />

equally distinct in De Bekeerlinge.<br />

An English translation<br />

is in the pipeline but if you<br />

want a head-start, catch Hertmans<br />

presenting the German<br />

translation Die Fremde (Sep<br />

11, 21:00, see review). German<br />

journalist Norman Ohler<br />

caused an international ruckus<br />

with Blitzed, his analysis of<br />

drug use in the Third Reich.<br />

Cleverly changing gear, his<br />

latest work is a novel, Die Gleichung<br />

des Lebens, which packs<br />

John Valeron CC BY 4.0<br />

a migrant narrative (Frederick the Great’s plans<br />

to settle refugees on flood-liable land to the east<br />

of Berlin) into thriller form (Sep 15, 21:00). Prizewinning<br />

polyglot Marie NDiaye, a Berlin-based<br />

novelist and playwright of French-Senegalese<br />

descent, presents her latest foray into psychological<br />

acuity in the original French: La cheffe, roman<br />

d’une cuisinière (Sep 14, 19:30). In Die Hauptstadt<br />

Austrian writer Robert Menasse’s multi-strand<br />

narrative on the burial of Europe’s post-war<br />

ghosts argues subtly for a Eurocratic continent –<br />

albeit in desperate, mordant need of a personality<br />

(Sep 6, 20:30). Finally, lauded French author and<br />

playwright Yasmina Reza closes the festival with<br />

a presentation of her latest novel Babylon (winner<br />

of the 2016 Prix Renaudot), in which a late middle-aged<br />

woman attends a seemingly innocuous<br />

birthday celebration that opens the floodgates of<br />

memory (Sep 16, 20:00). n<br />

Charlotte Wood,<br />

The Natural Way of Things<br />

A group of young women find themselves in the<br />

remote Australian outback, shorn and smocked<br />

and forced into mind-numbing labour inside a<br />

ferociously secured compound. The scenario<br />

that Wood develops goes beyond Conrad<br />

and Atwood, showing sexual conditioning as a<br />

deeply ingrained deterrent to independent female<br />

identity: these elementally revised women<br />

finally get a shot at physical and emotional<br />

freedom, but not all of them make the cut.<br />

Enslavement and emancipation have seldom<br />

felt so coupled, and so close.<br />

Heike Steinweg<br />

SEPTEMBER <strong>2017</strong> 25

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