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From Films on the Field t<br />

Some of you will remember me<br />

from nine years ago when my<br />

dad, Matthew Porter, was vicar<br />

at St Chad’s. You probably saw<br />

me playing in the worship band or<br />

operating the AV desk, or perhaps called<br />

upon me to try and help fix something<br />

technical when my dad wasn’t around. I<br />

grew up at St Chad’s and really enjoyed<br />

being part of the community. Since<br />

December 20<strong>08</strong> I’ve been living in York,<br />

I took my A levels and spent five years<br />

playing in bands. I am now a director at a<br />

film company called Hewitt & Walker.<br />

I’ve been making short videos since I<br />

was eight or nine years old, borrowing<br />

my parents’ camcorder and filming myself<br />

and my brothers in the garden or on the<br />

church field. We’d make really bad karate<br />

videos where we’d all have to fight in<br />

slow motion, and then we’d speed it up<br />

after so it looked like we were really well<br />

choreographed, and alien films where<br />

we’d explore the attic in the vicarage and<br />

the church basement. Later I’d spend<br />

summer holidays at Millhouses Park,<br />

skateboarding and rollerblading and<br />

filming myself and my friends.<br />

I never saw any of this turning into a<br />

career, it was just a bit of fun to pass the<br />

time. One day we even filmed ourselves<br />

having a race to see who could eat a<br />

whole lemon the fastest, with the loser<br />

getting the remaining lemons thrown<br />

at them by the winners. Being the<br />

cameraman I kept stopping to change<br />

camera angle and, of course, lost.<br />

The main thing I learnt from these short<br />

videos is that you need to make sure what<br />

you’re filming is interesting. You can have<br />

the best camera in the world, but if what<br />

you’re pointing it at isn’t interesting then it<br />

won’t look very good!<br />

The most important thing to think about<br />

when you are filming is where your light<br />

is coming from. Many people just turn the<br />

camera on and start shooting what is in<br />

front of them, but this is like setting up a<br />

microphone in a crowded room and hitting<br />

record. People need to be able to clearly<br />

make out what it is you are trying to show<br />

them. Always focus on one subject at a<br />

time, which will involve either moving your<br />

subject to make use of available light, or<br />

by moving your light into the right place to<br />

light your subject. Never shoot against a<br />

source of light such as a window, as it will<br />

make your subject look like they’re floating<br />

in white space. If you’re shooting people,<br />

most of the time you will want even light<br />

across their face, to reduce shadows<br />

and make them look healthier and more<br />

beautiful.<br />

Colour is very important when filming,<br />

so be aware of the colour of your subject<br />

and background. If you’re filming a person<br />

then it’s better to put them against a<br />

background that’s different to the clothing<br />

they are wearing, and also try to avoid<br />

backgrounds that are wooden or yellow/<br />

peach colours as they will blend in with<br />

the colour of skin. The further away<br />

from the background you can bring your<br />

subject the better your shot will look, as it<br />

creates more depth. You don’t want to put<br />

St Chad’s Church, Linden Avenue, Woodseats<br />

Church Office: Linden Avenue, Sheffield S8 0GA<br />

Tel: (0114) 274 5<strong>08</strong>6<br />

Page 18<br />

email: office@stchads.org<br />

website: www.stchads.org

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