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From Films on the Field t<br />
Some of you will remember me<br />
from nine years ago when my<br />
dad, Matthew Porter, was vicar<br />
at St Chad’s. You probably saw<br />
me playing in the worship band or<br />
operating the AV desk, or perhaps called<br />
upon me to try and help fix something<br />
technical when my dad wasn’t around. I<br />
grew up at St Chad’s and really enjoyed<br />
being part of the community. Since<br />
December 20<strong>08</strong> I’ve been living in York,<br />
I took my A levels and spent five years<br />
playing in bands. I am now a director at a<br />
film company called Hewitt & Walker.<br />
I’ve been making short videos since I<br />
was eight or nine years old, borrowing<br />
my parents’ camcorder and filming myself<br />
and my brothers in the garden or on the<br />
church field. We’d make really bad karate<br />
videos where we’d all have to fight in<br />
slow motion, and then we’d speed it up<br />
after so it looked like we were really well<br />
choreographed, and alien films where<br />
we’d explore the attic in the vicarage and<br />
the church basement. Later I’d spend<br />
summer holidays at Millhouses Park,<br />
skateboarding and rollerblading and<br />
filming myself and my friends.<br />
I never saw any of this turning into a<br />
career, it was just a bit of fun to pass the<br />
time. One day we even filmed ourselves<br />
having a race to see who could eat a<br />
whole lemon the fastest, with the loser<br />
getting the remaining lemons thrown<br />
at them by the winners. Being the<br />
cameraman I kept stopping to change<br />
camera angle and, of course, lost.<br />
The main thing I learnt from these short<br />
videos is that you need to make sure what<br />
you’re filming is interesting. You can have<br />
the best camera in the world, but if what<br />
you’re pointing it at isn’t interesting then it<br />
won’t look very good!<br />
The most important thing to think about<br />
when you are filming is where your light<br />
is coming from. Many people just turn the<br />
camera on and start shooting what is in<br />
front of them, but this is like setting up a<br />
microphone in a crowded room and hitting<br />
record. People need to be able to clearly<br />
make out what it is you are trying to show<br />
them. Always focus on one subject at a<br />
time, which will involve either moving your<br />
subject to make use of available light, or<br />
by moving your light into the right place to<br />
light your subject. Never shoot against a<br />
source of light such as a window, as it will<br />
make your subject look like they’re floating<br />
in white space. If you’re shooting people,<br />
most of the time you will want even light<br />
across their face, to reduce shadows<br />
and make them look healthier and more<br />
beautiful.<br />
Colour is very important when filming,<br />
so be aware of the colour of your subject<br />
and background. If you’re filming a person<br />
then it’s better to put them against a<br />
background that’s different to the clothing<br />
they are wearing, and also try to avoid<br />
backgrounds that are wooden or yellow/<br />
peach colours as they will blend in with<br />
the colour of skin. The further away<br />
from the background you can bring your<br />
subject the better your shot will look, as it<br />
creates more depth. You don’t want to put<br />
St Chad’s Church, Linden Avenue, Woodseats<br />
Church Office: Linden Avenue, Sheffield S8 0GA<br />
Tel: (0114) 274 5<strong>08</strong>6<br />
Page 18<br />
email: office@stchads.org<br />
website: www.stchads.org