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Neesh Magazine No. 1 (Spring 2017)

Issue No. 1

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Krakow has been developing the Arm Armature series for years. You may wonder what an armature<br />

is. Maybe you’ve never noticed them, and that’s just the point. Though paramount to<br />

museum display, they are made to be invisible. They hold items such as ancient pots, weapons<br />

and historical costumes so viewers can get a better look. Krakow studies armatures, sculpts them<br />

in clay, poses her arms to interpret them, and then stages a dialogue. The resulting pieces incorporate<br />

ceramic forms holding nothing, and documents of her contorted hands mounted within<br />

furniture-pedestals. Krakow’s work relates to Haim Steinbach’s use of displays, Bruce Nauman’s<br />

recurring use of hand gestures, as well as the current hybridization of photography and sculpture.<br />

Ellie Krakow received her MFA from Hunter College and BA from Prescott College, and attended<br />

Skowhegan. In 2016, she had a solo exhibition titled Arm Armature at Nurture Art in Brooklyn.<br />

Krakow has exhibited widely including solo exhibitions and performances at <strong>Spring</strong>/Break Art<br />

Show, Skowhegan Project Space and Chuchifritos, as well as group shows at Field Projects, Nars<br />

Foundation and Thierry Goldberg (all NYC), Interstate Projects and Present Company (Brooklyn).<br />

Outside of NYC, Krakow’s work has been exhibited in China, Croatia, Germany and Puerto<br />

Rico. Her artwork has been featured in BOMB, The Stranger, and Dossier Journal.

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