The Journal of Australian Ceramics Vol 49 No 1 April 2010

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Focus : Wood-Firing Working Fire -lines of sight behind the surface Flame links across millennia, as fire is worked to vitrify and hold sustenance for life and form for devotion . Fire marks us as a species, to gather, clear and settle, then fuse and forge in copper, brass, bronze and steel, of utensil, implement, bracelet and weapon. That history is a soft murmur now, as I gather to me the matter of making - wood, clay, shale, sandstone, dolerite and ochre. In place and present my eye flows across iron-saturated clay yellow, red and purpled, compressed back to stone pressured by time. It catches on the flaking rinds and mounded forms of dolerite boulders piled, waiting for the crusher. Form grows, plastic and stretched containing space as it waits for purpose. Echoes, past and present, w ild and civil, resound deep within these vessels, to blend and collide until stillness comes. The memory of past firings is my guide, as I imagine the flame moving through the kiln. Masking, shading, blocking, the pots are placed with hope, intent and care on refractory wads, marram grass and shells . Entombed alone in the kiln 's cold silence as slowly over days the vacant space fills, I am remembering how the flame ru ns across a swell of curve, blunts the cut raw facets with barely-melted firebox ash, or leaves faint traces of powdery siliceous residue beneath soft resistant wads. Fire is the random finisher, results are framed not ordained, as the final touch is not sure by certain hand but in surrender to the fickle grace of fire. Ben Richardson South Arm Autumn 2009 60 THE JOURNAL OF AUSTRALIAN CE RAMICS APRI L 2010
Focus: Wood- Firing THE JOURNAL OF AUSTRALIAN CERAMICS APRi l 2010 61
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The Journal of Australian Ceramics Vol 49 No 1 April 2010

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