Pottery In Australia Vol 38 No 3 September 1999

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understand the internal space. Where textures have been
added by Hoffmann they are gentle interjections, they do
not impose the sense of the maker on the piece. The ·
works intrigue the viewer with their subtlety and presence.
Sandy Lockwood shows great maturity in her work, a
sense of deep understanding of her materials, her
processes and her artistry. They are assertive and direct.
They sit powerfully in their own space, timeless in their
presence. This is an artist who has always explored and
pushed the technical and creative boundaries of both
herself and her materials with absolute focus and
determination.
Malina Monks' woven forms are more gentle but at
their most successful have an energy that put them in
motion. The glow of the fired surfaces add to this
liveliness.
Dennis Monks presents the viewer with the
unexpected. His pieces are small in scale and extremely
carefully constructed. The precision of these forms is not
usually associated with wood fired work, they are like
jewels that need to be studied carefully, thoughtfully.
They can be cradled in the hand, examined minutely and
savoured for both their surfaces and form.
This group of ceramic artists have redefined
woodfiring. They have taken a technique, and, guided by
strong and heartfelt conviction, have found a highly
personal way of working. The resulting works, as seen at
this exhibition, exude a confidence that comes from an
independent spirit, determination and most importantly,
passion.' oo
Sue Buckle
Above: Dennis Monks. w6cm
Photo Peter Clark.
Below: Malina Monks,
Wall Piece. diam50 x d8cm.
Opposite: Sandy Lockwood. h24cm
Photo Victor France.
38/3 SEPTEMBER 1999 + POTTERY IN AUSTRALIA 31