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RESEARCH ASSISTANT<br />
Filipino migrant labor, women, art, literature, sociology<br />
Detail of painting on the front cover from Second Joyful Mystery by Ofelia Gelvezon Tequi<br />
1993, Acrylic on linen, 56 x 66 cm, Ateneo Art Gallery Collection<br />
EDNA ZAPANTA MANLAPAZ<br />
Until her retirement in 2000, Edna Zapanta Manlapaz served as a<br />
faculty member of the Department of English at Ateneo de Manila<br />
University. In 1994 she co-founded the Ateneo Library of Women’s<br />
Writings (ALIWW), an archive mandated to “procure, preserve and<br />
promote” writings by and about Filipino women. These archival<br />
materials document the many varied contributions of Filipino<br />
women in all areas of national life.<br />
Though her eighteen books range from term paper writing to<br />
Kapampangan literature, most focus on Philippine literature in<br />
English written by women.<br />
CZARINA SALOMA<br />
Czarina Saloma is Associate Professor at the Department of<br />
Sociology and Anthropology and Research Associate at the<br />
Institute of Philippine Culture of Ateneo de Manila University, and<br />
currently a Fellow of the Alexander von Humboldt Foundation at<br />
Bielefeld University. Her publications include “Possible Worlds in<br />
Impossible Spaces: Globality, Knowledge, Gender and Information<br />
Technology in the Philippines,” a study on the everyday life-world<br />
of Filipino information technology professionals, and co-author<br />
(with Erik Akpedonu) of Casa Boholana: Vintage Houses of Bohol, a<br />
book on the everyday life-world of residents of vintage houses.<br />
YAEL A BUENCAMINO<br />
Yael A. Buencamino has been Managing Curator of the Ateneo Art<br />
Gallery since 2007. As Managing Curator she oversees the planning<br />
and development of the museum’s exhibitions and programs. Prior<br />
to joining the museum, she taught Southeast Asian Studies in the<br />
University of Asia and the Pacific and Asian Art at the College of<br />
Fine Arts, UP Diliman.<br />
She holds an MA in Southeast Asian studies and a postgraduate<br />
diploma in Asian Art from the School of Oriental and African<br />
Studies, University of London. She currently sits on the board<br />
of trustees of the Ateneo Library of Women’s Writings and the<br />
Alliance of Greater Manila Area Museums.<br />
CHERIE AUDREY ALFILER<br />
Cherie Audrey Alfiler was a former research assistant at the<br />
Institute of Philippine Culture. She completed her BA in Social<br />
Sciences specializing in Cultural Heritage Studies at the Ateneo de<br />
Manila University in 2013. At present, she is taking up her MA in<br />
Anthropology in the same university.<br />
Many Journeys, Many Voices focuses the<br />
spotlight on Filipina Overseas Workers from the<br />
perspectives of three interdisciplinary studies:<br />
sociology, literature and art.<br />
It chronicles the “feminization” of Filipino migrant<br />
labor and surveys the singular challenges faced<br />
by Filipina women compelled to work overseas. It<br />
allows ten Filipinas to tell, in their own voices, the<br />
story of their lives and journeys. It exhibits three<br />
artworks that depict these stories of tragedy and<br />
triumph.<br />
Readers will respond to this book with profound<br />
compassion for the Filipina overseas worker,<br />
respect for her indomitable spirit and conviction<br />
to champion her cause.<br />
<strong>ANVIL</strong><br />
art/literature/sociology<br />
cosplay<br />
geekology 2.0<br />
techniques in<br />
photography<br />
Tag this book! Filipina overseas workers, overseas Filipino workers,<br />
We are overwhelmed by the numbers—10.5 million overseas<br />
Filipinos spread out in more than 200 countries. We are mesmerized<br />
by the technical jargon: feminization of labor migration. That is<br />
precisely why we welcome this book: It transforms those numbers<br />
into the flesh and blood of Filipina overseas workers (FOWs). It gives<br />
“feminization” a human face—the faces of Evelyn, Socorro, Aniceta,<br />
Maryann, Julia, Diane, Miriam, Raquel, Catalina, Jane. It enables us<br />
to “hear” their voices as they relate their heart-rending yet heartwarming<br />
stories. How can we not pay tribute to these women of<br />
indomitable spirit?<br />
— SECRETARY IMELDA “MELY” NICOLAS<br />
Commission on Filipinos Overseas<br />
Office of the President of the Philippines<br />
The feminization of global migration has led many Filipino mothers<br />
to work abroad and leave their families. I have reported the<br />
deplorable impact of their absence on the fathers and the children<br />
left behind, in a book aptly titled Nawala Ang Ilaw ng Tahanan<br />
(2009). But how about the FOW mothers themselves?<br />
This book completes the picture by taking us into the inner world of<br />
the mothers as they speak of their own struggles to survive, their pain<br />
as they persevere in their work, their precious moments of joy—all<br />
told in their own words.<br />
If you really want to understand the hidden emotional and social<br />
cost of the OFW phenomenon, read this book.<br />
— MA. LOURDES A. CARANDANG, PhD<br />
Clinical Psychologist, National Social Scientist<br />
Their lives, their stories, narrated in their own distinct voices.<br />
Reading—or rather, listening—to individual FOWs’ stories is like<br />
accompanying them in their often lonely journeys in distant lands.<br />
We sense the uncommon courage, we feel the heartbreak, we also<br />
glimpse hope. These women serve, sweat and strive to give their<br />
best while in strange climes and on unfamiliar terrain. For family and<br />
country, for good or ill, in health or sickness, in fair weather or foul—<br />
till they come home again.<br />
— MA. CERES P. DOYO<br />
Journalist, Philippine Daily Inquirer<br />
MANLAPAZ • SALOMA • BUENCAMINO MANY JOURNEYS, MANY VOICES<br />
EDNA ZAPANTA MANLAPAZ<br />
CZARINA SALOMA<br />
YAEL A BUENCAMINO<br />
Many Journeys,<br />
Many Voices<br />
Edna Zapanta Manlapaz,<br />
Czarina Saloma and<br />
Yael A. Buencamino<br />
Many Journeys, Many Voices focuses the<br />
spotlight on Filipina Overseas Workers from<br />
the perspectives of three interdisciplinary<br />
studies: sociology, literature and art.<br />
It chronicles the “feminization” of Filipino<br />
migrant labor and surveys the singular<br />
challenges faced by Filipina women<br />
compelled to work overseas. It allows ten<br />
Filipinas to tell, in their own voices, the story<br />
of their lives and journeys. It exhibits three<br />
artworks that depict these stories of tragedy<br />
and triumph.<br />
Readers will respond to this book with<br />
profound compassion for the Filipina<br />
overseas worker, respect for her indomitable<br />
spirit and conviction to champion her cause.<br />
ISBN: 978-971-27-3080-1<br />
Edition: Softbound<br />
Language: English<br />
Pages: 160<br />
Size: 8.5” x 8.5”<br />
GEEKOLOGY 2.0:<br />
Techniques in Cosplay<br />
Photography<br />
Jay Tablante<br />
ISBN: 978-971-27-3081-8<br />
Edition: Softbound<br />
Language: English<br />
Pages: 136<br />
Size: 8.25” x 8.25”<br />
This sequel to Jay Tablante’s pioneering book on<br />
cosplay photography focuses on the techniques,<br />
theories and concepts behind character creation.<br />
Also features Tablante’s popular creative cosplay<br />
images. Pages in full color.<br />
Jay Tablante has been a professional photographer<br />
for the past eleven years. His work and passion have<br />
brought him to far-flung places. His so-called day job<br />
involves shooting for advertising brands and men’s<br />
magazines.<br />
This book focuses the spotlight on Filipina Overseas Workers from the perspectives of three<br />
interdisciplinary studies: sociology, literature and art. It chronicles the “feminization” of Filipino<br />
migrant labor and surveys the singular challenges faced by Filipina women compelled to work<br />
overseas. It allows ten Filipinas to tell, in their own voices, the story of their lives and journeys. It<br />
exhibits three artworks that depict these stories of tragedy and triumph. Readers will respond to this<br />
book with profound compassion for the Filipina overseas worker, respect for her indomitable spirit<br />
and conviction to champion her cause.<br />
Edna Zapanta Manlapaz served as a faculty member of the Department of English at Ateneo de Manila<br />
University. She also co-founded the Ateneo Library of Women’s Writings (ALIWW). Her eighteen books range from<br />
term paper writing to Kapampangan literature—most of which focus on Philippine literature in English written by<br />
women.<br />
Czarina Saloma is Associate Professor at the Department of Sociology and Anthropology and Research<br />
Associate at the Institute of Philippine Culture of Ateneo de Manila University, and currently a Fellow of the<br />
Alexander von Humboldt Foundation at Bielefeld University. Her publications include “Possible Worlds in<br />
Impossible Spaces: Globality, Knowledge, Gender and Information Technology in the Philippines,” and coauthor<br />
(with Erik Akpedonu) of Casa Boholana: Vintage Houses of Bohol.<br />
Yael A. Buencamino has been Managing Curator of the Ateneo Art Gallery since 2007. She taught Southeast<br />
Asian Studies in the University of Asia and the Pacific and Asian Art at the College of Fine Arts, UP Diliman.<br />
She holds an MA in Southeast Asian studies and a postgraduate diploma in Asian Art from the School of<br />
Oriental and African Studies, University of London. She currently sits on the board of trustees of ALIWW and<br />
the Alliance of Greater Manila Area Museums.<br />
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