Volume 23 Issue 3 - November 2017
In this issue: conversations (of one kind or another) galore! Daniela Nardi on taking the reins at "best-kept secret" venue, 918 Bathurst; composer Jeff Ryan on his "Afghanistan" Requiem for a Generation" partnership with war poet, Susan Steele; lutenist Ben Stein on seventeenth century jazz; collaborative pianist Philip Chiu on going solo; Barbara Hannigan on her upcoming Viennese "Second School" recital at Koerner; Tina Pearson on Pauline Oliveros; and as always a whole lot more!
In this issue: conversations (of one kind or another) galore! Daniela Nardi on taking the reins at "best-kept secret" venue, 918 Bathurst; composer Jeff Ryan on his "Afghanistan" Requiem for a Generation" partnership with war poet, Susan Steele; lutenist Ben Stein on seventeenth century jazz; collaborative pianist Philip Chiu on going solo; Barbara Hannigan on her upcoming Viennese "Second School" recital at Koerner; Tina Pearson on Pauline Oliveros; and as always a whole lot more!
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Naseer Shamma<br />
volumes, it has been adopted by the National Conservatory of Music in<br />
Lebanon and by other music institutions, securing his standing among<br />
today’s leading masters of the Arabic oud. Rouhana is also a prizewinning<br />
composer: in 1990 he was awarded first prize in the Hirayama<br />
Competition for his work Hymn of Peace. He has appeared in concert<br />
with classical Hindustani bansuri (bamboo flute) virtuoso Hariprasad<br />
Chaurasia, and also with many other leading musicians.<br />
FAMA Concerts<br />
In addition to the <strong>November</strong> 1 FAMA concert at the Revue Cinema<br />
mentioned in my previous column, featuring the outstanding female<br />
Syrian oud player and singer Waed Bouhassoun, and the <strong>November</strong> 3<br />
Charbel Rouhana concert referred to above, there are a several more<br />
FAMA concerts in the first half of <strong>November</strong>. Here are some highlights.<br />
<strong>November</strong> 4, the group Golan, its members hailing from Tunisia,<br />
France and Palestine, takes the stage at the Lester B. Pearson Theatre<br />
in Brampton. Leader Hubert Dupont, Golan’s double bassist, gathered<br />
like-minded musicians from all over the Mediterranean, arranging<br />
a musical exchange between elements of contemporary European<br />
music, jazz and Arabic traditional music. Pascal Rozat wrote in France<br />
Musique that Golan is reaching for “an ideal of musical fraternity<br />
as much as a hymn to freedom, for an ‘oriental journey’ different<br />
from others.”<br />
<strong>November</strong> 9, FAMA, in partnership with the Native Canadian Centre<br />
in Toronto and in association with the Aga Khan Museum and the<br />
Arab Community Centre of Toronto, presents the world premiere of<br />
Origins at the Aga Khan Museum. Tagged “Indigenous/Arabic,” this<br />
new production by the Canadian Arabic Orchestra in collaboration<br />
with poet and singer Hassan Tamim and St’at’imc (a.k.a. Lillooet)<br />
singer-songwriter and dancer Laura Grizzlypaws is perhaps the most<br />
ambitious of the FAMA offerings.<br />
Origins showcases similarities as well as cultural divides between<br />
the people of two continents through dance and music, “in the spirit<br />
of truth and reconciliation and… peace and harmony through the<br />
cross-cultural medium of music.” In addition to Grizzlypaws and<br />
the Canadian Arabic Orchestra, Origins presents whirling dervish<br />
performers of Rumi Canada for part of the program, enhancing the<br />
spiritual journey theme of the work.<br />
<strong>November</strong> 12, FAMA moves to Mississauga’s Hammerson Hall, at<br />
the Living Arts Centre. Iraqi-born Naseer Shamma, among the world’s<br />
top oud masters, headlines the concert accompanied by the Canadian<br />
Arabic Orchestra. Titled “On the Way to Baghdad,” the concert is<br />
billed as a veritable masterclass in classical Arabic music.<br />
Born in 1963 in Iraq, Shamma received his diploma from the<br />
Baghdad Academy of Music in 1987. He has composed music for TV,<br />
films and plays since. In 1998 he established the Arabic Oud House in<br />
Cairo, as well as in Tunis and Dubai. His scholarly research consulting<br />
old manuscripts on Arabic music has aided in his reconstruction<br />
of the Al-Farabi (c. 870-951 CE) model oud, which can produce an<br />
expanded tonal range of four octaves, giving the player a<br />
vast improvisational terrain.<br />
QUICK PICKS<br />
The Aga Khan Museum hosts four concerts in addition<br />
to Origins: Nov 4: “Fleur Persane by Perséides”<br />
featuring Amir Amiri (santur) and Jean Félix Mailloux<br />
(double bass); Nov 18: “Haram with Gordon Grdina”<br />
is an evening of indie-rock meets jazz and electronica;<br />
Nov 25:” All Rivers at Once: The Israeli-Iranian<br />
Musical Initiative” is described as “jazz-like arrangements<br />
of traditional Israeli and Iranian folk songs.” The<br />
ensemble, directed by pianist Noam Lemish, includes<br />
Saeed Kamjoo (kamancheh), Pedram Khavarzamini<br />
(tombak) and Amos Hoffman (oud). Dec 2: “Nazar by<br />
Turkwaz,” the Toronto quartet of world music divas<br />
Maryem Hassan Tollar, Jayne Brown, Sophia Grigoriadis<br />
and Brenna MacCrimmon. Expect Arabic, Balkan and<br />
Turkish folk songs in tight arrangements with a sprinkling<br />
of new charts.<br />
Nov 22: 12 noon, the COC’s World Music Series continues with<br />
“Arabic Coffee House.” The Al Qahwa Ensemble, with Maryem Hassan<br />
Tollar (vocals), Demetri Petsalakis (oud), Ernie Tollar (flutes) and<br />
Naghmeh Farahmand (percussion), animate the Richard Bradshaw<br />
Amphitheatre of the Four Seasons Centre for the Performing Arts.<br />
I’ll be sure to attend this concert of longtime local practitioners of<br />
Arabic and related music, bookending what promises to be an extraordinarily<br />
chockablock month of Arabic music in the GTA.<br />
Andrew Timar is a Toronto musician and music writer. He can be<br />
contacted at worldmusic@thewholenote.com.<br />
AMANDA<br />
MARTINEZ<br />
IN CONCERT<br />
Nominee for Latin Jazz<br />
Performer of the Year<br />
Toronto Independent Music<br />
Awards Canadian Folk Music<br />
Awards<br />
“One of the greatest voices in<br />
the world.” ~ Javier Limon<br />
NOV<br />
25<br />
8 PM<br />
thewholenote.com <strong>November</strong> <strong>2017</strong> | 33