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Inspiring Women Winter 2017

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prototypes (actually make them);<br />

my natural artistic talent was a<br />

godsend. I applied and secured<br />

an internship with General Motors<br />

in 1977. In 1978, only 8 out of 45<br />

students completed the course at<br />

Cal State Long Beach and were<br />

awarded a Bachelor of Science<br />

degree in Industrial Design. I<br />

graduated top of my class—the<br />

only woman to complete the<br />

course in 1978 and one of a select<br />

handful of women Industrial<br />

Designers in the United States. That<br />

year I was awarded the Industrial<br />

Design Society of America Award<br />

in our region. Quite an honor.<br />

In 1978 I accepted a job with<br />

Chrysler doing automotive interiors and enjoyed it very much until the slump in the automotive<br />

industry in 1979—80. Not to be defeated, I soon found a job with Water Darwin Teague and<br />

Associates in Seattle, Washington--doing aircraft interiors. That was a brilliant job and I’d happily<br />

be there still if I wasn’t headhunted by Peugeot Société Automobile which brought me, on a 3-<br />

year contract, to Europe and specifically to England in 1980.<br />

By 1983, having married and become pregnant with our first child, I branched off on my own as<br />

an independent industrial designer working on everything from cuddly toys for Boots the<br />

Chemists, coach interiors for British Rail, to kitchen appliances for Thorne EMI and volunteering<br />

my graphic design work for organizations like FAWCO, NAC, and my local community until I<br />

retired in 2010 from “industrial design” work altogether and was finally free to pursue my passion<br />

for art and become an “artist”!<br />

“Beach Days”<br />

Over the years I have learned that<br />

artists come in all walks of life and<br />

variations of temperament. True<br />

artists have a natural affinity with the<br />

world around them and have an<br />

unquenchable curiosity, forever<br />

learning… they usually let their art<br />

speak for them. It is also deeply<br />

emotional! Evocative to the point of<br />

numbness. It has the power to focus<br />

thought and direction. The state of<br />

mind of the viewer also affects the<br />

message. One of my paintings<br />

showed a calm stillness in the cool,<br />

clear waters at Lake Annecy, France,<br />

most people saw it as peaceful,<br />

however, I noticed one lady was<br />

rocking and disturbed. When I asked<br />

her if she was alright, she just said “I’m<br />

on the edge of that pier… I just want<br />

the water to take me”. Luckily, my<br />

vicar was at the exhibition with his<br />

wife at the time and he went over to<br />

comfort her. I saw her years later, she<br />

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