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Inspiring Women Winter 2017

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Inspiration from a FAWCO friend<br />

LEE SORENSON<br />

American <strong>Women</strong>’s Club of Rome, Italy<br />

and FAUSA<br />

From: California, USA (born in Idaho)<br />

Lives: Westlake Village, California<br />

My first step in the journey in the world of<br />

art was in 1964 in Rome, Italy, while I was<br />

assigned to the Office of International<br />

Affairs, Treasury Department, at the US<br />

Embassy. I met Mary Mag and her<br />

husband Ed at that time and they<br />

introduced me to a remarkable artist,<br />

teacher, and truly a Renaissance man,<br />

Manlio Guberti (Katherine Hepburn had<br />

many of his paintings and other art<br />

works in her noteworthy collection). With<br />

Manlio, I began studying oil and<br />

tempera-on-sand techniques with some<br />

success. At the same time, I joined the<br />

sculpting class of Helena Zelinsky, a<br />

renowned sculptor of various popes,<br />

who had a small studio where she taught beginning and advanced students. Both my<br />

teachers encouraged me, and suggested I study both art forms seriously. I had had no<br />

previous experience in art of any kind until that time, although I had loved observing it since I<br />

was a child. I was elated that I was in a city filled with amazing art, architecture and music,<br />

and I was determined to take full advantage of the cultural life going on around me.<br />

In 1972, I married and had<br />

two children. Out the window<br />

went my artistic endeavors as<br />

I devoted my creative<br />

energies to being married,<br />

cooking (another love), and<br />

raising my boys. Looking back<br />

now, it surprises me a great<br />

deal that I did not continue in<br />

some way. Nevertheless, the<br />

seed had definitely been<br />

planted and bloomed again<br />

decades later, when I<br />

returned to the United States<br />

and, on a whim, decided to<br />

take an introduction to<br />

watercolors offered at a local<br />

community center. It was as if<br />

53<br />

“Flowers I”

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