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COVER STORY<br />
figures because you can’t create that anymore.<br />
The shift is to, we’re best friends, with the<br />
comments and with those pictures and I like that.<br />
Do you like it?<br />
I love trying to make that shift and make that<br />
transition into the new demands of the fans in<br />
this business.<br />
Do you realise that your fans are comparing<br />
your Bright character with the look you used<br />
to have in The Fresh Prince of Bel Air?<br />
It’s that damn mustache. I hated that mustache.<br />
It was so bad.<br />
How much reality is behind the fantasy of the<br />
movie Bright?<br />
This is a drama that happens to be set in a world<br />
where there is a huge difference, but it is our world;<br />
it should feel like our world. They went to great<br />
pains to make it look like our world and we shot in<br />
Los Angeles, always at night, which was very<br />
difficult but for some of us.<br />
What did you like the most about the idea of<br />
the movie?<br />
The idea was spectacular for me as an African<br />
American playing a police officer that was racist<br />
against the first orc on the force. It’s like the flip of<br />
those social concepts. As a black dude, you just don’t<br />
get a lot of movies where you’re the racist. And it was<br />
really great. “Yo man, I don’t want no orc in my car.”<br />
You know you never get to say that (laughs).<br />
Will we see those kind of violent dynamics<br />
played between law enforcement and also<br />
the Orcs and the supernatural creatures on<br />
the show?<br />
Yeah for sure. You know, our director David<br />
Ayer doesn’t find a necessity to be delicate with<br />
those issues. This is a film that is about enjoyment<br />
and entertainment. And those under currents and<br />
undertones of the film are specifically for people<br />
to be able to think about it.<br />
31<br />
EQUITY