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COVER STORY<br />

figures because you can’t create that anymore.<br />

The shift is to, we’re best friends, with the<br />

comments and with those pictures and I like that.<br />

Do you like it?<br />

I love trying to make that shift and make that<br />

transition into the new demands of the fans in<br />

this business.<br />

Do you realise that your fans are comparing<br />

your Bright character with the look you used<br />

to have in The Fresh Prince of Bel Air?<br />

It’s that damn mustache. I hated that mustache.<br />

It was so bad.<br />

How much reality is behind the fantasy of the<br />

movie Bright?<br />

This is a drama that happens to be set in a world<br />

where there is a huge difference, but it is our world;<br />

it should feel like our world. They went to great<br />

pains to make it look like our world and we shot in<br />

Los Angeles, always at night, which was very<br />

difficult but for some of us.<br />

What did you like the most about the idea of<br />

the movie?<br />

The idea was spectacular for me as an African<br />

American playing a police officer that was racist<br />

against the first orc on the force. It’s like the flip of<br />

those social concepts. As a black dude, you just don’t<br />

get a lot of movies where you’re the racist. And it was<br />

really great. “Yo man, I don’t want no orc in my car.”<br />

You know you never get to say that (laughs).<br />

Will we see those kind of violent dynamics<br />

played between law enforcement and also<br />

the Orcs and the supernatural creatures on<br />

the show?<br />

Yeah for sure. You know, our director David<br />

Ayer doesn’t find a necessity to be delicate with<br />

those issues. This is a film that is about enjoyment<br />

and entertainment. And those under currents and<br />

undertones of the film are specifically for people<br />

to be able to think about it.<br />

31<br />

EQUITY

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